Republicans Are The Pity Party

Peggy Noonan writes in the WSJ:

Could the party pivot from the president? I spoke this week to Clarke Reed of Mississippi, one of the great architects of resurgent Republicanism in the South. When he started out, in the 1950s, there were no Republicans in his state. The solid south was solidly Democratic, and Sen. James O. Eastland was thumping the breast pocket of his suit, vowing that civil rights legislation would never leave it. "We’re going to build a two-party system in the south," Mr. Reed said. He helped create "the illusion of Southern power" as a friend put it, with the creation of the Southern Republican Chairman’s Association. "If you build it they will come." They did.

There are always "lots of excuses," Mr. Reed said of the special-election loss. Poor candidate, local factors. "Having said all that," he continued, "let’s just face it: It’s not a good time." He meant to be a Republican. "They brought Cheney in, and that was a mistake." He cited "a disenchantment with the generic Republican label, which we always thought was the Good Housekeeping seal."

What’s behind it? "American people just won’t take a long war. Just – name me a war, even in a pro-military state like this. It’s overall disappointment. It’s national. No leadership, adrift. Things haven’t worked." The future lies in rebuilding locally, not being "distracted" by Washington.

Is the Republican solid South over?

"Yeah. Oh yeah." He said, "I eat lunch every day at Buck’s Cafe. Obama’s picture is all over the wall."

How to come back? "The basic old conservative principles haven’t changed. We got distracted by Washington, we got distracted from having good county organizations."

Should the party attempt to break with Mr. Bush? Mr. Reed said he supports the president. And then he said, simply, "We’re past that."

We’re past that time.

Mr. Reed said he was "short-term pessimistic, long-term optimistic." He has seen a lot of history. "After Goldwater in ’64 we said, ‘Let’s get practical.’ So we got ol’ Dick. We got through Watergate. Been through a lot. We’ve had success a long time."

Throughout the interview this was a Reed refrain: "We got through that." We got through Watergate and Vietnam and changes large and small.

He was holding high the flag, but his refrain implicitly compared the current moment to disaster.

What happens to the Republicans in 2008 will likely be dictated by what didn’t happen in 2005, and ’06, and ’07. The moment when the party could have broken, on principle, with the administration – over the thinking behind and the carrying out of the war, over immigration, spending and the size of government – has passed. What two years ago would have been honorable and wise will now look craven. They’re stuck.

Mr. Bush has squandered the hard-built paternity of 40 years. But so has the party, and so have its leaders. If they had pushed away for serious reasons, they could have separated the party’s fortunes from the president’s. This would have left a painfully broken party, but they wouldn’t be left with a ruined "brand," as they all say, speaking the language of marketing. And they speak that language because they are marketers, not thinkers. Not serious about policy. Not serious about ideas. And not serious about leadership, only followership.

This is and will be the great challenge for John McCain: The Democratic argument, now being market tested by Obama Inc., that a McCain victory will yield nothing more or less than George Bush’s third term.

That is going to be powerful, and it is going to get out the vote. And not for Republicans.

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The Perils Of Yellow Fever

Cathedral City, just outside Monterey Park.

I’m to meet Ming Ho’s father at his dry cleaners.

A cloud of steam erupts from his press as I walk in.

"Mr. Kim, so very good to meet you," I say. "Could I borrow some cash so I can take your daughter on the date she deserves? I want to take her out for Chinese food and study her Red Book."

"You leave now! You trouble!" he responds.

"Father," says Ming. "You promised not to shame us in front of the Jew."

"You leave now or I’ll harvest your organs!" he says. "Ming, we could become rich if you just hold him down long enough for me to extract a kidney."

Jim Jones emails: "Cathedral City is near Monterey Park? You mean Temple City, moron. Cathedral City’s near Palm Springs. I won’t bother to go into why the rest of your "satirical" post doesn’t work on any level, you fag."

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‘Hell is Other People’

That’s one of my father’s favorite sayings (it is from Jean-Paul Satre’s play No Exit).

He was always trying to avoid the hordes of people descending on him.

On some Sabbath mornings in Australia, he’d put me on a bike and pedal me miles to a quarry where we’d spend a few solitary hours.

I’ve inherited this misanthropy and tend to isolate myself.

From the time I entered school in second grade, I was searing and cutting with my words, keeping other people at bay.

Not much has changed 33 years later.

Almost all relationships tend to limit my freedom to write — a top value for me. I just want to be free to describe the world as I see it, but I can only understand the world through relationships with other (which always necessitate sacrifices of freedom).

As I’ve aged, I’ve learned to compromise more gracefully. I have a handful of relationships in my life that I put before my writing.

But not many.

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Stop The Hymen Holocaust!

It’s my favorite name for a punk rock band.

They are pretty hardcore.

Check them out on YouTube.

Here’s their myspace and website.

These guys will be my Air Supply for the new millenia.

I am disturbed, however, by this band’s distance from G-d.

I’m thinking of starting my own band dedicated to Dennis Prager and ethical monotheism. I’ll call it, "Neither A Pupil Nor A Friend."

We’ll play a combination of hard rock Scorpions-style with our title hit and some love ballads Air Supply-style such as "Why The Jews? The Reason For Anti-Semitism."

From No Escape Records:

Hymen Holocaust is a solo necro-gore project from Morris "Cliteater" who wanted to have another "band" besides Cliteater. It all started in 2005 when some lyrics were written just for fun. Having an extreme interest in gore grind musick it had to lead that way. No blast beats, just raw, filthy and downtuned groovy stuff was the intention. After a few months some riffing was done and ideas came up to build a couple of tracks. While recording them it all turned out to be better than expected so some more tracks were written within a short time and 8 tracks were a fact. No Escape Records from Australia seemed to be interested in releasing this sick and perverted stuff and a deal was made quite soon. The debut album "Necromance" saw the light of day in February 2006. The follow up "Blood Feast" has been recorded and will be released in October 2006 by No Escape Records as well.
Website: www.hymen-holocaust.com
Myspace: http://www.myspace.com/hymencrusher


HYMEN HOLOCAUST
Hymen Holocaust
NE030

HYMEN HOLOCAUST
Blood Feast
NE025

HYMEN HOLOCAUST
Necromance CD
NE020

Here’s a shot of c—punt from my cam chat:

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Why Didn’t The Forward Choose Alana Newhouse?

Here’s my Alana Newhouse section.

Mark Oppenheimer writes:

…Alana has managed the newspaper’s transition to a new, award-winning website, and she is good on TV and radio (listen to her great insights about Portnoy’s Complaint)–she understands how to work in different media. Not many editors do.

So, is she the first young (30) editor to be passed over for an older, more experienced editor? Of course not. It happens often, and in fact I think it should happen more often. I think too many magazines and newspapers promote young people quixotically, hoping that they will know how magically to attract younger readers. (Four years ago I myself was given a job I probably wasn’t ready for, given it in part, I think, because I was young.) The New Republic, to take one example, would be a much better magazine if it had more editors who were beyond their twenties or thirties.

But in this case I have read the writing on the wall–a biblical allusion Alana would get; would Jane?–and don’t like what I see. This strikes me less as a promotion of old over young than as strict news over polymathic news-and-culture; establishment credentials over new media skills; and the ever elusive "management skills" and "gravitas" over panache and enthusiasm. Except even that’s not quite right, because Alana is a terrific manager; she has been acting as editor of the news section for the past year while J.J. Goldberg was on book leave, and during that time the news hole has been better, morale has (from what I can tell) been very high, and–best of all, one would think–subscription renewals are up.

So, I can’t figure it out. But one thing is clear: the arts section that Alana edits has been generating most of the buzz for the paper for years now. That’s not a slight toward the news writers–heck, if Leon Wieseltier left The New Republic, that magazine would take a huge hit in subscriptions–arts is big, and lot of people read the back of the book first, you know? Last time the paper got a new editor, after Lipsky’s firing, several editors and writers left soon after, and the arts section took years to recover. If Newhouse leaves in anger, one of New York’s most important sites for arts and culture criticism will have lost its captain. And it’s hard to say who could steer it so well.

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The Jewish Exponent Shuts Out Dissident Voices

From the Forward:

The controversy dates back to March 2007, when Akiba Hebrew Academy announced that it had accepted a $5 million gift and would be changing its name. The gift came from Leonard Barrack, a prominent Philadelphia securities lawyer and the newly elected board chair of the Philadelphia federation. (A onetime finance chairman of the Democratic National Committee, Barrack is, ironically enough, supporting Hillary Clinton.) At Barrack’s request, Akiba renamed itself the Jack M. Barrack Hebrew Academy in honor of his older brother, who died in a plane crash at age 27.

The name change raised hackles among alumni, not least because the school had juggled donations and money previously. In late 1998, Ruth and Raymond Perelman, parents of billionaire financier Ronald Perelman, offered to donate $2 million to the school if it would substitute the Perelman name for that of first-century sage Rabbi Akiba. Alumni and students protested the proposed name change in advance of the school board’s vote, and the name change failed to pass. In the case of Barrack’s gift, the board members announced it after they had voted to accept. (Full disclosure: Jane Eisner, who was nominated this week to become the next editor of this newspaper, is a member of the school’s board.)

In response, aggrieved Akiba alumni, particularly from the class of 1971, organized to protest the name change and to urge the board to reconsider. As part of that push, a number of alumni submitted their arguments to the Exponent this month in the form of a letter to the editor and a full-page advertisement. Both charged that the school had allowed federation politics, and Barrack’s stature, to influence the board’s decision.

The Exponent would publish neither the advertisement nor the letter. Jonathan Tobin, executive editor of the Exponent, said that he chose not to publish the letter because the topic was no longer newsworthy.

“I would say we reported what happened, and we certainly printed comments about it,” Tobin told the Forward. “The issue resolved itself.”

Meanwhile, the paper’s advertising department rejected the ad submitted by the alumni. Alumnus Dan Kaplan says that the paper’s general manager told him that the paper would not accept the ad because it was “divisive and contrary to what the Exponent is attempting to do in the community.” In turn, the Exponent forwarded the advertisement to the school’s incoming headmaster, who e-mailed Kaplan and asked to talk.

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When Did You Last See Your Father?

This was the third terrific film I’ve seen in three nights. Video

It’s a smart British number.

Their storytelling ethos is more pessimistic than the American and it usually strikes me as smarter.

Here’s a comment on the film from imdb:

No other actor could have played Jim Broadbent’s part. He’s fantastic as the stout father, who can never quite relay his intimate feelings and emotions to his son, who is played with understated brilliance by Colin Firth. Sarah Lancashire deserves a mention, who has a small part but delivers with consistent aplomb (she’s great on the telly), and Matthew Beard as the young Blake Morrison, upon whom the film and book are auto-biographically based.

As his father lays on his deathbed, the son recounts his childhood memories of the part his dad played in his life, whether funny, mean, sad or eccentric. Smart direction plus great lead performances, at least one of which is definitely worthy of an Oscar, adds to the overall emotional connection with the audience and culminates with a surprisingly touching ending, despite it’s inevitability.

Having seen the film with my mum, who not only read the book by Blake Morrison, but had a father much like the one portrayed in the film, I found it all the more connectible. But this is not to say it is not for everyone. I think we can all relate to the fathers who can never quite express how they truly feel, and the childhoods spent moping and dwelling on seemingly world-shattering things.

The cinema i saw this in had about ten people at most, which is shocking! We need to see more British films like this, if just to keep the British film industry going. It deserves to fill a theatre and gain much more exposure than it currently has, regardless of those who might say it would have been better placed on television.

It is a superb film, thoughtfully shot, very well written and a joy to be in the company of for all of it’s ninety minutes. And yes, I cried at the end. Sniff. But maybe you will too.

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Where Is Luke?

Darrah writes on porn star babylon:

where in the world is Luke Ford

No not the original Luke Ford. That Luke Ford no longer writes about the adult industry. He became really religious and now writes about Jewish issues. Good article here about him as the first porn blogger and everything he went through.

But the Luke Ford I’m talking about at Luke Is Back has been missing since April 11. That site was originally run by the original Luke until he became religious and then sold it to the new Luke. There’s also lukeford.com also originally run by the original Luke Ford long ago. I would link to it but it has a huge giant penis on the front page now. lol That was his first site. His rabbi then convinced him to give up writing about porn. So he sold it. Started writing about Jewish issues and went broke. So he came back to writing about porn and started Luke Is Back after he failed trying to buy back lukeford.com. Then he gave up Luke Is Back and became really religious and started lukeford.net where he writes about everything and anything Jewish. YES I know it’s all complicated! :oops:

Now myself and others are holding a vigil and also yelling at each other on this post at Luke Is Back. Some theories as to where that Luke is are that he’s dead, my theory that all three Luke sites are all run by the same original Luke Ford and he’s just plain tired haha :D , he stopped because he wasn’t making any money, he stopped because of constant hate comments from BigDaddyDick and porn star Jeremy Steele, or the newest theory that he somehow was dragged into the whole John Stagliano/Evil Angel indecency indictment mess. 8O If you somehow are reading my stupid blog and not dead or in a coma, come back and at least post an I’m alive message. :)

Off topic a bit but on that post at Luke Is Back, there’s this pesky porn star named Jeremy Steele continually telling me that I should change my blog name to something that doesn’t say porn star because he says most of what I post isn’t porn related. I would post more porn related articles and pictures if I could find them. So to make up for it, I post mainstream Hollywood crap. :D I have thought of changing my blog name to P.S. Babylon, PSBabylon, PSB, or Hollywood-X so no one will think it’s all porn all the time. I still don’t know yet. Stay tuned……… COME BACK LUKE!

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Sabra Love

Orit Arfa writes this singles column for the May 15, 2008 issue (Yom Ha’atzmaut) of the Jewish Journal. Here’s an excerpt:

I’ve been considering giving up on Israeli men, at least the purebred Israeli men, the sabras.

When I first landed in this country as a wide-eyed, optimistic Zionist, Israeli men captured my fascination — and I’ll admit —my early 20s lust. They were the "New Jews" who had cast off the spiritual and physical shackles of exile to invent a self-sufficient Jewish culture in the land Israel. Compared to their American Jewish counterparts, Israelis exuded a physical vitality and sexiness, enhanced by their years in army, where they developed hard abs and chiseled arms.

But as time wore on, I discovered the layered character of my fascination with Israeli men wasn’t mutual.

…Even the questions Israeli men ask me on JDate chats are matter-of-fact: What do you do? Where do you live? Who do you live with? I rarely am asked intelligent questions about my thoughts, my values, my unconventional Zionist dreams. Finally, maybe an Israeli man with whom I could discuss Israeli politics, religion, God.

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Israel At 60

Yossi Klein Halevi reflects:

To be an Israeli at the time of the state’s 60th anniversary means to be resigned to living with insoluble emotional and political paradoxes. It means living with a growing fear of mortality, even as we celebrate our ability to outlive every threat.

We are still "the only country" — the only country whose borders are not internationally recognized, the only country whose capital city has no foreign embassies, the only country expected in negotiations to yield tangible assets in exchange for mere recognition of our existence, the only country on which a death sentence has been passed by some of its neighbors.

Terror enclaves impinge on our borders, while the threat of a nuclear Iran grows. Our wars have shifted from the battlefront to the home front. Perhaps only now, in our fitful late-middle age, do we realize how touchingly naïve it was for the Zionist movement to imagine normalizing the Jews by creating the only non-Muslim state in the Middle East, in a land holy to three competing faiths, in proximity to the world’s most coveted oil fields. We have allowed ourselves to be represented by a president accused of rape, a prime minister voted the most corrupt politician in the country, a deputy prime minister convicted of molestation, a former finance minister accused of massive embezzlement.

In our late middle age, most of us are wary of the notion of fulfilling the biblical imperative of becoming a light unto the nations. In our war against the suicide bombers, we proved that a consumerist society can defeat terrorists and reclaim its public space — a historic victory for the world, even if much of the world doesn’t know it. By being the front line against jihad, Israel is performing the work of tikkun olam, helping to heal the world.

One after another our ideological certainties have collapsed. The dream of "greater Israel" ended in the first intifada; the dream of "peace now" ended in jihad.

The left has won the argument over concessions; the right has won the argument over peace. For the first time since the Six-Day War, we are facing reality without ideological blinkers.

To be an Israeli at 60 means to acknowledge that our internal conflicts over identity can only be managed, not solved. We know our capacity for self-devouring, the Jewish yetzer harah (evil temptation). Within unbearable tension, we have created ease. The food is great, the humor beyond politically incorrect. Hebrew culture scandalizes the sacred and sanctifies the mundane. The musical encounter between East and West — elsewhere designated as "world music" — here is simply Israeli music. And in recent years, God has become a major protagonist of Israeli rock, confounding our notion of a nation divided between "secular" and "religious." The old sentimental patriotic songs are kept alive in mass sing-alongs around the country and by new hip-hop and reggae versions. The more desperate the situation becomes, the more exuberantly Israelis sing. It means being primed for surprise — an emergency airlift of a remote Jewish tribe, missiles on Tel Aviv, an Arab leader seeking peace in Jerusalem.

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