Elliot Resnick writes for The Jewish Press:
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Much uncertainty remains in the wake of Israel’s High Rabbinical Court ruling in May that voided all conversions performed by Rabbi Chaim Druckman since 1999.
Sephardic Chief Rabbi Shlomo Amar promises the decision will not stand, while the RCA calls the ruling "entirely beyond the pale of acceptable halachic practice." Dozens of major Israeli religious Zionist rabbis also support Rabbi Druckman.
The case now stands in Israel’s Supreme Court.
Rabbi Druckman is the chairman of Bnei Akiva in Israel, rosh yeshiva of Or Etzion, a former Knesset member, and outgoing head of the Conversion Authority.
The Jewish Press recently spoke to Rabbi Druckman about the conversion controversy, the philosophy of Bnei Akiva, and where he thinks Israel is heading.
What is the current status of the converts in question?
They are Jews. Nobody can take their Jewishness away from them. This is the truth. But still, the psak din harms those who converted. There will definitely be different rabbinates that will not register them for weddings.
That’s a problem.
Yes. Practically we can help them go to those rabbinates that will register them, but still it’s no good.
Are we talking about hundreds of converts? Thousands?
Believe me, I don’t know the number. But it doesn’t matter because each and every one is a human being, not a number, so it doesn’t matter how many there are.
What was the main issue of contention between you and the beit din that opposed you?
I think the difference is that we think we have a responsibility for Am Yisrael. Those immigrants who came from Russia suffered for being Jewish. For about 70 years, the Russians took away from Jews everything which belonged to their being Jewish; they punished Jews and Jews suffered. Non-Jews who married Jews also suffered because the Russians considered them Jewish.
Therefore, when [these Russian non-Jews] come here, I think it’s a great mitzvah if they want to become Jewish to do everything to help them become an integral part of Am Yisrael.
But some of your critics maintain that to attain this goal you have lowered the standards for conversion.
No, no! We are not lowering any standards of conversion, it’s false, it’s not true! We are doing everything according to the halacha.
What is the future of conversions in Israel?
I really don’t know. Look, I hope that we will continue in the same way because if we won’t find a way to help [these Russian non-Jews] become Jewish there are going to be, unfortunately, mixed marriages. Their children will grow up, speak Hebrew, serve in the army, be a part of Medinat Yisrael and there will be a danger of mixed marriages.





JANUARY 25–With the Dakota Fanning rape movie "Hounddog" yet to find a buyer at the Sundance Film Festival, it remains unclear when (or if) the controversial film will land in U.S. theaters. Until then, film fans will have to make do with the below excerpt from the "Hounddog" shooting script, which describes the sexual assault of the 12-year-old actress. The film, set in the Deep South in the 1950s, features Fanning as Lewellen, a troubled girl who is attacked in a shed by a character named Wooden’s Boy. She is lured to the assault by her best friend Buddy (played by 12-year-old Cody Hanford), who watches the rape. In a "Dear reader" note, director/screenwriter Deborah Kampmeier points out that "there is no nudity or explicit violence in this scene. All nudity and violence is implied." Still, the script is very creepy, with its description of how Fanning does a seductive dance for Wooden’s Boy when he offers her tickets to see Elvis Presley. Then, after Buddy tells her to remove her clothes, the script notes that, "We see Lewellen’s clothes hit the floor. Lewellen’s underwear hits the floor hard, with defiance." [No, we’re not sure how a little girl’s undies can hit the floor with defiance. But we’re not auteurs.] As the rape occurs, Kampmeier notes, Lewellen’s "tense hand" presses down on an exposed nail, "like the pain there could catch her and hold her." As noted in the script, "LIGHTNING FLASHES" 11 times during the rape scene. (5 pages)