A student of mine recently demonstrated this knowledge when, with an air of giving away a trade secret, she confided that she could go into any classroom, no matter what the subject of the course, and win approval for running one of a number of well-defined interpretive routines: she could view the assigned text as an instance of the tension between nature and culture; she could look in the text for evidence of large mythological oppositions; she could argue that the true subject of the text was its own composition, or that in the guise of fashioning a narrative the speaker was fragmenting and displacing his own anxieties and fears. She could not, however, at least at Johns Hopkins University today, argue that the text was a prophetic message inspired by the ghost of her Aunt Tilly.
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