Ads On Page One Of LA Times

Kirk emails: "Don’t you think the LA Times running ads on page one is the signal of the end of a once great paper? When I was in journalism school, no paper would ever be taken seriously if they ran ads on page one of any section, let alone hard news. Unquestionably the final nail in the coffin."

I don’t think running ads on page one has significance. What’s the difference between an ad on page one and an ad on page 171? It wouldn’t bother me if the entire page one of the LA Times was taken up with ads. What matters is the quality of the reporting the paper publishes on all its pages.

Kirk responds:

There may not be a problem per se, but it is unquestionably an indication of where the paper is headed.  Years ago the LAT proudly put their circulation right under their masthead which always hovered around 1 million daily, 1.2 million Sunday.  Where are the circulation figures now?  Nowhere because they are down about 30%.

When I worked at The Times they had the best and brightest in journalism.  They broke stories daily.  Today the editorial staff is shrinking fast and their investigative stories are few and far between.  The Chandler days — when someone truly cared about the paper — are over.

Last, I predict in 5 years the LAT will no longer print a newspaper.  They will become entirely web-based.  This will be a good thing because instead of putting resources into printing a paper, they can spend money on reporters, breaking stories and doing investigations, which is what a newspaper should be doing.  Or I guess they could just keep it mundane and return higher profits to shareholders.

And this doesn’t apply only to the LAT.

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Bar Refaeli to ditch Israel

Dikla Kadosh posts on Calendar Girls:

It comes as no surprise that model Bar Refaeli, Leonardo DiCaprio’s year-long arm accessory, is leaving Israel and moving to Los Angeles. After all, she doesn’t think her native country is even worth fighting for, so why would she want to continue living there?

The Jewish Telegraphic Agency reported yesterday that Refaeli told Yediot Achronot, an Israeli newspaper, that she doesn’t regret marrying a friend in order to dodge Israel’s mandatory army service. Apparently, she considers defending her county a waste of time and would much rather be posing in swimsuits to advance her modeling career.

The anti-patriot explained her reasons for moving in the Yediot interview:

"Israel or Uganda, what difference does it make? It makes no difference to me. Why is it good to die for our country? What, isn’t it better to live in New York?"

Rafaeli said she’ll be living in Los Angeles for a few years, but I don’t expect to see her at any community functions supporting Israel.

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Hottest News Anchor In World

From Funtasticus.com: "Melissa Theuriau is considered to be one of the world’s hottest news reporters. Readers of Maxim’s US edition voted her to be the “TV’s sexiest news anchor”! Also, in 2006, “Voici”, a French tabloid, published photos showing Melissa topless on a beach which her lawyers are reportedly attempting to purge from the Internet."

Yeah, well, she’s no Theresa Strasser.

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Naomi Ragen Responds To Plagiarism Charges

Novelist Naomi Ragen emails me October 8, 2007 about this:

Dear Mr. Ford,

Do you think it is ethical to print charges against an author destroying her reputation when the subject is under judicial review and will be decided in the courts? Is it right to allow people to publicize these charges with no rebuttal from the author? Are you aware of the fact that the Cross-Currents website is run by Jonathan Rosenblum, who has a long-held and well-documented personal bias against me and has attacked me in the past in print for which he was sent a formal letter of complaint by the editor of the Jerusalem Post?

Are you aware that Michal Tal’s self-published book came out after my book was already in the hands of a publishing house, and thus I could not possibly have used any of her material, which had no relevance to my book at all anyway? Are you aware that my book is the story of the historical character Gracia Mendes, and hers is about a horny Milanese tax collector and his equally horny son and a book that I felt embarrassed to read when I was forced to do so by this court case? Are you aware of the fact that Ms. Shapiro aired all her unfounded charges thirteen years ago, and they were thoroughly examined and rejected by the legal staff of Random House? Would you like to see the letter? Are you aware that her book, her diary of her anger management classes, contains numerous instances of her physically abusing her children? Are you aware that both authors are represented by an attorney who sent me a letter saying that if I didn’t pay him "a considerable sum" under the table, that he would "ruin" my reputation, by spreading these charges on the internet? Are you aware that by posting these things you are helping him to do this you and are now complicit in this attempt at extortion?

From the Jerusalem Post, Feb. 23, 2007:

…[Tal’s lawyer, Gilad] Corinaldi prepared a brochure in which he lined up, side by side, elements of the two novels that, he said, were strikingly similar.

For example, Tal’s book begins with a couple living in modern times who reveal a story set during the Inquisition through a medieval family manuscript written in Spanish and using the device of dreams.

These elements are also used to develop the story in Ragen’s novel.

Both books begin with a family tree.

Some of the names that appear in the two novels are similar or identical: in Tal’s book, "Deigo Allegra," "Elvira," "Rinaldo," "Braudelein," "Aunt Maria" and "Angelica"; in Ragen’s book, "Diogo Mendes," "Elvira," "Renaldo," "Brianda," "Aunt Malca," "Frangelica."

Corinaldi wrote that many of the themes and descriptions that appear in Tal’s book also appear in Ragen’s. According to one example, Lorenzo Di Paradisi, one of the main character’s in Tal’s book, is a state taxation officer. He is described as "neither too soft-hearted nor too wavering when he collected taxes. He could obtain the cooperation [of late-payers] with his flashing smile, if necessary, with a stern look and harsh word." In Ragen’s book, Donna Gracia Mendes sometimes has to fight lawsuits and collect taxes. "For these tasks," wrote Ragen in Donna Gracia Mendes’s character, "I found that I needed a cool head and a clever tongue that knew how to caress as well as lash."

…Corinaldi told the Post he only went ahead with the legal action after consulting with two literature experts who both concluded that Ragen had copied from Tal’s book. One of them told the Post in a telephone conversation that she had gone over the material and concluded that there was "an accumulation of elements" in Ragen’s book that came from Tal’s. Neither she nor the other expert referred to by Corinaldi were willing to identify themselves.

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How to Read the Bible

David Plotz writes Sept. 16, 2007 in the New York Times:

All these interpretations for the binding of Isaac — and still others — can be found in James L. Kugel’s “How to Read the Bible,” an awesome, thrilling and deeply strange book. Kugel, an emeritus professor of Hebrew literature at Harvard and, mark this, an Orthodox Jew, aims to prove that you can read the Bible rationally without losing God. He sets himself the monumental task of guiding readers all the way through the Jewish scriptures (the Old Testament, more or less, if you’re a Christian) and reclaiming the Bible from both the literalists and the skeptics.

So, how to read the Bible? Kugel proposes two different ways. First, he shows us the Bible as it was read by the “ancient interpreters,” writers who lived in the period a couple of hundred years before and after the birth of Jesus, even as the Bible itself was being codified. Their way of reading the Bible — their assumption of its inerrancy, their belief that scripture teaches moral lessons, and their faith in divine authorship — is the way many of us still read it today. Second, Kugel leads us through the Bible as it’s understood by modern scholars, who for the past 150 years have used archaeology, linguistics, history, anthropology and all the other tools of science to excavate the truth about the Good Book. Kugel seems to have begun “How to Read the Bible” with the notion of giving equal weight to his two methods, but he soon sidelines the ancient interpreters and focuses on the exceedingly provocative modern scholarship. Though Kugel surely did not intend this, in its own way, his book proves as devastating to the godly cause as any of the pro-atheism books that have been dominating the best-seller lists in recent months.

It’s not news to anyone — at least anyone who reads the Bible even a wee bit skeptically — that the book is chock-full of contradictions and impossible events. Instead of carping snidely about this, in the style of a college bull session, Kugel gives us a magisterial, erudite, yet remarkably witty tour through the research. If reading the Bible demands a suspension of disbelief — Moses turned the Nile to blood? Joshua stopped the sun at noon? Samson killed 1,000 men with the jawbone of an ass? — then “How to Read the Bible” will prompt a suspension of belief. Some of the territory Kugel covers will be familiar to lay Bible doubters already. He reviews the “documentary hypothesis,” which demonstrates pretty conclusively that the first five books of the Bible were not written by a single person (Moses, according to tradition), but actually cobbled together from four, or maybe five, different writers. Kugel points out the Bible’s plagiarism from earlier, non-Israelite sources: laws nicked from Hammurabi; chunks of the Noah flood story lifted from the Epic of Gilgamesh; prophecies of Ezekiel inspired by Middle Eastern temples. He even implicates the Ten Commandments, which were apparently derived in part from ancient Hittite treaties.

Orthodox Rabbi Gil Student posts:

…While Prof. Kugel is somewhat vague about his own beliefs, and they are not particularly relevant anyway, the strong even if unintended implication given by himself (p. 45) and the NY Times (link) in calling Prof. Kugel an Orthodox Jew is that his suggested reconciliations of tradition and modern scholarship are acceptable to Orthodox Jews. I have no interest in being the Orthodoxy Police or interrogating people about the details of their beliefs. However, as is clear from both the review and the book itself, these approaches contradict one of the fundamental principles of Judaism. Even if one observes Jewish ritual according to Orthodox standards, one cannot be accurately called Orthodox if one does not accept certain basic beliefs, Torah from Sinai being one of them. Kugel’s suggested approaches go beyond the Conservative belief of Torah from Heaven but not Sinai and simply relegate the Bible to a collection of unoriginal and politically motivated human stories that were later interpreted as having a Divine message. That isn’t Orthodox by any stretch of the imagination. Even Marc Shapiro, whose book on the fundamental principles of Judaism argues for a broad definition of Orthodoxy, would agree–in the unlikely event that he would agree to publicly comment on this matter–that there is no way to fit Prof. Kugel’s suggested approaches into Orthodoxy. I’m not saying that there should be any practical repercussion to Prof. Kugel or that people should start picketing his home or banning his book. I’m just suggesting that, in the interest of honest reporting, he should write a letter to the NY Times and explain that the beliefs about the Bible suggested in his book are distinctly non-Orthodox. And in the future, he can refer to himself as an observant Jew, like Sen. Joseph Lieberman does, so as not to even accidentally mislead people about Orthodox Judaism.

One thing I found throughout the book is the confidence in the methodologies of literary scholarship. Perhaps I am biased because of my background in math, but I find that the liberal arts are taken way too seriously by their adherents. They are full of assumptions and guesses, and in the end cannot actually prove anything. Folks, this isn’t science. Stop pretending that it is.

On another subject, I found the appendix to his book, which is titled "Apologetics and ‘Biblical Criticism Lite’" and is published only on his website, to be quite a comment on his mindset on these matters. In this appendix, he basically says that anyone who disagrees with him on these issues is an apologist. He says it nicely and relatively respectfully, but in such a way that it is impossible to argue with him. Anyone who says anything to the contrary is understandably influenced by outside factors, such as his emotions, and unable to think clearly about these issues. This is a technique used frequently by skeptical bloggers as well. Not very impressive and, frankly, not very respectful either. Just say that you disagree and don’t try to read minds. Maybe, just maybe, you have some hidden biases as well. (Here is a link to his appendix but be forewarned that the views there are quite non-Orthodox: link.)

And on another subject, I found it interesting that Prof. Kugel seems to accept the arguments of James Hoffmeier et al against the Biblical Minimalists that there was an historical exodus from Egypt, albeit smaller than the one described in the Bible (pp. 207-208).

Posted in Orthodoxy | Comments Off on How to Read the Bible

Pay the Talent? Sorry, Suckas, That’s Not the HuffPo Financial Model

Simon Dumenco writes:

It wouldn’t have cost Lerer anything to make some vague utterances about "eventual" profit sharing or stock options or page-view bonuses or some such. Instead, in a moment of delusional grandeur, he chose to announce that his and Arianna’s celebrity-blogger serfs will always plow for free — in exchange for not even for a bit of gristle and cold porridge, but for the PR!

Excuse me?!? First of all, arguably, it’s the other way around: Despite Arianna’s cable-news omnipresence, it’s the excellent work of such regular bloggers as Harry Shearer, Nora Ephron and Bill Maher that gave HuffPo visibility, promotion and distribution. They lent their credibility and influence — and their built-in audiences (Shearer with his radio show, Maher with his "Real Time" on HBO, Ephron with the fans of her books and movies) — to Arianna and Ken. And for what? Bupkis now — and bupkis forever! (Suckas!)

Second, the vast majority of the Huffington Post’s bloggers get virtually no significant visibility, promotion or distribution simply because there are so damn many of them — 1,800 at last count, which means that unless you’re one of Arianna’s favorites (and/or a scoop-slinging insider), you’re probably rarely going to get on the home page — and if you do, only fleetingly.

Third, the Huffington Post actually does pay some of its bloggers — the ones it has on staff, such as "Eat the Press" media editor/blogger Rachel Sklar — so the financial model is, well, what then? Pay some of the bloggers some of the time?

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Amalek On Love & Life

Chaim emails:

On a per dollar basis, you get more bang for your buck than any other man out there.

If only you had courted Holly as I previously suggested, all of your financial problems would be at an end, and you would be on life’s easy street.  But that’s water under the bridge.  You need to recharge your finances, and the most straightforward way of doing that is by going after some nakedly commercial projects.  What ever became of the notion of writing a book about the Paris Hilton Video Effect?  Or "The Luke Ford Guide to LA’s Houses of Worship" (the first of a  series of such guides for the perplexed).

You need to marry an understanding and moneyed young shiksa. I know I do.

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The God Blog Quadruples In Traffic

Brad A. Greenberg comments:

A fellow journalist just called and suggested a reason for the spike in God Blog traffic: Maybe God liked seeing his name in print and e-mailed the url around to his friends, or encouraged his followers to read it.

It’s an interesting, if ridiculous, concept. I’m not sure though. Journalists do get a bad wrap for the way they treat God.

Brad posts:

Dear Bradley,

Yes, my child, I did stumble across your site while Googling ‘god’ and ‘porn’ (it’s good to make sure folks don’t use the name in vain, you know) and found TheGodBlog.org. Well done!

I did want to let you know that I harbor no ill will toward the media. After all, you kids are just doing your jobs. It’s not your fault there are all those nutjobs on both side of the religious debate that louse it up for everyone who wants to have an intelligent conversation.

Anyhow, TTYL ’cause I’ve got nuclear war to avert and sports games to attend to (how do you think Stanford beat USC? Hint: praying for a team named "The Trojans" falls on deaf ears, fans), but I did want to point something out:

I think you mean to say "journalists get a bad rap" in your final graf. Unless, of course, you think that I’m retaliating against reporters by sticking them with subpar burrito-like sandwiches, popular in the mid-Nineties. Either way, I mean you and your noble profession no harm.

KIT,
The Lord

Posted in Brad A. Greenberg | Comments Off on The God Blog Quadruples In Traffic

‘Gone Baby Gone’ Is The Best Movie Of 2007

It’s Ben Affleck’s directorial debut.

John writes on imdb.com:

Something about Dorchester, Ma., makes directors such as Gus van Sant (GoodWill Hunting), Clint Eastwood (Mystic River), Martin Scorsese (Departed), and now neophyte Ben Affleck (Gone Baby Gone) go for its working-class realism that celebrates the abrasive friendships of hard-knocks’ sharing and the comfort of life-long neighborhoods. In Gone, Affleck’s script recalls the lost child motif of Mystic and the betrayals of Departed, with less of the latter’s intensely-felt terror and more of the former’s existential angst.

Casey Affleck and Michelle Monaghan are hired to find a missing little girl, but as any aficionado of the thriller knows, there’s much more to the plot than this. While the first hour plods through the increasingly boring CSI rituals of gathering evidence, the last 45 min. are reflections about the demands a conscience makes on contemporary relativistic challenges that could be settled at either end of the ethical spectrum.

If you allow me the almost irrelevant example, the Iraq war could be thought of as the greatest humanitarian effort in the world’s history or the greatest foreign relations blunder in American history, depending on how you view things. Affleck’s film engages this kind of Platonic give and take between the ideal and the real with a denouement that leans toward the ideal without fully making its case.

In other words, I liked the dialogue between police captain Morgan Freeman and private detective Affleck about the fate of the lost child, a sparring that raises the film from mediocre whodunit into a dissertation about the ethical maxim that the ends do not justify the means. Along the way, Dorchester is evoked with more realism than in Mystic River, largely through montages and cutaways of real denizens and a few local actors.

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Truth and Certain Jews

Elliot Resnick writes for the Jewish Press:

"Why shouldn’t they exaggerate?" he asked me, surprised that I would think otherwise.

While writing a recent article I was unsure how many people had attended a certain event. I happened to mention to someone that as a JTA article on the same subject would soon appear, I would see what number they gave for the crowd and base my estimate accordingly.

"But their number will be an exageration," he said.

"Why should they exaggerate?" I asked him, knowing that the JTA is a professional agency, not a propaganda operation.

It was to this question that I received his "Why shouldn’t they exaggerate" reply.

To be honest, his question rang so strange in my ears that I had a hard time formulating an answer. And then a few minutes after the conversation’s conclusion it came to me: Why shouldn’t they exaggerate? Because doing so is false!

This point is obvious of course. But not apparently to this ostensibly religious Jew. To him, the question wasn’t why someone should depart from the truth, but why one would ever tell the truth in the first place.

Unfortunately, this gentleman is not alone in placing a very low premium on the value of truth. Unfortunately, some Jews, including — or perhaps especially — Chassidic Jews, will make sure never to shake a woman’s hand and to always faithfully wear a black hat but lie (stretching the truth is perhaps a more delicate term) with astonishing ease.

When one witnesses such behavior one wonders what makes these people so religious after all. One also wonders what kind of impression these Jews make on other people who may be unobservant or non-Jewish but whose inner religious core and rectitude are stronger and more Godly than these "truth stretchers." Surely this cavalier attitude towards truth does not inspire others to praise the God whom these Jews (especially those wearing black hats or beards)apparently represent.

The impulse among many to come closer to God by becoming better Jews is laudable. However, these Jews and all Jews should attach greater importance to basic Biblical values and laws, such as the value of truth, than they do to ensuring that their tzitzis are clearly visible to all.

Unfortunately, the following story tells it all:

A man who daily came to a Jewish study hall decided to bring a bottle of milk with him so that he could greater enjoy the free coffee available every day at the hall. He labeled his bottle "Private" and placed it in the fridge near the coffee. When he opened the fridge at the day’s end, he found it nearly empty.

So, thinking that his sign was too small, he proceeded the next day to label his bottle with large letters, "PRIVATE, PLEASE DO NOT TAKE." At the day’s end, nary a drop was left in the bottle.

So, learning his lesson and knowing that he was studying among religious people, the next day he wrote on his bottle, " ‘DO NOT STEAL’ IS ONE OF THE TEN COMMANDMENTS." An empty bottle, nonetheless, greeted him at the end of the day.

The next day, finally understanding the sad reality of present day Jews, he wrote the following, "Chalav akum." The milk was untouched.

"Akum" means idolater.

Posted in The Jewish Press | Comments Off on Truth and Certain Jews