Luke Ford

There’s a new book out on creativity that’s getting attention, but in all the discussion, there’s no mention that everything important invented in the past few hundred years, including ideas, has come from whites.

As Steve Sailer wrote:

For his encyclopedic Modern Mind: An Intellectual History of the 20th Century, Peter Watson interviewed 150 scholars from around the world about who was responsible for the great innovations. Watson recounted that “…all of them—there were no exceptions—said the same thing. In the 20th century, in the modern world, there were no non-western ideas of note.”

LAT: Writer Joshua Wolf Shenk seems to be asking a good-natured, almost ingenuous question in his new book: Where does creativity come from? But in a time when creativity — and its corporate cousin, “innovation” — has become commodified and merchandised, these may be fighting words.

Shenk’s “Powers of Two: Finding the Essence of Innovation in Creative Pairs” (Eamon Dolan/Houghton Mifflin Harcourt, $28) is already stirring up fascination and disapproval. Unlike books that look at muses or author’s friendships, it doesn’t simply consider a pair of creative figures. Rather, it sees the two-person collaboration as the essential creative act.

Can you imagine any other racial group being singled out for hatred from a mainstream news organization strictly on the color of their skin? I can’t, yet whites come in for this racial abuse all the time.

What would happen to somebody who published an article on how she’s tired of seeing Jews or blacks or gays on TV or in movies? They would be drummed out of public life and could never publish again in the MSM.

Here’s the article.

Can you imagine any other racial group being singled out for hatred from a mainstream news organization strictly on the color of their skin? I can’t, yet whites come in for this racial abuse all the time and they just put up with it.

Here is the first paragraph of the Salon article:

Google the term “belly dance” and the first images the search engine offers are of white women in flowing, diaphanous skirts, playing at brownness. How did this become acceptable?

There’s a war on white people in the country and it is about time whites fight back. They need to organize in their group interest just like Jews, blacks, women, and every other group does.

Ragnar writes:

The United States is unsustainable. Republics can’t handle over 300 million people from multiple disparate groups. Rome for example grew too big and its humble republic couldn’t handle the weight of so many nations. The Soviet Union is another example of an empire held together by duct tape. The only republics that have historically “worked” are the ones that have pretty small, homogeneous populations and have huge natural boundaries like Iceland and Switzerland.

How long before this all blows up in everyone’s faces?