Donald Trump Game

From the Chateau:

Check out this video of O’Cuckly interviewing Trump yesterday about Trump’s wise decision to forego the FoxNews GOP debate moderated by the extremely biased and unprofessional shit stirrer Megyn Kelly, (skip to 14:25).

TRUMP: Don’t ask me that question because it’s an embarrassing question…… for you.

That quip was deadly. It’s what I call a micro-reframe. In a pickup situation, one would use this on a girl who asked a personal question (say, about how many girls you’ve been with) that you didn’t want to answer. The pause before unloading the “for you” coda builds a smug anticipation in the girl that her qualification attempt will soon be validated. But, like what Trump did to O’Cuckly, you unleash this explosive little reframe and she will be left speechless, wondering where you’ve been all her life.

It takes balls to pull off stuff like what Trump does on a regular basis, but if you want to date young, cute, thin girls who have lots of options, you’ll need to find your balls.

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Can’t Stump The Trump

From the Chateau:

Johnny Redux explains, “Trump has so much game, and the general public (and especially libtards) have not seen great game in a White male public figure (especially a politician) in such a long time (maybe a generation), that they really have no clue on how to deal with him. CH, you could probably make a fortune as a hired contractor to advise Hillary, or Jeb!, on how to counter The Donald. If you do, of course, we will be obliged to hunt you down.”

trumpening2

Getting back to the original point, I seriously can’t recall any White politician who has, or had, as much alpha male gravitas and tight Game as Trump has at this moment in time. The Rick Wilson clown car is at DEFCUCK 1 and the teeming masses of psychologically and physically disfigured leftoids are shitting their panties because none of them have been opposed by a man like Trump who so expertly wields the soulkilling Shiv, and who so masterfully understands and executes fundamental Game principles.

Besides presenting the best chance to make America great again, Trump is a frequently featured guest at the Chateau because he is the embodiment of a high level seducer, proving on a daily basis the effectiveness of the entire oeuvre of CH Game techniques. Shitlibs can’t stump the Trump because shitlibs have never seen this combination of

Power

Charisma

Balls

in one man. Zero Fucks Given means a million libcucks driven over the edge. Let’s hope it’s a long fall.

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The Two Paths

From the Chateau:

From what looks to be a late 19th Century pamphlet advising women to heed the approach of The Wall and to abstain from the life of a dissolute party girl, (h/t @KaliYugaSurf):

Our ancestors were wise. There was no “40 is the new 20” back then. A single woman at 40 has lost all her feminine charms; a sexual market outcast, for sure, but also a social outcast. The two designations tend to go hand-in-hand for women who remain unmarried and childless. (To a much lesser extent, this is true for men as well, but men have the option of several compensating social and sexual status-boosting pursuits that mitigate any marginal ostracism from remaining unmarried and childless.)

It was also assumed by our wise elders that women would have children by age 26, committing them to a life of home of hearth and removing them utterly from the field of courtship. Today? Eh…. not so much.

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The Lessons Of The OJ Simpson Acquittal

Steve Sailer writes: For crimethinkers, however, the O.J. case offered a cornucopia of insights:

– If blacks get themselves all worked up over the putative racist injustices of a particular case, it will probably turn out to be a factual fiasco, just as conspiracy theorists are right a lot less often than conspiracies actually exist.

– One of the more interesting figures in the case was OJ’s attorney Robert Shapiro (played by John Travolta in the show), who by the end, was deeply disturbed that he had facilitated a black man getting a way with murdering a Jew with impunity by bringing on Cochran to play what Shapiro called “the race card.”

– As a feminist, civil servant prosecutor Marcia Clark thought that female jurors would side with the murdered woman. As a highly successful racialist lawyer, Johnnie Cochran thought that black jurors would side with the black murderer. So they effectively agreed to pack the jury with black women.

– Black women turned out to be more racist than feminist, just as Cochran assumed.

– Black women feel that white women who steal their men have it coming to them.

– People who can’t get out of jury duty, especially black people who can’t get out of jury duty, aren’t all that bright on average. They are easily bored and baffled by technical testimony, so Cochran’s nursery rhyme was more effective than all the egghead DNA stuff.

– DA Gil Garcetti, the father of the current mayor, pretty much threw the case at the outset by moving the trial from the local courthouse in Santa Monica, where the jury pool would have been mostly bright white liberals, to downtown, which allowed Cochran & Clark to pack the jury with blacks from South-Central.

– The rioters’ threat to the justice system had a lot to do with Garcetti’s decision.

COMMENTS:

* It’s interesting to note all the members of Simpson’s supposed ‘Dream team’ who have completely disappeared from public view, excepting the dead one. If they were so great…

* Basically jury deliberations in a racialized trial like this are just waiting games until the holdouts cave, and blacks tend to be less willing to spend days sitting in a room in defense of moral principle than whites are.

* At my place of work in Florida, black employees cheered and clapped when the jury announced its not guilty verdict. Whether this meant they believed Simpson to be innocent, or were just expressing racial solidarity, I was never sure. After the event one or two explained to me that Simpson might actually have killed the two victims, but the prosecution had failed to prove its case “beyond reasonable doubt”.

Of course in the civil trial that followed, the standard of proof was lower and a jury found that Simpson WAS responsible. It has always seemed to me that the subsequent sentencing of Simpson to 33 years in prison for what sounded like a relatively minor act of criminality in recuperating some of his memorabilia which was of disputed ownership and no one was injured was really an act of retaliation by the judiciary.

As I recall there were no riots or mass protestations of innocence at the time of the verdict by an all-white jury or at his sentencing. In his defense Simpson had argued ” I thought what happens in Las Vegas stays in Las Vegas”, but the jury apparently thought not.

* I confess I felt sorry for Robert Kardashian. My take was that he knew that O.J. was guilty and was surprised when O.J. decided to brazen it out, but wanted him to have a fair trial. As things progressed, Kardashian got more and more horrified but didn’t know how to extricate himself, and when the verdict came down…if you look at Kardashian in the videotape, it seems clear that he is saying to himself, “Holy fuck, I helped this bastard get away with murder!”

I have no such sympathy for Robert Shapiro, who knew what he was getting into.

* Blacks don’t trend towards objectivity, you can’t really expect them to put aside feelings and evaluate the particulars of anything. They are who/whom to the nth degree.

Then and now, the only real issue to them was “do I want to see another brother go to jail”.

* I remember seeing Marcia Clark in a interview years after the trial and she sounded totally stupid. Feminist and brain-dead, as often happens. A clear case of affirmative action at work. Same for the Japanese judge, Ito, who looked both bored and out of place.

OJ spent the whole trial making his best impression of “dindu nuffin”.

As for Mark Fuhrman.. Whatever happened to him? He was the only likable person in that grotesque trial, yet convicted of felony because he once said the dreaded N-word, somewhere, sometime. Not that it had anything to do with the case.

* So I was working in a bank trading room when this happened: it, of course has wall to wall TV.

All of the support staff came in from their domain to hear the verdict.

All the blacks applauded, the whites were astonished.
It was the first time I’d seriously smelled a race war.

* It wasn’t just the not guilty verdict, it was that blacks were so gleeful about it and defended it using a perverse logic.. “We’ll talk about OJ when you talk about Emmit Till”.

* So Shapiro was upset by the death of the Jew but not the beheading of the shiksa?

According to Torah both were committing deep sin.

The loverboy Goldman is the least pitiable in the whole sordid mess. But the media made him a victim! Like he was an innocent bystander. He injected himself into that volatile situation. Pun intended. But now Wiki page claims he and the shiksa were “just friends” …wut?!

In LA and NYC there are a zillion of these young guys ready and willing to schtupp other men’s wives.

* Two reasons:

(1) Kardashian’s name recognition is based on her father, whose Q rating shot up due to his involvement in this trial. Heck, every lawyer’s name on the defense spiked in the national consciousness. For example, for years afterwards, the standard jokes by every black character on every sitcom whenever he encountered the police was “Watch out! I’ll get Johnny Cochran” and “If the glove don’t fit, you must acquit”.

The Kardashian spawn would not have gotten their initial television show without Kardashian’s spike in household name recognition thanks to his involvement.. After that, they just did “shocking” things one after another to maintain fame, culminating in Jenner pretending to change his gender.

(2) it demonstrated how a tawdry 24-hour reality-TV show cycle-formula could be profitable.

Video “real” people + some name recognition + make them due “shocking” things and you get a cheap, reliable ratings machine. Thrown in inter-racial sex + violence (as was the case in OJ) and ratings spike more (how many reality shows now have scenes where characters get drunk and get into fights at bars? it’s about every 3rd commercial for them that I see).

This is why the Kardashians are such a big hit—they are just recreating the OJ trial formula, minus the murder.

N.B.: During the trial it became gossip that the white Clark and Christopher Darden, the other prosecutor (who is black), had dated for a while. That helped contribute to the atmosphere of viewers watching, and you can bet Ryan Seacrest (who is the producer of the Kardashians) has seen that black men + white women=ratings. I’m sure he’s got that written down somewhere.

* [Mark Fuhrman] occasionally appears on Fox News. When I saw them giving him air time (at least a decade ago), I knew Fox portended meaningful change in the media landscape.

* Keeping in mind that striking jurors for race, or any other protected class membership, is a cardinal no-no in legal ethics. It happens, obviously, but a prosecutor can’t be obvious about it. Also, you only get to strike 3 jurors, so rigging is harder than it may appear. Venue, on the other hand, has a tremendous effect on jury composition.

* The prosecution was going to go for as many women on the jury as they could as the putative target of the murder was a woman. The defense wouldn’t be carrying out their ethical responsibility to offer the best defense for their client if they didn’t go for as many black persons on the jury as their client is black.

They ended up with a jury of a large number of black women, which was not only the worst demographic to have sympathy for the estranged white wife of a black man, but also the demographic with the greatest deal of skepticism about the domestic violence narrative.

The idea was that Mr. Simpson was a beloved celebrity so the prosecution’s job was to portray him as a monster so as to break down this affection for him? So “they”, and especially Marcia Clark played the male-domestic-abuser-turned-murder card.

I am speculating that the black woman jurors may have had more life experience with abuse in relationships or knew first hand people with such life experience and had a more nuanced view. Is the man an abuser from the outset or is he acting that way in response to outside stress or provocation within the relationship? Can a woman be the abuser in a relationship? If the man is the abuser can there be, in car insurance jargon, proportional fault of the parties?

Any of those views are crime-think in the white-female-SJW world, so much so that Marcia Clark couldn’t even entertain the thought that her jurors could have possibly been thinking that way.

If the prosecution had stuck with the blood and the DNA evidence, the smoke and mirrors offered by defense experts notwithstanding, ” Mr. Simpson is popular public figure, but something must have pushed him over the edge because his blood is found comingled with that of the two victims” I think they could have won over the skeptical jurors. This hammering at Mr. Simpson being an abuser and therefore you should conclude he is a murderer rubbed those jurors the wrong way.

Backup for my theory are the public comments of jurors regarding the use of the N-word. The reasoning was along the lines of “As black people we know that every person, white or black, has uttered the N-word sometime during their lifetime, as black people we don’t like that but we are realists and know that word gets uttered. How stupid does a police officer think we are to defiantly claim that he has never, ever used such language, and if he is lying about this what other lies is he telling?”

* Come on, don’t make it any more difficult: Race trumps gender. PERIOD.

For the jury members, the fact that OJ was also charged with killing a Jewish person only added a bit to the periphery. Not a deal maker but definitely in the background. As in “I sure ain’t sidin’ with someone who’s ancestors helped enslave our people during slavery times.” Let’s not pretend that blacks aren’t anti-semitic, because they very much are. But that was incidental to the larger narrative of Race trumps gender. Darden of all people should’ve been more aware and alerted the Garcetti to this fact.

Remember what Cochran said to Darden post-trial. “Don’t worry. One day we’ll let you back into the community.” As in, “the man made you his house slave and you had to do what you had to do, we get that. It’s gonna take time, but one day you will be allowed back into the community again.”

Kim better watch her back. OJ is just determined to mean what he says.

* -Ito really lost that trial. He allowed TV cameras (a big no no), and then, when it was obvious that the cameras were causing the circus, he refused to get rid of them.

The first thing a judge needs is command of the courtroom. Ito let the cameras in and lost control, and the defense took control. He never regained it.

-As to Clark, she became an Entertainment Tonight “reporter.” I’m not kidding about that, either. That pretty much shows you her level of intelligence and ability.

Feminists, it should be noted, always way over-estimate the amount of female solidarity that really exists, mostly because they are extrapolating from the very small number of feminists they know, who are either man-hating, extremely masculine lesbians or brittle career gals who think if they just do a few more things in their career, women will all converge and hug them for their work and bow down to them. Both of these categories of women rarely swoon in front of sexy confident men—because they aren’t around such men all that often, for various reasons (choice, career, agoraphobia, etc.)—and so can’t imagine how one confident male leader can overcome female solidarity.

-Give Johnny Cochran credit: he knew a Billy Flynn-Chicago-style circus would be best for O.J., he created it, he fed it, and he appeared as the ringmaster to the jury.

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Comedian Harmonists (1997 film)

I begin Friday reading this New York Times article:

Israel, Mired in Ideological Battles, Fights on Cultural Fronts

JERUSALEM — There have been fights over books, music, plays, funding for the arts and academic awards. This being Israel, they have been underpinned by fierce rhetorical exchanges about democracy, fascism and zealotry, identity, the future of the state and the fate of Jews.

A new front in the culture wars opens nearly every week, ripple effects of shifts in Israeli demographics, attitudes and politics that are shaking the society.

The latest was an attack on Wednesday by a far-right group on beloved leftist literary icons including Amos Oz, A. B. Yehoshua and David Grossman, writers who have been considered the voice — and conscience — of the state for years. The group, Im Tirtzu, began a poster campaign calling the writers “moles in culture,” which prompted accusations of McCarthyism and worse, even from many on the right.

Prime Minister Benjamin Netanyahu and several members of his conservative coalition joined the chorus of condemnation over the vilification of such Israeli cultural pillars. But some of those same ministers have been behind many of the other battles. The previous round was the brainchild of Miri Regev, the divisive and conservative minister of culture and sport, who wants to deny state money to institutions that do not express “loyalty” to the state, including those that show disrespect for the flag, incite racism or violence, or subvert Israel as a Jewish and democratic state.

Ms. Regev said that the aim of this “Loyalty in Culture” initiative, proposed as an amendment to a budget bill, is “for the first time to make support for a cultural institution dependent on its loyalty to the state of Israel.” She added, “I won’t be an A.T.M. — I have a responsibility for the public’s money.”

For one well-known poet, Meir Wieseltier, the law “brings us closer to the rise of fascism and exposes its true face.” But Isi Leibler argued in The Jerusalem Post that the government is “not obliged to subsidize the demonization of the nation” and should instead support “the inculcation of love of Israel.”

The steady stream of such conflicts, over what cultural works the state should promote for schoolchildren to read or for citizens to see and hear, is part of a political drama in which the politicians of a new generation are jockeying for position as leader of the so-called nationalist camp.

The cast includes Ms. Regev, 50, a rising power in Mr. Netanyahu’s conservative Likud Party; Ayelet Shaked, 39, an outspoken hard-liner from the more conservative Jewish Home Party; and Naftali Bennett, 43, the education minister and head of Jewish Home.

The Israel they represent is more religious and less beholden to the values and inheritances of the old, Europeanized elite and its dwindling left. They are unapologetic in their nationalism, supportive of both poorer Jews of Sephardic — Middle Eastern, or Mizrahi — background and of settlers in the occupied West Bank, and unmoved by criticism from international leaders and liberal activists.

“It’s not just a culture war, it’s political, demographic and social at the same time,” said Nahum Barnea, one of Israel’s most influential columnists. “The core of the struggle is: Who is the dedicated elite, who are the legitimate heirs to the Zionist movement that built the state?”

Yossi Klein Halevi, a senior fellow at the Shalom Hartman Institute, said the culture wars reflected “a growing sense of siege” that Israelis felt from the region and the world.

“This has set off the deepest fears in the Jewish psyche, fears that Zionism tried to free us from,” he explained. Instead of feeling as if they are in “a normal nation among nations,” he said, many Israelis are heading back “to a statist version of the old Jewish ghetto, and the Israeli response increasingly is to view those of our fellow citizens perceived to be in league with this process of siege, or encouraging it, as collaborators.”

But Mr. Leibler, The Jerusalem Post columnist, defended Ms. Regev and Mr. Bennett as trying to “restore a climate that nurtures love of Israel and promotes pride in Jewish heritage” after years when “far-leftists, postmodernists and even post-Zionists took over the Education Ministry.”

This month, the left-leaning daily Haaretz highlighted internal discussions in the ministry about what artistic works might be considered “politically undesirable” for high-school students. Among the criteria, the newspaper said, were whether artists would perform in West Bank settlements and declare loyalty to the state and to the national anthem, something that is particularly problematic for Israel’s Arab citizens.

Internal discussions are not policy, but even this report drew stinging responses, with Oded Kotler, a prominent Israeli actor and director, comparing Israel to the Soviet Union and telling Israel Radio, “There’s a real culture war underway here, but the war from that side of the political map is a harbinger of zealotry, darkness and coercion.”

Mr. Kotler infuriated the government and the political right last summer when he compared its supporters to “cud-chewing cattle.” That was in response to Ms. Regev’s effort to freeze state funding for an Arab theater in Haifa because of a play about a Palestinian prisoner who murders an Israeli soldier. The production, “Parallel Time,” had enraged the right and Mr. Bennett banned school trips to see it.

It makes sense to me why Israel through its government wants to control its culture in a pro-Jewish direction. It equally makes sense to me why gentile nations, including Germany, would want to control their culture in a nationalist and nativist way, which will often be anti-Jewish.

The Jew is the ultimate other, the ultimate stranger, and not even the angels like strangers.

Later on Friday, I watch this 1997 German movie:

According to Wikipedia:

Comedian Harmonists succeeded in Europe. U.S. President Bill Clinton told critic Roger Ebert it was among his favorite films of the year, although the movie did not get widespread release, hence reception in the United States.

Bernd Reinhardt of the World Socialist Web Site called it “an exciting film which is well worth seeing and which pays proper attention to the sextet’s music.” He also remarked on the film’s attention to historical detail and the importance of its theme of musical internationalism.

The movie contains a joke set in a German school.

Teacher: “What race do the Jews belong to?”
Child: “The semites.”
Teacher: “What race do the Germans belong to?”
Child: “The anti-semites.”

If you’ve ever snapped Nazi salute all alone in the bathroom, or put on tefillin in shul, you’ll know the surge that comes with strengthening your identity. The stronger your in-group feeling, the more likely you are to dislike outsiders.

The movie is about a music comedy troupe that developed in 1927 Germany and was very much in sync with Weimar Germany. The troupe was at least half-Jewish.

The troupe spent a lot of time in brothels. They thumbed their noses at the conventional German morality. They promoted decadence.

One Jew in the movie falls in love with his favorite hooker and asks her to marry him. When she says yes, he gets very serious.

Ho: “What’s the matter?”
Jew: “I’m very religious. If we are to marry, you will have to convert to Judaism.”

And so she does and they have a very Jewish wedding.

When the Nazis take power, they also take control of the culture, just as Israeli is currently, and they stop the group from performing.

If you perform publicly mocking the gentile majority, you might receive some unpleasant consequences.

Near the end of the movie, at a party at the home of Julius Streicher who proclaims himself a big fan, a Jew in the group refuses to sing a German folk song.

Almost at the end, the protagonist rants to a member of the group who just divorced his wife because of Germany’s new race laws: “Racial differences have indeed become irreconcilable differences.”

The Jewish members of the group leave Germany and have long lives. The Jew who married the ho moved to San Francisco and became a cantor. They remained married until his death at age 97

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From 2013: Trump on immigration: Let in white Europeans

From SFGate.com on March 15, 2013:

Republicans are on a “suicide mission” if they back a path to citizenship for undocumented immigrants in the United States, and should be encouraging immigration by white Europeans, real estate mogul Donald Trump told the Conservative Political Action Conference on Friday morning.

Trump, briefly a 2012 Republican presidential hopeful, delivered the morning wakeup at CPAC, lecturing on immigration, then ridiculing the Republican “SuperPAC” masterminded by former Bush guru Karl Rove.

The undocumented workers already in the U.S. are to be feared as voters, said Trump. He argued:

“When it comes to immigration, you know that the 11 million illegals even if given given the right to vote — you know, you’re gonna have to do what’s right — but the fact is, 11 million people are going to be voting Democratic. That’s the way it works, and you have to be very, very careful . . . You’re just not going to get those votes.

“Now I say to myself, why aren’t we letting people in from Europe? Nobody wants to say it, but I have many many friends from Europe, and they want to come in. Tremendous people, hard-working people. They can’t come in. I know people whose sons went to Harvard, top of their class, went to Wharton School of finance, great great students. They happen to be a citizen of a foreign country. They learn, they take all of their knowledge, and they can’t work in this country.”

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The Casting By Julius Streicher

Did Western Civilization go off the rails when Julius Streicher, an anti-Jewish satirist, was put to death after WWII for incorrect opinions? Streicher never killed anyone. He simply made fun of Jews.

From Tabletmag:

While most Coen characters could be considered garden variety shmeggeges, Larry Gopnik is something more culturally specific: a schlemiel. A shmeggege is merely a nitwit. The luckless and self-deceiving, well-intentioned but ineffectual schlemiel, defined by the Universal Jewish Encyclopedia as one who “handles a situation in the worst possible manner” is an existential victim—or maybe the embodiment of an existential condition. It’s been suggested by Ruth Wisse in her published doctoral dissertation The Schlemiel as Modern Hero (a title sounding like a Woody Allen gag) that for writers like Sholem Aleichem the Jews were “a kind of schlemiel people” and that his American heirs, Saul Bellow, Bernard Malamud et al., perfected the schlemiel as literary type.

Abandoned by his wife, betrayed by his colleagues, ignored by his children, confounded by his rabbis, Larry Gopnik could be the most fully fledged schlemiel in American fiction since the eponymous anti-hero of Bruce Jay Friedman’s Stern. Stern, however, was a schlemiel in a gentile world; Gopnik is surrounded by Jews so grotesque that the movie might have been cast by Julius Streicher. (A Serious Man, as outraged Village Voice reviewer Ella Taylor wrote in a memorable rant, was “crowded with fat Jews, aggressive Jews, passive-aggressive Jews, traitor Jews, loser Jews, shyster-Jews, emo-Jews, Jews who slurp their chicken soup, and—passing as sages—a clutch of yellow-toothed, know nothing rabbis.” They are, to say the least, uniformly unlovely.)

Although a robust disdain for their creatures is a given, it is when the Coens deploy explicitly Jewish characters that their glee turns hostile. The spectacle of the pathetic cringing Jew played by John Turturro on his knees and begging for his life in Miller’s Crossing was less antic than appalling. Turturro starred as another sort of Jew in Barton Fink, which, set in 1941, staged a virtual death match between two then potent stereotypes—the vulgar Hollywood mogul and the arty New York communist—without any hint that their minstrel show battle royale was occurring at the acme of worldwide anti-Semitism. That might have ruined the joke.

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Inside Llewen Davis – A Goy Among The Yidden

Comments to Steve Sailer:

* I was really struck by Inside Llewen Davis. The entire movie is about a goy desperately trying to make his way among Jews in the early 60′s New York folk scene, whether they are promoters, his few fans, or rival musicians, including a crypto-Jew (nice touch). It’s so blatant that it’s a joke that keeps running through the film. The Jewish characters try to help him and give him a break, but his relentless quest for some kind of warped purity as a musician keeps him shooting himself in the foot. The scene where he visits his father shows that he has an “authentic” folk background as a merchant marine, but he rejects that in favor of the Southern hillbilly style that everyone’s trying to emulate in the early 60′s. In the end he gets angry at having to “appropriate” Southern culture and gets his ass kicked literally for it, while the more subtle Bob Dylan literally makes his entrance, possessing all nuancing will make him rise to the top. One can live with paradox, the other can’t- so he fails.

I thought the scene where he has dinner with his Jewish friend who’s about to marry a Chinese girl and they start discussing how to have a multicultural name was another funny scene. Paging Amy Chua.

* …the public will never know that complaining about anti-black animus in the Oscar nominations, and boycotting the ceremony, as Lee very publically did has little to do with a non existent majority of generic whites in the Academy. The group being criticised (ie people who are mainly Jewish) knows it, and they are not without influence. Not a single gentile, including Lee, dared to mention that most of the those supposedly voting bigoted in the Oscar nomination are actually Jewish, because they will take you down if you cross them. He has learned to avoid Jews and concentrate on attacking a non existent white ascendancy. White people laud and reward Lee for attacking them.

* Anti Whitism was unthinkable in Jewish run Hollywood, back when Jews made Yankee Doodle Dandy and Holiday Inn and Miracle on 34th Street.

Jews in Hollywood were busily flooding the nation with depravity, anti-Christian sentiment and miscegenation. It only stopped when the Motion Picture Production Code was forced on them, largely by the political muscle of Catholics at the time. In fact, what Hollywood was busy putting out is made clear by things the Hays Code specifically called out as unacceptable. Among them:

– Pointed profanity – by either title or lip – this includes the words “God,” “Lord,” “Jesus,” “Christ” (unless they be used reverently in connection with proper religious ceremonies), “hell,” “damn,” “Gawd,” and every other profane and vulgar expression however it may be spelled;
– Any licentious or suggestive nudity – in fact or in silhouette; and any lecherous or licentious notice thereof by other characters in the picture;
– Any inference of sex perversion;
– White slavery;
– Miscegenation (sex relationships between the white and black races);
– Children’s sex organs;
– Ridicule of the clergy;
– Willful offense to any nation, race or creed;

Of course, the moment the Code was lifted, Hollywood went right back to doing what it had been doing in the first place, and those “shalt nots” in the code pretty much look like a list of “must haves” for current film and television.

* As to Jews, Bill Lee, his father, married a Jewish woman after Lee’s mother passed away. And got hooked on or reverted to abusing street drugs. Jump to your own conclusions.

Wiki-
https://en.wikipedia.org/wiki/Bill_Lee_(musician)

Though Bill Lee scored his son’s first four movies, they had a falling out shortly after the arrest on drug charges.

“I don’t have anything to do with Spike now,” Lee told New York Newsday in 1994. “We haven’t talked for two years.”

Bill Lee has said their problems started with his son’s intolerance of his interracial second marriage. The family feud began in 1976, when Spike Lee’s mother Jacquelyn died of cancer and Susan Kaplan moved in with Bill. Spike has been quoted as saying, “my mother wasn’t even cold in her grave.”

Bad feelings intensified with Jungle Fever, Spike Lee’s film on White-Black romantic relationships.[6] “That’s directly talking about me and my wife in a negative way,” said Bill Lee, who has a son, Arnold Tone Kaplan Lee, by his present wife.[6] Mrs. Lee has said, “I’ve never been a Spike Lee fan.”[6] In 1992, when Bill Lee asked his son for a few thousand dollars to cover household expenses, Spike turned him down “and his attitude was very insulting,” said Bill Lee in 1994.[6]

Asked if he would give his side of the story, Spike Lee stated, “Hell No.Why should I dignify comments my father said, or play it out in a public forum?”

* Adult kids seldom feel warmly toward their father’s next wife.

* Just because he isn’t being very specific, doesn’t mean it doesn’t exist. For Lee, Jew is a subset of white. He attacks (more like indicts) whites because he’s not allowed to specify Jews.

It’s akin to the campus rape hysteria where males are indicted because women aren’t allowed to specify foreign/black males.

* I’ve got a great idea for a movie about a man who capitulates to the unreasonable demands of the ADL. It could be called Do The Wrong Thing.

* Is the freaky psychopath who’s the main character in Nightcrawler meant to be Jewish? It looks that way, given that his name is Lou Bloom and he’s played by the Jewish Jake Gyllenhaal.

* It’s allowable because it’s not emphasized. His surname is Bloom, but he exhibits no overtly Ashkenazi traits. And no one describes him as a Jew in the film. Hence, his surname is without dramatic significance.

* I was watching a C-SPAN lecture recently by Steve McWhitey Whiterton White-ingham Inskeep about his book Jacksonland.

Steve “Running Deer” Inskeep kept up a non stop dialogue of white man diseases and white man maps. It was an over the top case of signaling. Inskeep is one of the good ones, ya know. Inskeep also made a point of praising the first woman to ask him a question and demanding more. I mean, there are too many guys already, can’t they just go die or something, after they buy the book.

It did occur to me that many consider smallpox to be a white man’s disease, brewed by the Devil’s own, ignoring all the white victims of the disease and its Asian origins. Rather than see them as another example of how heartlessly cruel Nature or the Divine plan can be,trade-offs from Neolithic innovations, afflicting everyone regardless of individual worth, Old World diseases are recast as an important part in the Manichean tale of Colonialism and Empire. Leftist whites have a hard time dealing with the banal, stony indifference of the Universe.

A much better argument could be made that HIV counts as the black man’s disease. Will Tecumseh Inskeep go there?

I pray to gods above and below everyday that Soros’ eye turns on NPR and its overpaid old white dudes.

* “However, the brothers John and Nicholas Turturro play two white club owners.”

Tell it like it is, Steve: “two Jewish club owners.” As with Donald ‘Sterling’ Tokowitz, they’re only ‘white’ when it’s convenient.

* Speaking of which, is anyone watching Colony on USA Network? The main villain, played by the Der Sturmer cartoon looking Peter Jacobson (the diminutive plastic surgeon from House), is a collaborator, go-between, and all around tax farmer for, apparently, an alien race which has invaded the Earth/US/whatever. There was a scene in episode 1 in which Jacobson explains to the, um, Northern European looking John Holloway that he (Jacobson) is a collaborator because he is smarter than the goyishe kopf resistance. Did I mention Jacobson lives in the Hollywood Hills (I think, not so hot on LA geography, actually). The show’s producer/writer is a Latvian German Catholic Mexican guy named Carlton Cuse. All of which I thought was kind of interesting.

I assume the season 1 plot arc will have Jacobson’s character join the resistance or otherwise redeem himself, but episode 1 was pretty heavy handed.

* Anti-semitism is the one thing that will unite blacks and whites. It will bring the races together. It will heal. It will mend and repair all the hard feeling of the past. It is the one thing above all others, that would do the most good for blacks and whites and Spike Lee is against it.

* “Spike Lee – whose success is largely due to his efforts to break down racial stereotypes and prejudice . . . .” Funny, every Spike Lee movie I have ever seen has been filled with racial stereotypes and prejudice. I guess Mr. Lee’s “efforts” have come up just a bit short.

Posted in Anti-Semitism | Comments Off on Inside Llewen Davis – A Goy Among The Yidden

Politico: Donald Trump Is Shocking, Vulgar and Right

Tucker Carlson writes:

Consider the conservative nonprofit establishment, which seems to employ most right-of-center adults in Washington. Over the past 40 years, how much donated money have all those think tanks and foundations consumed? Billions, certainly. (Someone better at math and less prone to melancholy should probably figure out the precise number.) Has America become more conservative over that same period? Come on. Most of that cash went to self-perpetuation: Salaries, bonuses, retirement funds, medical, dental, lunches, car services, leases on high-end office space, retreats in Mexico, more fundraising. Unless you were the direct beneficiary of any of that, you’d have to consider it wasted.
Pretty embarrassing. And yet they’re not embarrassed. Many of those same overpaid, underperforming tax-exempt sinecure-holders are now demanding that Trump be stopped. Why? Because, as his critics have noted in a rising chorus of hysteria, Trump represents “an existential threat to conservatism.”
Let that sink in. Conservative voters are being scolded for supporting a candidate they consider conservative because it would be bad for conservatism? And by the way, the people doing the scolding? They’re the ones who’ve been advocating for open borders, and nation-building in countries whose populations hate us, and trade deals that eliminated jobs while enriching their donors, all while implicitly mocking the base for its worries about abortion and gay marriage and the pace of demographic change. Now they’re telling their voters to shut up and obey, and if they don’t, they’re liberal.
It turns out the GOP wasn’t simply out of touch with its voters; the party had no idea who its voters were or what they believed. For decades, party leaders and intellectuals imagined that most Republicans were broadly libertarian on economics and basically neoconservative on foreign policy. That may sound absurd now, after Trump has attacked nearly the entire Republican catechism (he savaged the Iraq War and hedge fund managers in the same debate) and been greatly rewarded for it, but that was the assumption the GOP brain trust operated under. They had no way of knowing otherwise. The only Republicans they talked to read the Wall Street Journal too.
On immigration policy, party elders were caught completely by surprise. Even canny operators like Ted Cruz didn’t appreciate the depth of voter anger on the subject. And why would they? If you live in an affluent ZIP code, it’s hard to see a downside to mass low-wage immigration. Your kids don’t go to public school. You don’t take the bus or use the emergency room for health care. No immigrant is competing for your job. (The day Hondurans start getting hired as green energy lobbyists is the day my neighbors become nativists.) Plus, you get cheap servants, and get to feel welcoming and virtuous while paying them less per hour than your kids make at a summer job on Nantucket. It’s all good.
Apart from his line about Mexican rapists early in the campaign, Trump hasn’t said anything especially shocking about immigration. Control the border, deport lawbreakers, try not to admit violent criminals — these are the ravings of a Nazi? This is the “ghost of George Wallace” that a Politico piece described last August? A lot of Republican leaders think so. No wonder their voters are rebelling.
Truth Is Not Only A Defense, It’s Thrilling
When was the last time you stopped yourself from saying something you believed to be true for fear of being punished or criticized for saying it? If you live in America, it probably hasn’t been long. That’s not just a talking point about political correctness. It’s the central problem with our national conversation, the main reason our debates are so stilted and useless. You can’t fix a problem if you don’t have the words to describe it. You can’t even think about it clearly.
This depressing fact made Trump’s political career. In a country where almost everyone in public life lies reflexively, it’s thrilling to hear someone say what he really thinks, even if you believe he’s wrong. It’s especially exciting when you suspect he’s right.
A temporary ban on Muslim immigration? That sounds a little extreme (meaning nobody else has said it recently in public). But is it? Millions of Muslims have moved to Western Europe over the past 50 years, and a sizable number of them still haven’t assimilated. Instead, they remain hostile and sometimes dangerous to the cultures that welcomed them. By any measure, that experiment has failed. What’s our strategy for not repeating it here, especially after San Bernardino—attacks that seemed to come out of nowhere? Invoke American exceptionalism and hope for the best? Before Trump, that was the plan.
Republican primary voters should be forgiven for wondering who exactly is on the reckless side of this debate. At the very least, Trump seems like he wants to protect the country.
Evangelicals understand this better than most. You read surveys that indicate the majority of Christian conservatives support Trump, and then you see the video: Trump on stage with pastors, looking pained as they pray over him, misidentifying key books in the New Testament, and in general doing a ludicrous imitation of a faithful Christian, the least holy roller ever. You wonder as you watch this: How could they be that dumb? He’s so obviously faking it.
They know that already. I doubt there are many Christian voters who think Trump could recite the Nicene Creed, or even identify it. Evangelicals have given up trying to elect one of their own. What they’re looking for is a bodyguard, someone to shield them from mounting (and real) threats to their freedom of speech and worship. Trump fits that role nicely, better in fact than many church-going Republicans. For eight years, there was a born-again in the White House. How’d that work out for Christians, here and in Iraq?

Posted in America, Donald Trump | Comments Off on Politico: Donald Trump Is Shocking, Vulgar and Right

Coulter: Fox News Is ‘Indistinguishable From George Soros’ On Immigration; ‘Implacably Pro-Open Borders, Anti-Trump’

From Breitbart: Conservative columnist and eleven-time New York Times best-selling author Ann Coulter is blasting Fox News.

“When it comes to immigration, Fox News is indistinguishable from George Soros,” the popular columnist wrote Thursday.

The “Rupert Murdoch enterprise,” Coulter writes, “is implacably pro-open borders, pro-amnesty and, consequently, anti-Trump.”

As Breitbart News has previously reported Rupert Murdoch, Fox News’ founder, is the co-chair of what is arguably one of the nation’s most powerful immigration lobbying firms, the Partnership for a New American Economy. Via his lobbying firm, Murdoch endorsed Sen. Marco Rubio (R-FL)’s Gang of Eight immigration bill, as well as Rubio’s 2015 immigration expansion bill, and has expressed his support for Rubio’s desire to grant citizenship– and, thereby, voting privileges and welfare access– to illegal aliens.

Coulter’s decision to speak out distinguishes her from the vast majority of conservative thinkers, who fear being iced-out of the so-called “conservative” corporate media.

“You won’t read about Fox News’s open-borders philosophy in National Review. You won’t hear about it on almost any ‘conservative’ webpages, magazines, radio shows, Twitter feeds or blogs,” Coulter writes.

Coulter says this is because “Fox News is the only game in town for conservative commentators and politicians. That’s why no other candidate would dare cross Fox… Viewers beware: The only ‘conservative’ opinion allowed on Fox News involves dissolving the nation’s borders.”

Coulter asserts that there is a real danger in continuing to perpetuate the charade that Fox News represents the “conservative” alternative: “One of the biggest problems facing the nation is that viewers think of Fox as the ‘conservative’ network. If NBC or ABC were this spiteful to Trump, everyone would see it for what it is: political bias. Your enemies can never hurt you; only your ‘friends’ can.”

For the “conservative” network to be pro-open borders is like secretly switching a diabetic’s insulin with sugar. The false labeling is lethal. Millions of people watch Fox News and think they’re getting the conservative antidote, when in fact the open borders corporatists have found a new way to package their open borders poison.

Coulter explains the network’s bias presents itself not so much in what the Fox News hosts say, but rather in what the network’s hosts do not say:

One of the hardest things to notice is what you’re not being told. Immigration is the issue shaking up this entire election and driving Trump to the top of the polls. But at Fox News, immigration is Issue No. 22 — after Iran, Iraq, Syria, Afghanistan, Russia, Russian President Vladimir Putin, Benghazi, Hillary Clinton’s emails, ISIS, ISIS, ISIS, Israeli Prime Minister Benjamin Netanyahu, the Export-Import Bank, entitlements reform, ISIS and everything else.

“Fox News’s bias is more insidious,” Coulter writes.

The hosts avoid stridently attacking Trump. You simply never hear from any pro-Trump guests — unless they’re completely ineffective. Immigration-opponents have been aggressively shut out — just as they were when Mr. Amnesty Sen. John McCain (R-AZ)36%
was running for president in 2008; when the Senate was debating Sen. Marco Rubio’s (R-Fla.) amnesty bill in 2013; and when congressional Republicans were trying to defund President Obama’s executive amnesty last year. Are you seeing the pattern?

Former George W. Bush speechwriter and senior editor of The Atlantic, David Frum, recently wrote of Coulter that “perhaps no single writer has had such immediate impact on presidential election since Harriet Beecher Stowe.” Frum explained that in Coulter’s latest book, Adios America, a tour de force on the critical issue of immigration, “Trump found the message that would convulse the Republican primary.”

Yet at the height of national intrigue following Trump’s announcement to abstain from the network’s debate, Fox News viewers tuning into Megyn Kelly’s program were presented with Michael Moore’s commentary on the GOP frontrunner’s decision– rather than Ann Coulter’s analysis.

Posted in Ann Coulter, Immigration | Comments Off on Coulter: Fox News Is ‘Indistinguishable From George Soros’ On Immigration; ‘Implacably Pro-Open Borders, Anti-Trump’