The Historical-Critical Method

Professor Edgar Krentz wrote in 1975:

* The introduction of historical criticism constituted ‘the most serious test that the church has had to face through nineteen centuries” about the nature of authority.14 The method tends to freedom from authority and criticism of tradition. It treats biblical material in a different manner than theological thought had done for centuries, and in the process questions the validity of theological method.

* In the late medieval period Thomas Aquinas, John Gerson, and a few others urged a more strictly literal interpretation. Their exegesis became consciously more objective. This objectivity, according to Robert Grant, is “the beginning of the modern scientific study of the Scriptures. Reason is set up as an autonomous agent.“3 It is difficult, however, to trace a direct line of descent from late medieval theology to modern biblical studies.

* Humanists like Erasmus, Cajetan, and John Colet interpreted the Bible with the same methods they used on other ancient literature; they looked for the literal sense. They could not artificially stop this mode of thought at some boundary erected around the Scriptures. They gave the first impulse to the historical understanding of the Bib1e.s Erasmus coupled with this a demand for the use of reason in interpretation, and so made reason a criterion of interpretation.” Thus historical thought and the use of reason were legacies to the Reformation and later interpreters. The classical gymnasia promoted their approach and so influenced generations of biblical interpreters.

* Luther affirmed that the Bible in its literal sense was clear and open to all.

* Luther’s affirmation of scriptural clarity brought two problems in its train. (1) How does one choose between different interpretations that claim to be based on the literal sense? Erasmus had answered, by reason. Luther elected instead to interpret the entire Scripture from its central point, Christ. “Take Christ from the Scriptures! What else is there to be found in them?“13 Where passages are unclear (and there are such), the interpreter’s task is to relate them to this Gospel. Melanchthon expressed the same view in Apology of the Auksburg Confession IV. (2) Luther applied the same principle to the problem of the canon. Some books fall short of a proper proclamation of the Gospel.

* In the seventeenth century science, history, and philosophy became autonomous disciplines, freed from both biblical authority and the traditional masters in their fields (Aristotle, Ptolemy, etc.).

* At the beginning of the seventeenth century the Bible was the universal authority in all fields of knowledge, but by the end of the century that authority was eroded… Science worked independently of the Bible-and in that way the Bible’s authority was diminished.

* The study of history followed a similar path. The Bible had been the authority for world chronology and geography. Now new knowledge from new sources revealed the limitations of the historical and chronological data in the Bible.

* Orthodoxy demanded instead a sacrifkium intellectus in the face of the Bible’s statements. After that only two responses were possible: either one must recognize two independent truths (which satisfied no one), or a struggle for supremacy must result.

* In the last quarter of the century the French Oratorian priest Richard Simon published a series of books in which he applied critical method to the Bible ( 1678 ff. ). With these he became the direct founder of the historical-critical study of the Bible. His aim was apologetic, not historical, to show that the Protestant sola scriptura principle, when carried to its logical conclusion, makes confidence in the Bible impossible. The literal sense interpreted by the true laws of criticism produces uncertainty, unless it is accompanied by tradition as guide. In arguing that Moses could not have written the entire Pentateuch, that some biblical books reflect a long period of compilation, and that the textual tradition is uncertain, Simon used the evident and the rational as criteria, i.e., he practiced criticism of the Bible. He was expelled from the Oratorians in 1678 and his writings were placed on the lndex.

* The last great dogmatic systems in Protestantism were written in the seventeenth century (John Gerhard, Loci Communes Theologici, 9 vol., 1610-1622; Abraham Calov, Systemu Locorum Theologicorum, 12 vol., 1655-1672, etc.). They were important, yet futile, attempts to secure the Scriptures as Word of God.

* The eighteenth-century Deists treated the Bible with freedom when it did not, in their lights, accord with reason. For example, they argued that Isaiah was composite, the Gospels contradictory, and the apostles often unreliable… Deism might have ruled longer but for the horror of the French Revolution, credited by many English men to the criticism practiced by French rationalism.

* In France imported English Deism mixed with seventeenth century rationalism to give birth to the Enlightenment. Pierre Bayle provided an arsenal of argumentation in his Dictionnaire historique et critique (1695) for Voltaire, Rousseau, and Diderot to support Bayle’s view that criticism has the right to make all areas of human thought its realm. Reason, thr advocate for both pro and con, is the only instrument adequate to discover truth. All binding authorities (political, social, and religious) must fall before it; they have no common ground with reason (Koselleck, pp. 88-92). Bayle set the tone for an anti-church polemic that characterized French intellectual life throughout the century and gave the term criticism its abiding negative connotation.

* The historical thought of the Enlightenment was more philosophical than historical. It recognized the time-conditioned, historical character of the Bible (a major contribution) only to remove it through the application of common sense to historical materials (Lehmann, pp. 44-46; Neil, p. 239). History was used in the service of the religion of nature (reason) only “to point a moral or adorn a tale.” The great achievement and literary excellence of Edward Gibbon’s Decline and Fall should not blind us to the fact that it was history told to support an antisupernaturalist position (Richardson, pp. 41-44).

Nevertheless, the impulses for true historical study-not to support a philosophical position, but to understand the past were present. The historical character of all revelation and doctrine was now clear. Herder was one of the first to point, even if unclearly, to the historicity of man and his entire world. He stressed that all historical phenomena are unique and singular, and so removed from analogical criticism.45 The stage was set for the flowering of true historical interest and method.

* An intellectual and social revolution changed all thought in the nineteenth century. Geology offered proof for the great antiquity of man, while evolutionary development was a commonplace by the end of the century. The fiery debate between science and theology soon died down, although the afterglow survives to the present. An economic and social revolution changed population and work patterns into those of the modern world. The optimistic spirit of growth and progress waltzed through the mental halls of Western civilization.

* The development of historical method can be documented in a series of works published within two decades. With Barthold Georg Niebuhr’s Rb’mische Geschichte (1811-1812) historical criticism came of age. Niebuhr used criticism to separate poetry and falsehood from truth in the sources from ancient Rome. He sought “at a minimum to discover with probability the web of events (Zusammenhang) and [to reconstruct] a more believable narrative in place of the one he sacrificed to his convictions.”4F Criticism was used positively, to write the history of early Rome. Niebuhr asked two questions consistently and clearly: “What is the evidence?” and “What is the value of the evidence?” He began the process of making the sources say far more than they intended by uncovering their Tendenz (bias). The result was a new, exciting, and convincing picture of the origins of Rome-and a new historical tool. Niebuhr’s influence was immense.

* The works written by David Friedrich Strauss and Ferdinand Christian Baur incited many to historical study. Strauss began the “really significant era of criticism of the New Testament” with the publication of Das Leben Jest ( 1835). Strauss, in part still a child of rationalism, followed Reimarus in denying the historicity of all miracles, the resurrection, and most of the content of the Gospels. However, he tried to save the eternal truths contained in the historically dubious materials through the concept of myth (Ernst, pp. 33-34). Reason destroys truth by its naturalistic explanations; the use of myth allows the preservation of truth in the face of rationalism. Myth allowed Strauss to place the Gospels into their own conceptual world and save their writers from being deceivers. It allowed him to read the Gospels without imposing on them modern presuppositions. Das Leben Jesu was a shocking work that roused a storm of protest. The clash between consistent historical study with rationalist presuppositions and the revelation-claim of the Bible was very clear. The conclusions Strauss reached were radical and questionable, but forced the issues of method and source criticism on scholarship and so were a factor in the origins of a truly historical approach.

* For Baur the New Testament was not isolated from the thought currents of the early church. He described these currents in Hegelian terms as thesis (Judeo-Christianity, Peter and Matthew), antithesis (Pauline Christianity), and synthesis (early catholicism). His solution still has currency. His Tendenzkritik persuaded him that the entire New Testament is interpretation from beginning to end.

* It is difficult to overestimate the significance the nineteenth century has for biblical interpretation. It made historical criticism the approved method of interpretation. The result was a revolution of viewpoint in evaluating the Bible. The Scriptures were, so to speak, secularized. The biblical books became historical documents to be studied and questioned like any other ancient sources. The Bible was no longer the criterion for the writing of history; rather history had become the criterion for understanding the Bible. 64 The variety in the Bible was highlighted; its unity had to be discovered and could no longer be presumed. The history it reported was no longer assumed to be everywhere correct. The Bible stood before criticism as defendant before judge. This criticism was largely positivist in orientation, imminentist in its explanations, and incapable of appreciating the category of revelation.

Positivism: 1. a philosophical system that holds that every rationally justifiable assertion can be scientifically verified or is capable of logical or mathematical proof, and that therefore rejects metaphysics and theism.
2. the theory that laws are to be understood as social rules, valid because they are enacted by authority or derive logically from existing decisions, and that ideal or moral considerations (e.g., that a rule is unjust) should not limit the scope or operation of the law.

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The Alt Right As Soap Opera (1-20-21)

00:00 The Alt Right as a sitcom
02:00 Richard Spencer was dragged kicking and screaming back into reality
12:20 The Alt Right would not make for a TV procedural like CSI
20:30 QANON AND THE END OF THE AMERICAN EMPIRE, https://www.bitchute.com/video/BIuZsLkcc6tK/
26:00 Antisocial: Online Extremists, Techno-Utopians, and the Hijacking of the American Conversation
36:50 Maia joins, https://twitter.com/emlaz
1:19:00 Catboy Kami arrested
1:23:40 Alt Right YouTube Drama Factory by Colin Liddell
1:29:10 Joey Diaz Is Ready To Go To Jail?
1:32:40 Piranha Speaks At US Capitol – Alex Jones Parler – Mike David From RedBar Covers
1:38:00 Matt Christman predicts a Q anon David Koresh movement in six months
1:46:00 Alex Jones sounds black-pilled, https://www.bitchute.com/video/9cEYVyhHfFZE/
1:47:20 Nick Fuentes says we have to believe in the spirit of Trump
1:55:00 Nick Fuentes reacts to Sargon calling him a white supremacist
1:59:10 David Pakman: DISGUSTING: 100% DEMONETIZED ON FACEBOOK
2:08:00 The Daily Grifter, https://twitter.com/DailyGrifter
2:29:00 Trusting the Plan, https://radixjournal.com/2020/12/trusting-the-plan/
2:32:00 Vox Day: Disappointed, but not demoralized
3:04:00 Nathan Cofnas on Biden’s Jewish cabinet, https://twitter.com/nathancofnas/status/1352044513007550465

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How I Deal With Frustration (1-20-21)


https://en.wikipedia.org/wiki/The_K%C3%B6ln_Concert

Role of Unconscious Mind in Development of Frustration

Essay on Frustration: Sources, Reactions and Measures to Face Frustration

Frustration : Types, Sources and Role


How frustration can make us more creative: https://www.youtube.com/watch?v=N7wF2AdVy2Q
12 ways to overcome frustration: https://www.youtube.com/watch?v=8I13yDuD_m4

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First We Take Manhattan (1-19-21)

00:00 The spiritual struggle ahead
06:40 Race and IQ, Fascinated and Horrified, https://www.youtube.com/watch?v=pIFSD_WR6bU
22:00 The Science of Spiritual Narcissism, https://www.scientificamerican.com/article/the-science-of-spiritual-narcissism/
41:50 The sociology of biological intelligence (Gottfredson, L.), https://www.youtube.com/watch?v=fEv-vHMWoeo
59:00 What’s So Bad About Storming the Capitol?, https://fakenous.net/?p=2134
1:20:00 Rob Henderson, https://twitter.com/robkhenderson
1:23:00 The Prime Fallacy: Misunderstanding Appearance, https://fakenous.net/?p=2102
1:27:00 Ideology Isn’t About Ideas, https://fakenous.net/?p=2083
1:42:00 The Biden-Harris Administration, https://www.outsidethebeltway.com/the-biden-harris-administration/
1:46:00 A Grim Illustration of the Toll of the Pandemic, https://www.outsidethebeltway.com/a-grim-illustration-of-the-toll-of-the-pandemic/
1:50:00 Will the GOP fracture? No. https://www.outsidethebeltway.com/will-the-gop-fracture/
1:57:00 Fox News Launches ‘Purge’ to ‘Get Rid of Real Journalists,’ Insiders Say, https://www.thedailybeast.com/fox-news-launches-purge-to-get-rid-of-real-journalists

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Tiger Woods, Addiction, Yearning For Adoption, Yearning For Rescue (1-18-21)

https://www.latimes.com/sports/story/2021-01-17/hbo-documentary-tiger-woods-life-public-eye

Richard Spencer says Trump brought out worst in him (1-17-21)


https://www.tmswiki.org/ppd/How_do_I_journal%3F
https://www.tmswiki.org/ppd/Structured_Educational_Program
https://www.tmswiki.org/ppd/TMS_Recovery_Program

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The Alt Right As A Sitcom (1-18-21)

00:00 The rules of genre
02:00 Comedy, tragedy, heroic genres, https://lukeford.net/blog/?p=136557
04:00 Richard Spencer vs Nick Fuentes, https://trad-news.blogspot.com/2021/01/richard-spencers-obsession-with-fuentes.html
09:00 Nick Fuentes || There’s A SILVER LINING To Big Tech Censorship
29:00 Babylonian Hebrew joins
32:00 Post-Left vs Chapo Traphouse
35:00 The Capitol Hill riots – far right? conservative? QANON?
1:00:00 Big Tech censorship
1:20:00 Nancy Pelosi compares Capitol Hill riots to the Holocaust
1:22:00 MIKE ENOCH PREDICTS TRUMP VOTERS WILL BE CALLED TERRORISTS NOV 2ND
1:27:20 NWG RESPONDING TO CLAIMS THAT ENOCH / TRS IS MOCKING HIM
1:40:00 NWG COMMENTS ON DIFFERING AIMS BETWEEN THE ‘WHITE-POSITIVE’ & ‘WHITE NATIONALIST’ SPHERES
1:47:30 NWG ANSWERING A QUESTION ON OLIGARCHS “TRYING TO PREVENT CIVIL WAR”
2:00:00 PWR ADDRESS THE ‘Q-TARD’ PROBLEM!
2:16:00 Matt Heimbach’s journey to and from the Alt Right, https://www.youtube.com/watch?v=LCiAfD2EDvY
2:20:00 Attorney Roberta Kaplan’s plan to bankrupt the Alt Right, https://youtu.be/HNmGdYxzj7I?t=996
2:23:30 The far-right pay-off in bitcoin, what does it mean?
2:27:30 Luke on Big Tech Bans Alex Jones from Aug. 6, 2018, https://www.youtube.com/watch?v=yOHlOonDNic
2:31:50 Trump Loses Compilation ft. Tim Pool, Sargon, Keemstar on copium…
2:41:20 JF and Keith Woods discuss optics concerning Nick Fuentes and the “America First” movement
2:44:30 Mersh: Baked Alaska’s Last Stand, Nick Fuentes
2:47:20 Mama J. F. is lashing out at J. F. guest (feat. No White Guilt)
2:57:00 Redbar: BEN SHAPIRO AND JOE ROGAN TALK BLOOD AND RELIGION

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Screenwriting 101: Mastering the Art of Story

Angus Fletcher writes:

* In comedy and tragedy, the main characters are eventually forced by the action of the plot to conform to the big rules of their story world. But in heroic scripts, the opposite happens: The main characters change the world.

* A god’s-eye narrator has the properties of a divine eye, all seeing and all knowing. It’s above the things it describes. It sees into their essence and has dominion over them.

* The ironic narrator goes back thousands of years to ancient Greek and Roman satire. The ironic narrator gently deflates and undercuts the things he or she describes. The ironic narrator wryly suggests that things are less important than we tend to think.

* The comic narrator is sometimes confused with the ironic because it can contain lightly satiric elements. But unlike the ironic, the primary purpose of the comic is not to tear down. Instead, it’s to lift up and celebrate the little curiosities of life… Almost every sitcom or romantic comedy uses a comic narrator. You can find one fantastic model in the script for Little Miss Sunshine, which begins with a happy catalogue of grungy characters.

* Historically, the sentimental narrator is the most common kind of narrator in screenwriting. The aim of the sentimental narrator is to speak the language of the heart, and since different hearts feel different things in different intensities and degrees, there’s a huge variety in sentimental narrators.

* The most obvious difference between film and TV is quantity. An average movie is two hours. An average TV series is designed to run for 100 hours or more. Generating all those hours of content presents a challenge, which writers answer by developing an engine to power the show for season after season.

*  There are different ways to build a TV engine, but the most straightforward is by establishing a deep conflict in the story world. Conflict pushes the plot. The deeper and more substantial the conflict, the more story you can get out of it.
By rooting conflict in the story world, TV writers allow for two key things needed to please audiences for hundreds of hours. First, they keep the plot going, and second, they keep the viewing experience consistent. For example, no matter what episode of Law & Order you watch, the show’s engine always generates the same cognitive mixture of intrigue and suspense.

* Films have a one-off conflict between story world and character. TV requires an engine of ongoing conflict within the story world that keeps the plot going and the viewing experience constant.

* Unlike in the film [Mash], the conflict here in the TV series isn’t a straightforward conflict against the war, because there are things about the war that the doctors will miss… the TV conflict is a conflict within the world of the war. In this TV world, war isn’t a single bad thing. It’s two opposites, good and bad. There are the pointless deaths, the heartbreak, the human cruelty, and the futility. But there are also the friendships and the daily triumphs. Whereas the doctors of MASH the film are in conflict with the world of war, the characters of M*A*S*H the TV show are windows into the deeper conflict of the world. Though they all bring unique viewpoints, the fact that all of the characters of a TV series offer windows into the same deep conflict means they can always be swapped out and exchanged. The role of TV characters as windows into the more enduring conflict in the story world also means that antagonists work very differently in TV than in film. In film, the antagonist is the human face of the world that the hero fights against. In TV, the antagonist is instead an expression of the same world conflict that beats inside the heroes’ hearts. And so rather than simply encouraging negative feelings in the audience, most antagonists will, as the series progresses, inspire increasing amounts of sympathy… In film, the antagonist is opposed by the main characters. In TV, the antagonist is one of the main characters, a window into the same conflict as everyone else. In TV, instead of hating the antagonists, the audience eventually comes to identify with them, too.

* The sitcom engine is the conflict between the individual and the society. Individual is a literal term when it comes to sitcoms: Every character is a one-of-a-kind individual, filled with rogue desires and dreams. Sitcoms generate enormous variety by tweaking the specific characteristics of the individual and the social aspects of the show. In Frasier, the tweak is that the individuals are highly neurotic psychiatrists. In Cheers, the tweak is that the society is a bar where everyone is trying to escape the other society outside. In other words, there are two basic ways to invent your own original sitcom. The first is to focus on a unique subculture of individuals, like Broad City does with female college grads in New York City. The second is to focus on a unique kind of social togetherness, like Modern Family does with post-divorce American families, or Seinfeld does with the special bond between misanthropes.

* Since the engine of sitcoms is the running conflict between the individual and the society, sitcoms never imply that one is absolutely better than the other. If they did, that would kill the engine. Instead, sitcom episodes go back and forth between mocking the individual from the perspective of the society and mocking the society from the perspective of the individual.

* In the world of sitcoms, a clown is any character locked within their own private worldview—that is, any character who mistakes their dreams for reality. There are many different ways to create a sitcom clown. One is to give the clown an uncontrollably strong emotion or passion… : Make your clowns harmlessly eccentric, their oddness a danger only to themselves. The comedy in a sitcom comes from harmlessly eccentric clown characters. It doesn’t come from writing jokes. Instead of writing jokes, create a character with a slightly offbeat mind. Then imagine what that atypical character would typically do. Whatever it is will automatically be funny, unless it mortally threatens your audience. In that case, dial it back.

* Sitcom plots are set in motion by a problem that characters create for themselves. And clowns are always creating problems for themselves… The key here is that in both plots, the clowns’ normal psychological drives lead them to create a problem that then puts them in conflict with another character. That conflict with another character then leads to an escalation.

* At the end, the important thing is that the characters finally stop making their self-inflicted problem worse. Maybe they give up. Maybe the world crushes them. Maybe the other characters rescue them. It’s up to you and what you want your audience to feel.

* Every sitcom begins with a problem that the main character creates. That problem gets worse and worse, leading to more disasters and complications, until at the end, the character capitulates and things go back to normal. In the procedural genre, it’s the inverse. Every episode begins with a problem that the main character sets out to solve. That problem is unraveled piece by piece through a series of breakthroughs and discoveries, until at the end, the character triumphs and things go back to normal… The engine of every procedural is broadly the same: The conflict is between the forces that generate the problem and the procedures that solve it.

* Every plot line [in Grey’s Anatomy] is about a character striving to fit in with some group but, in the end, failing to make it completely. One of the most spectacular instances of these plotlines is George’s interaction with a worried family
whose father is going to have heart surgery. George bonds with the family by promising that their father will make it through surgery alive. With this beat, the script establishes that George finally feels like he belongs. Then, the plot rips this feeling of belonging away by showing the father flatlining in surgery. This forces George to inform the family that he’s dead. Their response: “Thank you. Please … go away.” George is back on the outside; he was part of the family, and now he isn’t anymore. The point here is that the purpose of a soap is to keep returning to the same emotional conflict over and over. To reverse engineer those returns, take each of your characters and create little challenges for them that hold out the promise of resolving the conflict. Then, interrupt your characters’ moments of triumph with a sharp plot twist that plunges them back into their original dilemma so that the show’s engine goes on…

* the purpose of a soap is to keep returning to the same emotional conflict over and over. To reverse engineer those returns, take each of your characters and create little challenges for them that hold out the promise of resolving the conflict. Then, interrupt your characters’ moments of triumph with a sharp plot twist that plunges them back
into their original dilemma so that the show’s engine goes on.

* The tone of soap operas is always sentimental. Everything in the world is portrayed from the perspective of how the characters feel about it.

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The Place That You Love (1-17-21)

Find the Place You Love. Then Move There. https://www.theatlantic.com/family/archive/2021/01/what-moving-house-can-do-your-happiness/617667/
The German Historicist Tradition: https://lukeford.net/blog/?p=136517
The Other God That Failed: Hans Freyer and the Deradicalization of German Conservation,

Posted in Los Angeles | Comments Off on The Place That You Love (1-17-21)

Richard Spencer says Trump brought out worst in him (1-17-21)

From the Financial Times Jan. 15, 2021:

“Trump brought out the worst aspects in me — that’s not what I want to be remembered for,” Spencer said. “I recognised the toxicity of rightwing populism and didn’t want America to go further down that road.”

Saying that somebody brought out the worst in you is not escaping personal responsibility. There are people, places, and contexts that encourage the best or the worst in us. Noting the volatility of one’s own responses exposes a painful vulnerability. I don’t think Richard Spencer is proud of his instability. He knows that a solid person does not get triggered like he has been.

One way you can tell whether or not you have dealt with something is your ability to talk about it without your voice cracking. If you can discuss painful things without distorting or strangling your voice, you’ve processed it and it no longer has power over you. On the other hand, if you repeatedly tell a certain defensive story, your voice will take on a tired quality to match your tired thinking. Your voice gives away your state. Use what language and timber you will, you can never say anything but what you are.

Much of my life, I was so thirsty for attention that this led me to being very different around different people. I’d go to synagogue in the morning to pray and I would act like a good Orthodox Jew and then I would go to a porn set in the afternoon and act like a porn reporter and then I’d go to an LA Press Club party in the evening and act like an Aussie larrikin. Adaptability is beautiful, but when one part of your life is at war with others parts of your life, you’ve stretched too far. An integrated life means you are not saying and doing things in the morning that destroy everything you tried to build the night before. A psychiatrist in Brisbane, Australia, gave my family (with my permission) the following diagnosis in 2000:

Luke is very dependent upon other people for his identity as a person.

He has poor identity integration and poor self esteem. Accordingly, Luke is always looking for mirroring – it’s called “narcissistic supply.” That is to say that Luke is always looking for external validation of himself as a person (i.e., he needs other people to tell him who he is). However, because it is not possible for people to mirror him all the time, he gets disappointed and this can turn to envy. Luke may not be conscious of the fact that he is very envious of his family as they seem to have things he would like to have but does not have. This leads to him fluctuating between, on the one hand, devaluing people such as the family (putting them down) and on the other, idealisation of people – such as Dennis Prager.

Luke tends to make unreasonable demands of people who are eventually driven to setting limits on him. Luke takes this very badly.

Luke needs five to ten years of insight orientation psychotherapy. It was the falling out with Dennis Prager which caused him to go to therapy. While Luke has a lot of therapy ‘speak’, he may not really understand the concepts involved. Luke’s therapist did well to keep him in therapy for 15 months – that is unusual for someone with Luke’s condition as such people often leave off therapy when it becomes too confronting. Luke will not continue therapy that is confrontational, particularly in the early stages.

Luke will continue to do what he is doing to satisfy his needs until such times as the rewards (reinforcement) are outweighed by the negative effects of same (punishment). Then he may do something about getting his life on track and getting therapy or going back to finish his degree (which would give him some self-esteem).

The negative effects of his current behavior are that no one will have a long term relationship with him as no matter how sane they are, people cannot live without getting something back – and Luke is always taking in without giving anything back. Second, any decent woman who looked at his website would be immediately repulsed.

Luke has a complicated personality. He has mood instability – perhaps mild cyclothymia. His personality type is prone to this.

Luke become very focused on one thing then, when he is not getting the desired rewards, he drops it and moves on.

Luke may have had some post viral illness but then the illness took on a life of its own. It is common for people to retreat into the sick role because it is a way of failing in a face-saving way. Luke was failing because of the lack of significant relationships in his life.

Through 12 step work and therapy, I think I’ve largely overcome the above tendencies. For example, I’ve done thousands of hours of Youtube livestreams and never once had to take something down because I was ashamed of what I said. Even under the stress of argument and confrontation, I did not lose my self.

Richard Spencer is sometimes honest to a fault, even if it makes him or his movement look bad. When Antifa was beating up on the Alt Right and ending his college speaking tour, he publicly admitted that Antifa won.

Every political and religious orientation comes with potential downsides. The potential downsides to right-wing populism for unstable people include:

* Conspiracy thinking such as Stop the Steal, QAnon, the elites hate us and want us dead, etc…
* A disregard for the humanity and expertise of the elites.
* A narrowing of the information you will take in, for example, many populists think that any news that comes from the New York Times or CNN is going to be bogus. A healthy person welcomes truth from any source.
* The development of a victimhood complex which then frees one from moral responsibility.
* Trolling as a way of life and other downsides of the e-personality. You might start saying things online that rewire your brain making you less effective and more offensive offline.
* A disregard for work. Godward Podcast tweeted Jan. 16: “It’s only legal to have a job in America if you’re a complete idiot or a phony. And being a phony takes a serious psychological toll.” Without an overdose of dissident right thought, nobody would ever say such a thing. Honest work is about the healthiest thing a person can do.
* Delusions of becoming a thought leader so that one neglects one’s real responsibilities.
* Lack of regard for the consequences of your words and behavior on others. I remember in August of 1988, I hung out on a concrete outcrop at UCLA to try to watch for free this tennis tournament going on below. When campus police came up to remove us, one officer almost tripped and fell off the ledge. Some of the people I was with started verbally abusing the enforcers. I quickly realized I was in a bad place, that my behavior could have contributed to somebody suffering a significant injury, that my presence was giving others encouragement to speak badly, and so I removed myself after telling everyone around me that we should leave, and I never forgot the lesson. Cheating to see something for free can rapidly go bad for those around me and it is not a good development for my own character.

If there is an emptiness in your life that love or hate of Donald Trump fills, or some politics or religion fills, it will likely distort your personality. Some people become worse when they get religion because they are trying to use religion to fill a hole that religion cannot fill (such as addiction).

Spencer’s comments remind me of an insight from Dennis Prager: We all exude a force field. For example, when I walk into a room, people often feel more free to share inappropriate jokes. When Dennis Prager walks into a room, people tend to behave better and to speak more politely. We can’t escape our responsibility for affecting others. Even if we don’t want to be a hero, we usually are a hero to someone at some time. The way people habitually respond to us gives us a mirror to our soul. Some people see me and instinctively smile. Others see me and instinctively get riled up. I get annoyed with one bloke I know because, even though we’re about the same age, he usually treats me like I’m a child. His response to me is not totally random. He is reacting to those aspects of my life and personality that are childish.

I am sure that Donald Trump’s behavior has inspired some people to become better and some people to become worse. We can’t control others, we don’t turn them into zombies with our podcasts and blog posts, but we can incentivize their behavior.

Everybody has a track record. As my shrink said, “Luke become very focused on one thing then, when he is not getting the desired rewards, he drops it and moves on.” Richard Spencer has a track record too. Everything he touches tends to go to hell. Donald Trump also has a track record. It seems like a disproportionate number of people who’ve followed him have come acropper. Trump, for example, demands his employees are loyal to him but he seems to have little loyalty to them.

I have a lot of people in my life who I keep at a remove. When they get too close, I get wounded and unhappy. When I introduce them to friends, their disagreeable tendencies make me regret it. But at a certain distance, I can just enjoy them. One Jewish intellectual noted, “The people I pray with, I can’t talk to, and the people I talk to, I can’t pray with.”

I love the idea of situating people in their correct genre. The great accountant is not likely to be a good shock jock. The talk radio host is not going to be a scholar. The funny receptionist is not likely to be precise with numbers. The fiery courtroom lawyer off the clock may want to argue way too much for my comfort.

Posted in Richard Spencer | Comments Off on Richard Spencer says Trump brought out worst in him (1-17-21)

WSJ: The ‘Common Carrier’ Solution to Social-Media Censorship (1-17-21)

00:00 Railroads can’t refuse to carry passengers for their political views. The same rule should apply to online monopolies, legal scholar Richard Epstein argues. https://www.wsj.com/articles/the-common-carrier-solution-to-social-media-censorship-11610732343?mod=hp_opin_pos_1
10:00 Find the Place You Love. Then Move There. https://www.theatlantic.com/family/archive/2021/01/what-moving-house-can-do-your-happiness/617667/
19:00 The German Historicist Tradition, https://lukeford.net/blog/?p=136517
21:00 When San Francisco was America’s porn capitol, https://brokeassstuart.com/2015/04/30/remembering-when-san-francisco-was-the-porn-capital-of-america/
56:00 Private Company Argument, https://www.youtube.com/watch?v=yfFd3-RWK5U
1:04:00 Baked Alaska arrested
1:10:40 Sweet Erin talks Baked Alaska, Bloodsports, Family & more, https://www.youtube.com/watch?v=Yt9PyhuvdZ8
1:23:00 Theology and Politics in the German Imagination, 1789–1848 – 11 July 2017 – ‘The Politics of David Friedrich Strauss’ Biblical Criticism’
1:25:00 David Friedrich Strauss, Father of Unbelief: An Intellectual Biography, https://www.amazon.com/gp/product/B08GCW4HVZ/ref=dbs_a_def_rwt_hsch_vapi_taft_p1_i0
1:38:00 Then of QANON, https://twitter.com/travis_view/status/1349140321234526214
1:40:00 15 Movies With No Female Characters Whatsoever, https://www.unz.com/isteve/how-to-improve-the-odds-that-your-movie-is-good/
1:42:00 Extremists exploit a loophole in social moderation: Podcasts, https://www.unz.com/isteve/but-what-about-the-smoke-signal-threat-and-the-message-in-a-bottle-menace/
1:47:00 A Reporter’s Footage from Inside the Capitol Siege, https://www.newyorker.com/news/video-dept/a-reporters-footage-from-inside-the-capitol-siege
2:02:00 41 minutes of fear: A video timeline from inside the Capitol siege, https://www.washingtonpost.com/investigations/2021/01/16/video-timeline-capitol-siege/?arc404=true
2:20:40 Nick Fuentes | DEPLATFORMED

Posted in America | Comments Off on WSJ: The ‘Common Carrier’ Solution to Social-Media Censorship (1-17-21)