Samuel Moyn (b. 1972) is an American intellectual historian and legal scholar whose books have reshaped how scholars and the public understand human rights, liberalism, international law, the conduct of war, and the place of moral language in politics. His reputation rests on a consistent argument: many of the institutions and ideals that contemporary readers treat as the natural culmination of moral progress turn out, on closer historical inspection, to be contingent responses to particular political circumstances. From that premise he has built a body of work that questions liberal internationalism, humanitarian intervention, judicial supremacy, and the moral minimalism he finds in modern human-rights discourse.
Moyn grew up in University City, Missouri, a suburb of St. Louis, and attended University City High School. He went on to Washington University in St. Louis, where he studied history and French literature and graduated in 1994. There the historian Gerald Izenberg, a scholar of modern European thought, steered him toward modern French intellectual history. He pursued doctoral study in history at the University of California, Berkeley, under intellectual historians including Martin Jay (b. 1944). His dissertation began as a study of the French Jewish philosopher Emmanuel Levinas (1906-1995) and grew into a wider account of modern intellectual and religious history. He took his Ph.D. in history from Berkeley in 2000 and then a J.D. from Harvard Law School in 2001. That double training, historical and legal, became the defining feature of his career, allowing him to move across intellectual history, legal scholarship, political theory, and public commentary without treating any of them as a foreign country.
His early scholarship sat at the meeting point of modern European thought, Jewish intellectual history, and the politics of memory. In Origins of the Other: Emmanuel Levinas between Revelation and Ethics (2005) he examined the relation between Jewish theology and modern ethical universalism through a close reading of Levinas. In A Holocaust Controversy: The Treblinka Affair in Postwar France (2005) he traced disputes over testimony, memory, and historical interpretation in postwar France. These first books announced the habits of mind that organize everything he has written since: a refusal of tidy moral narratives, an interest in how ethical ideals get constructed in time, and an attention to the ways moral vocabulary serves political ends.
Moyn joined Columbia University after completing his training and spent thirteen years there, rising to the rank of James Bryce Professor of European Legal History. During those years he became a leading intellectual historian in the United States. Columbia recognized him with the Mark Van Doren Award for undergraduate teaching and, in 2007, a Distinguished Faculty Award, marks of a scholar who took the classroom as seriously as the archive.
His influence runs through the field as much as through his own titles. He co-founded the journal Modern Intellectual History and served as a founding editor of Humanity: An International Journal of Human Rights, Humanitarianism, and Development. Through that editorial labor he helped set research agendas and bring on new generations of work in intellectual history, international thought, and the study of human rights.
In 2014 he left Columbia for Harvard, where he held the Jeremiah Smith, Jr. Professorship of Law alongside a professorship in history. After three years he moved to Yale University in 2017, first as Henry R. Luce Professor of Jurisprudence and then as Chancellor Kent Professor of Law and History. The appointment reflected a rare capacity to stand in three disciplines at once. In 2024 he added a post in university life as Head of Grace Hopper College, one of Yale’s residential colleges.
The book that carried his name beyond the academy was The Last Utopia: Human Rights in History (2010). Against the common belief that modern human rights descend in a straight line from the Enlightenment, the French Revolution, or the wreckage of the Second World War, Moyn argued that human rights became a dominant global language only in the 1970s. They rose to that place, on his account, not because humanity at last grasped timeless moral truths but because rival political projects had lost their credibility. Revolutionary socialism, anti-colonial nationalism, and larger dreams of social transformation all fell into crisis in those years, and human rights stepped into the vacancy. They marked less a triumphant arrival than a retreat from grander political ambition.
That reading rests on the principle that runs through all his scholarship, which is contingency. Moyn rejects accounts of history that march moral concepts steadily toward their fullest realization. Ideas, he holds, emerge from particular circumstances and particular crises. Human rights, liberalism, constitutionalism, and humanitarian intervention are therefore not permanent achievements but historical projects whose purposes and consequences invite scrutiny.
He pressed the case further in Human Rights and the Uses of History (2014), where he warned against the impulse to stretch modern human-rights ideals back across centuries in a heroic and continuous line. Historians who do so project present values onto earlier ages and obscure the novelty of modern human-rights politics.
In Christian Human Rights (2015) Moyn unsettled another settled assumption. Where many treated postwar human-rights talk as a secular and Enlightenment inheritance, he traced its sources to Christian Democratic movements, and to Catholic political thought above all. Principles later described as universal and secular grew, he showed, from conservative religious efforts to rebuild European civilization after fascism and war.
His quarrel with contemporary liberalism deepened in Not Enough: Human Rights in an Unequal World (2018). The modern human-rights movement, he argued, has done well at protecting a floor of dignity while doing almost nothing to confront the explosion of economic inequality. Human-rights advocacy came to concentrate on preventing extreme suffering and abandoned the older aim of social equality and redistribution. Rights did not supplement egalitarian visions so much as crowd them out. The world that resulted gives more people their basic protections while the gap between rich and poor grows wider.
Power and inequality have stayed near the center of his thought. He has come to argue that many liberals place too much faith in courts, constitutional litigation, and international legal bodies. Legalism, on his reading, often swaps judicial authority for democratic politics and moves decisions away from citizens and their elected representatives toward judges, lawyers, and experts. That argument has made him a sharp skeptic of the modern progressive habit of seeking social change through litigation and constitutional adjudication.
The concern grew loudest in his writing on the United States Supreme Court. Much of the American left, he contends, grew dependent on judicial review across the twentieth century. Rather than build durable democratic majorities able to pass reforms through ordinary politics, progressives looked to the courts for their victories, and that strategy strengthened elite institutions while it thinned out democratic participation and accountability.
His critique of humanitarianism took its most contested form in Humane: How the United States Abandoned Peace and Reinvented War (2021). Efforts to make warfare more humane through legal regulation, precision technology, and humanitarian norms have, he argued, made endless military intervention easier to defend. The humanizing of war did not reduce war. It lowered the political cost of fighting and made perpetual low-level conflict simpler to sustain. The question worth asking, he insisted, is not only whether wars are fought humanely but whether they should be fought at all.
In Liberalism Against Itself: Cold War Intellectuals and the Making of Our Times (2023), drawn from his Carlyle Lectures at Oxford, Moyn turned to the history of liberal thought. Cold War liberals, alarmed by totalitarianism, narrowed the liberal tradition. Earlier commitments to democracy, progress, and transformation gave way to a defensive politics organized around the avoidance of catastrophe. This anti-totalitarian liberalism carried enormous influence, and it also shed the transformative ambition that had once marked liberal thinking.
Across his career Moyn has kept up a heavy output as a public writer. His essays have appeared in The New York Times, The Atlantic, The New Republic, The Nation, The Wall Street Journal, The Washington Post, Boston Review, Commonweal, The Guardian, Dissent, and the London Review of Books, and he cohosts the Digging a Hole podcast. He turns historical analysis onto present argument more readily than most academic historians, taking up constitutionalism, foreign policy, inequality, democracy, generational conflict, and the prospects of liberal institutions. As a fellow of the Quincy Institute for Responsible Statecraft he has lent his name to arguments for restraint in American foreign policy and against interventionist doctrine, positions that follow from his long preoccupation with the unintended results of moral projects pursued in the name of progress.
Honors have followed the work. He held a Guggenheim Fellowship in 2008 and has taken fellowships from the American Council of Learned Societies, the Institute for Advanced Study, the Edmond J. Safra Center for Ethics, and the Berggruen Institute. His books have won the Morris D. Forkosch Prize and the Sybil Halpern Milton Memorial Book Prize.
In 2026 he carried his concern with inequality and institutional power into the politics of age with Gerontocracy in America: How the Old Are Hoarding Power and Wealth—and What to Do About It (Farrar, Straus and Giroux). Demographic change, the accumulation of wealth, and the design of institutions have, he argues, concentrated political and economic influence in older Americans. The trouble lies not in the age of any single leader but in structural forms of gerontocracy lodged across the society. Echoing Alexis de Tocqueville (1805-1859), he writes that a new political science is needed for a new age of aging, and he offers prescriptions that range from mandatory retirement ages to the abolition of the Senate. The argument keeps faith with his earlier books on rights, liberalism, and war: look past the celebrated achievement and examine the distribution of power it conceals. Critics have pressed him on whether age, rather than class, can carry the analytic weight he places on it, a charge he anticipates and rejects.
More than two decades of scholarship hold together around a single project. Moyn looks for the historical contingencies buried under stories of inevitability, progress, and moral triumph. Whether the subject is human rights, constitutional law, the conduct of war, the liberal tradition, or the politics of generation, he asks how a given ideal came to govern public life, what alternatives were given up along the way, and whether a celebrated reform hides a deeper concentration of power. That set of questions has made him an influential and a provocative reader of modern political and moral thought.
In his 2018 book, The Great Delusion: Liberal Dreams and International Realities, John J. Mearsheimer wrote:
My view is that we are profoundly social beings from the start to the finish of our lives and that individualism is of secondary importance… Liberalism downplays the social nature of human beings to the point of almost ignoring it, instead treating people largely as atomistic actors… Political liberalism… is an ideology that is individualistic at its core and assigns great importance to the concept of inalienable rights. This concern for rights is the basis of its universalism—everyone on the planet has the same inherent set of rights—and this is what motivates liberal states to pursue ambitious foreign policies. The public and scholarly discourse about liberalism since World War II has placed enormous emphasis on what are commonly called human rights. This is true all around the world, not just in the West. “Human rights,” Samuel Moyn notes, “have come to define the most elevated aspirations of both social movements and political entities—state and interstate. They evoke hope and provoke action.”
[Humans] do not operate as lone wolves but are born into social groups or societies that shape their identities well before they can assert their individualism. Moreover, individuals usually develop strong attachments to their group and are sometimes willing to make great sacrifices for their fellow members. Humans are often said to be tribal at their core. The main reason for our social nature is that the best way for a person to survive is to be embedded in a society and to cooperate with fellow members rather than act alone… Despite its elevated ranking, reason is the least important of the three ways we determine our preferences. It certainly is less important than socialization. The main reason socialization matters so much is that humans have a long childhood in which they are protected and nurtured by their families and the surrounding society, and meanwhile exposed to intense socialization. At the same time, they are only beginning to develop their critical faculties, so they are not equipped to think for themselves. By the time an individual reaches the point where his reasoning skills are well developed, his family and society have already imposed an enormous value infusion on him. Moreover, that individual is born with innate sentiments that also strongly influence how he thinks about the world around him. All of this means that people have limited choice in formulating a moral code, because so much of their thinking about right and wrong comes from inborn attitudes and socialization.
Mearsheimer puts Moyn on his own side. John J. Mearsheimer (b. 1947) reaches for Moyn’s line about rights coming to name the highest aspirations of movements and states, and he reaches for it as a friendly witness. Rights-talk, on this reading, is a recent and mobilizing creed, not a truth that waited in nature for reason to find it. Here the realist and the historian stand together against the human-rights triumphalists. Both deny the eternal. Both date the thing and call it made.
The agreement ends at the root. Mearsheimer grounds his case in human nature. We are social before we are anything, tribal at the core, socialized long before we can reason, and reason ranks last among the forces that set what we want, behind innate sentiment and behind the value infusion that family and group press into a child who cannot yet argue back. Liberalism fails, on this account, because it mistakes an atomistic individual for the real animal, and universal rights fail because no such universal individual walks the earth. There are only members of groups.
Moyn has no anthropology. He is an anti-essentialist by training and by temper, a historian who treats every claim about fixed human nature as a contingency wearing the mask of necessity. His critique of rights is historical, not natural. Rights rose in the 1970s because the larger dreams had collapsed, not because something in the species made them rise. So the conditional the question poses, if Mearsheimer is right, is the one premise Moyn cannot grant without surrendering the method that made him.
Grant it anyway and follow what falls.
First, the lost utopia stops being recoverable. Moyn mourns the abandoned maximum, the egalitarian and socialist politics of mass solidarity, and he mourns it as a thing killed rather than doomed, displaced by the minor creed of rights and therefore able to return once the displacement is named. But the maximum he mourns was a universalism too. It asked men to feel for the distant stranger as for the near kin, to place class above nation and humanity above tribe. If Mearsheimer is right, that project ran against the same grain that broke liberal universalism. The tribe beats the species every time. The egalitarian dream did not lose to human rights in a fair fight that a better argument might reverse. It lost to nationalism, to the in-group, to the family at the door, and it lost for the reason every universalism loses. Moyn keeps the body warm against the day it might rise. Mearsheimer’s anthropology says the body was never going to live.
Second, the method loses its floor. Contingency is Moyn’s god-word, the claim that it could have gone otherwise, that no arrangement was fated. Mearsheimer does not deny that history turns on accident. He denies that the menu is open. Human nature sets the walls of the room, and inside those walls many doors are painted on. The cosmopolitan options Moyn treats as live were ruled out before the choosing started, not by a rival creed but by what people are. Contingency without a theory of human nature floats. Mearsheimer ties one end of it down, and the knot shortens the rope.
Third, and this cuts nearest the bone, the intellectual historian’s faith takes the heaviest blow. Moyn’s vocation rests on the wager that ideas move the world, that to trace a framing and expose its contingency might loosen its grip and change what men do. The craft assumes reason has leverage. Mearsheimer puts reason last, downstream of sentiment and socialization, and reads most argument as the rationalization that follows the attachment rather than the cause that precedes it. If he is right, the demystifier who shows the seminar room that human rights are contingent has changed almost nothing, because the room was formed before it reasoned, and the framing he attacks sits on a tribal floor his history cannot reach. The man who holds that naming the construction dissolves it has overrated the part of us that names.
Against these costs stands one gift. Restraint survives, and grows stronger. Mearsheimer and Moyn arrive at the same suspicion of the crusading foreign policy by different roads, the one through realism and the permanence of great-power fear, the other through the unintended results of moral projects, the humane war that runs on forever because it costs the home front so little. On the question of whether America should go abroad to right the world they shake hands, and they sit in the same building at Quincy. If Mearsheimer is right, Moyn reaches the correct conclusion on shallow ground. He gets restraint without the anthropology that secures it, and a conclusion held for the weaker reason holds less firmly when the wind turns.
Now the door Moyn walks through, because he has walked through it a hundred times. He refuses the premise. He says that Mearsheimer’s human nature is a local and recent arrangement frozen and sold as the law of the species, that tribalism called permanent is the false necessity his work exists to puncture, that the realist who naturalizes the nation does to anthropology what the human-rights historian once did to the Stoics, reading the present backward and calling it always. This is a strong reply and a fair one, and it moves the quarrel to its true seam. Either human nature is fixed and history runs inside it, which is Mearsheimer, or human nature is plastic and made and remade in time, which is Moyn. They cannot both hold. The passage you sent forces the choice that most of Moyn’s work lets him defer.
So what then for Moyn, if Mearsheimer is right. He loses the resurrection and keeps the funeral. He loses the open menu and keeps the accidents inside a smaller room. He loses the leverage of the idea and keeps the dignity of the description. And he keeps restraint, on rented ground. The historian who taught a generation that the natural is only the historical meets a man who answers that some things are natural after all, and the meeting leaves Moyn with a choice he has spent a career arranging not to make.
Samuel Moyn and the Field
Moyn is a field operator of the first rank, and his career reads as a study in the accumulation of consecration. He made his name by attacking the origin story of his own subfield, the surest route to distinction inside a crowded field. Founding Modern Intellectual History and Humanity gave him the power to consecrate others. The Columbia to Harvard to Yale climb, the named chairs, the Carlyle Lectures, the residential-college headship, the Guggenheim, all of it tracks the slow conversion of contrarian argument into institutional authority. His standing position, the left critic of the left’s legalism and human-rights minimalism, is a heterodox stance that earns symbolic capital by appearing to break ranks while staying inside the house. Field theory explains the content and the career at once.
Pierre Bourdieu (1930-2002) treats a field as a structured space of positions where players compete over a stake the field alone defines and prices. The currency of intellectual history is not money. It is priority, originality, and the right to name what the field studies. Moyn’s product, contingency, bids for the rarest capital of all, the power to say that the field has misunderstood its own object.
Bourdieu gives the name doxa to the beliefs a field holds without examining them. The Last Utopia declares the field’s origin story one such belief. By dating human rights to the 1970s, Moyn tells his colleagues that their account of their own subject is a story they tell rather than a finding they made. The heretic who strikes at the doxa forces everyone to take a position relative to him. His critics orient by him no less than his followers. That is how symbolic capital accrues.
In Homo Academicus Bourdieu split academic power in two. There is temporal capital, the chairs and committees and the power over careers and resources, and there is intellectual capital, the reputation conferred by peers and readers. Most scholars hold one and envy the other. Moyn holds both. The journals and the editorships are temporal, the power to publish and to bless. The books and the prizes are intellectual. The college headship is temporal again. The union of the two is the rare thing, and it is the source of his weight.
The Berkeley doctorate and the Harvard law degree form a double inheritance from two of the highest-consecrating houses in American learning. The law degree lets him cross between history, law, and political theory and carry the prestige of one across into the others. The move from Columbia to Harvard to Yale is the market revaluing him at each step. A named chair is a title of nobility in Bourdieu’s vocabulary, symbolic capital turned into a durable object.
The field pays best for the look of disinterest. Bourdieu called this the interest in disinterestedness. Moyn’s posture, the scholar with no stake but the evidence, the man who turns on his own side, is the most legitimate posture the field offers. The left critic of the left reads as disinterested because he wounds his own coalition, and the wound is the source of the profit. The disavowal of capital is the road by which the capital arrives.
Bourdieu held that the heresies that win are the ones that obey the field’s rules. Moyn never leaves the academy. He never drops the footnote, the archive, or the monograph. The radicalism sits in the content and the obedience in the form. So the field takes him in as a consecrated heretic rather than cast him out as a crank. He is the prophet who keeps his chair.
A body of work becomes legible only against the positions already filled. Moyn’s theses make their sense as moves against occupants. He moves against the human-rights triumphalists and the Enlightenment-origins school of Lynn Hunt (b. 1945) and others, against the celebrants of Cold War liberalism, against the legalist left. Each book finds an orthodoxy and turns it over. The pattern holds across the subjects, which marks it as structural rather than topical. He occupies the position of the demystifier, and the position keeps its value because an orthodoxy always stands ready to be undone.
Field theory also shows the pull the other way. The Quincy Institute, the op-ed pages, the Digging a Hole podcast, and the trade press behind Gerontocracy in America tie him to the journalistic and political fields, the heteronomous pole where the large audience lives. The trade carries a cost. Reach buys worldly weight with some of the autonomy that grounds the scholarly authority in the first place. The gerontocracy book, pitched to Farrar, Straus and Giroux and to the front of the opinion section, sits nearer that pole than the early monographs did. A field reader watches whether the capital built at the autonomous pole gets spent down at the heteronomous one.
Consecration runs on collective belief. The chair confers value because the field agrees to treat it as conferring value, and the agreement is the whole of the thing. Moyn’s authority is real because the field believes in it. His own method names the contingency hidden behind authority that looks natural and timeless. Turn the method on the career and the reading holds. He shows how human rights served as a stand-in for a politics that had collapsed. A field account asks, in the same spirit, what his own demystifications serve.
Bourdieu’s wager was that the analyst must aim the tools at himself or forfeit the right to aim them at anyone else. Moyn knows how intellectual authority gets built. He has spent a career showing it. The open question is whether his contingency method points outward only. The man who taught a generation to ask what an ideal conceals invites the same question about the position from which he asks it. This carries no charge of bad faith. It is the field reading Moyn as Moyn reads his subjects.
The Gravedigger Who Will Not Bury the Body
Start with the word he loves. Contingency. Say it in a Yale seminar room on a gray afternoon, the long table scarred, the paper cups going cold, a dozen graduate students who came to history because they believed history bent toward something. Moyn takes the belief apart in front of them. Human rights did not rise because mankind woke to a truth that waited since the Stoics. They rose in the 1970s because the bigger dreams had died, and people needed something to hold. Nothing was fated. A student who wrote her college essay on the arc of justice feels the floor tilt. She came for a cathedral. He hands her a building site.
Ernest Becker (1924-1974) would know that room. In The Denial of Death he argued that a man cannot live with the plain fact of his own end, so he builds, or joins, a hero system, a scheme of value that lets him feel he counts in some order larger and longer than his body. The scheme hands out the tokens of symbolic immortality. Do the brave thing the culture names brave, and you earn a place that outlasts you. Religion does this. Nations do this. A scholarly field does this. Every hero system is a way of not dying, and every one of them takes a sacred word and loads it with the whole weight of the wish.
The trouble is that the sacred words do not carry across the borders. Watch one word travel.
A hospice nurse on the night shift in Tucson knows contingency as the lie she takes away. The daughter stands in the hall with her phone and says, maybe the new scan, maybe if we tried the trial in Houston. The nurse has seen the breathing. She knows the rattle and the hours. She does not argue. She brings a chair and a warm blanket and stays. Her heroism is presence at the thing that will not be bargained. To her, contingency is what the frightened cling to on the way to the certain, and her work is to sit with them while it falls away.
A reinsurance underwriter in Zurich knows contingency as a column. He prices the hundred-year flood and the magnitude-eight quake and sleeps because the tail is laid off to a catastrophe bond held by a pension fund in Ontario. He has turned the random into a number he can carry home. The firm will stand after he retires because the model held under stress, and that endurance is the form his name takes after him. Contingency, tamed and priced, is his quiet immortality.
A Reformed pastor in Grand Rapids knows contingency as the enemy of grace. He preaches that the elect were chosen before the foundation of the world, that nothing turns on the roll of the dice, that a salvation hanging on chance is no salvation at all. When a man in the third pew asks whether it might have gone another way, the pastor says, gently, that the comfort of the gospel is that it could not. Moyn’s holy word is the pastor’s near-blasphemy. The thing one man treats as the door to freedom the other treats as the loss of God.
A Marine staff sergeant clearing a road in Helmand knows contingency as the thing that kills his men. The plan dies on contact. So he drills the immediate action until the hands move without the mind, until the random has nowhere left to enter. Leave nothing to chance, he tells the new lieutenant, because chance is what takes a leg off at the knee. His heroism is the rehearsed motion that shrinks the unforeseen toward zero. For him contingency is not hope and not heresy. It is the enemy with no face.
A founder in a glass office south of Market knows contingency as the whole point. Optionality, he says, and means it as praise. Keep the doors open, take the meeting, run the experiment, the pivot is not failure but the form of the game. Everything is a bet and the upside is uncapped. He worships the open future the way the pastor worships the closed one. The unicorn, the name on the building, the founding story told at the next ten conferences, that is the shape his not-dying takes, and contingency is the engine that might still deliver it.
Five rooms, five hero systems, one word. Salvation, commodity, heresy, killer, jackpot. The nurse and Moyn are mirrors and do not know it. She strips a false hope of escape from death. He strips a false sense that the present order had to be. She removes the comfort that the end might not come. He removes the comfort that things could not have gone another way. Same labor, opposite cargo.
Now turn the lens on Moyn, because Becker insists the analyst point the tool at himself. What death does the disenchanter deny?
His career is built on taking apart other men’s denials. He shows human rights as the West’s substitute faith after socialism failed, a minimal creed for people who had stopped believing in the maximal one. He shows Cold War liberalism narrowing to a frightened anti-totalitarian crouch. In Humane he shows how the move to make war clean and lawful and precise let the wars run forever, the killing laundered into something a decent country could keep doing. That last book is Becker in everything but the citation. Becker wrote in Escape from Evil that men deal death while telling themselves they serve life, and that the telling is what lets the dealing go on. Moyn writes the same and names no Becker. He is the rare scholar who reads hero systems for a living and treats the reading as plain history.
Yet a man who removes everyone’s consolation keeps one for himself, and his is the finest of all. Moyn cannot accept that the egalitarian project, the mass democratic politics of redistribution and solidarity, simply lost and lies dead. So he tells a different story about the body. It was not doomed. It was displaced. Human rights did not defeat the dream of equality in fair fight. They moved into the house after the dream was pushed out, and the dream was pushed, which means it was alive, which means it might live again. This is what contingency does for him that it does for no one else in the five rooms. It keeps the corpse warm. It turns a death into a killing, and a killing can be mourned, avenged, undone. The man who will bury every false necessity will not bury this one body. He stands over it with the spade and tells the mourners it only sleeps.
Call him the gravedigger who will not bury the body. His sacred values hold together once you see the grave. Equality, for Moyn, is not the believer’s equality before God or the founder’s equal shot at the prize. It is the abandoned maximum, the thing the postwar world chose against, and his loyalty to it reads as cold method only from the outside. Inside the hero system it is grief kept in working order. His suspicion of consolation is real and aimed at others and stops at the door of his own. His prizing of politics over law, citizens over courts, the durable majority over the clever lawsuit, all of it follows from one need, that the people might still rise and finish what was interrupted. Strip the necessity from the present and the buried future returns to the field of the possible. The historian’s contingency is the mourner’s resurrection doctrine in a coat and tie.
Becker would not call this a flaw. He would call it the price of living. A man without a hero system goes mad or lies down. Moyn picked a hard one. He chose to earn his immortality by refusing other men their comforts, which leaves him exposed when the same eye turns on him, and the eye should turn, because he taught it to. The honest reader grants him the wound he hands out. The story that the great alternative was killed rather than beaten is the one consolation he cannot do without, and he has built a body of work that keeps it standing. That is not hypocrisy. It is the human thing. Every hero needs one grave he guards against the spade, and the measure of the man is which grave he chooses and how well he tends it.
The students file out of the seminar. The girl who came for the cathedral carries the contingency home like a stone in her coat. She does not yet see what he sees, that he handed her not the end of hope but its disguise, that the man who told her nothing was fated did so because he cannot let one thing be over.
1. What coalition do they depend on for status and income.
2. Who do they risk angering if they speak plainly.
3. Who benefits if their framing wins.
4. What truths would cost them their position.
One. The coalition. Moyn draws status and income from four overlapping camps, and they pay in different currencies. The first is the elite university. Yale signs his checks, gives him the Kent chair and the headship of Grace Hopper College, and lends him a name that travels. The second is the guild of intellectual historians and legal academics who sit on the committees, hand out the fellowships and the prizes, and decide whose books reach the right reviewers. The third is the intellectual left press and its readers, Boston Review and Dissent and The Nation and the London Review of Books, the audience that buys the trade books and fills the lecture halls. The fourth is the foreign-policy restraint coalition gathered at the Quincy Institute, an odd house funded from both ends, with money from George Soros (b. 1930) and Charles Koch (b. 1935) under one roof. Each camp grants a different reward. Yale gives security. The guild gives consecration. The press gives reach. Quincy gives a seat at the table where war and peace get argued. He needs all four, and the four do not always want the same thing.
Two. Whom he risks angering. He built his name by angering some people on purpose. The human-rights establishment, the Amnesty and Human Rights Watch world, the liberal internationalists who hold that the West improves the globe by force when it must, all of them he has crossed in print, and they have crossed him back. The constitutional-law liberals who venerate the Supreme Court and built careers on rights litigation read his attack on legalism as an attack on their life’s work. The heirs of Cold War liberalism took Liberalism Against Itself as the insult it half is. So far this is brave and cheap together, because the people he angers are not the people who pay him.
The harder anger sits closer to home. To speak plainly about his own side costs more. The campus left, the readers who cheer him, the restraint coalition with its odd left-right partners, his own employer with its endowment near forty billion and its board of aging trustees, these are the rooms where plain speech carries a bill. On Israel and Gaza the wire runs live in 2026, and either direction draws blood. Side with the protestors in full and he angers donors, some colleagues, and the administration that signs his appointments. Name the antisemitism that rides along inside parts of the movement he travels with and he angers the movement. He chooses his angers with care, and the pattern of which ones he picks tells more than the anger does.
Three. Who benefits if his framing wins. Win the story that human rights displaced redistribution, and the economic left gains, because rights-talk gets demoted and the old language of class and equality recovers its standing. Win restraint, and the anti-war camps on left and right gain, and so, as his critics never tire of noting, do the authoritarian states that prefer an America that stays home. Win the gerontocracy framing, and the young gain a weapon against the old, and the writers and officeholders who mobilize generational grievance gain a cause. Win contingency as method, and every settled arrangement turns into a thing that might have gone another way, which arms anyone who wants to reopen a closed question. Moyn gains each time, because each victory confirms him as the man who saw the necessity behind the apparent freedom before the rest did. The demystifier banks the demystification.
Four. What truths would cost him his position. The expensive truths are the ones his framing exists to hold off.
Concede that the egalitarian project failed on the merits, beaten in argument and at the ballot box and in the economy rather than displaced by a rival creed, and the mourning that organizes his work dissolves. He needs the body killed, not dead.
Concede that liberal intervention, for all its crimes, has sometimes stopped a slaughter, and that the restraint he counsels can leave people to die, and Humane cracks down the spine. Bosnia, Syria, and Ukraine sit in the crack.
Admit that the restraint coalition’s money and the company it keeps compromise the scholar who claims to serve only the evidence, and the disinterest that grounds his authority thins.
Admit that he is a creature of the order he indicts, an asset-rich man with an endowed chair and a residential college and a trade contract, writing against gerontocracy from inside an institution governed by the old and the wealthy, and his own eye turns back on him. He trained that eye to be merciless.
Grant the smallest and sharpest truth, that contingency forbids nothing and so settles nothing, that “it could have been otherwise” is a faith and not a finding, and the floor goes out from under the method.
He has spent a career teaching readers to ask what an ideal conceals. The four questions ask the same of the asker. He sometimes does turn on his own side, and that habit is the part of him that might survive the questions. The rest is the cost of the chair.
The Four Questions For The Gatekeepers
Now the four questions on the apparatus that crowned Moyn’s peers, the prize committees and the magazines.
Start with what they are, since the gatekeepers here come in two kinds. The prize committees and scholarly societies, the Organization of American Historians that hands out the Merle Curti, the U.S. intellectual-history society, the political-theory section that gives the Spitz, plus the university presses, Harvard and Princeton and Verso and Zone. And the magazines, the London Review of Books at the top, then n+1, Dissent, Jacobin, Boston Review, New Left Review, The Nation, the New York Review. These are the bodies that turned Forrester’s manuscript into a prizewinner and Moyn’s essays into events.
The coalition they depend on for status and income is the same trough the scholars drink from, which is the first thing worth saying plainly. The little magazines run at a loss covered by a wealthy patron, a foundation, or the cheap and unpaid labor of young people buying a byline. Their readership is an affluent progressive class that subscribes partly to read and partly to belong. The prize committees and societies live on membership dues, conference fees, library subscriptions paid by universities, and the donated labor of academics who judge for the prestige of judging. Neither prizes nor most bylines pay the writer in money. They pay in standing, which the university then converts back into salary at hiring and tenure. So the gatekeepers depend on three things, the elite university that funds the societies and honors the prizes, the donor and foundation money that floats the magazines, and an educated progressive public that supplies subscribers, dues, and the steady stream of aspirants willing to work for the masthead. They eat from the same table as the people they anoint, and often from the same plate.
Speaking plainly threatens them along every wire that feeds them. A magazine kept alive by a rich patron cannot run the hard investigation of how rich patrons shape the left it prints. A magazine that lives on a subscriber tribe cannot publish the piece that violates the tribe’s line without watching the cancellations and the pile-on, so it trims to the base and calls the trimming taste. A review that needs a steady supply of prestige bylines cannot savage the writers it depends on, which is why the reviewing world runs on friends handling friends with care. And the magazines that now carry union mastheads cannot dwell on the unpaid intern and the underpaid editor who subsidize the whole operation. The prize committees face the mirror of this. A jury that gave the medal to a conservative or a heterodox book against the field’s current would see its own legitimacy questioned, so it rewards what the discipline already approves and never surprises, and it cannot say out loud that the winner won partly because the author sits in the right network on the right side.
If their framing wins, the gatekeepers win first and most. Their framing is the claim that they are disinterested judges of merit, that the prize tracks quality and the byline tracks importance, that the process is a meritocracy and the result is simply the best work. The power to anoint is real only while that claim holds, so the belief in their neutrality is the asset. The anointed writers benefit, converting the committee’s borrowed authority into careers. The universities benefit, since the prizes and the bylines feed the prestige signals they hire and promote by. The donors and foundations benefit, buying quiet influence over what counts as serious thought while appearing to fund nothing but excellence. And the tribe benefits most slyly, because the neutrality claim launders its politics as quality. The left consensus gets to call itself the best work, and the heterodox book gets to be called not good enough, with no one obliged to admit the second judgment was political. The losers are the unconnected, the politically wrong, and the reading public told that a curated selection is merit when it is partly coalition.
The truths that would cost them everything are the ones the whole edifice exists to keep unsaid. That the prizes and the bylines track patronage, network, and conformity at least as much as quality, so merit is partly the story the apparatus tells to dress its preferences as objective. That the anti-capitalist little magazine runs on capitalist money and will not bite the donor. That the gatekeepers and the gatekept form a sealed status circuit feeding from the university and the foundation, conferring importance on one another, mostly walled off from the public it claims to instruct, a club that mistakes its house currency for significance. That the readership reads to belong as much as to learn, which makes the subscription a membership badge and the product an identity rather than knowledge. And the one that would dissolve the authority outright, that the judges have no special access to merit at all, that a jury of eminent scholars certifies orthodoxy while claiming to certify excellence, and that strip the robe off the verdict and you find a coin flip in tweed. The prize that called Forrester’s book the best survives only because no one historicizes the prize, and she, who historicizes everything, has no reason to start with the body that crowned her.
Sacred Coolness: Forrester and the Cover Story That Looks Like None
David Pinsof offers thirty concepts for taking apart bullshit, and the question worth asking of any subject is which one cuts deepest. For Katrina Forrester the answer is the eleventh, the sacred value, and the case for it turns on a fact about her that disqualifies the more obvious tools.
Pinsof defines a sacred value as a cover story for status-seeking, the story we tell to keep a status game from falling apart. We do not admit we want to win, to rank above the people around us, to hold dominance. We say we want honor, beauty, equality, morality, the betterment of humankind. The sacred value sits on top of the scramble and hides it, from rivals and from ourselves, and the hiding is what lets the game keep running. Name the game out loud and it collapses.
Forrester is a strange subject for this concept, because she has spent a career performing the operation on other people. Her major book takes the holiest word in postwar liberal thought, justice, and shows it was a contingent settlement wearing the costume of reason. In the Shadow of Justice is concept eleven run on John Rawls and the philosophers who followed him. It strips the cover story off a sacred value and shows the interests and the moment underneath. So she knows the move. She is fluent in it. The highest-yield reading takes the instrument she handles so well and turns it back on the hand that holds it.
Her own sacred values are not hard to list once you accept that she has some. Recovery, the rescue of the buried radical alternative. Solidarity. Equality. Dependency, lifted off the shameful pile and set at the center. The emancipation of the dominated. These are the words that confer standing in her world, and on Pinsof’s account they are the cover that keeps her game from collapsing. She is the rare scholar with a worked-out theory of how sacred values function, and the theory stops at the edge of her own desk. She locates the hidden interest under everyone else’s sacred word in class and history and power. She does not locate the hidden interest under her own in status, and the silence is the part the concept is built to catch.
The obvious concept to reach for with a left intellectual is the nineteenth, dark idealism, the conviction that we are pure and noble souring into contempt for the impure, the move that turns opponents into something less than human. That concept mostly slides off Forrester. She is cool. Read her criticism and you find a writer who reports brutality in level prose and declines to milk it, who lists the abuses inside a Florida prison without raising her voice, who states that sympathy makes a poor guide to politics, who refuses the sermon and lands on a structural diagnosis rather than a call to arms. She distrusts the warm moral register. She is inoculated against the naive idealism that nineteen is built to expose.
The inoculation is the tell. Her coolness is the eighth concept, anti-status, the standing you earn by looking like you stand above the contest for standing. In her corner of the world the highest position goes to the one who does not preach, who only historicizes, who simply follows the archive and the evidence wherever they lead. That disinterested pose is the most valuable seat on the board and the hardest to knock anyone out of, because it presents as the absence of a sacred value rather than the presence of one. I do not moralize, she seems to say, I explain. And that, precisely that, is her sacred value. Sacred coolness. The cover story that works best is the one that looks like no cover at all, and concept eleven catches her where nineteen cannot, because eleven is built for the sophisticated cynic, the analyst who has already turned the cold eye on everyone else and kept her own composure off the table.
Three further concepts hang off the eleventh and raise its yield. The tenth, status game collapse, describes her method from the far side. Collapse, in Pinsof’s sense, is what happens when the players of a game come to share the knowledge that they are playing one. Forrester’s books manufacture that knowledge against the liberals. They make a school of philosophers see the game they had taken for reason. She is a collapse engineer, and she runs the device on the rival game and never on her own, and the eleventh concept tells you the omission is not absent-mindedness. To expose her own sacred values as cover would collapse the game that houses her, prints her, and pays her. The engineer does not wire her own building to blow.
The seventeenth, RightTalkism, which Pinsof takes from Robin Hanson (b. 1959), names her theory of change. The idea is that improving the world means improving how people talk, that if we get the words right the trouble dissolves. Forrester’s recovery project rests on the bet that surfacing the buried vocabulary might feed a politics, and her reframing of dependency is RightTalkism, a wager that the correct word, circulated and understood, does work out in the world. The bet looks reasonable to her for a reason the concept exposes. Talk is her sacred craft, and a sacred value flatters the one who holds it. The person whose standing comes from words will tend to believe that words move the world, because the alternative belief pays her nothing.
The twenty-first, incentive determinism, closes the circuit. Forrester is by training a determinist of this kind, a materialist who explains every idea by the institutions and interests beneath it. She runs that analysis on liberalism, on her discipline, on the postwar order, with patience and skill. She does not run it on her own status-seeking or on the coalition that rewards her, and the eleventh concept says the exemption is not an oversight a sharper scholar would have caught. It is the cover staying covered. The materialist who reads the interest under all things except her own work has not failed at materialism. She has succeeded at the sacred value, which exists to keep her interest out of view.
Sacred Demolition: Moyn and the Game That Looks Like the End of Games
Run David Pinsof’s thirty concepts over Samuel Moyn and the question is the same one that opened the Forrester reading. Which concept cuts deepest. For Forrester the answer was the eleventh, the sacred value, and the case turned on a fact that ruled out the louder tools. For Moyn the answer is the tenth, status game collapse, and that the answer differs is the reason the pair is worth assembling. The same instrument tops out at different settings on two people who look, from across the room, like the same kind of left intellectual.
Pinsof describes status game collapse as the moment the players of a game come to share the knowledge that they are playing one. The cover lifts, everyone sees the scramble for what it is, and the players scatter toward some fresh game whose cover has not yet lifted. He calls this an engine of cultural change, and Moyn is that engine run by a single man on purpose. He collapsed the human-rights game in The Last Utopia and pressed the case further in Not Enough, showing that the movement rose into the space left by the death of the older dream of economic justice. He collapsed the game of decent warfare in Humane, where the argument is that making war more humane makes it permanent. He collapsed the Cold War liberalism game in Liberalism Against Itself, where a creed loses its nerve and renames the loss maturity. He is a demolition contractor for other people’s sacred buildings, and he keeps the schedule full.
The tell is the same tell Forrester gives. He runs collapse on every game but the one he is playing. The device that exposes the human-rights worker, the humane general, and the fearful liberal never gets pointed at the prolific debunker. And the reason eleven is the wrong key for him, though it was the master key for her, comes down to the shape of the cover. Forrester hides her game by looking like she has no game at all. The cool observer with no sacred value, which is why you needed the sacred-value concept to find the value hiding behind the coolness. Moyn hides his game by looking like the enemy of games. The man tearing the idols down reads as the opposite of a status player, because he is wrecking status objects rather than building them, and the tenth concept is what lets you see that wrecking other people’s games is itself his game.
The collapse is never a clearing of the ground for no one. He rides each demolition to the front of the game that comes after. Topple human rights and you stand as the herald of the economic justice that ought to take their place. Topple Cold War liberalism and you stand at the head of whatever left arrives next. The prophet of the new order is the man who set the charges under the old one. This is why the tenth concept beats the eleventh in his case without canceling it. He does enthrone a new sacred value each time he unseats one, so eleven still runs underneath, but the act that builds his standing is the collapse, not the enthronement, and the collapse is what the eye misses because it wears the mask of iconoclasm.
His specific lock is the eighth concept, anti-status, the standing a man earns by seeming not to want standing, and it takes a sharper form in him than in her. Her anti-status was coolness, the prestige of declining to moralize. His is courage, the prestige of the man who says the thing his own side will not forgive. Moyn courts the charge that his attacks on liberal legalism hand ammunition to the right, and the courting is the move, since taking that risk reads as incorruptible honesty. The apparent cost is the credential. He spends allies and banks the reputation of the one who follows an argument off the cliff while his friends beg him to stop.
Several concepts compound on the tenth. The sixth, existential bullshitting, the contest among intellectuals to give the most serious and self-important answer, is the same gesture in another register, because the recurring not-enough thesis is a depth claim that ranks him above everyone satisfied with the celebrated good. You think human rights are the moral horizon. He sees the deeper thing they replaced. You think the rule of law restrains power. He sees how it launders power. The pose of seeing further is a status pose, and he holds it across book after book. The sixteenth concept, the bullshit market, pays him better than it would pay her, because he is prolific where she is careful, and a steady supply of counterintuitive takes aimed at one’s own team is a premium product in the attention economy. The market rewards the writer it can count on to surprise it, and he ships on time. The twenty-first concept, incentive determinism, closes him the way it closed her. He reads the buried interest beneath every ideal he studies and never beneath his own restless output, and the exemption is not a lapse a sharper man would have caught. It is the cover staying covered.
Set the two essays side by side and the symmetry is the find. The tempting wrong answer is identical for both. The naive concepts, dark morality and dark idealism, the ones about purity curdling into contempt, slide off Moyn exactly as they slid off Forrester, because neither is a naive idealist. Both turned the cold eye on everyone else a long time ago. The concept that catches a cynic is never the one about misplaced innocence. It is the one that shows the cynic’s signature gesture to be a play for rank. For Forrester that gesture is the cool detachment, caught by the eleventh concept, the sacred value worn as the absence of one. For Moyn it is the demolition, caught by the tenth, the game worn as the war on games. Underneath both sits the single thing their cases share. Cynicism about other people’s sacred values is itself a sacred value, the most durable one their world produces, and the two of them have built their standing on opposite faces of it. She earns hers by seeming to want nothing. He earns his by seeming to destroy everything. The two of them write the same cool, measured prose, both relativize the sacred goods they handle, and both ground the case in the telling datum, her wage and turnover figures, his word-frequency curve where socialism falls and human rights rises. The difference is range. Moyn keeps a demolition register in reserve and drops into it when the target is a person or a book, often one on his own side, where he convicts the man and the order at once and grounds the charge in the damning particular, the society circuit, the skiing trip taken after the wife’s hemorrhage. Turn him toward a standing idea and the gear shifts. In the same years he calls human rights not enough, he declines, in an argument rather than a review, to scapegoat them and grants the movement its due. The killing lives in the reviews. The arguments run as measured as hers. The lethality tracks the form, not the man. Forrester holds one gear the whole way down. She relativizes and never convicts, dissolves the blame into the structure, and lets the person vanish. He owns a register she lacks and is willing to use it. Two cool hands, one that keeps a single measured gear and one that keeps a demolition gear in reserve, running the same con on the same prize, and the con works because each looks like the kind of person who never would.
Wanting Nothing and Destroying Everything: Two Routes to One Prize
Forrester and Moyn move through the same world. The same elite universities, the same left magazines, the same conversation about what liberalism was and what killed its nerve, where he is her nearest interlocutor and sometimes her opponent. A reader meets them as opposites. She is the patient historian who reconstructs a settlement across four hundred careful pages. He is the prolific polemicist who tears a settlement down in an essay and starts the next before the dust clears. A reader takes the first for cool and the second for hot. The page refuses the guess. Both write the same controlled prose, and the real difference runs elsewhere, which is what David Pinsof’s concepts let you see.
They are two solutions to one problem. The problem is how to win the highest standing a secular left intellectual can hold while appearing not to want standing at all. Pinsof calls the appearing anti-status, the prestige a person earns by seeming to stand above the scramble for prestige. Forrester and Moyn have taken that single move and split it between them. She works the not-wanting. He works the destroying. Both are ways to disclaim the contest while winning it, and the two of them have optimized opposite corners of the same strategy.
Her route is one gear, held the whole way down. The cool prose, the refusal to moralize, the flat report of horror, the diagnosis offered in place of the sermon. She relativizes the sacred goods she handles and never convicts a person, lets the blame dissolve into the structure, and grounds her case in the statistic rather than the culprit. She presents as a person with no sacred value, only evidence, and the presentation is the sacred value, the cover worn as the absence of a cover. It is a low-volatility position. She keeps her standing intact and never spends it. She does not pick the fight that might cost her the room, because the room is the asset, and her whole manner is built to keep it.
His route is two gears. The same cool prose as hers, the same relativizing of the sacred good, but with a demolition register kept in reserve. He drops into it when the target is a person or a book, often one on his own side, and there he convicts the man and the order at once, grounding the charge in the damning particular, the society circuit, the skiing trip taken after the wife’s hemorrhage. Turn him toward a standing idea and the gear shifts. In the same years he calls human rights not enough, he declines, in an argument rather than a review, to scapegoat them and grants the movement its due. The killing lives in the reviews. The arguments run as measured as hers. He presents as the enemy of idols, and the enmity is the cover, the game worn as the war on games. It is a high-volatility position. He spends allies, courts the charge that he serves the people he opposes, and earns the reputation back as courage, the credential of the man who says what his side will not forgive. She preserves her capital. He spends and replenishes his.
The market sorts them, and this is why they are complementary rather than rival. Pinsof’s bullshit market rewards the scarce analyst who keeps to a single measured gear for being scarce and hard to fake, and it rewards the prolific iconoclast who keeps a demolition gear for supplying surprise on a reliable schedule. The ecosystem has a premium niche for each, and each forgoes the other’s premium by design. She cannot be prolific and startling without spending the restraint that is her whole offer. He could not build the name he has on the measured register alone, since the demolition register is what lets the room count on him to surprise it. Neither can do what the other does, and neither needs to, because the prize they are after has two doors and each has chosen one.
Strip the temperament away and the deep structure stands exposed. Both run collapse on their rivals and never on themselves. Both carry a sacred value they decline to historicize, hers the coolness, his the depth, the not-enough that ranks him above the satisfied. The difference that remains is range, the demolition gear he keeps in reserve and she does not. Put the two of them on the page together and they stop reading as two personalities and start reading as a strategy space with two optima, the same function maximized from opposite ends.
The pairing does what neither case does alone. It triangulates the prize. Read by herself, Forrester looks like a historian content with one measured register. Read by himself, Moyn looks like a critic with a taste for demolition. Read together, the two postures cancel and the thing they were both chasing comes into view, the standing of the one who sees through other people’s sacred values, which is the master sacred value of their world, the holiest commitment a person can hold in a room full of people whose trade is unmasking commitments. Each of them found a different way to embody it. She wants nothing. He destroys everything. The wanting nothing and the destroying everything are not opposites. They are mirror images, and the symmetry is the proof that what looked like character was position all along.
The Misunderstanding Moyn Keeps
Pinsof says intellectuals carry one story above all others, that everything wrong with the world comes down to misunderstanding, and they carry it because the story crowns them. If the trouble is that people fail to understand, then the people whose trade is understanding turn into the saviors of mankind. The rationality crowd debiases the masses. The misinformation crowd vaccinates them. The bridge-builders cure their tribalism. Each version flatters the curer.
At first Moyn stands clear of this. He does not say the public suffers from cognitive bias. He does not hand out lists of fallacies or warn about fake news. He holds that people are not stupid, that the masses were never the problem. So the easy charge slides off him. He is no debiaser.
Look again and the myth returns in historical dress. Moyn’s version locates the misunderstanding in faulty memory rather than faulty reasoning. People misread the history of their own ideals. They take human rights for an ancient inheritance when the thing arrived in the 1970s. They take liberalism for the natural end of the road when it narrowed under Cold War fear. They take the present order for a necessity when it was a choice, and the choice buried a rival. The cure is the historian who restores the true past. Show the people that their arrangements were contingent, that the egalitarian maximum was abandoned and not refuted, and they might reach back for what was taken. The cognitive psychologist debiases. Moyn disabuses. The structure holds. The world’s trouble is a misunderstanding, and the man whose trade is understanding, in his case the understanding of history, is the cure.
Pinsof does not let the substitution pass. Take the great fact Moyn builds on, the turn from socialism and mass politics to the minor creed of rights. Moyn reads it as a loss of faith, a tragic drift after the big dreams lost credit. Pinsof reads it as savvy actors getting what they have an incentive to get. The professional class that staffs the human-rights world did not misunderstand the history of redistribution. It chose rights because rights pay and revolution gets you shot. Litigation funds a career. A foundation grant beats a barricade. Naming a war crime confers status in the rooms where status is handed out, and it asks no one to surrender a salary or risk a prison. The human-rights turn was not a people forgetting how to want equality. It was a coalition reorganizing around a safer and more fundable product. No misunderstanding. A trade up.
And the masses Moyn keeps free of blame, were they fooled into dropping the maximum? Pinsof says people understand what they have reason to understand. The worker who once might have wanted the cooperative commonwealth wanted a house and a car and a child in a good school, and the parties that promised those by ordinary means won his vote off the parties that promised heaven by hard roads. Stupidity is strategic. The supposed false consciousness was a clear read of the deal on the table. Nobody misread the history. They priced it.
Now the move Pinsof always makes last, the turn on the teller. Set Moyn’s stated goals beside his actual ones. He states the recovery of a lost politics, truth over comfort, the public good. The cynical read finds a hierarchical and coalitional primate doing what such primates do. The contingency thesis derogates a field of rivals, the human-rights triumphalists, the liberal celebrants, the lawyers who worship the Court, and it forges an alliance with the academic left and the restraint camp. Mourning the abandoned utopia is a high-status pose. It signals a purer conscience than the sellout liberals carry, and it costs the mourner nothing, because the chair at Yale stays warm through every elegy. The misunderstanding myth, run at the level of historical consciousness, returns Moyn to the center of the rescue, the indispensable understander without whom the people cannot find the door. Pretty cool thing for a historian to believe.
Give him his due, because the front page demands it. Moyn beats the crude form of the indictment more cleanly than most of Pinsof’s targets. He does not think people are broken. He lays the present at the feet of power and political defeat, of a maximum that lost, and a defeat-by-power story sits closer to Pinsof than to the bias-mongers. When Moyn attacks the legalist left for trading mass politics for the courtroom, he is most of the way to Pinsof’s own point, that the left chose the safer game. He sees the incentive. He half-names the trade.
He stops one step short, and the step is the whole distance. Having seen that the left chose rights for advantage, he still treats the failure to reverse the choice as a kind of forgetting, a spell the right history might break. Here the residual misunderstanding myth carries the load, and it falls under its own weight. People do not decline to revive the egalitarian maximum because they think its death was fated. They decline because reviving it pays no one with the power to revive it. The young do not want the cooperative commonwealth. They want cheap rent and a foot on the ladder. The old do not want to hand over the wealth, which is the burden of his gerontocracy book and the answer to it at once. No coalition with the means wants the buried thing back, so it stays buried, and no telling of its history changes the wanting.
Pinsof leaves a picture for the man who studies a trap he cannot spring. You can study the hole you are in down to the last grain of dirt. You can map every wall and date every layer. You will still be in the hole, because the trouble was never that you misunderstood how you fell. Moyn has mapped the hole with a care no one has matched. The maps are real and the scholarship is first-rate. The politics sits where he found it, because the people in the hole, savvy animals to the end, have weighed the climb and chosen to stay.
Moyn’s contingency thesis is an anti-essentialist, anti-teleological move in Stephen Turner’s exact key: human rights have no essence and no destiny, only a history. Turner’s suspicion of normative claims smuggled into descriptive work is the lever. Moyn exposes how moral language does political work, then often reinstalls his own normativity through the back door, mourning the egalitarian utopia that rights displaced and asking readers to want it back. Turner catches Moyn doing the thing Moyn accuses others of doing. A critique that turns the subject’s method against him pays more than one that only describes him.
Stephen P. Turner has spent a career dissolving the abstractions that social theory leans on. In The Social Theory of Practices he argued that there is no shared collective thing called a practice, no common substrate passed from head to head. There are individuals with their own habits who produce performances that resemble one another, and theorists who name the resemblance a shared practice and then treat the name as a cause. In Explaining the Normative he went after normativism, the habit of invoking norms and rules and oughts as if they explained behavior, when the invocation only relabels what needs explaining and smuggles unexplained entities into the account. He is a deflationist and an anti-normativist. He hands you a solvent and tells you to pour it on every collective noun and on every ought that walks around dressed as an is.
Pour it on human rights and you get Moyn. He already did the work, and Turner admires the work. Christian Human Rights dissolves the secular and universal essence of rights into a contingent genealogy that runs through Catholic political thought and the rebuilding of Europe after the war. The Last Utopia dissolves the eternal into the dated and pins a supposed perennial truth to a single decade. These are the moves Turner spends his books defending. The presumed essence becomes a history. The timeless becomes the local. Turner watches the demolition and nods.
Then he watches the rebuilding, and the nodding stops, because Moyn’s solvent eats every essence but his own, and spares every collective person he needs for the story.
Start with the persons. Moyn’s history is peopled by actors that Turner’s first book exists to deny. The left turned to rights. Liberalism narrowed under fear. Human rights displaced socialism. Each sentence hands a will and a memory and a capacity for betrayal to a collective noun. There is no the left that turned. There are thousands of writers and officials and donors and voters with divergent habits and crosscutting incentives, and the aggregate of their separate moves forms a pattern that Moyn narrates as one agent’s choice and one agent’s loss. The mourning requires the agent. Without a collective person who held the egalitarian dream, there is no one to have abandoned it, no body to keep warm, no betrayal to grieve. The drama runs on a reification, and the reification is the first thing Turner’s solvent removes.
Now the residue of value. Moyn shows how rights-talk does covert political work, and then he asks the reader to want the egalitarian maximum back. The wanting is an ought. It does not climb out of the history on its own. From the claim that the maximum was abandoned, and that the abandonment was not fated, nothing follows about whether the maximum should return. Turner’s anti-normativism names the gap. The contingency clears the ground. The preference is carried onto the cleared ground by hand and set down as if the archive delivered it. The attack on legalism runs the same way. That democratic majorities should decide what courts now decide is a value, and a defensible one, and it does not fall out of the record of how the left came to love litigation. Moyn presents the lesson as a finding. Turner asks for the receipt.
It could have been otherwise is true of everything and explains nothing. Non-necessity is not a cause. To say the rise of rights was contingent is to refuse the explanation, not to give it, and the soft words that fill the space, crisis and collapse and displacement, name the outcome again rather than produce its causes. The methodological humility doubles as a wedge. Declare the actual outcome non-necessary and the preferred alternative walks back through the opening as a live possibility, when all you have established is that it was not logically impossible, which was never the question. Turner has a name for argument that performs rigor while withholding it.
And the dating itself rests on the tacit. To place the birth of human rights in the 1970s is an act of interpretive judgment, a trained feel for what a period believed, and the feel cannot be fully spelled out and laid open to check. Turner, working the ground Michael Polanyi (1891-1976) opened, treats the historian’s craft as real and treats unaccountable expert judgment with care, because the place where the judgment hides is the place where the claim escapes test. Ask what observation might overturn the date. If the thesis can absorb any counterexample by redescribing it, the date is a rhetorical achievement wearing the clothes of a finding. The sweep that made the book famous is the sweep that lifts it past disproof.
The symmetry is the whole charge. Moyn does to the long march from the Stoics what Turner does to practices and norms, and he declines to do to his own commitments what he does to everyone else’s. Max Weber (1864-1920) gave the discipline its old name, value-freedom, the rule that the scholar keep his preferences out of his findings or mark them plainly when they enter. Moyn keeps the rule through every other man’s cathedral and relaxes it the moment he reaches his own.
So Turner admires the wrecking and distrusts the rebuilding. Moyn pours the acid on every structure but the one he wants the reader to live in. He could answer, fairly, that pure deflation is unlivable, that a man must value something, that Turner’s solvent runs down through the floor Turner stands on too. That is true, and it is the strongest thing Moyn can say. But the answer concedes the point. If the wanting is his, then he should carry it in by hand and say so, and stop presenting it as a thing the documents handed up. The history clears the site. It does not pour the foundation. Turner asks only that the historian say which is which, and Moyn, who asks exactly this of everyone he studies, owes the same accounting on himself.
The claim that human rights crowded out socialism flatters a particular coalition, the academic left that lost faith in liberalism, and the restraint camp around Quincy. Read his theses as beliefs that serve a coalition rather than as neutral findings, and the selection of which contingencies he foregrounds starts to look load-bearing.
Alliance Theory, the argument David Pinsof builds with his coauthors in “Strange Bedfellows,” holds that political belief systems do not grow from abstract values like equality or liberty or the sanctity of rights. They grow from alliance structures. A man does not reason his way from a value to a set of positions. He acquires allies and rivals, mostly by accident of time and place, and then he generates a patchwork of moral claims that support the allies and damage the rivals. The thread that ties his positions together is not a philosophy. It is a network of friends and enemies. Ask what a belief system is for, and the answer is to win the fight, not to map the world.
Read Moyn this way and the first thing to chart is the field of allies and rivals, because on this account that chart explains more than any value he names. His allies sit on the academic left, the heterodox left that broke with mainstream liberalism after the long disappointments, the restraint coalition gathered at Quincy, the critics of American empire, the partisans of redistribution, the Palestinian-solidarity camp. His rivals are the human-rights establishment, the liberal hawks who set out to better the world by force, the Cold War liberals, the constitutional lawyers who worship the Court, the interventionists, the pro-Israel center. Take his theses one by one and notice how cleanly each strikes a rival and shields an ally.
Start with the strangest bedfellow. Moyn is a man of the left who sits at an institute funded from the left and the right at once, with Soros money and Koch money under one roof, and he shares that house with realists who hold nothing else he holds. Alliance Theory has a name for this and a cause. The cause is transitivity, the enemy of my enemy. The interventionist liberal is the common rival of the anti-war left and the realist right, so the two camps become allies across a gap that no philosophy bridges. Moyn’s restraint is not a position he deduced from a premise about war. It is the coalition he landed in once he chose his rival. The Quincy alliance, left dove and right realist joined against the liberal hawk, is the bridging alliance the paper describes, built in the shape the theory predicts.
Now the center of his work, the elegy. Moyn mourns the egalitarian and socialist maximum, the politics of redistribution that human rights displaced, and he mourns it as a value the world abandoned and might recover. Alliance Theory denies that egalitarianism is a value anyone holds in that standing way. The paper marshals the evidence. Ask Americans in the abstract whether they want to live in an equal society and the partisan gap vanishes. The gap appears only when equality implicates particular groups. Party allegiance comes first and predicts later support for equality, while early egalitarianism fails to predict later party. In the laboratory people flip from equality to its opposite within minutes once the flip helps the group they were just assigned to. Equality, on this reading, is not a creed. It is a tool you pick up to defend a disadvantaged ally and set down when it could aid a rival.
Run that against Moyn’s history and the elegy reorganizes. The American left did not lose faith in equality and reach for rights as a lesser replacement. The coalition that carried economic equality broke apart, and the paper names the breaks. Civil rights drew the white South out of the Democratic Party. Abortion sorted the devout from the secular. Immigration and the collapse of manufacturing split the lower class along ethnic lines. The upper class split into educated knowledge workers against corporate wealth. When the old alliance shattered, a new one formed around different allies, ethnic minorities and women and gay people, disadvantaged groups whose support you raise with the language of rights and discrimination rather than the language of class. Rights-talk rose because the new coalition’s allies were the kind you defend with rights. Moyn tells the story as a tragedy of belief. Alliance Theory tells it as a reshuffling of friends, and the second story needs no lost faith and no warm corpse.
The biases the paper documents run through his books in plain sight. Humane reads the American war machine as a perpetrator whose turn to clean and lawful killing is a fresh crime to be exposed, which is the perpetrator bias aimed at a rival. His writing on Gaza grants the Palestinian ally the full weight of victimhood and assigns the Israeli rival the full weight of intent, the victim and perpetrator pair the paper maps onto allies and enemies. And watch the attributions, because they tilt. When the left dropped the economic maximum, Moyn lays the loss to external force, to defeat and displacement, no blame falling on the ally. When the liberals took up rights, he lays the turn to choice and to a failure of nerve, blame falling on the rival. Same period, two attributions, sorted by friendship. The self-serving attributional bias has a chapter in the paper and a home in his pages.
Moyn writes in the key of moral seriousness and historical truth. He prizes truth over comfort and the public interest over the tribe. Alliance Theory reads the claim to be moved by truth rather than loyalty as one more move in the fight, the creation of common knowledge that one’s own side is honest and the rivals self-serving. Every engaged partisan makes the move. The hawk holds that he serves the suffering. The juristocrat holds that he serves justice. Moyn holds that he serves the record. The theory does not single him out as a liar. It holds that the sincerity is real and the function is coalitional, and that the two sit together without strain.
The test the paper hands you is substitution. Swap the groups and see whether the principle survives. Moyn turns the solvent of contingency on the ideals of his rivals, on human rights and humane war and the rule of law, and dissolves each into its accidental history. He does not turn the same solvent on the ideals of his allies, on the egalitarian dream or anti-imperial solidarity or the Palestinian cause, which keep the standing of truths the world owes. The selection is the finding. The choice of which contingencies he foregrounds carries the weight. A man who historicizes only his enemies’ sacred objects is not following the evidence where it leads. He is fighting, in the register his coalition rewards, which happens to be the monograph and the lecture and not the cable segment.
Give him the strongest reply, because the front page asks for it. Alliance Theory cuts every way at once. If all belief serves a coalition, then the claim that Moyn’s egalitarianism is mere tactic serves a coalition too, the realist and anti-left camp that profits from deflating the egalitarian dream. The solvent dissolves the hand that holds it. Moyn might say the symmetry voids the charge, that an argument explaining all belief explains none, that the paper’s evidence is American and contested and concedes cross-cultural regularities which smuggle back the structure it set out to deny. The reply has force. It also costs him the thing he most wants to keep. To climb out from under Alliance Theory he has to grant that beliefs run on coalitions, his rivals’ and his own alike, and that concession is most of what the theory came to collect.
So whom does Moyn stand with. Alliance Theory says start there, not with what he values, because the values arrive after the alliance and dressed for its service. Map the friends and the enemies and his positions fall into place with a neatness no philosophy delivers, the elegy and the restraint and the suspicion of rights and the sympathy and the blame, each one pointed where the coalition points. The work is first-rate and the function is total, and the theory insists those were never at odds.
