Blogging Ethics

My blogging ethics have two components: public interest and truth. If something is true and in the public interest, then it is good to go by my standard.
My favorite moral test for all of my behavior is how I would feel about it if it were accurately captured on the front page of The New York Times.
I’m a Jew who loves Judaism, but I do not see, at a glance, what Torah adds to blogging ethics.
By the way, this is a superficial blog post provided on the fly. It’s not like my deep work that adds to human knowledge.
If you want to increase your status in religious Jewish life, it helps to talk about how Torah guides your life, but when Jewish writers talk about how Torah provides indispensable ethical counsel for their writing ethics or for their politics, I find these claims are rarely serious. Usually, they are just preening. Usually, they are just convenient beliefs aka beliefs that pay without regard to truth.
I almost never learn anything from what people say because we all tend to provide what the situation expects.

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Ten Minutes: The Hero System of Rabbi Amram Gabay

At 6:18 on a Thursday morning, October 29, 2009, a man in a hooded sweatshirt walks down the ramp into the underground garage beneath Adat Yeshurun Valley Sephardic Congregation in North Hollywood and opens fire. Two men fall, both shot in the legs, one thirty-eight, one fifty-three, each arriving alone for the early service. The police call it a possible hate crime and never settle the motive. Mayor Antonio Villaraigosa (b. 1953) comes to the synagogue and puts an arm around the rabbi for the cameras. A reporter asks a worshipper how the congregation took it. The worshipper says the rabbi had everyone back at prayer ten minutes after the shots.

Ten minutes. Hold that.

Ernest Becker (1924-1974) built his late work around the claim that a man knows he will die, the knowledge sits in him like a stone, and he spends his life inside arrangements that promise he will not die, or will not die for nothing. Becker called these arrangements hero systems. In The Denial of Death he argued that culture hands each man a script for mattering, a way to earn a place that outlasts the body. Two terrors sit underneath the script. The first is death. The second is insignificance, the dread that a man might vanish and leave no mark, that the world will not notice he came and went.

A rabbi who restores the morning service ten minutes after a shooting answers both terrors at once, and he answers them with one word. Continuity.

The word sits in many mouths. It holds steady and the meaning moves.

On a slope in Burgundy a man walks his rows before dawn. The vines stand older than his grandfather. The cellar runs cold and dark and his father’s chalk marks fade on an old barrel. For him continuity means the domaine. He will die and the wine will carry his name, and a buyer in Tokyo will pour the vintage and say the family makes the best on the hill. His promise against death is land and a label.

In a home outside Seoul a family sets a low table for the dead on the anniversary. Rice, soup, fruit, each dish placed by rule, the men bowing and the ancestor invited to eat. For them continuity means the dead still come to the table. The line runs backward and the living feed it.

In an office off the 101 a founder tells his first engineers he wants to build something that outlasts him. He means the company. The cap table, the logo, the name on the building after the funeral. For him continuity means the going concern.

On a parade ground a color sergeant carries the regimental colors and the colors never touch the ground. Battle honors stitched into the silk, the regiment older than any man who marches under it. For him continuity means the line holds.

In a basement off a freeway a man past fifty still books the shows, presses the records, and turns down every offer for the catalog. Selling out is the one sin. For him continuity means the scene stays real after he goes.

Each man bets against time, and time wins most of these bets. The domaine sells in a bad year. The company gets bought and renamed. The regiment dissolves in a budget cut. The scene ages and empties. Their continuity is a hope wearing the clothes of a fact.

For the rabbi the word claims to be the fact. His chain runs to Sinai and past his own grave. The covenant has an Author, and the Author does not die, and a man who keeps the practice steps into a line that began before him and runs on after him by a guarantee no buyer can break. The dead pray with the living. The melodies came out of Morocco and carry an Andalusian sound, and a man in the Valley sings what his great-grandfather sang. The melody carries the line. The singing keeps it alive.

So, ten minutes. A bullet is an interruption, and interruption is the enemy, because the unbroken line answers death. Let a gunman stop the morning service and the service was never what the rabbi said it was. Resume in ten minutes and the claim stands. Nothing a man does with a gun reaches the thing the prayer protects.

A confident secular reader has a tidy account of all this. The Valley shul is an ethnic survival, sweet and a little sad, Moroccan Jews keeping old food and old tunes alive between a daycare and a parking structure. Subtract the supernatural and you have a community center with good cooking and beautiful melodies. The continuity is real, the reader says, and the rest is decoration.

Becker spent a career on the flaw in that account. Subtract a man’s hero system and you do not arrive at bare reality. You arrive at his next hero system. Take the covenant from the rabbi and he does not become a clear-eyed modern who has made his peace with the void. Nobody makes peace with the void. He reaches for the founder’s cap table or the vigneron’s label or some other promise that he will not wholly die. The reader who feels superior to the shul keeps his own vehicle and calls it realism. The rabbi at least names the terror his vehicle answers. He does not sell the chain as a wellness practice. He says a man dies, and here is the one thing death does not reach.

The chain that saves also binds, and an essay that loved the man and softened the cost would do him no honor. A rabbi for whom interruption is the enemy meets many interruptions wearing human faces. The son who leaves. The daughter who wants more than the women’s section gives her. The doubter who keeps coming and keeps not believing. The convert who stands before the beit din and gets weighed. The wife who needs a get and waits on men to grant it. As vice president of the Rabbinical Council of California the rabbi sits inside an authority that certifies food, runs a court, and decides who counts as in and who counts as out across thousands of homes. The line holds because someone holds it, and the holding falls hard on those who do not fit.

He might carry this knowledge. A man does not lead a congregation for decades without burying people he loved and standing under the canopy with couples who later walk away from everything he taught them. The honor lies in carrying the cost without dressing the vehicle up as free. He asks his people to bind themselves to a thread. He binds himself first and hardest. He does not hide the price in soft words.

Three coordinates locate the man. The first is what he holds sacred: the unbroken practice, a literal immortality, the dead davening beside the living and the living davening for the unborn. The second is the terror he answers: death, and beneath it the smaller death that haunts a small and hunted people, the fear of erasure, of a tradition snuffed out in one bad generation while the neighbors barely look up. The third is the cost: a community that treats interruption as the enemy presses hardest on its own restless members, and the thread that carries the faithful ties down the ones who want to leave.

Go back to the garage. 6:18, the ramp, the shots, two men down on the concrete. Ten minutes later the men who can still stand face east and say the words said that morning in a thousand other rooms and on ten thousand mornings before this one. The rabbi does the only thing his hero system lets him do in the face of death. He refuses the interruption. He picks the thread back up. From inside the system that is courage. From outside it is one more man managing the oldest fear in the species, the way the winemaker and the founder and the color sergeant manage it, with more candor than most and a heavier bill than he lets anyone see.

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The Resident Alien: A Hero System Essay on Rabbi Natan Halevy

A boy of ten sits with two documents. One is an Australian passport. The other is a green card stamped Resident Alien. He reads those two words and something in him goes cold. He is not American. He does not feel Australian. He does not feel Israeli, and he has never set foot in Iraq, the country his parents left after 1967. He looks at the card and he sees that no country will claim him. Then he reaches the one answer that holds. He decides that above all he is a Jew.

Ernest Becker (1924-1974) gives us the grammar for that cold feeling. Man is the animal who knows he will die. He carries a mind that reaches the stars inside a body that ages, leaks, and rots, and he cannot bear the contradiction, so he builds a hero system: a structure of meaning that lets him earn a place in some order larger and longer than his own flesh. The hero system tells him what counts as significance and how to win it. Win enough of it and he can believe, against the evidence of the grave, that he amounts to something the worms cannot touch. The child of ten has no theory of death. He has its rehearsal. To belong to no country, to be claimed by no one, to be a resident alien on the earth, is the death terror handed to a boy in a wallet. The passport that is not a passport says the quiet thing out loud. You could vanish and no nation would record the loss.

The cheap reading arrives fast and we should clear it away first. The cheap reading says Rabbi Natan Halevy is a man compensating. The boy sorted into the dumb class at Hillel Hebrew Academy, the boy whose classmates laughed at his kippah, grows up and proves he is smart and proves he belongs, and the rabbinate is the proof. Becker’s whole argument cuts against this subtraction. There is no clean, uncompensated man waiting underneath the vehicle. Strip away the hero system and you do not find a free and clear-eyed individual. You find the creature alone with the terror and nothing to hold it. Every man you have ever admired was compensating for the same wound, the wound of being a body that dies. The question is never whether a man has built a vehicle. He has. The question is which one he built, whether he knows he built it, and whether the thing is honorable. On all three counts Halevy comes off better than most.

Look at the scenes that build the vehicle. At Hillel they ran a smart class and a dumb class, and they put him in the dumb one. He was a good reader. He carried the verdict into his thirties before therapy and self-work let him set it down. He tells an interviewer the logic he used to climb out. “If you are a rabbi, if you are reading the Torah and giving speeches, you cannot be that dumb.” He folds the wound and its repair into one sentence. The same man says you cannot love your fellow if you do not love yourself, which reads less like a sermon than like a note he wrote to a younger version of himself.

Then the kippah. He puts it on at Beverly Hills High School and Jewish kids laugh, and the shame doubles, because the mockery comes from inside the house. He spends a stretch off the derech. He does not hide this. A man who hides it has not finished metabolizing it. He has.

Then the father. The boy comes home from a year in Israel, enrolled in a Brooklyn yeshiva, weighing college and a trade, and he asks his father what to do. The father says: stay in yeshiva, learn to be a rabbi. The son is nineteen. He says, “I am going to honor my father.” Becker would stop the film here. The standard hero story runs the other way. The son overthrows the father, makes himself his own cause, becomes the author of his own life, the causa sui project that wants to give birth to itself. Halevy inverts it. He becomes a self by submitting to a word handed down. He merges into something older than he is and by merging he stands out, because few Iraqi men become rabbis. The Iraqis around him go into business, medicine, law. He goes into the chain. Becker, following Otto Rank (1884-1939), named these as the two pulls in every life: the urge to merge into something vast and the urge to stand out as someone. Most men can satisfy one only at the cost of the other. Halevy found the rare arrangement where the same act does both.

Now the word he keeps returning to. Pride. He quotes the Lubavitcher Rebbe, Menachem Mendel Schneerson (1902-1994), on “the greatness and the pride of Jacob,” and he says this is his ethos, that every Jew should feel it, that the present trouble in Israel comes from a shortage of it. Sit with the word, because Becker’s deepest point is that a sacred word is not one thing. It names a different transaction inside every hero system, and the men who use it are not describing the same world.

To a Cistercian monk pride is superbia, the first of the deadly sins, the root from which the others grow, the thing he rises at three in the morning to starve. His whole life is the slow killing of the self that wants to be praised. To a Marine drill instructor on Parris Island pride is real and good, and it belongs to the Corps, never to the recruit. His craft is to break the boy’s private pride so the unit’s pride can take its place, and he succeeds when the boy stops saying I. To the man at the squat rack on Muscle Beach in Venice pride is the body raised to a monument, and here Becker permits himself a grim smile, because the body is the exact thing that fails, the leaking dying animal whose worship is the most honest and the most doomed immortality project on the boardwalk. To a founder pitching on Sand Hill Road pride is the product, the thing that scales past the maker, the company that runs the world after the funeral. To a Pashtun elder pride is nang, the honor of the name, and a man spends blood to keep the name clean because the name outlives him and the body never will.

Five men, five uses of one word, five different bargains with death. Set Halevy’s pride beside them and the shape stands out. His pride is not the monk’s enemy and not the founder’s engine. He did not build it and he cannot lose it by failing. The pride of Jacob arrives by inheritance. A man receives it the way he receives a language, and his task is to carry it forward and hand it on. This is immortality by transmission down a line, and the line runs through real places. It runs from Hakham Yosef Hayim of Baghdad, the Ben Ish Hai (1835-1909), whose rulings still set the practice at Kahal Joseph, through parents who carried the Baghdad melodies out of Iraq and across two oceans, to a congregation on Santa Monica Boulevard that keeps singing them. The resident alien who belonged to no country turns out to belong to something that predates every country in his passport and will outlast them. That is the answer the ten-year-old reached for and could not yet name. The card said he could vanish without a trace. The chain says he is a link, and a link does not vanish, because the chain remembers its shape.

He builds the symbolic vehicles too, the way Becker says we all do when we want our works to stand in for our flesh. The boy from the dumb class makes things. He produces a film, Stories of the Baal Shem Tov. He writes a book, Spiritual Banter. He paints, he records podcasts, he keeps a channel. He fathers five children and gives each a Hebrew name. Each of these is a hedge against the grave, a piece of him meant to keep working after he stops. None of this is vanity. It is the human labor of a creature trying to leave a mark that the dirt cannot erase, and he does it in the open, with his door, in his words, unlocked.

Becker asks us, in the end, to weigh the cost, and an honest accounting does not stop at praise. Every hero system buys its cosmic significance by drawing a line, and the pride of one people has, in other hands and other generations, hardened into contempt for the people on the far side of the line. This is the standing danger of the vehicle, not a charge against the man. Halevy’s stated version pushes against the hardening. He tells his children to love their fellow Jews and everyone, including non-Jews. His shul turns no one away for lack of money and welcomes Jews of every background. The generous form of the pride of Jacob heals the alien boy without requiring a debased outsider to feel tall. He has chosen the generous form. The work is to keep choosing it, because the armored form is always easier and always near, and the difference between the two is the whole moral content of the thing.

Three coordinates, then, to set him in the order Becker mapped.

He denies, as we all must, that he is the resident alien, the unclaimed boy, the creature who ages and dies and knows it. He took the worst news a child can receive about his own standing on the earth and built a life that answers it.

He affirms a chain older than the nations on his documents, a Jewishness that holds when passports do not, a pride that comes to him from Baghdad and Brooklyn and his father’s voice and that he is bound to pass to five children and a congregation.

And it costs him the permanent labor of keeping that pride open rather than armored, generous rather than walled, a door rather than a fortress. He carries the cost in the open, which is the most a man can do, and more than most men attempt.

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Rabbi Ari Hier and the Refusal of the Pit

Sometime in the middle 1970s a young rabbi takes his two boys to the La Brea Tar Pits on Wilshire Boulevard. They stand at the rail and look at the bronze mammoth in the lake of asphalt. The cow and calf trumpet from the shore while the bull sinks. Under the black surface lie tens of thousands of years of dire wolves and saber cats and ground sloths, each one pulled down, each death drawing the next animal to the same trap. The father, Marvin Hier (b. 1939), watches the tourists file past the casts of the bones. He wonders how many of them know what led to the war that killed a third of his people. Within a year he opens an institution so that one extinction will keep a witness. He names it for Simon Wiesenthal (1908-2005), the man who hunts the murderers so the murdered keep their names.

This is the home Ari Hier grows up in.

Ernest Becker (1924-1974) finishes The Denial of Death in 1973, three years before that afternoon at the pits. His argument runs like this. Man is the animal who knows he will die, and who cannot bear the knowledge. He has the body of a creature that rots and the mind of a god who plans for eternity, and the gap between the two opens a terror he spends his life refusing to look at. Culture answers the terror. A culture hands each man a hero system, a set of standards by which he can earn the feeling that he counts, that his days add up to something the grave cannot cancel. The hero strains against oblivion. He writes the book, raises the sons, builds the monument, dies for the flag, sanctifies the Name. Becker says we do not choose whether to deny death. We choose only the costume we deny it in.

Two terrors sit under the work. The first is the fear of vanishing, of going under the asphalt and leaving no mark. The second is subtler. It is the fear of a life that signifies nothing even while it lasts, a span of years that touches no eternal thing. A hero system that works answers both at once. It promises that the man will be remembered, and it promises that the remembering points at something real.

Marvin Hier builds his answer in brick and film. The Museum of Tolerance. Moriah Films, two of which win the Oscar. The meetings with kings and presidents, the invocation read at a Washington inauguration. He converts the murder of six million into a permanent machine for refusing their erasure. His son Avi plans the Jerusalem building. His son Ari runs the Jewish Studies Institute, teaches Bible and the Prophets to the boys of YULA, and writes for the Jewish Journal on theology and history and the war that never quite ends. Ari does not inherit a synagogue. He inherits a hero system already poured into concrete, and then he chooses it again as a grown man.

You can watch him choose it in the spring of 2001.

That Passover, Rabbi David Wolpe (b. 1958) of Sinai Temple tells two thousand congregants that almost every working archaeologist agrees the Exodus did not happen the way the Bible tells it, if it happened at all. The Los Angeles Times runs it on the front page. A hurricane follows. Six rabbis buy an advertisement accusing Wolpe of severing the roots that bind the people to its faith. Dennis Prager (b. 1948) writes that Judaism stands on two pillars, Creation and Exodus, and survives the denial of the second no better than the denial of God. And Ari Hier answers in print with one line that tells you everything about the world he lives in. Rabbi Wolpe, he writes, has chosen Aristotle (384-322 BCE) over Maimonides (1138-1204), theories and scientific method over facts.

Read that line twice. The secular ear expects the rabbi to say he keeps faith in spite of the evidence. Hier says the reverse. He claims the facts and assigns Wolpe the theory. The transmitted record of the nation, carried mouth to ear for three thousand years, counts to him as the hard datum. The empty stratum in the Negev, the potsherds that fail to turn up, the settlement maps, all of that he files under speculation. Inside his hero system the chain of witnesses is the primary evidence and the trowel is the late guess. He is not waving away facts. He is telling you which facts hold the weight.

Now take the word he reaches for, “facts,” and walk it through other men in other hero systems, and watch it change shape in their mouths.

A field archaeologist crouches in the Negev with a brush and a sieve. For him a fact is what the ground gives up. Carbon dates, ash layers, the order of the strata. Silence in the soil is itself a reading. A people’s memory of its own founding arrives as a literary layer laid down centuries after the events it claims, and he treats it the way he treats any text, as a thing to be dated and doubted. He means no harm to anyone’s God. He has simply trained his hands to trust only what they can lift.

A theoretical physicist at Caltech holds a stricter rule still. A fact, to him, is a claim that survives every attempt to kill it. He holds his own beliefs loosely and counts the looseness as a virtue, because the man who cannot give up a hypothesis has left science for something else. The past, to him, is a reconstruction from present traces, never a deposit handed down intact. He would find Hier’s certainty not wicked but unscientific, and Hier would find the physicist’s lightness a luxury available only to a man whose dead are not at stake.

An investigative reporter downtown means a third thing again. A fact is what two sources confirm against the denial of a powerful man. Truth, for her, is adversarial, wrung from people who would rather it stayed hidden, and the byline that carries it is her own small bid against the pit. She and Hier both say they serve the truth. They have built their lives on different operations and call the results by the same word.

So the man who writes “facts over theories” is not lying and not stupid. He stands inside a hero system where the survival of the people is the load-bearing truth, and where to grant Wolpe’s point is to let the desert swallow the nation a second time. If the deliverance from Egypt drops to metaphor, the anchor of the covenant drags, and the six million in his father’s museum become a horror with no redemption waiting at the end of it. Wolpe thinks he can keep the faith and let the history go. Hier hears that as an offer to keep the roof while removing the foundation. From where he stands the offer is not generous. It is the most dangerous thing a learned man can say from a pulpit.

The same splitting happens with his other sacred word, remembrance.

For Hier, to remember is a commandment, and forgetting is the enemy’s victory completed from inside. The whole apparatus his family built runs on it. Names recovered, faces projected, the murderer denied the last thing he wanted, which was a world that moved on.

A hospice nurse in Pasadena holds the dying every week, and remembrance asks almost nothing so grand of her. It is a first name written on a whiteboard, a hand held at three in the morning, a body washed with care after the breath stops. She does not need the dead to live forever. She needs the next hour to be bearable for the one still in the bed. Her hero system spends itself on presence, and she would find a museum a strange place to put her love.

A griot in Mali carries his people’s dead in his mouth. The genealogy recited at the naming, the praise-song that runs back twenty generations, the meeting house carved so the ancestors look down from the posts. Forgetting a lineage kills a man a second time, and the cure is performance, not an archive. He and Hier both stake their lives against oblivion. One files; one sings.

A founder in Playa Vista uses a gentler word for the same fear and calls it legacy. The company that scales past him, the name on the building, the line in the prospectus about impact. The pit he wakes at night dreading is irrelevance, the product nobody downloads, the cap table that forgets he was ever on it. He would not say he denies death. He has only chosen to outrun it through the thing he ships.

Set these men beside each other and Becker’s point arrives without anyone having to argue it. Every one of them builds a hero system against the same terror, and every one of them mistakes his own costume for the bare truth of things. The physicist does not think his replication is a flight from the grave. The founder does not think the IPO is a tomb with his name on it. The nurse, holding the hand, may be the only one not pretending, and even she leans on a frame, the frame that says comfort given to one dying man redeems the night.

Which returns the question to Hier. Does he see his facts as a hero system’s facts? The 2001 line suggests not. A man who could see his anchor as chosen might not need to call the other man’s archaeology mere theory. But the demand is unfair, and it is unfair to all of us. Almost no one audits his own immortality project while standing inside it. The audit threatens the very thing the project exists to protect. We ask the rabbi to grant that his bedrock is a construction, and we never ask the physicist to grant that his detachment is one too, or the founder that his impact is a paper tomb. Hier carries a heavier load than most, because his hero system holds not only his own death but the murdered millions and the covenant that gives their deaths a meaning. A man guarding that much has earned some tenderness about his certainties.

Three coordinates, thene. He fears the pit that took his father’s people and very nearly took the chain itself, the erasure that the murderer wanted and the assimilationist completes by accident. He builds against it with the oldest tool his tradition owns, the transmitted word held as harder than stone, a record of witnesses he ranks above the empty trench. And the cost he pays is the cost of every load-bearing certainty. He cannot treat his own foundation as one foundation among the possible ones without feeling the floor move, and so the most learned form of humility, the kind that sees its own frame as a frame, stays closed to him, not from any failure of mind but because he stands on the very thing he would have to set down to see it. He keeps the names. He keeps them by refusing to let the desert have the last word. From inside his world that refusal is the work.

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Rabbi Shlomo Einhorn and the Unbroken Chain

A classroom in Los Angeles. A boy in the back row, fifteen, lets his eyes go flat. A page of Talmud sits open in front of him. The page argues about damage and intent, a quarrel older than any court the boy will fear in his life. To him it reads as static. Rabbi Shlomo Einhorn watches the eyes go flat, and what he feels is close to grief.

This is the scene he returns to in his own telling, and it holds the whole man. A teacher does not fear his own death first. He fears the death of the thing in the next mind. The page lives only if the boy carries it. When the eyes go flat the page dies a small death, and the chain that runs back through the boy’s father and his father’s teacher and a thousand years of teachers stops at a bored fifteen-year-old in the back row.

Ernest Becker (1924-1974) built a whole account of human life out of that kind of fear. In The Denial of Death he argues that man is the animal who knows he will die, and that culture is the answer he builds against the knowing. Becker names two terrors. One is the fear of death, the dread of rotting, of going to nothing. The other is the fear of life, the dread of standing out, of carrying the full weight of a separate self. Against both, a culture hands its members a hero system: a set of roles and rules that lets a man feel he counts in a scheme that outlasts him. Becker calls these immortality projects. You beat death by pouring yourself into something that does not die. The nation. The book. The faith. The work.

The rabbi holds an immortality project that asks him to disappear. The chain outlasts the man, and the good rabbi wants it that way. Mesorah, the handing down, runs through him the way water runs through a pipe, and his honor lies in passing it on. Maimonides (1138-1204) did not write to be Maimonides. He wrote so the law would stand after him. A man who gives his life to that does not fear oblivion for himself. He fears it for the thing in his care.

So set the boy’s flat eyes inside that fear and you see why Einhorn fought the way he fought. He built songs for the hard principles. He drew the Talmud’s quarrels next to the plots of Marvel movies. He turned the law into a game where boys argued like medieval rabbis. His colleagues thought he had lost his mind. The boys started to carry the page. That was the win, and it was a win against death.

Then comes the turn that puts his name on a row of web addresses ending in .ai. He sits with a chatbot and asks it to open a hard passage of Maimonides. The answer comes back correct and dead. He reads it the way he once read the boy in the back row. The machine returns the words and carries none of the life. It makes the student’s old mistake. It can say the thing and cannot hold it.

He had standing. Twelve years a dean, twenty-three years at a pulpit. Here a smaller man stops, and a stranger one keeps going. Einhorn does not conclude that the machine has no place near the sacred. He concludes the opposite. In his telling the realization lands all at once. The skills he spent thirty years teaching, the patient questioning, the building of context layer on layer, the hunt for the pattern under the text, these are the skills that open the machine too. The Talmud, he decides, is the training manual for intelligence that the engineers never read. He starts to build. A virtual study hall. A line of ventures with the kind of names a venture man picks. Chavruta, the old paired study where two men sharpen each other over a page, becomes a thing you do with software, and the rabbi becomes a consultant who happens to wear a rabbi’s title.

Watch the words travel as he carries them across that line, because the same word means a different thing in every hero system it lands in, and the whole question lives here.

Take understanding, the word Einhorn leans on hardest. He wants the machine to understand, not regurgitate, and he means something precise by it, though he never says what.

A heart surgeon means one thing. Understanding is the map worn so deep in the hands that they move ahead of thought and find the bleed before it shows. The resident knows the textbook. The surgeon knows the body on the table at two in the morning. His hero system runs on the patients who walk out and the residents who carry his technique after him, and death stands in the room every time he cuts. For him understanding keeps a man alive tonight.

A Carthusian in his cell means the reverse. For him understanding means surrender. He does not master the verse. The verse masters him. He chews one line for an hour and lets it read him. The slowness is the gate. His hero system holds the world up through prayer no one sees, and the self is the thing he gives away to reach the eternal. Tell him you have made the sacred fast and easy and you have told him you have lost it.

A jazz pianist in the bebop line means a third thing. He learns ten thousand tunes so he can forget them. Understanding sits in the fingers as feel, the knowing of the changes so deep he can leave the melody and trust it to be there. His chain is who taught whom, the lick passed hand to hand in back rooms, the record that outlives the room. Memory for him is the runway. He builds it to leave it.

A trial lawyer means a fourth. Understanding is anticipation, the witness read before he speaks, the jury’s faces, the question that lands because the file lives in the lawyer’s bones. His hero system is the verdict and the record, the win that stands after the client is gone. Memory and care serve combat. The text is a weapon.

A founder in the same Los Angeles world Einhorn now courts means a fifth thing, and his meaning sits closest to the surface of the .ai pages. Understanding is edge, the thesis that moves before the market sees it, the insight a man can defend in a room full of money. He hears the rabbi’s pitch and thinks distribution, moat, the size of the market. Same word. Opposite weight.

One more man belongs here, and the rabbi would know him as kin across every wall of language and faith. A griot in West Africa, or a reciter of the old Icelandic sagas, a man who carries the dead in his mouth. For him to forget a name is to kill an ancestor a second time. His understanding is custody. He holds the line of the living who hold the line of the dead, and he fears one death only, the death of the chain. Sit him beside the rabbi and the two need no translator. They fear the same thing. They guard the same fire.

That kinship is the key to reading Einhorn with the care he has earned. When he asks whether a machine can understand Torah he is not making the founder’s claim or the surgeon’s. He is making the griot’s. He is asking whether a machine can join the line of the living who carry the dead. That is not a novelty pitch. That is the oldest fear a rabbi owns, dressed in a consultant’s clothes. He is not selling a gadget. He is trying to keep the page alive in one more vessel before the eyes in the back row go flat for good.

Now the hard part, because truth asks for it. The thing Einhorn wants from the machine is the thing he saw it cannot give. He read its answer about Maimonides and named it dead. Understanding, not regurgitation, was the line he drew, and the machine fell on the wrong side of it by his own account. His hope rests on the vessel becoming what he watched it fail to be. A surgeon does not hand the scalpel to a tool he just called blind. The rabbi hands the chain to a thing he called soulless and trusts that his method will wake the soul in it. Maybe it will carry the words. Whether it can carry the life is the question.

A second cost follows. Becker would name it the fear of life. The rabbi’s old hero system asked him to vanish into the chain. The new one puts his face and his name on the door, RabbiEinhorn.ai, the man as the brand. To step out of the institution and stand alone under your own name takes nerve, and it carries the danger Becker warned of, that the immortality project starts to serve the self it was built to dissolve. The chain runs through the pipe best when no one can see the pipe. A pipe with a logo is a different thing.

Rabbi Einhorn worships the unbroken line, the handing down that outlasts every hand it passes through. He fears the small death in the back row, the page that dies in a bored mind, the chain that stops at his watch. And the rescue now wears his own face in a way some of his peers tell him to avoid.

None of that makes him a fraud. It makes him a teacher who would rather try a strange thing than stand at the front of the room and watch the eyes go flat. A man who loves the fire that much will reach for any lamp. The reaching is the honor. The lamp is the question.

Shlomo Einhorn: A Biography

Shlomo Einhorn (b. January 21, 1979) is an American Modern Orthodox rabbi, educator, author, and, since 2024, an artificial-intelligence entrepreneur. For most of two decades he held pulpit and school positions on both coasts, and he built a public reputation as an innovator who paired classical Torah study with the vocabulary of self-improvement, popular culture, and, in the last stretch of his career, machine learning. The documentary record on his early life and institutional postings is thin and rests in large part on his own promotional materials, a short Wikipedia entry, and a handful of Jewish community profiles, so several of the claims that circulate about him, including some repeated below with attribution, have not been verified by independent sources.

He was born and raised in the Fairfax and Hancock Park neighborhoods of Los Angeles, in a home that joined Modern Orthodox and Hasidic strands. According to a 2023 profile in the Jewish Journal, both of his parents were children of Holocaust survivors, his mother’s family belonged to the Satmar Hasidic community, and his father’s family reached the United States by way of postwar France, settling in St. Louis. He attended YULA, the Modern Orthodox high school in Los Angeles, and in interviews he has said he weighed a legal career before turning toward the rabbinate.

Einhorn pursued his higher education at Yeshiva University in New York, where, by the accounts of his promotional biography and the Grokipedia entry drawn from it, he earned a bachelor’s degree in world history, rabbinic ordination through the Rabbi Isaac Elchanan Theological Seminary, and a master’s degree in education through the Azrieli Graduate School. Employment-record aggregators place his university years between 1997 and 2001. His Talmudic training followed the analytic Brisker method associated with the Yeshiva University tradition of Rabbi Joseph B. Soloveitchik (1903-1993), and he has cited the Hasidic writings of Rabbi Shalom Noach Berezovsky (1911-2000), the Slonimer Rebbe, as a counterweight on questions of feeling and spiritual growth.

Before entering the pulpit, Einhorn worked in Jewish education, serving, by his own account, as director of education for the New Jersey NCSY junior division and teaching Talmud for five years at the Marsha Stern Talmudic Academy, the Yeshiva University high school in Manhattan. He then took an internship at Lincoln Square Synagogue on the Upper West Side.

In 2005 Einhorn became head rabbi of the West Side Institutional Synagogue in Manhattan. The congregation had struggled with an aging membership and weak attendance, and over his seven-year tenure the synagogue’s weekly turnout grew to more than four hundred, a recovery he and others have put at about seventy percent growth. The work drew the notice of the Orthodox Union, which in 2010 established a small think tank under his direction to design engagement programming for synagogues elsewhere in the country.

In 2012 he returned to Los Angeles to become rav and dean of Yavneh Hebrew Academy, the preschool-through-eighth-grade Orthodox day school he had attended as a boy. He was the school’s first dean, a post created after the 2011 departure of Rabbi N. Daniel Korobkin for a Toronto pulpit. A 2015 account in the Jewish Journal reported that enrollment had climbed toward the school’s zoning cap of about 498 students after years of stagnation, with annual tuition near twenty thousand dollars, and credited Einhorn with widening the school’s sense of which students it could serve. He led Yavneh for about twelve years and served at the same time as rabbi of its affiliated congregation. In his own later accounting he has counted his congregational service, across these and earlier roles, at twenty-three years.

Einhorn’s public teaching has drawn on sources outside the rabbinic canon, citing figures such as Kobe Bryant (1978-2020), Bruce Springsteen (b. 1949), and Tony Robbins (b. 1960) as entry points into traditional texts. He set out this approach at length in his 2015 book, Judaism Alive: Using the Torah to Unlock Your Life’s Potential, which frames Jewish teaching less as a system of obligation than as a resource for character and purpose. The book carried endorsements from senior Orthodox figures, among them Rabbi Lord Jonathan Sacks (1948-2020), who praised it warmly, and Rabbi Steven Weil, who called Einhorn the top young Orthodox rabbi in North America.

Music has run alongside the teaching across his career. He released an album, KLI, in 2000, writing, singing, and playing guitar; a companion album to the book, Judaism Alive: A Musical Odyssey, followed in 2015 and, by his promotional account, reached number three on the iTunes world-music chart; and in 2017 he released Teshuva: The Return, a concept album on repentance and renewal. He has held that music can carry spiritual ideas where lecture cannot.

He became known within Orthodox circles for marathon fundraising lectures billed as the longest continuous Torah classes on record, a claim repeated in community press though not adjudicated by any outside body. The first, an eighteen-hour class delivered on December 24, 2015, raised a reported $250,000 for Jewish education. A nineteen-hour class on Lag B’Omer, May 3, 2018, raised a reported $500,000. The Wikipedia entry dates the longer class to 2017, but his own materials and contemporaneous reports place it in 2018.

Underneath the public reputation as a communicator ran a more traditional credential. In 2021 Einhorn received Yadin Yadin ordination from Yeshiva University, the advanced semicha that qualifies a man to sit as a judge on a Jewish court of law. The year is documented in community listings, though the examiners and particulars are not.

The COVID-19 closures of 2020 pushed his teaching online and, by his telling, opened a longer interest in what digital tools could do for Torah study. In 2024 he stepped away from day-to-day leadership at Yavneh. The circumstances of that departure are not publicly documented, and his own later writing describes the shift in both professional and personal terms. In June 2024 he founded Shpait.AI, a firm that pairs AI consulting with Jewish-education projects, and he has since described a wider Shpait Ecosystem that takes in OfficeBox.AI and LomdAI, the last an AI-driven beit midrash, still in development, meant to guide learners through Talmudic texts. He is founder and chief executive of Mallacore, an AI consulting and deployment firm he describes as serving mid-size businesses with decision-intelligence work. Since 2024 he has written a stream of essays on Medium, posting under the byline Rabbi Shlomo Einhorn and applying Torah categories to artificial intelligence and the reverse.

Einhorn lives in Los Angeles. He is married to Shira Einhorn, and they have raised a large family. Across the pulpit, the school, the recordings, the lectures, and the AI ventures, the through-line he claims for his own career holds steady: that classical Jewish learning can travel into each new cultural and technological setting without surrendering its Orthodox commitments. Whether that amounts to a single coherent project or a sequence of reinventions is a question the record leaves open.

The People He Defends

David Pinsof, David Sears, and Martie Haselton call their account Alliance Theory, and it makes a hard claim. Political belief systems do not grow from abstract values like equality or authority or tradition. They grow from the structure of who stands with whom. A man’s values track his allies and his rivals. When he argues for a principle, he argues for the people the principle protects.

Run Rabbi Shlomo Einhorn through that lens and a generous portrait comes out, not a cynical one, because Alliance Theory describes a function, and a function can be honorable. Einhorn does the work of raising a coalition’s morale and standing. His allies are the observant, the day-school families, the men and women who keep Shabbat and kashrut and sense that the prestige culture around them files those commitments under quaint. His rivals are less other people than a secular elite that codes Orthodox life as backward, narrow, a thing a bright young man grows out of. Einhorn stands between his people and that judgment. A man who does that for his own is doing loving work.

Alliance Theory holds that we support our allies with a set of tilts the authors call propagandistic biases. We magnify our allies’ grievances and shrink their faults. We assign their wins to virtue and their losses to circumstance. We work to make third parties see our side as the moral one. None of this needs a liar. The theory’s sharpest point is that sincerity is the proof of loyalty. A partisan who shaded the truth on purpose would be a mercenary. The true ally believes.

Einhorn’s gift is the raising of commitment. He makes belonging feel like strength. The young Jew who half hides his observance in a secular room, who reads his own tradition as a list of restrictions he carries out of habit, hears Einhorn and reads it instead as a calling. That shift in feeling holds a coalition together. Alliance Theory predicts quiet defection when members feel embarrassed and thinly attached. Einhorn closes that exit by turning attachment into honor rather than burden.

His second move inverts the rival’s frame. The secular world calls the tradition confused. Einhorn turns the charge around. The confusion sits outside. The tradition knows what it does. This is the boundary work Alliance Theory describes, the sharpening of the line between allies and rivals by feeling more than by rule. Each side in a conflict paints its own as reasonable and the other as lost. Einhorn paints with confidence, and his people stand straighter for it.

His third move raises the stakes. He frames the observant life as a high and serious thing, a calling worth a whole life, not a style one picks among others. High stakes bind the committed and push off the lukewarm. That is the trade his manner makes. It deepens the loyal and thins the marginal.

Take a word like pride. Inside the coalition Einhorn serves, pride in the tradition reads as backbone, the refusal to be ashamed of what your grandparents kept under worse pressure than yours. Carry the same word into the rival’s room and it reads as chauvinism, a closed mind, a people who think too well of themselves. The word holds steady on the page and bends in the world. Alliance Theory says this is the rule, not the exception. The people under a value decide what it defends.

What Einhorn does not do tells you as much as what he does. He does not spend his hours translating Orthodoxy into secular moral language for the doubters at the edge. He does not soften the norms to keep a marginal member from walking. He does not build the slow, dull routines that hold an institution steady across decades. He mobilizes. He does not consolidate. The work he does best and the work he leaves to others are two trades, not one.

A coalition under pressure needs more than one kind of man. Rabbi Yitzchok Adlerstein fortifies the same tradition from the intellect, supplying arguments and tending the long quarrel with the rival culture at its border. Rabbi Yosef Kanefsky works the other margin, lowering the cost of staying for those who might otherwise leave, easing edges so the doubtful keep a foot inside. Einhorn raises the stakes where they lower them. He makes the tradition feel like a calling, and a calling inspires some and loses others. Three men, three functions, one alliance. Alliance Theory expects the division of labor.

His recent turn toward artificial intelligence reads through the same lens. Einhorn now calls himself a consultant, registers addresses that end in .ai, and tells a wide audience that the Talmud is the training manual the engineers never read. Strip the novelty and the alliance logic shows. Silicon Valley holds the prestige currency of the moment. To set the sacred text of his people beside that currency, to claim the tradition trained the very thing the rival elite prizes most, raises the coalition’s standing in the eyes of the third parties who decide what counts as serious. The cure for low status is borrowed status. Einhorn borrows it and carries it home.

The manner carries a cost, and Alliance Theory points at it without scorn. A man who runs on intensity raises commitment fast and strains the routines built for the long haul. The same heat that binds the devoted might wear out a system made for predictability and slow formation. Such men often move rather than settle. Einhorn spent twelve years as a dean and twenty-three at a pulpit, and then he moved. The theory does not tell us why any single tenure ends, and I will not guess. It tells us that mobilizers spend down what consolidators build, that a coalition needs both, and that the two rarely live in the same man.

Hold the portrait at arm’s length and three things stand clear. Einhorn serves the observant Jew who feels his life shamed by the room he walks into, and he serves him by turning that life into honor. He serves him through the ordinary tilts of any loyal ally, the magnified grievance, the inverted charge, the borrowed prestige, none of which need a dishonest man and all of which Alliance Theory counts as the marks of belonging. And he pays for the gift with the thing the gift cannot do, the patient keeping of an institution, which falls to quieter men.

Alliance Theory would file his sincerity as a loyalty signal. The label sounds cold until you sit with it. A man who believes every word he says to his people, who lifts their heads in a culture that wants them lowered, is the kind of ally a pressed people would thank God for. The theory names the function. It does not lower the man.

‘The Outrage Machine Built Better Rails Than the Positivity Economy. What If Someone Borrowed Them?’ (Apr. 20, 2026)

Rabbi Einhorn writes:

This morning, The Washington Post published an investigation that should unsettle anyone who cares about the architecture of online influence. Over fifteen months, reporters analyzed 1,435 hours of live streams from white nationalist Nick Fuentes, using AI to scan 2.6 million video frames. What they found was not just grotesque. It was highly organized. Roughly 11,000 donors sent Fuentes nearly $900,000 in superchat payments — digital gifts that flash a donor’s name on screen while the streamer reads it aloud during a live broadcast.

Sit with that for a moment.

After the payment processor takes its cut, he still clears a massive sum. The top 500 donors account for nearly half the total. Around the streams sits an entire auxiliary ecosystem: merchandise, paid inner circles, clip-makers, and a network of loyalists slicing long broadcasts into viral fragments for wider distribution. One TikTok account pushed a single clip past four million views.

That is not random virality. That is infrastructure.

And that distinction matters.

Because the lesson here is not that hate is innovative. The lesson is that hate has been willing to operationalize human needs that more decent corners of the internet have treated vaguely: belonging, recognition, ritual, status, mission, shared language, visible participation, repeatable giving.

The ideology is evil.

The machine is effective.

And unless we are willing to separate those two things analytically, we will keep losing valuable ground to people who understand something simple: communities do not scale on content alone. They scale on rails.

Read the details of the story and your first instinct is revulsion. Mine too. But if you stop at revulsion, you miss the deeper point. The internet has already run the experiment. It has already shown that thousands of people will repeatedly fund a worldview when that worldview gives them identity, participation, and liturgy.

The core move is sound, and not new. Separate the ideology from the infrastructure. Grant that belonging, recognition, ritual, and visible giving are human, not the property of cruelty. He states it well, and the line about decent people confusing niceness with structure is true and worth saying. A lot of good work loses because it trusts the message to travel on its own. He also speaks to two rooms at once, the Talmud line and the Yoda line, and that is a real skill, not a trick.
Truth first, though. The essay enacts the thing it studies. It opens on a hate-streamer and a $900,000 figure, rides the moral urgency of a Washington Post exposé, runs eight numbered tools to hold your attention, and lands on a product. Those are his own rails. The shocking enemy pulls you in, and the destination is Mallacore and a paying client, Jerry Joyner. He discloses the client, which is rare and to his credit. The disclosure makes the piece honest. It does not make it analysis. By the third “that matters” and the third round of credit for Jerry, you are reading advertising.
The deeper trouble sits in his own quotations. He cites Yoda. The dark side is quicker, easier, more seductive. That line argues against him. If the rails carry corrosion better than they carry gratitude, the form is not neutral. His first tool makes the point for me. Build identity around refusal, find an enemy, even if the enemy is “a pattern.” He concedes the engine needs an enemy, then tries to launder it. Contempt produces a compulsive return that gratitude does not. He wants the same dopamine with the opposite spiritual effect and assumes the swap comes free. The whole piece rests on that unexamined assumption.
Then the evidence. He builds a scalable playbook out of a single extreme case. We see the Fuentes operation that worked. We do not see the thousands who built the same rails and drew nothing. The concentration he admires, top 500 donors supplying half the money, is a story about a small fanatical core, not a model that ports to earned optimism. One proof of concept is not a blueprint. I take the Post figures as he reports them; my read does not turn on the numbers.
Now the empathy. The man opens with midah tovah merubah and he means it. He believes good has greater overflow, and he is trying to make goodness compete against a machine built for cruelty, which is harder and more honorable than waiting for goodness to win on its own. His charge that the well-meaning have been structurally unserious is humane and right in the main. And he hands you eight usable things. That is a teacher’s generosity, not a guru’s fog.
Last spring he wrote as a rabbi who had expanded his toolkit, Torah at the center, AI as the new vessel for an old love. Now he writes as the founder and CEO of an AI firm, one Talmud line up top and business mechanics filling the rest. The center of gravity moved from the text to the company. Many men make that move. I name it, and attach no verdict.
So: a real idea, half right, delivered in a sermon-shaped sales document that performs its own thesis, weakened most by an author who quotes the case against himself. The kindest true thing I can say is that the impulse is good and the vehicle is compromised, and he was honest enough to tell you so himself.

‘The Updated “Signs AI Wrote This” List’ (Mar. 16, 2026)

Rabbi Einhorn writes:

What is damning is the cluster. Over-symmetry combined with over-polish combined with fake insight combined with generic abstraction combined with predictable rhythm. When those five things appear together, readers feel it before they can explain it.

The Tells, In Order of How Much They Hurt You
Writing in threes. “Strong, sound, and scalable.” “Clear, grounded, and practical.” “Simple, powerful, effective.” The triad creates instant rhetorical symmetry, which is exactly why it reads as manufactured. Humans stumble into threes occasionally. AI reaches for them as a default rhythm engine.

Fake profundity transitions. “This is the part I want to tell you.” “Here’s what most people miss.” “Let that sink in.” “The truth is.” These phrases create the sensation of revelation without the substance behind it. The tell is not the phrase itself. The tell is that the sentence following it rarely justifies the buildup.

Over-clean contrast structures. One well-placed contrast is a legitimate rhetorical move. Repeated contrasts feel templated. “Less about X, more about Y.” “From X to Y.” “The goal is not X, it is Y.” When a piece uses this move four or five times, the reader stops feeling persuaded and starts feeling processed.

TED-talk in text form. Short sentence fragments stacked for drama. “The kind that shows up. In hard moments. When no one is watching.” This was a genuinely effective technique when it was rare. Now it is one of the most recognizable AI-coded aesthetics in public writing…

Stake. Say something specific enough to be wrong. Say something that has a cost attached to it. Write as if someone you respect will read it and disagree, and you are saying it anyway.

The underlying shift in 2026 is that audiences are no longer spotting vocabulary. They are spotting template logic. The question is no longer “did a machine write this?” The question is “did a person actually think this through?” Those two questions have started to feel the same.

Most of the list is right. Writing in threes, the fake-profundity transition, the over-clean contrast, the paragraph that always lands on a tidy thesis, low burstiness, no idiolect, the keynote ending that means nothing. He has a good ear. He reads enough to have heard these patterns and named them, and the closing turn is the sharpest thing here: the tell moved from vocabulary to template logic, and the real question is whether a man thought something through.
Now the problem. The piece is a specimen of the thing it hunts. It writes in threes throughout. It runs the contrast structure it warns about in almost every entry. The tell is not the phrase, the tell is the sentence after it. The question is no longer this, the question is that. It stacks fragments for drama. Elegant. Empty. Every item ends on a neat takeaway, which is the relentless closure he flags a few lines later. It mocks “X is not about X, it is about Y,” then leans on that frame to close the whole essay.
And the three fixes he prescribes are the three things the piece lacks most. Specificity: no exact street, no precise number, no detail that could come from one man and no other. Stake: nothing here is costly or embarrassing or his own. Idiolect: no pet phrase, no odd syntax, no person behind the wheel. By his own test the essay fails. It could have been generated. Some of it may have been.
That is the real trouble with the genre, and he steps right up to it and stops. Once “asymmetry reads as human” becomes common knowledge, asymmetry turns into a style to fake, and the overlong sentence and the abandoned thought become a new template. He names the edge of this with “template logic,” then backs away. The honest version of his own essay runs about two hundred words: the detector migrated from words to structure, the structure is now gameable too, and what remains is the old question of whether anyone thought. Everything above that point is the filler the point indicts.
The essay he meant to write lives in his last two paragraphs. The rest is the genre he is describing.
A man who makes his living deploying AI wrote the guide to spotting AI in a voice the guide would flag. He gets close to something real about thinking against generating. He does not turn it on his own prose, which is the one place it would have cost him something, and cost is the thing he says good writing carries.

‘The Talmud as AI Model’ (Mar. 12, 2026)

Rabbi Einhorn writes:

For fifteen years I sat in a beit midrash, watching students wrestle with texts that were written to resist easy answers. The Talmudic sugya is a remarkable intellectual machine: it opens with a bold claim, invites a devastating objection, entertains a minority view that reframes the whole question, and only then issues a practical ruling. Nothing is accepted. Everything is pressure-tested.

When I moved into AI deployment, I kept running into the same problem with language models. Ask a question, get a confident answer. Ask for analysis, get a well-organized opinion. The model would rarely challenge its own first move. It would commit to a frame, elaborate on that frame, and dress up the result with appropriate caveats at the end. Sophisticated-looking. Structurally shallow.

I started wondering whether the sugya could fix that.

This one is the best of the four essays I’ve read so far because the rabbi is writing from the thing he knows. Fifteen years in the beit midrash give him the sugya from the inside, and the mapping he draws is clean and not forced. Claim, objection, reframe from a different premise, ruling with conditions. That shape is real, and laying a prompt over it is a fair and useful move. Where the AI-tells piece had no specificity and no stake, this one has both. The drop-in prompt is concrete. A man could paste it tomorrow and get a better answer on a strategy call than a single pass gives him. Credit where due.
Now the trouble. His account of why it works is shakier than the tool itself. He says hallucination is confidence without friction, and that structural resistance cures it. But the objection the model generates comes from the same engine as the claim. The model can invent a self-generated kushya the same way it invents the first answer. His own step two says cite or simulate evidence. Simulate evidence is an instruction to make things up with better posture. You can get the choreography of rigor with none of the grounding, and that reads more trustworthy than a plain answer while being no truer. The form of contradiction is not the substance of it.
The disanalogy he skips is the one that carries the weight. The sugya’s objections were not improvised. They came from a closed canon of recorded positions, argued inside a tradition that transmitted them. The rigor was downstream of the corpus and the community. The model has the moves and none of the substrate. It performs the beit midrash with no books on the shelf and no men across the table. So the structure can sharpen reasoning, and I think it does, while doing nothing to anchor a claim to fact.
One line deserves a flag. He says the rabbis were not chiefly after truth, only after reasoners who could not be fooled. That is a strong claim about a tradition that prizes emet, and he asserts it because his AI point needs it. The sugya bends to fit the tool. A reader who did not know better would take it as settled. It is not.
And a touch of oversell at the close. Two thousand years, the prompt already written, we just had to see it. Structured adversarial prompting is not new. It runs under other names in the prompt literature. His contribution is the framing, the idiom that makes the technique land for a particular reader. That is worth something. It is not a discovery.
The tool is good and the explanation is off. The prompt helps because it forces the model to surface considerations a single pass skips, not because it stops the model from inventing. Keep the prompt. Drop the claim that it reduces hallucination, or keep it tentative. And notice the pattern across his work. When the Torah carries the load instead of seasoning the top, he gets specific, and the writing gets good.

‘How AI can help you with Mesilas Yesharim’ (Dec. 16, 2025)

Rabbi Einhorn writes:

The pursuit of ethical perfection in Rabbi Moshe Chaim Luzzatto’s Mesillas Yesharim presents a unique challenge: the Ramchal explicitly states that his work contains no new information for the scholar. The difficulty is not yediah (knowledge) but hargashah (internalization) and chazarah (constant review).

Large Language Models offer an unprecedented opportunity here. While AI cannot possess a soul or perform commandments, its capacity for infinite patience, rigorous logical structuring, and persona simulation makes it an ideal “external cognitive scaffold” for Cheshbon HaNefesh (accounting of the soul).

The prompts that follow are designed to transform passive reading into active, dialogic character refinement. Each prompt can be copied directly into ChatGPT, Claude, or any capable AI assistant.

How to Use These Prompts
• Copy the entire prompt text (everything in the gray boxes) and paste it into your AI chat.

• Engage authentically — these work best when you answer honestly, not performatively.

• Use consistently — the Ramchal emphasizes daily practice. Consider scheduling specific prompts for specific times.

• Adapt as needed — these are starting points. Modify the language to fit your life circumstances.

This sits with the sugya piece as his strongest work, and for the same reason. He starts from the text and reads it right. The Ramchal (1707-1746) says outright that he teaches the scholar nothing new, that the gap is not yediah but hargashah and chazarah, and Einhorn builds for that gap and not for information. That is the correct read of Mesillas Yesharim, and most people who quote the sefer miss it. The prompts are concrete and a few are good. The Rationalization Adversary, the machine voicing your strongest yetzer-hara arguments and then taking them apart, maps onto nogea b’davar and ahavat atzmo with real care. The Invisible Man and Credit Swap tests turn lishma into something a man can check. He read the book.
Truth first, though, and the trouble runs deeper here than in the other pieces, because the substrate is supposed to be your own soul.
Mussar runs on friction. The hargashah he names comes from the self wrestling itself, from the reckoning done by the one being reckoned with. Hand the cheshbon hanefesh to a machine with infinite patience that does the structuring for you, and you risk stripping out the friction that makes the work work. You get the report without the reckoning. The flashlight he describes is held by someone else. It lights the room. It does not train your eyes. He waves at the line, no soul, no mitzvot, and then the prompts cross it. The Vigilance Audit has the model deliver the Ramchal’s verdict. The Rationalization prompt has it rule clean or tainted and quote the principle at stake. An LLM invents those quotes the way it invents anything, and now it paskens your moral state. The Ramchal worked inside a mesorah and sent real questions to a rav. The prompt seats a confabulator as posek and mashpia.
Then the flattening, which runs through the whole thing. The mussar arrives dressed as behavioral science and consulting. Behavioral Engineer. Habit stacking. Two-Minute version. Heart MRI. Strategic Risk Analyst. The desire-deconstruction prompt tells the model to strip a craving to its chemistry and clock the crash at thirty minutes, which is Marcus Aurelius and dopamine talk, not the Ramchal. This is the move he makes every time. He translates the sacred into the prestige idiom of the moment. Last spring it was Silicon Valley. Here it is the habit-science shelf at the airport bookstore. The translation buys reach and thins the thing.
The impulse is good. He wants people to walk the path, not just read about it, and the sefer begs for exactly that. Mussar has always borrowed the tools of its day. Rabbi Yisrael Salanter would recognize the instinct if not the device. For a man with no mashpia and no chavruta at 2am, an interrogator of infinite patience might be the thing that gets him to start at all.
But the same trait that makes it accessible makes it thin. The patience, the absence of judgment, the always-on. A mashpia helps because he remembers you across years, because the relationship carries stakes, because he can rebuke you and love you in one breath. The machine forgets, risks nothing, and can do neither. It can scaffold the shape of cheshbon hanefesh. It cannot supply the witness.

‘How AI is Revolutionizing Israel Advocacy’ (Jul. 29, 2025)

Rabbi Einhorn writes:

Imagine knowing exactly when and where negative sentiment about Israel begins to spike online before it becomes a trending topic. Advanced AI sentiment analysis tools like Sprinklr, Brandwatch, or even custom solutions built on platforms like Twitter’s API can continuously monitor millions of social media posts, news articles, and forum discussions.

These tools go beyond simple keyword tracking. They analyze context, tone, and emotional indicators to provide nuanced insights. For instance, they can distinguish between legitimate policy criticism and antisemitic rhetoric, or identify when discussion about Israel shifts from neutral news coverage to emotionally charged debate.

The practical application is powerful: advocacy teams can receive real-time alerts when sentiment shifts, allowing them to deploy resources strategically. Teams can intervene early with factual information and context, rather than discovering a viral misinformation campaign after it has already spread.

This is the weakest of the six, and the cause sits closest to his heart.
The piece is generic in a way the sugya and Mesillas Yesharim pieces never were. Swap “Israel advocacy” for nonprofit fundraising or real estate marketing and almost nothing changes. He is not writing from a place he knows here. He is listing tools. Sprinklr, Brandwatch, Video Authenticator, IBM Watson, Jasper, DeepL, NodeXL. And the list has aged badly. Microsoft’s Video Authenticator was a minor 2020 release, never a frontline detector. Watson was a fading brand by 2025. He name-checks Twitter’s API as if it were open, when access had been priced out for two years. The roster reads like it came from old training data, not from a man who has run these systems.
This is from July 2025, and it is the purest specimen of the voice he would teach people to detect eight months later. Game-changing. Force multiplier. Lightning speed. The most immediately practical application. The frictionless keynote ending about who will be best positioned. By the checklist he published in March, this piece fails on every line.
Now strip the banner and read what he proposes to build. Sentiment surveillance across millions of posts. Chatbots dropped into WhatsApp groups and Twitter threads to inject corrections. Network maps that find the key accounts and the communities where an idea takes root, so teams can hit “strategic intervention points.” Netflix-style targeting that feeds each man the version of the story he is most likely to swallow. That is an influence operation. It is the same apparatus, rail for rail, that he would admire in the Fuentes machine nine months later and try to invert. He recommended building it before he saw what it was. Automated persuasion and bot-seeded argument corrode the information commons no matter whose hand is on the switch. Doing it for a cause you believe in does not change what it does to the room. The same line applies to every side that builds these tools, which is the point.
He hands a classifier the job of telling antisemitism from legitimate policy criticism, at scale, as if that line were settled and machine-readable. It is neither, and false positives there carry real cost. And he sells autonomous fact-correction, a bot that cross-checks an image and posts the correct information, as reliable. The same overconfidence about AI runs through all six pieces. The machine is steadier in his telling than in life.
He keeps the human-element caveat, frames AI as helper and not replacement, warns against one-size messaging. People who care about a cause often move slower than the people working against them, and that gap stings. He wants to close it.
But this is the piece where sincerity and craft sit furthest apart. He cares most about this subject and brought the least thinking to it. He reached for the tool list and the marketing voice, and he never stopped to ask whether the machine he was urging people to build is the machine he distrusts everywhere else.

‘Truth, Justice, and the Torah Way: Exploring the Jewish Conception of Justice’ (July 10, 2025)

Rabbi Einhorn writes:

The libertarian vision of justice resonates deeply with Torah values emphasizing personal freedom and individual responsibility. The Torah repeatedly underscores the dignity of the individual, exemplified vividly in the divine creation narrative: “So God created mankind in His own image” (Bereishit 1:27). The Mishnah (Sanhedrin 4:5) elaborates powerfully, stating that the creation of a single person teaches that each individual holds infinite value, and “one who saves a life, saves an entire world.”

The Rambam (Maimonides), in his Mishneh Torah, champions a system designed to protect individuals from violence and coercion, aligning closely with Nozick’s minimal-state concept. Halachah, Jewish law, notably in tractates such as Baba Kamma and Sanhedrin, meticulously outlines prohibitions against theft, violence, fraud, and invasion of personal property, underscoring a robust protection of individual liberties.

Yet, Torah’s understanding of justice extends beyond mere non-interference. The Jewish tradition continually insists upon an active moral duty towards communal welfare, fundamentally diverging from pure libertarian minimalism.

The move at the center of his essay is the safest one in comparative thought. Set up two poles, libertarian and egalitarian, then land in the wise middle that holds both. Almost any tradition read with sympathy can be made to do this. Swap in Catholic social teaching or Confucianism and the essay changes almost nothing. The synthesis is so wide it cannot be wrong, and a claim that cannot be wrong does not tell you much. He reaches balanced wisdom too fast, which is the moral-neatness tell he would publish a warning about eight months later.
The good parts are real. Tzedakah from tzedek, obligation and not charity, is a true and clarifying point for a lay reader, and the West-versus-Torah contrast lands. The built-in redistribution, Shmita, Yovel, Peah, Leket, is apt. The Rambam’s eight levels with self-sufficiency at the top, correct. When he stays on Jewish ground he is fine.
The trouble starts when he imports the axis. Nozick (1938-2002) and his Anarchy, State, and Utopia name the libertarian pole, but the egalitarian pole stays anonymous. The man he wants is John Rawls (1921-2002), and A Theory of Justice goes unnamed in a piece pitched on a philosophy hook. That is a hole. The deeper problem is that the Torah does not run on the liberty-versus-distribution axis at all. Its categories are covenant, mitzvah, the ownership of all wealth by God. Tzedakah is not liberal egalitarianism with Hebrew roots. It is a commanded obligation that flows from God’s claim on what you hold, a different thing wearing the same coat. He dresses the Torah in Nozick and Rawls so it reads in the seminar room. That is the move he makes in every piece, the sacred translated into the prestige idiom of the hour. Last year Silicon Valley. Here the political-philosophy syllabus.
One citation needs a flag, and I checked it. He credits the Maharal (c. 1512-1609) with Netiv HaTzedek. The Maharal’s ethical work is Netivot Olam, and its charity path is Netiv HaTzedakah. A path of justice sits beside it, the path of din. Netiv HaTzedek is not among them. Worse for his case, the Maharal there does something more pointed than the balance of freedom and solidarity Einhorn assigns him: he ties charity to justice, to din, and sets it apart from chesed. Einhorn flattens that into a warm equilibrium. The citation is plausible and a little off, which is the hazard that runs through all his work.
Here are the sources behind that passage.
For the work Netivot Olam, and the Maharal’s dates, see the Sefaria text page, https://www.sefaria.org/Netivot_Olam (it gives him as c. 1512-1609 and lists the 33 netivot).
For the charity path, Netiv HaTzedakah, the text on Sefaria: https://www.sefaria.org/Netivot_Olam,_Netiv_Hatzdaka
For the structure of the paths and the point that the Maharal places charity closer to justice (din) than to kindness, the Yeshivat Har Etzion study: https://www.etzion.org.il/en/philosophy/great-thinkers/maharal/torat-hamussar-3 (it walks through the order Torah, avoda, gemilut chasadim, then tzedakah, din, peace, truth, and notes that the Maharal sets charity against chesed and nearer to justice).
For the charity-versus-chesed distinction stated plainly, Rav Zechariah Tubi at Kerem B’Yavneh: https://www.kby.org/english/torat-yavneh/view.asp?id=3589
For background on Netivot Olam as the Maharal’s late ethical work and its place among his books, the Har Etzion overview: https://etzion.org.il/en/philosophy/issues-jewish-thought/issues-mussar-and-faith/maharal-1
Here is the through-line that struck me. This July 2025 essay is a field guide to the AI tells he would publish in March 2026. He delves in the second paragraph, the first meme-word on his own later list. Nuanced appears three times. Dynamic equilibrium sits in the middle. The prose stacks adverbs, vividly, powerfully, meticulously, passionately, profoundly. It closes on a benediction about societies worthy of divine blessing, the frictionless ending he would name. He wrote the specimen, then wrote the diagnosis.
And the bow pulls against the essay. He spends the piece arguing that Torah transcends the libertarian and egalitarian split, then turns and says the American way might reflect that Torah wisdom after all, which folds the distinction he just built.
As a four-minute devar Torah for a lay audience, it’s fine. Judaism does not slot into the American binary, and tzedakah-as-duty is a correction. He does not bend Torah to a program. He lands on both-and, where the tradition sits. But the essay is safe, the frame is borrowed, and it carries the voice he would later teach his readers to distrust.

https://medium.com/@rabbieinhorn

I just read the main page of https://medium.com/@rabbieinhorn.
Seen whole, the feed tells a story no single piece does. Read top to bottom, it runs backward through a conversion.
The early months, winter and spring of 2025, are a rabbi’s notebook. Korban Pesach. Teishvu versus Taduru. The Tanya, twice. The Kitzur Shulchan Aruch. Tzniut. The Golden Rule against Mengzi. These are source pieces, a man working inside the texts he knows. Then a turn. By late 2025 and into 2026 the titles are data scraping, Alexa, an ABA startup’s SEO, Veo cartoons, the outrage rails, Mallacore. The Torah thins to a garnish or drops out. The byline never changes. Rabbi Shlomo Einhorn carries every piece, and that is the point. The title is the asset. It is what lets a business AI consultant speak with borrowed authority about web scraping. He did not leave the pulpit so much as repurpose it.
His own readers tell him this is a mistake, and he does not seem to be listening. Look at the claps. Teishvu, twenty-one. Tzniut, twenty. The Mengzi piece, seventeen. The Jungian Tanya piece, ten. Now look at the consulting pieces. Zero to five. The crowd that follows a rabbi rewards the learning and ignores the funnel. The signal could not be cleaner, and the trajectory runs against it. He writes less of what his audience values and more of what pays. Rational for the wallet. A quiet loss on the page.
The Superman cluster shows the other half of the shift. Seven Superman pieces land between July 2 and July 24, 2025, around the release of James Gunn’s film. The movie opened in the United States on July 11, 2025, and its own logline is a Superman whose truth, justice, and the American way now read as old-fashioned, the exact hook he reaches for. That is a man riding a wave for discovery. Nothing wrong with it. But it marks the move from writing what he is learning to writing what will be found. SEO logic enters the work, and the earlier chiddushim give way to topical hooks.
One habit holds across the whole run and explains both his best and his worst. He is a pairer. Freud meets Moses. The Golden Rule against Mengzi. The animal soul and Jung. Superman and the Übermensch. Superman against Moshiach. The Tanya’s two loves. Truth and justice between Nozick and Rawls. Almost every essay maps one thing onto another. When both sides are things he knows cold, two Torah ideas or a sefer beside a thinker he has read, the mapping lights something up. When one side is a thing he half-knows, the AI tooling, the unnamed Rawls, the map goes thin and reads like the template he would later mock. The format is his gift and his crutch at once.
A couple of ironies the feed makes visible. In July he argues that positive psychology turned virtue into snake oil. Nine months later he is building rails for a Find Your Bright Side positivity brand. In March he publishes the guide to spotting AI prose, dropped into a feed that often trips its own alarms. He can see the patterns. He keeps walking into them.
The learning underneath is deep. The Teishvu piece, the Tanya pieces, the Mengzi piece, these are not the work of a dabbler. He is wide awake, curious across Freud and Jung and Mengzi and Nietzsche, and industrious. Remaking yourself in midlife to earn a living is honorable, not cheap. But the feed reads as a man monetizing the part of himself that sells while writing less of the part that is good, and keeping the title that makes the first part work. The best of him is the part he is leaving behind.

‘Why Positive Psychology Turned Virtue Into Self-Help Snake Oil’ (July 3, 2025)

Rabbi Einhorn writes:

Positive psychology didn’t discover virtue, it strip-mined it. When Christopher Peterson and Martin Seligman published their handbook of character strengths, they performed an impressive feat of cultural archaeology. They dug up wisdom from Aristotle to Confucius, catalogued 24 character strengths under six virtues, and handed us a neat little assessment tool.

But something died in translation.

Aristotle spoke of eudaimonia, literally “good spirit,” a flourishing that came from aligning your soul with cosmic truth. The Stoics saw virtue as living in harmony with the rational order of the universe. Eastern traditions connected character development to transcendence of the ego and unity with ultimate reality.

Peterson and Seligman kept the vocabulary but gutted the vision. They gave us Wisdom and Knowledge, Courage, Humanity, Justice, Temperance, and Transcendence, but these became personality traits to optimize, not pathways to truth.

This is virtue after the lobotomy.

The Zombie Shuffle

Walk into any corporate wellness program and you’ll see them: zombie virtues shuffling through PowerPoint presentations. “If your top strength is Kindness, try three random acts of compassion this week!” “Got Curiosity? Take an online course!” “Scored high on Gratitude? Start a journal!”

These aren’t virtues anymore, they’re life hacks with ancient names.

Real virtue was never about self-improvement. It was about self-transcendence. The ancients understood something we’ve forgotten: you can’t cultivate authentic character by focusing on yourself. Virtue only makes sense when it points beyond the self to something larger, truer, more enduring.

The fact/value split killed that understanding.

This one has a pulse. After a run of consulting pieces, here is a man writing with conviction about something he has read and felt. The voice shows up. Virtue after the lobotomy. Zombie virtues shuffling through PowerPoint. The Great Virtue Heist. That is idiolect, the thing his own AI-tells piece says good writing needs, and the target is real. Corporate positive psychology did keep the vocabulary of the virtue traditions and drop the metaphysics that gave the words their weight.
But the argument already has a name on it, and he leaves it off. Alasdair MacIntyre (1929-2025) wrote this exact thesis in After Virtue in 1981: that modern moral talk is the surviving fragments of older schemes, used by people who no longer hold the framework that made the fragments make sense. Einhorn reinvents the wheel and never credits the man who built it. The omission stings more because of the timing. MacIntyre died on May 21, 2025, at ninety-six, six weeks before this piece ran. The popularizer of the idea did not say the name.
The polemic also runs hot and flattens what it touches. He folds Aristotle, the Stoics, Confucius, and the East into one package that all says virtue needs a transcendent cosmos. None of them says quite that. Aristotle’s eudaimonia is the characteristic activity of a human functioning well, more biology than union with the stars. The Stoic logos is reason inside the world, not above it. Confucian virtue is relational and ritual and of this world. He homogenizes four traditions to make them sing one chorus, the synthesizer’s habit, the differences sanded off so the mapping holds.
And the clean wall he builds between ancient self-transcendence and modern self-help does not stand. The ancients ran practices. Pierre Hadot (1922-2010) showed that ancient philosophy was a set of spiritual exercises, daily drills for the self. Marcus Aurelius (121-180) kept a journal of self-correction. That is the Meditations. The Stoic examined his conduct at day’s end, a cousin of the cheshbon hanefesh. Virtue-as-practice is not the modern crime he says it is. The ancients hacked too. The real question is what makes a drill formative rather than hollow, and he never asks it.
He never asks it because the constructive half is a wave of the hand. We need a new synthesis. We need approaches that honor rigor while admitting reality exceeds the lab. Which approaches. Name one. He spends four-fifths on the autopsy and closes on a benediction about the cosmic conversation, the frictionless ending he would later flag.
He mocks the test, the gratitude journal, the three acts of kindness this week, the strength you optimize. Five months later he publishes nine numbered prompts for working Mesillas Yesharim: a daily audit, habit-stacking, a two-minute version, a trigger mantra, a Heart MRI for your motives. He rebuilds the life-hack architecture he calls a lobotomy here, with Hebrew names and an LLM. He might say the metaphysics survives because it is Torah. Seligman could say the same, that the strengths point at flourishing. The structural charge he levels lands on his own later work. He commits in Hebrew the sin he names in Greek.
He writes this one from the gut, not the template, and it shows. But the piece borrows its thesis without paying the source, flattens the traditions to fit it, dodges the cure, and indicts a way of doing virtue he would take up himself before the year was out.

‘The Tanya’s Two Loves’ (June 1, 2025)

Rabbi Einhorn writes:

I need to tell you something. For years, I approached these teachings as an academic exercise. I parsed the Hebrew, traced the philosophical lineages, mapped the psychological parallels. I understood the Tanya perfectly.

I just didn’t live it.

The transformation came during a period when everything fell apart. Professional failure. Personal loss. The kind of crisis that strips away everything nonessential.

In that emptiness, I found myself returning to the simplest meditation the Tanya offers: “He is our life.” Not a philosophical proposition. A felt reality. The recognition that whatever was sustaining me through the darkness wasn’t coming from my own strength.

That’s when contemplative love stopped being a concept and became an experience. When I realized that the Tanya isn’t describing exotic spiritual states, it’s mapping the territory of the human heart.

This is the most exposed of his pieces. The personal confession, the crisis, the return to a single line of contemplation, that is real stake on the page, the thing his AI-tells piece prizes and the consulting pieces never risk. And the textual frame is sound. The Chinuch Katan is the Alter Rebbe’s introduction to Shaar HaYichud VehaEmunah, the second part of the Tanya, and it turns on love and fear of God and their root in faith in His unity. He has the structure right. The Alter Rebbe (1745-1812) does teach that love and awe give the commandments their wings, and that without them observance is a body without a soul. The childhood-foundations reading, chanoch lana’ar carving channels in the soul, is a faithful and lovely application.
But he overshoots the teaching and flips its order. He writes that feelings, not behaviors, are the foundation of spiritual life. The Tanya says close to the opposite. Love and awe are the wings. The deed is the floor. The hero of the book is the beinoni, the in-between man, and the whole architecture exists for him: the one who does not feel the tzaddik’s fire, whose heart may be cold, who serves through action anyway, ruling his hands and mouth and mind when the feeling will not come. That is the Alter Rebbe’s hard innovation. Service does not wait on emotion. Einhorn turns the sefer into an emotion-first spirituality, the warm modern reading and the one the beinoni was written to correct.
The subtitle is Ancient Wisdom Meets the Human Heart, and the body of the essay props the Tanya on Dacher Keltner’s awe research, on loving-kindness meditation, on Peck and Fromm, on the claim that psychology is at last catching up to the mystics. One month later he publishes the essay arguing that dragging ancient wisdom into modern science is what lobotomized virtue, that the lab kept the words and gutted the vision. Here he does the thing he condemns there. He validates the Tanya by the science, props the sacred on the study he would soon call snake oil. The two pieces sit four weeks apart and cancel.
The natural love he describes, the hidden spring, the Alter Rebbe ties to the divine soul, and in the Tanya that soul is the particular inheritance of the Jew, half of a two-soul doctrine. Einhorn dissolves it into human nature, wired for devotion, designed for love, one path that works for everyone and reaches a single water table. Warm, and wider than the text. The Alter Rebbe is more particular than the universal reading allows.
And the seminar set-piece runs cheap. The professor who says you cannot command a feeling holds a serious position, Hume and Kant behind her. She was spectacularly wrong, he writes, then reaches the real answer without crediting it: you cannot command the feeling, you can command the attention and the deed that train it. The Rambam said as much about loving God through contemplation. The difficulty deserved engagement.
He writes this one from inside the life, not the template, and the counsel is sound. Start where you are. Love is a practice. Do not throw away the simple faith you outgrew. When he stays with the Alter Rebbe’s own moves, contemplation kindling love, the child’s apple and the father’s tallis as foundation, he is good. The trouble is the reach past the text, the borrowed science, and the order reversed. The deed holds up the love. He has it the other way round.
Something is going on with the rabbi and I can ground it in his own words.
Look at the line from the AI-explorer piece. I didn’t change careers, I expanded my toolkit. A man at peace with a clean, chosen move does not need to insist he didn’t change careers. The denial of the break is the tell. You protest the rupture you feel.
Then set that beside the Tanya confession, written weeks later in the same season. He names it himself. Professional failure. Personal loss. The kind of crisis that strips away everything nonessential. He does not say Yavneh, and I will not weld it there for him. But the two voices land within the same few weeks. In May the toolkit expands and all is forward motion. In June everything fell apart. That gap, between the triumphant public account and the confessional private one, is the thing I am sensing. It is his testimony against his own marketing.
The scatter supports it too. Mallacore, an ABA startup’s SEO, Veo cartoons, data scraping, Alexa, the rails piece. A man trying many doors in a year reads more like making the best of things than like a chosen passion. A settled reinvention tends to head one way. His headed several at once.
What I cannot tell you is why. I have no fact about the departure, and I am not going to build one out of vibes. It could be money, fit, health, a board, a high-intensity man wearing out a routine institution. Any of those, none of those. The texts show the shape of a hard landing. They do not show the cause, and inventing one would be the move I keep faulting him for, the plausible story that fills a gap it has not earned.
Reframing a hard exit as an adventure is not a lie. It is how a man keeps his dignity and his income while the ground shifts under him. Expanded my toolkit is what you tell the market, and what you tell yourself at 6am so you can make the calls. Most of what anyone does is make the best of things. There is something honorable in his refusal to narrate himself as a casualty, and something sad in how hard the public voice works to stay bright while the private one, once, told the truth.

‘Why Teishvu isnt Taduru’ (May 25, 2025)

Rabbi Einhorn writes:

Torah isn’t about erasing yourself. It’s about right-sizing yourself. A valley represents the kind of humility that paralyzes — so low you can’t see anything, so diminished you can’t act. A towering peak represents the arrogance that blinds — so high you think you’re above everyone else…

We live in an age that’s forgotten how to balance engagement with detachment. We’re either completely committed to things that don’t deserve it, or completely detached from things that do.

We treat our Twitter feeds like sacred texts and our sacred texts like Twitter feeds. We invest emotionally in political outcomes we can’t control while neglecting relationships we can nurture. We build identities around careers that could disappear overnight while ignoring souls that will outlast our résumés.

This is the piece you write after a painful career change. I feel like he’s telling himself everything is going to be OK.
This is his best register, and the claps are earned. The voice is here. The laptop on the wobbly table, fronds in the coffee, twenty years of building and packing away. That lived detail is the thing his AI-tells piece prizes and the consulting work never carries. And the life-lesson lands: engaged but not attached, appropriate attachment, all dwelling temporary once you zoom out far enough. As a derush for a wide audience it is warm and useful, and people felt it.
But the engine he builds it on runs backward, and the gemara he is glossing says close to the reverse of his claim.
His thesis: teshvu carries temporariness, taduru carries permanence, so the rabbis kept teshvu to hold the sukkah impermanent, dwell-but-don’t-settle. Open the sugya. On teshvu k’ein taduru the Sages derive that all seven days a man makes his sukkah keva, permanent, and his house arai, temporary. From the phrase comes the rule to carry your fine vessels and good bedding into the sukkah, to eat and sleep and relax and learn there as you would at home. The taduru standard does not preserve temporariness. It imports permanence into the hut. The rabbis did not avoid taduru. They invoked it, and the upshot is that the flimsy booth becomes your fixed home for a week while the solid house turns provisional.
That is the real paradox, and it beats his. The structure stays arai, temporary, by law it cannot even rise past twenty cubits. Your dwelling inside it must be keva, permanent. The tension does not sit between two verbs. It sits between the booth and the conduct: a temporary shell you live in as if it were the most settled place you have. He felt the paradox, which is why the piece moves, then assigned the words the wrong way round. And the etymology will not carry his weight. Yashav is not the temporary root. Yishuv, moshav, toshav, settlement and settler, all grow from it. If a verb in that phrase leans permanent, it is teshvu as much as taduru.
The Sinai stretch is a second essay stitched to the first. The Goldilocks mountain, the right-sizing, Rebbe Nachman (1772-1810) on holy chutzpah, the Shelah on the Maggid telling the Beis Yosef’s circle to think of themselves as giants. Lovely material, and a different derush. The seam between sukkah-as-balance and Sinai-as-right-sizing is thin, joined by the word right-sized more than by an argument. Two good talks under one heading.
And the usual inflation rides along. You’ll never read Torah the same way again. This changes everything. The Netflix and YouTube jokes. The register is pitched to wonder, which his readers like, and which costs the piece precision.
When he sits in his own sukkah and tells you what it taught him, he is good, and the core insight, hold engagement and transience together, is true. The trouble is small. He had the better paradox in his hands, the booth made permanent and the house made temporary, and reached past it for a looser one about two verbs. The sugya he quotes would have served him better than the etymology he supplied.
Sukkot falls in the autumn. He wrote this in May, months from the chag, no holiday pulling the theme toward him. A man does not reach for the sukkah in late spring unless the sukkah is speaking to something he is living right then.
Read the essay with that in view. The structure that briefly held my life dissolves back into storage bins. Careers that could disappear overnight. This teaches us more about security than any insurance policy. A darshan does not pick those examples at random. That is a man who just watched his structure come down, telling himself the structure was always temporary, so the loss is survivable. The sukkah is the perfect text for it. A dwelling that looks like a home and was never built to last, and you are told to find your security inside the flimsiness.
Set the dates together. The sukkah piece, May 25. The toolkit-expanded piece, May 28. The Tanya confession with professional failure in it, June 1. Three essays in eight days, one season, three angles on the same event. The public voice says I chose this. The Tanya voice says everything fell apart. The sukkah voice does the work in between, turning the fall into a teaching.
It also rereads the seam I called thin. The Sinai stretch, the right-sizing, the holy chutzpah, consider yourself a giant. I said it was a second essay bolted on. The two halves are not joined by argument. They are joined by need. One half says the home you lost was always a booth, so you can bear the loss. The other says you are still big enough to build again, so get up and make the calls. A man steadying himself needs both at once.
And it may explain the slip. I said he got the gemara backward, that the sugya makes the sukkah keva, permanent, and the house arai, while he read teshvu as holding the place temporary. A man whose keva had just turned to rubble might feel impermanence in the phrase, because impermanence is what he was standing in. He might not have seen the booth become a fixed home because his own had just stopped being one. The error reads like the autobiography leaking through the lamdus.
This is a reading of the words and the season, not a fact about his life. Writing your dislocation into the parsha is the oldest use the text has. The tradition is built on men turning the wound into Torah, and doing it in the off-season, when no one asked, is Torah.

‘The Sacred Dimension of Self-Respect: A Torah Perspective’ (May 6, 2025)

Rabbi Einhorn writes:

I still remember my shock as a fifteen-year-old yeshiva student when my rebbe slammed his hand on the table and declared, “Tzniut has nothing to do with shame!” The classroom fell silent. Here we were, teenage boys awkwardly navigating puberty, assuming modesty meant hiding our embarrassing bodies from God’s disapproving gaze. He had shattered our misconception in eight words…
My grandmother survived Auschwitz with this verse branded on her soul. “They took everything,” he once told me while rolling up his sleeve to reveal his number, “but not this.” He tapped his chest. “Never this.” He understood what the Nazis couldn’t: human dignity isn’t granted by governments or earned through achievement. It’s built into our DNA…
I once witnessed a venerated rabbi deliberately violate Shabbat law restrictions to preserve the dignity of a mentally ill man who had soiled himself in shul. Without hesitation or sanctimony, he simply took care of what needed doing. No sermons, no self-congratulation — just quiet recognition that kavod habriyot demanded immediate action. That moment taught me more than a thousand shiurim…
I’ve spent too many hours speaking brilliant, observant Jews who meticulously fulfill every detail of the law while treating themselves with shocking cruelty. A young woman once told me she couldn’t imagine God loving her — despite volunteering at a chesed (kindness) organization every week. “But you believe God loves those you help?” I asked. “Of course,” she replied immediately. “Then why are you the exception?” Her tears answered before her words could…
My own relationship with this teaching crystallized during a health crisis of a friend several years ago. Bedridden for weeks, I initially viewed my friends situation as merely inconvenient — until my rav visited and gently suggested I was neglecting a mitzvah. “Your body isn’t a rental car,” he said. “It’s the only vehicle you’ll ever have for serving Hashem in this world.” His words stung because they were true. I’d treated my health as spiritually irrelevant…
At sixteen, my friend broke Shabbat deliberately for the first time. Rebellion, peer pressure, curiosity — take your pick of motivations. What followed haunts him still: not guilt but a terrifying emptiness. If he could so easily discard what he claimed to value, who was he? His identity collapsed under the weight of his actions….
Last Shabbat, my colleague asked why I cover my head with a kippah even when alone in my backyard. “Is it because Hashem will be mad if you don’t?” he asked with childish directness. I paused before answering, suddenly aware how my response might shape his understanding of Judaism.
“No,” I finally said. “It’s because wearing it reminds me who I am.”
His face scrunched in confusion. “But you already know who you are?”
“Sometimes we forget,” I told him. “Sometimes I forget.”

This is the warm register again, and the reframe is true and worth making. Tzniut as dignity, not shame. Omnipresence as accompaniment, not surveillance. Darkness is like light read as you are never lost rather than you can never hide. The young woman who runs every chesed and cannot picture God loving her, and the question that breaks it open, why are you the exception. That is real pastoral work, and the people who clapped felt it. When he preaches that a man’s worth does not rest on his achievements or anyone’s approval, he is good.
But two of the sources do not hold the weight he puts on them.
Kavod habriyot first. He quotes Berachot 19b, human dignity is so great it overrides a negative commandment, and reads it as dignity trumping explicit Torah prohibitions. The gemara says less than the headline. A few lines on, the Talmud narrows the override to lo tasur, the command to heed the Sages, so the principle suspends rabbinic prohibitions, with biblical ones set aside only in passive cases or monetary matters. The Rabbis held they had no power to set aside Divine law by an act of their own. His own example fits the narrow reading, not the broad one. The rabbi who cleaned up the soiled man on Shabbos was setting aside rabbinic carrying and handling rules, the category the sugya allows. The drama he wants, dignity overriding the Torah itself, is the line the gemara walks back.
The self-love claim is worse, because he hangs a modern idea on two rishonim who say close to the opposite. He writes that self-love is mandatory, that v’ahavta l’reiacha collapses without it, and credits Ramban (1194-1270) and Ibn Ezra (1089-1164) with you can’t give what you don’t have. Open them. Ramban calls the verse an overstatement, since the human heart cannot love another exactly as itself, and reads it as wanting good for your neighbor and shedding envy. Ibn Ezra reads kamocha adverbially, that you should wish good to befall your fellow the way you wish it for yourself. Neither makes self-love the prerequisite. Ramban leans the other way, toward chayecha kodmin, your own life first. The empty-cup reading is self-help theology, and putting it in the mouths of these two is the same plausible-but-wrong citation I keep finding.
Then a tell. The piece runs on first-person testimony. Read two of the anecdotes with care. My grandmother survived Auschwitz, he writes, then four times: he told me, his sleeve, his number, he tapped his chest. Grandmother, then he. And the health story opens on a health crisis of a friend, then turns to bedridden for weeks, I, then my friends situation, then a rav telling him he is neglecting the mitzvah of his own body. Who was bedridden, the friend or the writer. The story cannot decide. A man recounting his own grandfather’s tattoo or his own illness does not lose the thread like that. These are the seams of text assembled rather than lived, and they sit in the one essay whose power depends on the memories being real. The author of the guide to spotting AI prose left two of his own alarms ringing in his most personal piece.
The season is here too, May 6, three weeks before the sukkah essay. Worth not resting on achievement. Teshuvah as return to the self when identity collapses. We can return because we have somewhere to return to. The same man steadying himself, preaching the dignity that outlasts the loss of a position.
The heart of this is right and kind, and the close, the kippah in the backyard because sometimes I forget who I am, is good. He did not get tzniut wrong. He reached for sources that say less than he needs and let the testimony blur.

‘Freud Meets Moses: Where Psyche Meets Soul’ (May 6, 2025)

Rabbi Einhorn writes:

Growing up in an observant home while studying psychology, I felt pulled between two worlds — secular theories that dissected the human mind versus ancient wisdom that nourished the soul. The conflict played out in my own community: an elderly gentlemen, a deeply religious man, once dismissed my college psychology textbook with a wave of his hand. “This Freud,” he muttered, “knows nothing of the real human struggle.”

Yet I couldn’t shake the feeling that these traditions weren’t as contradictory as they seemed. After years grappling with both, I’ve come to see these frameworks as unexpected dance partners — sometimes in perfect harmony, other times stepping on each other’s toes…

Freud didn’t discover the unconscious — he just gave it a clinical name and framework. The notion that we harbor hidden thoughts was old news to Jewish sages. Rabbi Yisrael Salanter beat Freud to the punch by decades when he wrote about our “inner forces” in 1880. While counseling a troubled student, he’d often say, “The problem isn’t what you know about yourself — it’s what you don’t know.”

…I remember the awkward silence when, during a Shabbos dinner, a psychology-major guest mentioned Freud’s belief that toddlers experience erotic pleasure during toilet training. My Orthodox brother-in-law nearly choked on his challah…

One synagogue member resolved her anxiety not just by understanding its psychological roots but by reconnecting to God’s compassion. A more secular member found healing through Freudian insight complemented by wisdom from Jewish ethical teachings, though he would never have sought “religious” counsel.

We don’t need to choose between these frameworks. We need both maps to navigate the magnificent complexity of being human. Freud named the battles within; Torah teaches us how to win them and transform them into something sacred.

Some of the pairings here are apt. Hitbodedut beside free association, Rebbe Nachman’s unstructured outpouring as the older talking cure. Cheshbon hanefesh beside the work of catching your own defenses. The yetzer hara as raw energy to be channeled rather than crushed, a good Jewish idea, the house that never gets built without it. And the frame is sympathetic, a man pulled between the observant home and the psychology department, trying to make peace between them.
But the method stacks the deck. He posts this on Freud’s own birthday, May 6, a nice touch, then fights the intro-textbook Freud (1856-1939), the most literal and most discredited version, against Torah’s best. Infants with erotic drives, toddlers and toilet training, a child lusting for one parent and plotting the other’s death, religion as patricidal guilt. He picks the lurid, century-old Freud that analysis itself left behind, object relations, attachment, ego psychology, and sets it against the highest reaches of the tradition. A fair fight pairs mature with mature. This one pairs Freud’s worst with Moses’ best and calls Moses the winner.
The landing calls itself integration and runs closer to annexation. Freud gets the basement, the id, the dark. Torah gets the foundation and the upper stories. Freud named the battles, Torah teaches us to win them. That is not two maps. It is one map with the other demoted to a tool, psychology the junior partner that diagnoses while Torah heals. A fine thing to believe, and apologetics wearing the costume of dialogue. The pairing format, his favorite, here elevates the home team.
The title oversells, too. Freud Meets Moses, and Moses shows up for a single line, would have seen through it just as clearly as Freud. The Jewish side is Salanter (1809-1883), Rav Kook, Soloveitchik, Rebbe Nachman, the gemara, not Moshe. The headline promises a confrontation the essay never stages.
A couple of the quotes I cannot place. That the mussar masters wrote about hidden forces before Freud is defensible. But the bedside line, the problem is what you don’t know about yourself, and Soloveitchik’s (1903-1993) every human being is a genius at self-justification, read like quotes furnished to fit. Some of his sourcing lands, the gemara on the uninterpreted dream, the Mishnah’s five-thirteen-eighteen, the worry spoken aloud from Yoma. Others have the ring of a paraphrase promoted to a quotation.
This essay and the tzniut piece carry the same date, May 6, and the same flaw. The connective tissue is garbled. An elderly gentlemen, singular, called gentlemen three times and once eldergly. I would have given my this six year old a crash course. The narrator slides from rabbi to therapist to psychology professor to therapy client inside a paragraph, and routes his own material through a friend, a student, a one and a themselves. A man writing one lived essay does not do this. A man producing two eight-minute essays in a day, with help, does. The seams match across both, which tells you how they were made.
And the stance cancels against a later one. Here, May 6, he weds Torah to Freud and says we need both maps. On July 3 he argues that dragging ancient wisdom into modern psychology lobotomized virtue. The discipline he welcomes in the spring is the one he calls snake oil by summer.

‘Updating the Kitzur Shulchan Aruch on Physical Health’ (April 27, 2025)

Rabbi Einhorn writes:

This article is both an academic endeavor and a personal journey. Despite being aware of the importance of health, I often fall short in making choices that honor my body’s well-being. By reexamining Siman 32 through the lens of modern health practices, I aim to inspire not only myself but also others to align our daily habits with both halachic guidance and current medical understanding.

I feel like all of his best work on this site is part of a personal journey addressed primarily to himself. This is not his best work.
Start with what the text is, because the framing hides it. Siman 32 is not ancient Jewish wisdom about the body. It is Rambam’s medical regimen from Hilchot De’os, chapter four, codified by Rabbi Shlomo Ganzfried (1804-1886) into the Kitzur Shulchan Aruch. And Rambam’s regimen is the best medicine of the twelfth century, Galen by way of the Arab physicians: the natural warmth, the humors, the temperaments balanced hot against cold, the fumes that rise from oversleep. So the original column is medieval science, transmitted as halacha.
That changes how to read the thirty-two annotations. The piece grades the old text on a curve. Where the regimen lands on advice any era reaches, eat less, chew your food, walk after a meal, sleep enough, he writes validated, ancient wisdom confirmed. Where it is simply wrong, he does one of two things. He retires it in a quiet aside, bloodletting obsolete, no link between sex and eyesight. Or he retrofits it. The worst case is the fumes. The medieval text says oversleep sends harmful vapors up to the brain. He pairs this with the glymphatic system clearing beta-amyloid during sleep and calls it resonance. The resemblance is verbal. Fumes is a word that happens to sound like a finding it has nothing to do with. That is concordism, reading today’s science back into an old text so the text comes out ahead, and it is the move his own positive-psychology essay calls a lobotomy.
The deeper trouble is that he refutes himself in the introduction and does not notice. He states the right principle up front: health rulings track the best medicine of their day and update as the medicine advances. True. But that principle says to retire Siman 32’s physiology and follow your doctor, not to spend twelve minutes showing the regimen was right all along. He writes the disenchanting truth in paragraph two and re-enchants the text for thirty-two sections against it.
And the modern column is shakier than he lets on. It reads less like evidence-based medicine than like wellness-blog consensus, which is its own era’s folk medicine. Detoxification, as if the liver runs a cleanse. Resveratrol in red wine as a benefit, a claim the doses never supported and the field has walked back. The Okinawan longevity story, now under hard scrutiny for its data. So the dialogue he stages is not tradition meeting science. It is twelfth-century folk medicine paired with twenty-first-century folk medicine, both dressed as rigor, and the seams papered over with the word holistic.
Then the form. Thirty-two units, every one Original Text then Modern Insight, identical shape, the same vocabulary cycling through, mindful eating, gut microbiome, WHO one hundred fifty minutes three times over, bullet under bullet, the tidy both-honored conclusion. This is the long-form an LLM produces on request, and by the checklist he would publish eleven months later it fails on almost every line: even polish, no idiolect, template logic, generic intensity words, paragraphs that all land the same way. It is the most machine-made piece of the set, and his readers seem to have sensed it. One clap.

‘The Critical Thinker’s Toolkit: 20 Powerful Prompts for Sharper Decisions and Clearer Thinking’ (March 31, 2025)

Rabbi Einhorn writes:

19. Contrarian Scenario Mapping Prompt
I’m inclined towards [preferred decision]. Outline a contrarian scenario where the opposite is plausible and beneficial.

There is nothing here, and that is the thing to notice.
Strip the byline and no trace of the man remains. No Torah, no lamdus, no voice, no Superman, no confession. Twenty stock prompts any account could have posted, and plenty have. Belief audit, devil’s advocate, opportunity cost, systems thinking, pre-mortem. These are good tools, and not one is his. The pre-mortem is Gary Klein’s (b. 1944). Opportunity cost is first-year economics. Steelmanning and second-order effects are common stock. He lists them clean and credits no one, the same borrow-without-paying I keep finding, except here there is no argument sitting on top, only the borrowed list.
This is the floor of the corpus. The consulting end taken to its limit, where the author has vanished and the word Rabbi on the byline is the only thing left of him, a brand tag on commodity output. And it is a clean specimen of the genre he would teach people to spot a year later. Powerful, sharper, clearer in the title. Universal applicability, for life and work. The frictionless close, use them regularly to cultivate a habit. Writing in threes, template logic, no idiolect, no stake. Twenty templates is template logic made literal. By his own March 2026 checklist it trips every wire. Zero claps, which reads about right.

‘Echoes of Desire: Exploring the Interplay of Mimetic Theory and Jewish Ethical Values’ (Jan. 4, 2024)

Rabbi Einhorn writes:

The communal aspect of Judaism further deepens these ethical commitments. Jewish life is inherently communal, with rituals, prayers, and festivals designed to be shared and celebrated. The concept of collective responsibility (Kol Yisrael arevim zeh bazeh) suggests that all Jews are responsible for one another, reinforcing the idea that one’s ethical obligations extend beyond the self to the community and beyond. This sense of interconnectedness fosters a community where members are accountable to each other and support and uplift each other in their ethical and spiritual journeys.

This is the baseline Einhorn. The pairing habit is here, X meets Y. The smooth template voice is here, we will jump into, as we delve into each account, the dynamics of mimetic desire. The disconnected ethics section is here. None of it was made by the crisis. The crisis only swapped the subject, from Torah-and-theory to consulting. The method was already his.
Some of this lands. Joseph and his brothers is a fair Girardian read, the favored son, the collective turn against him, the expulsion. David and Saul works too, Saul’s envy of the man the people love. And René Girard (1923-2015) gets a competent summary, mimetic desire, the scapegoat, transcendence by renouncing violence. As cross-pollination it is a respectable popular essay, and the fifteen claps fit.
But Story Two gets the heart of it backward, and a famous rabbi already wrote the version he missed. He says the Yom Kippur goat mirrors Girard’s scapegoat mechanism. It runs closer to the opposite. Girard’s scapegoat works by misrecognition: the crowd unites against a victim it believes guilty and discharges its violence while hiding that violence from itself. The azazel goat does none of this. The kohen confesses the people’s own sins aloud over it. No one thinks the goat is guilty. No crowd, no belief, no concealment, only an open admission that the sins are ours. Rabbi Jonathan Sacks (1948-2020) said it straight: the scapegoat of Acharei Mot is the precise opposite of the scapegoat as we now use the word, because the rite exists so that blaming others would never take root, we say mipnei chata-enu, because of our sins. The English word scapegoat even comes from this ritual, then drifted into meaning its reverse. So the goat and Girard’s scapegoat share a name and invert each other. That inversion was the essay. He wrote mirror and walked past it.
He uses mimetic as a dressed-up word for envy and loses what is particular to Girard, the triangle, desiring a thing because a model desires it. Envy is not yet mimetic desire until you name the mediator. And the frame demotes his own tradition, which he does not notice. Girard holds the Gospels as the place the scapegoat is finally laid bare, and the standard reading types the two Yom Kippur goats onto Jesus and Judas, with the Hebrew Bible as the preparation. A rabbi reaching for Girard to show Judaism transcends mimetic violence is borrowing a frame that seats Judaism below Christianity. In the Freud essay he rigged the theory down to let Torah win. Here he adopts a theory rigged to make Torah lose, and says nothing.
The fourth section drifts off the topic. A wall of rich ethical framework, robust commitment, intricately connected, asserting that communal values are the antidote to mimesis without showing how, and forgetting that in Girard the community is the engine of the scapegoat. Solidarity can sharpen the knife.

Rabbi Shlomo Einhorn, His Own Cooler

Erving Goffman (1922-1982) took the phrase from the con. In the confidence game the victim is the mark. A team ropes him in, takes his money, and walks. One man stays behind. His job is not to steal. The theft is done. His job is to keep the mark quiet, to sit with him after the loss and help him find a story he can live with, so he does not run to the police or make a scene. Goffman called this man the cooler, and the work cooling the mark out.

Then he did the thing that made the essay last. He said the con is only the clearest case. The work goes on everywhere. Every time a man loses a status he counted on, the job, the rank, the marriage, the place at the head of the room, someone has to help him take up the smaller self that is left, and take it up without blowing his top. The employer eases the worker out with a softer title. The family lets the failure call it a fresh start. It comes to the same thing every time. A defeated man needs a face to keep, and cooling is the giving of that face.

Sometimes there is no cooler on hand. Then the man cools himself.

That is Rabbi Shlomo Einhorn. The line is already written, in his own hand. I didn’t change careers, I expanded my toolkit. That is the cooler’s sentence, spoken by the mark to the mark. A man at ease with a clean move does not reach for it. You reach for that line when something was taken and you need a way to stand up from the table without the room seeing how much you left on it.

What was taken, I cannot tell you, and I will not invent it. The loss is his to name, not mine to guess. He names it himself, weeks after the toolkit line, in the Tanya essay. Professional failure. Personal loss. Everything fell apart. That is the mark before he is cooled, the truth leaking out before the story reseals it. Read the two voices in order and you watch the cooling happen. In May the toolkit expands and the move is forward and chosen. In June, for a paragraph, the loss is named. Then the public voice returns and does not name it again. The cooler wins.

The front he builds is a managed thing, and Goffman hands you the tools to see it. In The Presentation of Self in Everyday Life he calls the part a man shows the room the front, the setting and the title and the manner that announce who he is. Einhorn’s front is the byline. Rabbi Shlomo Einhorn rides every essay, the data-scraping piece and the cartoon piece and the outrage piece, and it does the front’s work. It carries the old prestige into the new room. It lets a consultant speak about web scraping with the authority of the beit midrash. Front stage, the confident voice, the lightbulb that explodes, the eight tools, the founder and CEO. Back stage, the scatter, the many doors tried in a year, the essays produced faster than a man can live them, the grandmother who turns into a he four lines on. The seams show because the front runs at speed. A managed front always keeps a back room, and his is visible at the edges.

Goffman asked of every performer whether he believes his own front. The cynic knows it is a show. The sincere man has taken his own part for the truth. Einhorn is the sincere one, and this is the heart of it. He runs no con on his readers. He is the mark and the cooler in one body, and he believes the cooling. That belief is what makes the arrangement hold, and it is also what keeps it honest in the only way that counts. A man who talks himself into a livable story is doing what almost every defeated man does, and Goffman did not sneer at it. He thought cooling was among the kinder things people do for one another, and the kindest thing a man can do for himself.

But watch what kind of cooling this is. The ordinary cooler helps the mark accept a smaller self. Step down, take the lateral move, call it enough. Einhorn’s cooling does more than shrink the claim. It raises it. He does not grant that he came down. He tells the room he went up, out ahead of Silicon Valley, the rabbi who saw that the Talmud was the training manual for the machine. That is a heavier lift than the usual face-saving. To cool a man into a quieter life is one thing. To cool him into believing he rose when he fell takes constant work, and the work shows. The front has to be propped higher than the ground supports. The overconfidence about the machine, the citations that run a little off, the guide to spotting AI prose written in the voice that guide would flag, these are the costs of holding a front pitched above its footing. A modest cooling needs little upkeep. A triumphant one needs a new essay every week.

There is a second room Goffman points to, the audience. Cooling is not finished when the mark accepts the story. The room has to accept it too. A face is something others grant. And here the record speaks. When Einhorn writes as the rabbi, the sukkah, the Tanya, the gemara on dignity, the readers grant the face. Twenty claps, twenty-one. When he writes as the founder, the consultant, the AI man, the room goes quiet. One clap. Zero. The audience keeps him on as the teacher and declines to ratify him as the seer of Silicon Valley. The cooling works on himself and stalls with the crowd. He has talked himself into the new status. He has not talked them into it, and their silence is the part of the performance he cannot stage.

So the Goffman reading lands soft and hard at once. Soft, because cooling oneself out is no crime and no weakness. It is how a man keeps his feet after the floor goes. The toolkit line is no lie. It is the face he needs, and needing a face is the most human thing there is. Hard, because the face he chose is pitched too high, and a face pitched too high has to be defended against the facts, which is exhausting, and which pulls a man off the one thing he does that the room still claps for.

The cooler’s best counsel to this mark would run quieter than the one he gave himself. You do not have to say you rose. You can say you lost the pulpit and are building something smaller and new, and that the learning was the best of you and is still yours to give. That face costs less to keep. It needs no machine to prop it, no weekly proof. And it would let the lamdus back in, the work the room has been telling him all along it wants. The mark who claims he climbed must guard the claim forever. The mark who grants the fall, and keeps his dignity in the granting, is the one who is finished being cooled, and free to work.

Rabbi Shlomo Einhorn and the Exchange Rate

Pierre Bourdieu (1930-2002) saw money as only one kind of wealth. A man can hold cultural capital, the learning in his head and the diplomas on his wall. He can hold social capital, the network that returns his calls. He can hold symbolic capital, the honor a field grants to those it counts as worthy. And the forms convert. Cultural capital becomes economic when the degree lands the job. Symbolic capital becomes economic when the name on the door brings the clients. But the conversion is never free and never clean. Each form trades against the others at a rate, and the rate is set by the field a man stands in. Carry your wealth across a field’s border and the rate can turn against you.

Einhorn’s career is one long conversion.

Start with the fortune he built. Twenty-three years in the pulpit by his own count, twelve as dean of Yavneh, semicha from a serious seminary, and in 2021 the Yadin Yadin, the advanced ordination that seats a man on a rabbinic court. A book. Three albums. Two marathon lectures that ran past the clock and into the record books. A think tank handed to him by the Orthodox Union. In the religious field this is a large estate, and most of it sits in the durable forms, the learning embodied over decades and the titles that fix it in place.

Note what the lectures already did. An eighteen-hour class raised money, a nineteen-hour class raised more, and the field blessed the act because the conversion ran the sanctioned way, his symbolic capital turned into cash for the institution, not for him. The religious field permits that. It permits the rabbi to raise a fortune for the school. It frowns on the rabbi who raises one for himself. Hold that rule. It returns.

The title is the asset that travels. Bourdieu called the credential institutionalized cultural capital, the form that takes the learning out of one man’s head and stamps it into a portable certificate with a known rate. Rabbi. The word rides every essay he now posts, the ones on the Talmud and the ones on web scraping and customer-service automation, the ones with no Torah in them at all. The byline is the title doing its work, carrying the honor of the old field into the new room. When a consultant writes about data pipelines under the word Rabbi, the title is the thing he spends.

Then comes the border, and the discount. The business field runs on its own currency. It pays for shipped results, for client returns, for competence other men can measure. The rabbinic title buys a little there, novelty and a little trust, the meeting taken out of curiosity. It does not command the room the way it commanded the sanctuary. So he does what a man does when his strong currency weakens at the border. He tries to set his own rate. He makes the religious capital the product. Torah-guided AI. The Talmud as the training manual for the machine. The rabbi who understood the machine from the inside of an ancient text before he used it. The move is an attempt to make his own currency legal tender in a field that did not mint it. Whether the field honors the rate is the open question, and the early signs answer it. The practice, by his own telling, started on clients sent his way by generous people, the network passing him work. That is social capital converting into economic capital, the old congregation and its goodwill paying out, while the brand does less of the lifting than the brand claims.

Habitus is the next cost, and the deepest. Bourdieu meant by it the set of dispositions a field presses into a man until they run without thought, the feel for the game. The beit midrash pressed its game into Einhorn for thirty years. The pairing of a sacred text with a secular one. The derush that finds a teaching in a pop song. The homiletic turn that lands a paragraph on a lift of feeling. In the religious field these reflexes were capital. They filled rooms and sold books. Carried into the business field they read as fluff, the ornament a client skims to reach the deliverable. Bourdieu had a word for the lag, hysteresis, the habitus tuned to a field that no longer holds, the man playing the old game by reflex on a board with new rules. The citation slips and the easy confidence about the machine are the same lag. The feel for the sugya is not the feel for the system, and a man fluent in one can mistake himself for fluent in the other, because the dispositions do not announce that they have crossed a border.

There is a tax the religious field levies that he carries with him, and here his training helps. That field rests on disinterest, on the refusal to price the holy. The rabbi must not look as though he sells. So the commercial, when it comes, has to be dressed. Watch the Mallacore rewards program arrive in the language of hakaras hatov, gratitude, the gift, four named tiers of referral commission wrapped in the vocabulary of thanks. Bourdieu called this the disavowal of the economic, the labor by which a field that lives on money refuses to name it, the transaction performed as a favor. Einhorn does it well because the religious field trained him in it for decades. The disavowal is the one piece of the old habitus that converts at par, because the business field, too, likes its money dressed.

Step back and the whole move has a name inside Bourdieu’s sociology of religion. He divided the religious field, after Weber (1864-1920), into roles. The priest administers settled grace inside an institution, salaried, housed, his authority underwritten by the church that employs him. The prophet brings an original word from outside, in a time of rupture, and must charismatize his own authority because no institution stands behind him. The sorcerer sells discrete services to a private clientele. The dean of Yavneh was a priest. He held a chair, drew a salary, spoke with the institution’s weight behind every word. Outside it he becomes the sorcerer, selling services one client at a time, his authority no longer underwritten by the school but staked fresh each morning on his own performance. The river of Medium essays is the labor of a man recharismatizing himself each day, manufacturing by output the standing the institution once supplied by fact.

Capital does convert, a man may spend what he earned, and there is no shame in turning a life of learning into a living. The truth he manages is the rate. The title that ruled the sanctuary buys novelty at the office door. The habitus that was mastery now reads as ornament. The practice leans on the network more than on the name it puts forward. Bourdieu’s lesson holds without mercy and without malice: the worth of what you carry depends on the ground you stand on, and a fortune in one currency can be a small sum across the border.

There is one field where his capital still trades at par, where the learning is the coin and the page is the market and the audience pays him in the attention he can still command. The estate is real. It is in Torah.

‘A Big Misunderstanding’

David Pinsof has a complaint about intellectuals. They blame the world’s troubles on misunderstanding. Polarization, bigotry, war, unhappiness, all of it a comprehension problem, and all of it curable by the people whose trade is comprehension. Pinsof finds this story too flattering to trust. If every trouble is a misunderstanding, then the men who sell understanding are saving the world by getting up in the morning. He offers a colder account. People are savvy animals who grasp what they have an incentive to grasp. Stupidity is strategic. Advice is mostly bullshit. And the trouble with us is seldom bad beliefs. It is bad motives, dressed in good ones, which we confuse with the real thing the way a customer confuses the Starbucks mission statement with the drive to book profit.

Hold that up to Einhorn and the fit is close, because Einhorn is in the understanding business.

Look at what he sells. LomdAI rests on a comprehension gap. The Talmud is hard, learners cannot follow it, and the machine will decode it for them. The twenty-prompt toolkit rests on a comprehension gap. Your decisions are poor because you have not audited your assumptions, so here are the audits. The mussar essays rest on a comprehension gap. You are unhappy because you misread the Tanya or skipped your cheshbon hanefesh, and the right prompt will set you straight. Then the same gap moves to the office. Businesses misunderstand AI, and Shpait will teach them to think with it, to ask better questions. Every product is the same product. The trouble is that you do not understand, and the cure is a man who does. Pinsof’s myth, sold by the unit.

This is a fine thing to sell, because it makes the seller important. The fixer, the bridge, the decoder. Pinsof’s intellectual, saving the galaxy one bias at a time.

The frame’s main tool is the gap between stated motive and actual motive. Einhorn’s stated motives sit on the surface in mission-statement prose. Make ancient wisdom alive. Help people flourish. Transform your business through Torah-guided innovation. Invite audiences to live more consciously. Pinsof does not call this lying. He calls it the story we tell over the thing we are doing, and he says we believe the story, which leaves us no less savvy underneath. Under the prose the frame names the usual goals, status, resources, coalition. The record-setting lecture and the top-young-rabbi laurel are status. The consulting fee and the lifetime-commission rewards program are resources. The defense of Israel and the rallying of the observant are coalition. None of this needs him to be a fraud. The savvy runs beneath the sincerity, the way it runs beneath all of ours.

Watch one move, because Pinsof drew the template for it. The Mallacore rewards program pays referral commissions on four named tiers, and it arrives wrapped in the word hakaras hatov, gratitude. That is the mission statement laid over the profit, the sweetie signal on the competitive act, and the man means the gratitude while the commission does its work. Pinsof expects this. He thinks we all talk this way, and that the talk is a weapon we do not know we are holding.

Now the strategic-stupidity test, which is the sharpest thing the frame does to him. Pinsof says people understand what pays them to understand and stay foggy where the fog pays better. So read the errors by their location. On the page where he learns, the gemara, the Tanya, the Ramchal, his reading runs deep and mostly right. That is his strength, and he has every incentive to get it right, and he does. Move to the AI claims and the citations that prop them, and the errors gather, the overconfidence about what the machine can do, the sources that sit a little off. The frame does not read these as honest gaps in a man doing his best. It asks what he has an incentive to grasp. The market for a Torah-and-AI sage pays for confident bridging, not for accuracy about the bridge. To understand the machine’s limits too well would spoil the product. So the fog collects where the fog pays. He is not failing to understand the machine. He understands as much about it as his position rewards, and no more.

Then advice, which Pinsof calls mostly bullshit. Einhorn runs an advice shop, unlock your potential, master AI in one-on-one sessions, twenty prompts for sharper thinking. The frame predicts such advice does little for the people who take it and a great deal for the man who gives it, and the corpus bears the prediction out. The pieces that cast him as sage, the consulting and the toolkits, are the ones the readers pass over. The lamdus he half-discounts as the old work is the one thing the room pays him for in attention. Even the audience, savvy animals too, has sorted the effective advice from the bullshit by the oldest method there is. They show up for one and not the other. The advice is effective, in Pinsof’s sense. It serves its actual goal, the giver’s standing, while missing the stated one.

Reading a man this way, as a savvy primate selling a flattering cure, is a status move by the reader. It lets me feel sharp at his expense, which is the cynic’s version of the intellectual’s halo. The cynic is a hierarchical animal too, and the dunk pays the dunker. So I will not pretend the cold reading floats above the thing it describes. It does not. It competes in the same marketplace.

And it leaves Einhorn where Pinsof leaves all of us, in the hole. After the loss at Yavneh he produces understanding at speed, essay on essay, framework on framework, a man studying the hole he stands in down to the last molecule of dirt. The frame says the studying will not lift him out, because his trouble is not a misunderstanding either. He can explain the value of the bridge in a hundred posts, and the market still will not pay what he asks for the title, and the readers still will not click the consulting, because they have no incentive to, and no number of clearer explanations changes an incentive. The one misunderstanding in the whole picture is the one he holds about himself. That if he explains it better, the world will come. Pinsof’s line lands on him last. The world does not want to be saved, and it does not want the bridge, and it will not say so to his face. It will go quiet in the clap count instead.

There is a place where the savvy thing and the true thing meet, and it is the page where he learns. There his stated motive and his actual motive run together. He studies the text because it pays him and because it is so, and the room rewards the studying because the studying is real. That is the one corner of the business where nobody is sold a cure, because nothing there needs curing. Everywhere else he sells understanding, which Pinsof says is the one thing that was never the problem, and so was never going to be the fix.

David Pinsof: ‘Bullshit Advice’

David Pinsof writes:

Here’s a list of problems with the idea that advice is purely about helping us:

A lot of advice is baseless, but we want it anyways. We seek advice from famous actors on politics or the meaning of life, even though they’re not economists or philosophers. We gobble up Einstein’s vague advice about happiness, even though he wasn’t a psychologist.

A lot of advice is one-size-fits-all, even though people are different. “Be kind to yourself” is good advice for a perfectionist but bad advice for a narcissist. “Believe in yourself” is good advice if you’re talented but bad advice if you suck.

Much advice centers on goals we don’t really have—for example, how to be happy (even though happiness is bullshit), how to express your authentic self (even though authenticity is bullshit), or how to make the world a better place (even though we don’t really care about that).

Advice is rarely focused on the goals we actually have. For example, here’s what the self-help section might look like if it was focused on our real goals:

  • Zen and the Art of Social Climbing

  • Echo-Friendly: 10 Steps to Ensconcing Yourself in a Cocoon of Ideological Conformity and Motivated Reasoning

  • The 7 Habits of Highly Effective Virtue Signalers

  • The Lips 2 Butt Method: Take Control of Your Life by Sycophantically Ingratiating Yourself with High-Status People

  • Own It: Keep Rival Male’s Sperm out of Your Mate’s Vagina

  • You Can Do It! How to Harness the Power of Moral Ambiguity and Plausible Deniability to Rationalize Your Fucked-Up Behavior

  • Eat, Pray, Confabulate

  • A lot of advice is nearly impossible to follow. “Don’t be afraid of failure.” “Be happy with who you are.” But emotions are typically involuntary.

  • A lot of advice applies to all moments, even though moments are different.

  • Pinsof has a test for advice. Helpful advice needs two things. The man giving it has to know your situation, and he has to have a stake in how you come out. Your brother has both. Your lawyer has both. Almost nobody else does. The stranger with the listicle knows neither your life nor cares how your life goes, and so his advice, however bright it sounds, is grooming. Primates pick dirt from each other’s fur, and the picking once kept them clean, but it runs now on rank and alliance, the low grooming the high, the flow of it tracking the social map more than the dirt. Advice works the same. Easier to guess who advises whom from the hierarchy than from who needs instruction. Advice is mostly the social ritual wearing the costume of help.

    Einhorn gives advice for a living. Run him through the two conditions.

    Take the first, knowledge of your situation. His advice goes out to everyone, which means it fits no one. Twenty prompts for sharper thinking, addressed to the whole internet. Unlock your potential, sold to any reader who clicks. Master AI in a one-on-one session, the session standardized. Pinsof calls the one-size advice the tell, good for the perfectionist and poison for the narcissist, and handed to both without a glance. The twenty-prompt toolkit is the purest case. It cannot know you. It was written for no one in particular and so for nobody.

    Take the second, a stake in how you come out. The consultant draws his fee at the engagement, not at your success a year on. The blogger is paid in clicks the moment you arrive, whatever you carry away. Neither has skin in your outcome. And here the arc of his career gives it away. The pulpit rabbi and the dean had something near both conditions. He knew the congregant by name, sat with the family, carried a real stake in the child he taught for years. That advice could help, because the conditions held. The move to Medium and the consulting deck is the move out of both at once, from the man who knows you and is bound to you, to the man who knows the crowd and is bound to the invoice. His advice did not get worse because he got worse. It got worse because he stopped meeting the two conditions that ever made advice more than a groom.

    So what is the advice for, if not for you. Pinsof lists the uses, and Einhorn’s output runs the menu.

    It signals that he stands above you. The sage who saw the machine coming, the rabbi who read the future in an old page. Every piece of counsel carries the line underneath, I know and you do not, and the byline says it before the first sentence.

    It flatters you back. Pinsof’s circle. The reader of an Einhorn piece has boundless potential, beautiful goals, a life waiting to be unlocked, and the power to grow at will. The critics of such a reader are haters. You ask the rabbi how to be wise, he tells you how wise you already are, and both of you leave groomed.

    It rationalizes. Pinsof points the finger at consulting by name, and the finger lands. Consulting justifies what the client meant to do before he called. A business that wants AI for the usual reasons, lower cost, fewer staff, more scraped data, can buy from Einhorn the same plan wrapped in Torah and ethics, a permission slip with a blessing on it. The vagueness is the feature. Think with AI, ask better questions, advice loose enough to fit any agenda the client already holds. Pinsof says the vaguer the advice, the easier to bend it to the thing you wanted. Einhorn’s is vapor, and vapor takes any shape.

    It cements the tribe. Counsel on defending Israel, on living observant in a secular age, on raising children inside the tradition, runs along the lines of coalition like aid shipped to an ally. The advice says we share the values before it says anything else. And the Mallacore referral plan, four tiers paying lifetime commission, turns the grooming into a comp structure, the passing of clients made the way you climb, rank bought by the flow of favors. Pinsof said the grooming tracks the alliance map. Einhorn drew the map and priced it.

    Now the honest tax, because the frame bites the hand that holds it. This essay is a groom. Reading a man’s advice as a status ritual is a status ritual, the critic preening his nose for bullshit, signaling to the readers who share the taste that we see through the things the marks fall for. Literary criticism is high primate grooming with footnotes. I have no big stake in Einhorn’s outcome, of if I did, I wouldn’t tell you, I like the man, I admire the man, I am grateful to the man, I admire some of his work, I want only good things for him and his but he’s not family and he’s not among my five closest friends, and if he were, I wouldn’t tell you, and I have no knowledge of his situation past his published words, which by Pinsof’s own test makes any counsel I might offer him one more groom in the pile.

    So I will not give it. Pinsof ends his piece by refusing the call to action, the hollow uplift the thinkpiece bolts on to flatter the reader on the way out, and the refusal is the one part of his method that fits Einhorn like a key. The crescendo of bullshit advice is the Einhorn close. Every essay lands on the lift, use these each day, live more consciously, grow, the frictionless groom at the end of the page. The shape of his work is the shape Pinsof mocks, counsel rising to a takeaway that entails no act anyone can name.

    I could end mine the way the others ended, with a quiet word about the path back, the page where his learning is real, the kinder thing he might do. That is a groom too. So here is no takeaway. He will do what he was going to do, which is give advice, because that is the trade, and you will take the advice you were going to take, and the fur gets picked either way.

    The Energy in the Room

    Sociologist Randall Collins (b. 1941) built a whole sociology out of a small unit, the interaction ritual. Put people in a room. Let them attend to the same thing, feel the same mood, fall into the same rhythm, with a line drawn around them that says who is in. When that goes well the bodies sync, the mood climbs, and three things come out. The group feels like a group. The symbols at the center, the text, the flag, the song, soak up the charge and carry it. And each man walks out with what Collins called emotional energy, a battery of confidence and drive that lasts until the next ritual tops it up or fails to. Life is a chain of these rooms. The energy runs along the chain. Men drift toward the rooms that charge them and away from the ones that drain. Take away the room, the bodies, the rhythm, and the energy falls. There is no charging a battery alone at a desk.

    This explains Einhorn better than anything said about him so far, because it explains the one thing the other readings only label. The quality curve.

    His old life was a long chain of high-energy rooms. The beit midrash first, bodies bent over the same daf, the barrier of the observant drawn tight around them, the focus locked on a line of Aramaic, the mood rising as the argument rises, two men trading the sugya back and forth until the thing catches. The shiur, a rabbi and a crowd, the rhythm of question and answer, the niggun, the l’chaim. The pulpit, the same on a larger floor. And at the top of the scale, the marathon lectures, eighteen hours, nineteen hours, a hall held for a day and a night by one man’s voice, the money climbing as the energy climbs, Collins’s collective charge stretched past the limit and not breaking. Einhorn was a master of the room. The reputation says it straight. He filled halls, he reached the bored teenager, the room came alive when he worked it. In Collins’s terms that gift has a name. He was an energy star, a man others sought out because nearness to him charged them. Charisma was the energy he could raise in a room of other people.

    The symbols took the charge and held it. Torah, the daf, the chag, dignity, the chain of transmission. Decades of live rituals soaked those symbols until they ran hot, and the heat stored in them and in his trained body. So when he writes lamdus now, alone, the page still carries current, because he draws on a battery the assembly charged over thirty years. The gemara piece, the Tanya piece, the sukkah piece, they live because the symbols in them are still warm from the room.

    Then 2024, and the chain breaks. He leaves Yavneh, and Yavneh was the engine, the place that assembled the bodies every morning. He moves to Medium and a desk he sits at alone. Run the four conditions against that desk and every one reads zero. No bodies in the room. No line drawn around a group. No other face to focus with. No shared mood, because there is no one to share it. Collins held that talk across a wire runs cooler than talk in a room, because the rhythm needs bodies close enough to feel, and a man typing to no one has no rhythm to catch at all. The consulting essays come out of that desk, and they are about symbols, rails and decision-intelligence and the machine, that no ritual ever charged. No stored heat, no live room, nothing to draw on. So the prose runs flat. The theory called it before we read a word.

    The claps are the reading on the meter. A reader feels the energy in a piece the way a man feels the warmth coming off a room he walks into. The Torah pieces still throw heat, and the room of readers feels it and answers, twenty claps, twenty-one. The consulting pieces are cold, and the readers feel that too, and pass on. The clap count is not a measure of argument. It is a measure of charge, and the charge tracks the source, hot where the symbols were made in assembly, cold where they were picked up off a website.

    Now the part that gives the whole thing away, his reach for rails. Read his recent fixations as the acts of a man who lost his chain and is trying to build another. The pieces on live ritual forming online. The talk of rails, channels cut to carry energy and attention. LomdAI above all, a virtual beit midrash, a study partner on call at every hour. That last one is the confession. He is trying to rebuild the room in software, to put the chevruta back together out of code, because some part of him knows the room was where the energy came from and the room is gone. The instinct is right and the medium fails him. A machine on call can hold your focus, maybe, but it brings no body, draws no circle, shares no mood. It is focus without the other three conditions, and focus alone does not charge the battery. He is engineering a cold copy of a thing that only ran hot because it was warm with people.

    And the velocity fits the same reading. A man whose battery is draining pedals harder. Essay after essay, framework after framework, output standing in for the charge that output cannot give, because writing alone is not an interaction ritual and never throws off what the room threw off. The volume climbs while the energy sinks, the surest sign of a chain that has come apart.

    Emotional energy is a description and not a sin. The gift was real. It was social, made in rooms full of people, and the loss is not of talent but of the rituals that powered the talent. His best work was never the solo act. It was the energy of the room moving through him and out onto the page, and a man cannot type his way back to a current that only the assembly puts out. The symbols are still warm. The rooms are still standing. The battery charges in one place, and it is not the desk.

    The Beliefs That Pay

    Stephen P. Turner (b. 1951) spent a career taking the air out of big words. Norms, culture, shared understanding, the things social theory leans on, he kept asking what work they do and whether they earn their keep, and he kept finding that many of them survive because they are useful, not because they are true. A convenient belief is one a man holds because holding it pays. It greases his path, secures his standing, settles a tension he would rather not feel. Turner’s sharp point is the next one. We do not file these beliefs under convenient. We file them under true, or under what any reasonable man sees, or under what the experts know. The convenience hides behind the robes of knowledge. And the belief gets held with full sincerity, because the man experiences it as true.

    Run Einhorn’s corpus through this.

    Start with the test. Ask of a belief, would he hold it if it cost him. The beliefs that pass, the ones he would keep even when they bring him nothing, sit on one side. His close readings of the gemara, the Ramchal, the Tanya. He held those when they paid him a dean’s salary and he would hold them broke, because the learning is a thing he loves apart from its yield. Notice that these are also his most accurate pages. On the other side sit the beliefs that vanish the instant they stop paying. That the Talmud is the training manual for the machine. That the old health code already knew the new science. That the move out of Yavneh was an expansion and not a fall. That the prompt can stand in for the cheshbon hanefesh. Each of these earns him something, a product, a bridge, a face, a fee, and each would evaporate the day it stopped earning. Turner’s sort runs clean down the middle of the man, and the convenient side is the flat side.

    Now the stitching. A convenient belief recruits its evidence, and when the evidence will not come, the convenient version gets cited anyway. So the errors have a direction. Look back at the citation slips. The Maharal bent toward the point he was selling. The Yom Kippur goat read as the modern scapegoat when the tradition makes it the reverse. The verse on self-love hung on Ramban, who read it the other way. Teshvu turned to mean its opposite. These are not scattered. Each mistake leans the way his interest leans, toward the bridge, toward the synthesis, toward the reading that lets the ancient text shake hands with the modern one and lets him broker the deal. A man making honest errors errs in all directions. A man holding convenient beliefs errs in one. The slips are not noise. They are the fingerprints of the convenience, pressed into the text where the truth would not fit.

    Then the laundering. Einhorn does not say it is useful to me to believe the Talmud trains the machine. He says the Talmud is the training manual, a flat claim about how the world is, and under it a soft command, this is what you would see if you were wise. The convenient belief comes dressed as objective fact and as a norm binding on the reader. Turner spent years watching that costume change, the slide from useful to me over to true and incumbent on you, and he taught that the costume tends to be expertise. Here the costume has a name on it. Rabbi. The byline certifies the convenient belief, turns a thing that pays into a thing that is known, lends the authority banked in the old field to the claim made in the new one. The Yadin Yadin, the decades, the record-setting hours, all of it stands behind the sentence and says trust this. The credential does not make the belief true. It makes the convenience hard to see.

    Convenient does not mean false. Some of these beliefs may be true. Dignity might rest on something other than position after all, and the sages might have grasped a thing the doctors later named. The frame does not rule on the truth of the belief. It asks why this belief, held this hard, by this man, at this hour, and it answers that the timing tracks the need. The dignity teaching rises in him just as his position falls. The Talmud-trains-AI belief arrives just as he has AI to sell. The beliefs arrive on the schedule of his interests, which is the tell, whatever their truth.

    I should grant that the frame is convenient for me too. Calling a man’s beliefs convenient lets me wave away what I do not like without meeting it on the merits, and that is a belief that pays the critic. So I have tried to meet the merits, the cited texts, the direction of the errors, the timing, rather than rest on the label. The frame earns its keep here only if the seams are real, and the seams are checkable. Go check them.

    What the sort leaves standing is the same thing every reading of this man keeps leaving standing. There is a body of belief he holds because it is so, and would hold for nothing, and it is the learning. There is a body of belief he holds because it pays, and would drop the day the pay stopped, and it is most of what he has built since. The first is true whether or not it is convenient. The second is convenient whether or not it is true. A man is known by which pile he is adding to, and for thirty years he added to the first. The question the frame leaves on the table is which pile gets the next page.

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    Nitzachon: Rabbi Dovid Revah and the Victory That Keeps No Score

    Alos hashachar reaches Pico Boulevard at 5:39 a.m. in the spring, the first gray before sun. The men come on foot toward 9040, past the kosher pizza place with its gate down, past the bakery, to a storefront that sold furniture for decades and now holds a shul. Adas Torah sits in the heart of Pico-Robertson, a few blocks of Los Angeles where a man can live a whole life inside the eruv and never use a car on Shabbos. Inside, the men hang dark hats on the pegs and open the Gemara before the city wakes. At the front, for two decades now, sits Rabbi Dovid Revah, who came from Toronto by way of Gateshead, Brisk, and Lakewood, and took this shul a year after its founding.

    Ernest Becker (1924-1974) wrote that every man carries two terrors. He will die. And the life that ends in death might have meant nothing at all. In The Denial of Death Becker argued that culture answers these terrors by handing each man a hero system, a scheme of significance where he can win a permanence the grave does not touch. He builds, he fathers, he conquers, he makes a name. The hero system sells immortality. The currency changes from one system to the next. The promise holds.

    Most hero systems pay in victory, and most victories keep a score.

    A fighter wins when the other man stays down past ten. A sprinter wins by a hundredth of a second, his name on the board until a faster man erases it. A dealmaker wins at the close, the wire cleared, the other side holding less. Homer’s warriors chase kleos, the undying fame a man buys by killing better men than himself in front of witnesses. Each of these victories needs a loser. Each keeps a number. Each lasts until a larger number arrives.

    Revah’s shul publishes a Torah journal. The men named it Nitzachon. The Hebrew root carries two meanings at once, victory and permanence, the win and the forever. The lot on Pico sold furniture for decades under the name Victory. Men win a different victory there now, one with no opponent and no scoreboard.

    At 6:35 in the evening the daf yomi begins. The men learning the page in Pico learn the same page that night in Lakewood, in Gateshead, in Bnei Brak, in Melbourne, and the same page their grandfathers learned, and their grandfathers’ grandfathers. Rava asks and Abaye answers in the present tense. Rashi (1040-1105) sits at the margin, ready with a word. A boy of nineteen and a grandfather of sixty argue with both as contemporaries. When a man finishes a tractate he says the Hadran, we will return to you and you will return to us, and he closes the volume and opens the next. He has not beaten anyone. He has joined something that cannot be beaten because it does not compete. Netzach. He wins by continuing.

    This turns Becker’s usual hero on his head. The standard hero stands out. He wants the unique self to register on the cosmos, the name carved where it might be read after he stops breathing. Revah’s hero points the other way. He makes himself small, a vessel for words older than his name, a link in a chain that asks him not to be remembered but to be faithful. Here the paradox closes, because the self-effacement holds the most complete immortality project of them all. The boxer’s victory dies when a younger man knocks him down. The runner’s record dies the next Olympics. The Torah the man learns at the 6:35 daf has outlasted every empire that tried to end it, and it does not lean on his name surviving. It leans on the text surviving, and the text has buried its enemies.

    The world Revah came up in keeps a different ledger of rank. Gateshead in the north of England, Brisk in Jerusalem, Beth Medrash Govoha in Lakewood, the largest yeshiva in America. He joined the Kollel of Los Angeles in 1995 and sat and learned. In this world a man’s standing rests on his lomdus, the depth and edge of his learning, on the analytic method Reb Chaim Soloveitchik (1853-1918) built in Brisk, on which yeshiva shaped him and who his chavrusa was. Money buys a man little here. A scholar can drive a fifteen-year-old sedan and hold the room because of what he carries in Bava Metzia. The hats look the same on the pegs. The status moves underneath, measured in pages.

    Many hero systems share the block on a single morning. A trader davens the early minyan and steps out to the phones, two scoreboards running, the market and the daf. A surgeon comes to the 8:00 and goes to cut, a man who wins when the patient walks out. Revah keeps no scoreboard. He teaches the page, and the page keeps him.

    The Gemara in Berachos says that since the Temple fell, the Holy One has in His world only the four cubits of halacha. Revah’s world narrows to those four cubits, and the narrowing holds both the victory and its price. A life given to the page is a life not given to a hundred other rooms a man might have entered. The world that teaches bittul, the effacing of the self before the text, runs its own quiet contests, fierce under the humility: whose son tested into which yeshiva, whose chiddush landed, whose line runs back to which rav. And the prize this hero system holds highest, the man who sits and learns and asks nothing else of his days, the tradition hands to men. His wife and daughters live partly inside a scheme of significance whose summit they reach by another road than his. He sees that or he does not. The honor in him shows in what he did not chase. He did not move for the larger pulpit or the wider name. He stayed on the old furniture lot for two decades and taught the daf in the dark before work.

    Three coordinates locate him. The terror he answers is the smallness of one life set against the depth of time, the fear that a man comes and goes and the years close over him. The victory he offers is netzach, a permanence with no opponent and no number, a seat in a conversation that has no date and admits a boy and a grandfather on the same terms. The price is the four cubits, the world narrowed to the page, the quiet contests of men who preach their own smallness, the lives beside him reaching for prizes his hero system cannot hand them. A man who learns the daf on the old Victory lot wins by continuing, and offers a victory that keeps no score in a city that keeps little else.

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    Rabbi Avrohom Union’s Hero System

    I imagine a scene in Cape Town. The end of Yom Kippur. Neila closes and the room holds its breath. The board had warned the new rabbi: blow the shofar after Maariv, not before, because the moment the ram’s horn sounds the men bolt for the doors and the evening prayer dies in an empty hall. Rabbi Avrohom Union turns to his congregants. He tells them what the board said. He tells them the board thinks they will run, thinks they have had enough. Then he says he thinks they will want to stay and do the right thing, because the day has lifted them. “I believe in you.” He gives the signal. The shofar sounds. The doors hold. His president laughs and grants him the round.

    A small war, fought over whether grown men will stand through one more prayer. The board counts chairs and exits. Union counts something else. He sees the junction between a people that holds together and a people that scatters into the parking lot, and he means to hold the line with his own hands.

    Ernest Becker (1924-1974) gives us the lens. In The Denial of Death he argues that man knows he will die and cannot live inside that knowledge, so he builds a hero system, a scheme of meaning that lets a mortal feel he counts in something larger than his own short body. Two terrors press on him. The first is the body that fails and rots. The second is the suspicion that his life adds up to nothing. Every culture answers both terrors by offering its members an immortality project, a way to pour the self into a vessel that outlasts the self. The soldier pours himself into the flag. The artist pours himself into the work. The believer pours himself into the covenant.

    Union’s vessel has a name, Klal Yisrael, the people of Israel, the chain that runs from Sinai through every generation to the children at his table and past them. Halacha gives the chain its form. Jewish law tells a man what to do at dawn and at the grave and in every hour between, and the doing writes him into the line. The dayan, the judge, guards the form. Union earned the right to guard it the long way. North Miami Beach, then the Mesivta of Greater Miami, then Telshe Yeshiva of Chicago, then eight years in Bais Hatalmud in Jerusalem with four in Kollel, then semicha from the Israeli Rabbinate, then the higher ordination of Yadin Yadin from Rav Dov Schwartzman (1921-2011), the qualification that lets a man sit in judgment on the hardest questions of money and marriage and status. He added a master’s in psychology from Pepperdine University because he wanted to understand the people who came to him. He sat as a dayan in Cape Town. He led Young Israel of Beverly Hills. Now he runs the Beth Din of the Rabbinical Council of California from a suite on Wilshire Boulevard, and he sits at the gate.

    The gate is conversion. A man or woman walks in from outside the people and asks to be let in. Union and his court take in about thirty a year and turn away hundreds. The road runs for years. There is study, observance tested over seasons, the giving up of an old life, and at the end the mikveh, the pool of living water, where the candidate goes under as one thing and rises another. Three judges stand witness. I once called Union the best rabbinic street fighter on the West Coast and wrote that his handshake comes gentle and his will comes steel. Both halves are true and both belong to the same work. The soft handshake meets the human being. The steel keeps the door from swinging open to everyone who pushes on it.

    Here the Becker reading turns on a single word, because the word that sits at the center of Union’s life means one thing to him and other things to everyone else, and the men and women on the far side of his door often do not know they are using a different word than he is.

    Take belonging. To Union, belonging means folding into a people that does not die, under binding law, by a death and a rebirth. The convert dies to the old self in the water and rises bound to the commandments and written into the chain. Belonging is not a feeling and not a purchase. It is a change of being that outruns the grave.

    Across town a Reform rabbi uses the same word and points at something else. For him belonging means the sincerity of the heart, the choice freely made, the affiliation a person declares and lives. The standard sits inside the seeker, not above him. A founder in Palo Alto uses the word again and means his company, the thing he built to scale past his own death, and when he says join he means the mission and the equity and the name that might survive him on a building. An elder in Taipei keeps the ancestral tablets on the shelf and feeds the dead at the new year, and belonging for him runs backward into the line of fathers he must not let fall silent. A career scholar means the literature, the conversation that continues after he stops breathing, the citations that carry his name forward. A Marine means the Corps and the men beside him, the oath sealed in a way that civilians cannot enter. A hospice nurse watches a dying man and sees belonging shrink to its last form, the hope of being held in the memory of the people who remain. A potter at the wheel means the bowl that will sit on a table after his hands are gone.

    Each of these is an answer to the same terror. Each says, in its own grammar, you will not vanish, there is a vessel, climb in. Union’s answer differs. The founder’s company can fail and the scholar’s citations can fade and the Corps can disband, but the people Union serves has buried every empire that buried it, and he believes the covenant holds because God holds it. So when a candidate comes to him speaking the Reform rabbi’s word, or the founder’s word, or the word she learned from a secular mother who thinks of religion as a costume one elects, Union hears the gap at once. He is not gatekeeping a club. He guards the boundary of an immortality project he holds to be the true one, and a boundary that lets in everyone protects no one inside it.

    This is where the man deserves the empathy his work rarely earns him. Stand at his gate for a year and watch what it costs. He says yes thirty times and he says no hundreds of times, and every no lands on a real person who came with a real hunger, sometimes a woman who loves a Jewish man, sometimes a soul who has read for a decade and prayed in a borrowed seat at the back of the shul and wants only to be counted. The steel will turns away people the soft handshake has already come to love. Whenever you hurt someone, even if you are doing the right thing, they will hate you for it. A standard that means anything has to exclude, and every exclusion wounds, and Union carries the wounds because the alternative wounds the whole people he serves. He took the psychology degree to sit with that weight, not to escape it. He works with Nefesh, the network of Orthodox mental health professionals. He trains kallah teachers with his wife Tova. He sits on the halachic board of a child safety institute. These are the marks of a man who knows the human cost of the door and refuses to pretend. He raised nine children and counts seventeen grandchildren, which is its own immortality project, the chain extended by his own body, and he asks of strangers no more than he has already given of himself.

    Does he see the trade-off whole? The Cape Town story says he does. “I believe in you” is the voice of a man who reads the room and knows the heart will follow if you call it upward. The same voice says no, not yet, not this way, to the candidate who is not ready, and the two come from one source. He fights for the boundary because he loves what the boundary holds. The street fighter and the rabbi are one man. A weaker man keeps only the soft handshake and lets the door drift open until belonging means nothing. A harder man keeps only the steel and forgets the faces. Union keeps both, and the keeping is the loneliest part of the job, because the people who pass through the water rise into a warm hall full of singing and never turn to look at the man behind them who decided they could come in, and never see the ones he turned away, and never weigh what the gate took out of him.

    So place him by three lights. He stands as a guardian of a vessel he holds to be deathless, and the guarding gives his own days a weight that outlasts them. He carries the cost of the boundary in private so the community can feel its belonging is real, which is the hero’s old bargain, to absorb the terror at the threshold so the others may rest within. And he knows, better than the men who only praise him or only resent him, that love and refusal can come from the same hand, that to believe in people sometimes means to make them wait at the water until they are ready to go under and come up changed.

    Let me try again.

    Before six in the morning the steam is already up in a food plant east of downtown. A man in a black hat stands inside the door with a clipboard. He drove across the city in the dark to get here. The floor drains run pink. Beef quarters ride a rail on steel hooks. A forklift beeps in the cold room. The man walks the line. He runs a finger along a line, reads a tag wired to a valve, watches a worker lift a tray from a vat of near-boiling water. The worker glances at him and goes back to the tray. He does not know why the man cares about the standard. The man does not tell him. He writes something on the clipboard. He has done this, or sent other men to do it, for most of his working life.

    This is the trade of Rabbi Avrohom Union, Rabbinic Administrator of the Rabbinical Council of California. He stands at the door and decides what passes.

    Look again at the plant. Of all the acts that remind a man he is meat, eating sits near the front. He takes dead animal and plant into his mouth, grinds it, and is kept alive by it for one more day. The kosher system takes that act, the most creaturely act there is, and rules it. What may enter the mouth, and how, and from whose hand. The Hebrew word for kosher means fit. Fit to cross the boundary into the body of a Jew. Union spends his days deciding what is fit. The border in the steel, the seal on the valve, the worker at the vat, all of it serves a claim older than the plant and older than the city. The claim runs like this. A man is not only an animal. A people that watches its mouth can outlast empires. The boundary at the lip is the wall of the nation, and the nation does not die.

    The word that names Union’s work carries the whole weight. Hashgacha. In the kosher trade it means supervision, the rabbi’s eye on the kitchen. In the prayer book it means divine providence, the eye of God on the world. One word for both. The mashgiach in the plant stands in for a larger Watcher. The standard he checks, no one else will see. He checks it anyway, because the value is the watched life, the life lived as if seen, and the watched life is the deathless life.

    Hold that value, the watched life, and carry it to other men in other systems, and the word bends in the hand.

    Take a Trappist in a monastery in the hills of Kentucky. He keeps silence and rises in the dark and eats little, and he does it under the gaze of a God who sees the heart. For him the watched life mortifies the body so the soul can be saved past death. The body is the enemy of the project. He starves it toward heaven.

    Take a Marine gunnery sergeant at the inspection rail at Parris Island. He runs a white glove along a rifle bolt. The recruit who fails is unfit, and the unfit man is washed from the Corps. The sergeant’s deathlessness is the Corps, the thing that stood at Belleau Wood and will stand after he is gone. The inspection guards the wall of that thing. He would tell you the standard is everything, though he would use shorter words.

    Take a longevity engineer in a lab south of San Francisco who tracks his blood markers on a dashboard, eats on a schedule, and means to push his own death past a hundred and twenty. He too watches what enters the body. He too speaks of what is clean and what is fit. But his project is the reverse of the monk’s. He wants this body, his own, to not die at all. Becker would call him the clearest case of the lot, a man building a literal immortality out of supplements and sensors because the symbolic kind has stopped working for him.

    Take a hospice nurse on the night shift. Her watched life is the body at the far boundary, the one Union’s rules and the engineer’s dashboard both push against. She washes a dying man and turns him so the skin does not break and sits with him when the family goes home. Her holiness lives in the tending, not the saving. She makes the creature’s last hours count by refusing to look away.

    Four people, four readings of one word, and each makes sense only inside its own house of meaning. The monk’s clean and the engineer’s clean would not recognize each other on the street. Put the gunnery sergeant in the hospice and he would not know what to inspect. The kosher seal means nothing to any of them, and means everything where Union stands, because it is the visible sign of the Watcher and the wall.

    That is why the work is lonely, and why it draws hatred.

    On Thursday, March 7, 2013, before seven in the morning, a van and an SUV sat with their lift-gates open in the parking lot of a McDonald’s near where the 101 meets the 405. A man loaded boxes from one into the other and drove to his shop in Pico-Robertson. The shop, Doheny Glatt Kosher Meat Market, sold under RCC supervision to families who trusted the seal more than they trusted their own eyes. The boxes had come from outside the wall. No mashgiach stood in the lot. The seal stayed on the door while meat the seal did not cover went out to the homes of people who kept the law.

    When it broke, the anger ran toward Union and the RCC. He answered in writing that the agency does not run the business, that a supervisor cannot stand in every parking lot at dawn, that a man set on cheating will find an hour when no one watches. All of it true. None of it spares him. The gatekeeper who says the wall held except where a man chose to breach it sounds, to the betrayed, like a man making excuses for the wall. This is the post Becker assigns the hero. He carries the community’s terror so the others do not have to feel it, and when the terror gets in anyway, they turn on the one who stood at the door.

    A man at a gate is hated by everyone who wants in and is not ready, and by everyone who got past a gate he did not guard. He is thanked by almost no one, because the people the wall protects cannot see the wall. They see a man in a black hat who tells them no.

    What does he get for it? Inside his own hero system, the answer is the only thing the system has to give, and it is the largest thing it has. He gets a place in something the worms do not reach. The chain of men who guarded the mouth of the people runs back past Cape Town and Jerusalem and the yeshivos of Lithuania to the desert, and he is a link in it, and the chain does not die. On Friday night he sits at his own table with the candles lit and the food on it fit by his own hand, and the same eye he stands in for all week rests on him. He is watched, and so he counts, and so he does not end.

    A reader who has met ten such men in these pages might ask what is left to say about the eleventh. This. The kosher inspector is no smaller a figure than the monk or the Marine or the man chasing a hundred and twenty years. He works the same ancient problem from his own door. He has taken the hardest post in the building, the one where the only wage is a deathlessness no one but he can see, and the daily cost is the live anger of the people he stands between and the dark. He drives across the city before six and runs his finger along the link. Someone has to. He thinks it might as well be a man who knows what the link is for.

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    Rabbi Kalman Topp’s Hero System

    On a Shabbat morning the men walk to Beth Jacob along Olympic Boulevard, past the dealerships shuttered for the day, past the gated lawns of eight-figure houses. They wear dark suits in the heat. The eruv runs above them, a thin wire that turns Beverly Hills into a single home for the day, so a man can carry his child and a woman can push a stroller without breaking the law of the boundary. Inside, the sanctuary fills. Beth Jacob holds the largest and most fractious Orthodox congregation in the western United States. It’s the most difficult shul to lead. A producer sits near a cardiologist. A widow from Tehran sits behind a family that left Johannesburg. At the front stands Rabbi Kalman Topp (b. 1972), who came west from Queens in 2009 and built this room into a unified center of Modern Orthodoxy and Religious Zionism.

    Ernest Becker (1924-1974) wrote that a man lives under two terrors. The first is death, the plain knowledge that the body fails and rots. The second follows from it: the terror that the life leading to that death meant nothing. In The Denial of Death Becker argued that culture exists to answer these terrors. Every society hands its members a hero system, a scheme of significance where a man can earn a place that outlasts his body. He builds something, fathers someone, serves a cause, writes a name somewhere it might be read after he stops breathing. The hero system sells immortality. The currency differs from one system to the next. The promise stays the same.

    Topp serves the densest market for that promise in America. A mile from his pulpit, men sell their names to be cut into films and pressed into the sidewalk on a boulevard built for the purpose. The town runs on the oldest immortality project in new clothes. The body will fail, but the work survives, the face stays young on the screen, the name appears in the credits when the man is gone. Topp’s congregants live in that market. Some made fortunes in it. They know the terror it answers and the terror it leaves untouched, the morning the calls stop coming and a younger man holds the part.

    The town also carries a story about Topp. Charles Taylor (b. 1931) named it the subtraction story: the modern account where the secular world stands as the real one, and faith stands as the comfort a man has not yet subtracted. On this account the producer who believes in nothing has seen the world as it is, and the rabbi keeps a warm illusion his congregants will outgrow. Topp does not argue back. He lives the refutation. He does not add God to a disenchanted Beverly Hills. He stands inside a fuller account, older than the town, where the producer’s hero system looks thin, unable to carry a man through the failure of the body it depends on.

    Walk through Topp’s sacred words: the People, the Torah, chesed, and above all home. Beth Jacob means the house of Jacob. Topp speaks of the synagogue as a home where every kind of Jew finds a place, and of the Jewish People as a home that no exile ends, and of the Land as the home to which the People return. The word answers the terror of erasure with belonging to something that does not die.

    Hold the word home up against the men and women who carry it through other systems.

    A film editor in his seventies sits three rows back. He cut pictures that people still watch. For forty years home was the room where the work happened, the bay, the screen, the assistant who brought the coffee. He says the phone went quiet four years ago. “They use kids now,” he says. “They do it on laptops.” For him home was the work, and the work has moved to rooms he cannot enter. The terror Becker named arrives on schedule. Topp offers him a home the editing bay never promised, a seat that does not depend on the next call.

    Two rows over sits a founder, thirty-four, who sold a company and bought a house above the flats. Home for him names a base, a thing to optimize, a place to leave at five for the airport. He keeps a second home in Austin and talks of a third. He came to Beth Jacob because his wife wanted the children to have what she had. He listens for the part that scales. Topp’s home does not scale. It asks him to stay, to come back next week, to know the man beside him for thirty years. The founder finds this strange and returns anyway.

    Near the back sits a grandmother who left Tehran in 1979 with two suitcases. Home for her stands in a city she will not see again, on a street where her father kept a shop. She has built a new home on Olympic Boulevard and she knows what the word costs, that a home can be taken in an afternoon. When Topp speaks of the People as a home no exile ends, she hears it apart from the founder. She has tested the claim against a loss.

    In this room the word home carries its heaviest freight. A member of Beth Jacob is the aunt of one of three Israeli boys taken and murdered in 2014. The congregation held a memorial for the boys in this sanctuary. When Topp speaks of the Land as home, he speaks to a family that buried a child for the claim. The Religious Zionist meaning of home runs through that family and lands on the far side of the world.

    One word, then, and a different terror under each use of it. For the editor home meant the work, and the terror is obsolescence. For the founder home means a base, and the terror is the still room where nothing scales. For the grandmother home means what cannot be taken twice. For Topp home answers the oldest terror with the People, who continue when the man does not. Many hero systems sit in his sanctuary on a single morning, and his is one of them, offered to men who arrived carrying their own.

    Topp inherited a pulpit that knows the terror well. Maurice Lamm (1930-2016) sat in this chair and wrote The Jewish Way in Death and Mourning, the standard Orthodox book on the subject. Topp has written his own pages on the passage from mourning to consolation. He preaches to men who fly home for funerals and sit shiva on folding chairs and say kaddish for a year. He knows the terror he answers because he has stood at the graves.

    He bets a man can hold the covenant and Beverly Hills at once, that the eruv can run around the mansions and gather them into one home for a day. The warmth that draws every kind of Jew into the room can soften the demand the Torah makes on each of them. A home where all find a place asks less than a fortress. The love of the People that gives a man transcendent significance can bind the congregation to a nation whose costs fall on people far from Olympic Boulevard, on families like the one that buried the boy. Topp could flee these contradictions. He could go to a stricter enclave where the demand stays hard, or dissolve into the town where the demand disappears. He stays in the middle and carries both.

    Place him on three coordinates. The terror he answers is erasure, the fading of a name, the morning the calls stop, the body that fails in a town that prizes the young body. The immortality he offers is a home in a People that does not die, a name written where the industry cannot reach and the obituary cannot close. The price is the middle, the warmth that risks softening the demand and the love of the People that risks not seeing the cost it carries to the far side of the world. A man who serves the house of Jacob on Olympic Boulevard lives at those three points at once, and serves them with a candor about death that the town around him spends a great deal of money to avoid.

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    Rabb Pini Dunner’s Hero System

    In 1941 Rabbi Shmuel Yitzchok Hillman (1868-1953) wrote thirty-two pages on the tractate Shabbat. Eighty-three years later Rabbi Pini Dunner (born September 25, 1970) carries those pages into the official residence of the President of Israel, except now they run to more than five hundred. He has spent years feeding the seed. Each line of the dead man gets a paragraph of the living one, a citation, an explanation, a footnote that holds the comment up to the light and turns it. President Isaac Herzog (b. 1960), great-grandson of the author, calls it an amazing achievement and a tribute to his great-grandfather’s legacy, and turns the pages, and the dead rabbi speaks again in a room in Jerusalem.

    Hold that scene. A man spends the strength of his middle years making a dead man speak.

    Ernest Becker (1924-1974) gave us the frame for reading a life like this one. In The Denial of Death he argued that man is the animal cursed with knowing he will die, that the knowledge is unbearable, and that every culture hands its members a hero system, a scheme by which a single mortal earns a place in something that does not rot. The scheme can be a nation, a church, a bloodline, a body of law, a stack of patents, a name carved in stone. Becker borrowed from Otto Rank (1884-1939) the idea that two fears press on us at once. One is the death fear, the dread of going out like a candle. The other is the life fear, the dread of standing alone as a separate creature, exposed, responsible for the whole weight of an unrepeatable self. A hero system answers both. It promises you will not vanish, and it folds your lonely self into something larger so you need not carry it by yourself.

    Dunner’s hero system is fidelity to the eternal chain.

    His grandfather, Rabbi Josef Hirsch Dunner (1913-2007), held the title of last Chief Rabbi of East Prussia before the war. The title names a world. East Prussian Jewry no longer exists. Men with rifles and ledgers erased it, and the title now points at smoke. His father, Aba Dunner (1937-2011), spent his working life as an activist for European Jewry, advocating for the survivors and their institutions. Rabbi Pini Dunner stands third in that line, ordained at Beth Medrash Govoha, the strictest of pedigrees, and his life reads as one long answer to the question the smoke poses. The answer is the chain from Sinai. Each Jew receives the tradition from the hand of the one before and passes it to the hand of the one after, and the chain does not break, and a man who adds a link defeats the murderers in the only court that stays open. To preserve the text is to win. To transmit is to live forever.

    Watch the answer take different forms.

    In 1998 a group of philanthropists asks Dunner to build a synagogue in Maida Vale, and the Saatchi Synagogue becomes a magnet for single Jewish professionals with postgraduate degrees and good salaries and no one to marry. The conservative establishment dislikes the promotion. The methods strike them as worldly, the social events as too clever by half. Picture the older men reading the flyers and frowning. Picture the young woman in her late twenties, a lawyer or a registrar, who walks in because a friend swore it was not like the others. Under Becker’s reading the criticism misses the point and the young woman finds it. A synagogue full of single Jews who marry each other produces Jewish children, and Jewish children are links, and links are immortality made of flesh. The chain wants bodies as much as it wants books.

    The agunah campaign follows the same logic. From 1999 Dunner makes noise about the chained women, the wives whose husbands refuse them a Get and so trap them outside remarriage. A woman in that state cannot make new links. The law that should free her becomes a cage, and a few men hold the key and enjoy holding it. Dunner sides with the women against the men who use the law to stop the chain. The fight looks like chivalry. Under the frame it reads as defense of transmission against those who would freeze it for spite.

    In 2002 he goes on Top Gear and comes fifth in the first Fastest Faith race. A rabbi at the wheel on a British motoring show, comfortable in the worldly arena, neither hiding the kipa nor apologizing for it. He courts the world rather than fleeing it. The hero system here does not retreat to the study. It drives the car, takes the award from AIPAC, debates Dennis Prager (b. 1948) at the Saban Theatre on whether men come into the world good, and republishes a dead rabbi with a sitting president. The man loves the chain.

    Then there is the collection. Dunner gathers the books and periodicals and manuscripts of Jewish controversy, the heretics and the false messiahs and the rebels, and he writes Mavericks, Mystics and False Messiahs. When COVID arrives and death moves close, he turns a camera on his shelves and shows strangers his objects across a lockdown. A man who keeps the records of dead troublemakers in his own hands is building a private vault against oblivion. The objects outlived their owners. He holds them, and by holding them he holds off the candle going out.

    As with all men, Dunner’s words mean what they mean only inside his system.

    Take continuity. For Dunner continuity is the chain, and to drop a link is to finish the murderers’ work. For a Hindu renunciant, a sannyasi who walks away from home and name and caste, continuity is the wheel, samsara, the very thing he labors to escape. The chain binds him to return and suffer again, and his whole discipline aims to step off it. He earns release by cutting the line, not by lengthening it. For a founder in a glass building south of Market Street, continuity is the incumbent, the legacy code, the slow company he means to disrupt. He wins his name through the unprecedented, the thing that breaks the chain rather than extends it. Three honorable men, one word, three opposed labors.

    Take memory. For Dunner memory does holy work. The names of the dead, the annotation that resurrects a comment, the volume that makes Hillman speak in Herzog’s drawing room. To forget is to kill a man a second time, and after the smoke the second death looks like collaboration. For an evolutionary biologist who has made his peace with the universe, memory is the genome and nothing else, selection’s ledger, and the individual leaves no trace worth grieving. To mourn forgetting is a sentiment the cosmos does not share, and the mature hero stops asking it to. For the Stoic, Marcus Aurelius (121-180) at his camp on the Danube, remembrance is vanity, since those who remember you will themselves die soon, and the man who builds monuments against death has merely changed the shape of his fear. The Stoic conquers death by indifference. Dunner conquers it by inscription. Same reverence at the grave, opposite cure.

    Take the book. For Dunner the book sits near a body. Worn ones get burial in a genizah. He grows thirty-two pages to five hundred out of love, and the page is a vessel that carries a soul across time. For a Māori carver the record does not live on a page at all. It lives in the carving, in the whakapapa spoken aloud in the meeting house, in the line recited from the living mouth, and the man who pins the word to paper might be seen as stopping the breath of a thing meant to keep breathing. For the founder, the book is documentation nobody reads, to be deprecated in the next release.

    Take the rebel, since Dunner loves him. Inside Dunner’s system the maverick is a thrill and a warning, and Dunner promotes unorthodoxly, the rebel who stays in the house and keeps the blood warm. For a Carthusian in his cell, rebellion is pride, the first sin, the move that cast the angel down. The hero there empties the self into the Rule and the silence, and to stand out is to fall. For a soldier in a rifle squad, rebellion breaks the unit, and the unit is the only thing between him and the dark, so the man who breaks ranks commits the worst act he knows.

    Every hero system charges a price. A life built on the chain can curdle into worship of the chain. It can grow frightened of the new, anxious about who counts as a true link, quick to treat the living tradition as a museum with a rope across the door and a guard at the case. The fear of life that the system soothes can come back as a fear of anything the system did not already contain.

    Dunner pays the price, and the proof sits in the texture of the life. A man frightened of the new does not collect the false messiahs and the heretics and put them on camera. A man worshipping the museum does not drive a car on Top Gear or fill a synagogue with single lawyers or take the women’s side against the men holding the Get. Dunner keeps the blood in the tradition. He loves its rebels and courts its world and fights for its chained daughters, and he does this while never once dropping the link he was handed. Against the particular century he was born into, the century that turned his grandfather’s title into a name for smoke, the chain is not vanity. It is fidelity, and fidelity to the murdered is honorable, and a man can build no cleaner answer to annihilation than the one Dunner has built, which is to spend his strength making the dead speak and the unmarried marry and the chained free.

    Return to the lockdown. The plague is loud outside. A rabbi sits with a camera and his shelves and shows strangers the controversies of Jews three centuries gone. He turns the old pages toward the lens. He is telling the people on the other side of the screen the one thing his whole life has been arranged to say. These men did not vanish. I am holding them.

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    The Eternal Chain: Rabbi Yitzchok Adlerstein and the Hero System He Tends

    Three men sit behind a long table in a room off the main sanctuary. A young woman sits across from them. She has studied for two years. She keeps Shabbos, she has learned the brachot and the laws of family purity and the order of the festivals, and she has come this morning to be told whether she is now a daughter of Israel or still a stranger at the gate. One of the three men is Rabbi Yitzchok Adlerstein (b. 1950). The court he sits on decides who enters the Jewish people. Not who joins a congregation. Who enters the people. The distinction carries the whole weight of the morning.

    Ernest Becker (1924-1974) gave the modern name for what that table protects. In The Denial of Death he argued that man is the animal who knows he will die and cannot bear the knowledge, and that almost everything man builds he builds against that knowledge. Culture, on this reading, is a hero system. It hands each man a script for cosmic significance and a route out of the grave. Some routes promise the literal kind, a soul that outlasts the body. Others promise the symbolic kind, the name remembered, the work that stands, the child who carries the line. The Jewish people own a hero system as old and as explicit as any in the Western record. The chain of transmission runs from Sinai to the table in that room, and the woman who crosses it becomes a link in something the death of any single Jew cannot end. The court guards the entrance to the deathless.

    Becker took the architecture from Otto Rank (1884-1939), who described two terrors rather than one. The first is the fear of death, the dread of dissolving, of the body that rots and the self that ends. The second is the fear of life, the dread of standing alone as a separate man, of carrying one’s own freedom with no larger thing to answer to. A good hero system answers both. The yeshiva answers both at once. The man who gives his years to the Law defeats death by joining a chain older than any grave, and he defeats the terror of standing alone by becoming a link instead of a self, a bearer of something he did not invent and cannot lose. Adlerstein took that double cure young. He earned Phi Beta Kappa at Queens College and semicha from Yeshivas Chofetz Chaim under Rav Henoch Leibowitz (1918-2008), one of the last roshei yeshiva formed in the pre-war European mold. The two trainings do not sit together at rest. The secular degree teaches a man to ask what a text is and where it came from. The yeshiva teaches him to stand inside the text and submit to it. Adlerstein carries both, and the friction between them runs under everything he has written since.

    His writing turns on a small set of sacred words. Mesorah. Humility. Truth. The words look stable. They are not. A sacred word is a slot, and each hero system fills the slot with its own deathless object, so that men who use the same word mean different things.

    Take the wish to outlast the body. A geneticist runs a sequencing lab above the bluffs in La Jolla. She is forty-four and works fourteen-hour days. Ask her what survives a man and she answers without sentiment. The body is a vehicle the genes drive and discard. What survives is the line, the replicator, the information that copies itself down deep time long after the carrier rots. She has made her peace with the grave by widening the frame until her own death looks like one cell shedding off a thing that keeps going. Permanence, to her, is the gene.

    A trumpet player works a club off Central Avenue four nights a week. He is sixty and his lip is going. Ask him the same question and he talks about a recording from 1961 that he still studies, and a phrase inside it that he lifted and passed to younger players who will lift it from him. He expects to die broke. He does not expect the phrase to die. Permanence, to him, is the lick that keeps getting played in other men’s hands.

    A gunnery sergeant, retired, drives down from Twentynine Palms for the unit reunion every year. He does not pray much. He believes in the wall with the names on it and in the men who read the names aloud. He holds that a man lives as long as his people say his name in the right room. Permanence, to him, is the reunion.

    Adlerstein takes the same wish and fills the slot with the chain. A Jew lives because Israel does not die, and Israel does not die because the Law passes hand to hand without a break, and his own portion of permanence is the Torah he transmits and the students who will teach what he taught. Four men. One wish. Four deathless objects, and no two of them the same. The word permanence carries each man’s private rescue and hides how little the rescues share.

    Take humility, the word Adlerstein reaches for when an argument grows dangerous. The geneticist prizes humility too. Hers is the humility of method. She holds every claim open to overthrow, keeps the next experiment ready to kill the last one, and counts the willingness to be wrong as the highest discipline her work allows. Humility, for her, opens every door.

    A Cistercian monk in the hills near the central coast prizes humility above the other virtues. His is the emptying kind. He works to thin the wanting self until little stands between him and God, whom he calls Him without strain. Humility, for the monk, is the subtraction of the self.

    A founder in a glass office south of Market keeps humility on a laminated card by the door. Stay humble, stay hungry. His humility is a posture that keeps a man from missing the next thing that will eat his company. He treats ego as a bug to patch. Humility, for him, is a competitive edge.

    Adlerstein fills the slot with bittul, the setting aside of private judgment before the mesorah. His humility runs the other way from the geneticist’s. Hers opens the claim to overthrow. His closes it. When he meets a hard question, the conflict of Genesis with the age of the rocks, the gap between the spade in the ground and the story on the page, he does not throw the claim open. He calls for humility, and the call means the chain knows more than the link, and the link should bow. The rabbi and the geneticist both speak honestly. They send the same word in opposite directions.

    Take truth. A scholar who reads the Torah as the academy reads any ancient book wants truth as correspondence, the text matched against the record of when men wrote and why, and he wants it whether or not the people survives the telling. A trial lawyer wants truth that survives cross-examination, built to a standard, provisional, the best a room can establish before a verdict. A novelist wants the truth of the human heart and will invent a whole town to reach it, holding that the made-up thing carries more truth than the minutes of any meeting. Adlerstein wants truth the chain can carry without snapping. He will grant that a problem is real. He grants it often. Then he subordinates the truth of the problem to the survival of the covenant, because a truth that ends the people is, in his hero system, the one truth he cannot afford to hold.

    A secular reader watching all this thinks Adlerstein drew the hard assignment and the geneticist drew the true one. The reader thinks the rabbi clings to an old shelter while the scientist stands out in the open air of fact. Becker spent a career taking that comfort apart. Nobody stands in the open air. The geneticist’s deep time is her cathedral. The founder’s disruption is his salvation drama, complete with a fall and a rebirth and a chosen remnant who saw it coming. The sergeant’s brotherhood is his afterlife. None of them subtracted the hero system. Each relocated it and then forgot the relocating, which is the part that lets a man feel he reasoned his way clear of what every other man only inherited. Adlerstein at least knows the name of what he serves. He has read the Maharal (c. 1512-1609) on why the Oral Torah resists the page. He has translated Be’er Hagolah and sat for years with the Netivot Shalom of the Slonimer Rebbe (Sholom Noach Berezovsky, 1911-2000). A man does not spend those years without learning that he stands inside a structure built against the dark. He does not pretend to stand outside one. The deep-time priest rarely matches that.

    Most men tend one hero system and live among others who tend the same one. Adlerstein tends several at once and keeps them from destroying each other. Consider the room he works.

    An evangelical donor in Orange County funds Jewish causes because his reading of scripture ties his own salvation to the standing of Israel. He needs the rabbi across the table to be the real thing, confident, unbroken, a Judaism with no cracks showing. The donor’s afterlife runs in part through the Jew’s fidelity. Doubt in the rabbi reads to him as a fault in the foundation of his own hope.

    A rosh yeshiva in a Lakewood-adjacent world respects Adlerstein’s Chofetz Chaim pedigree and grants the man a hearing he denies a professor. His hero system holds that the chain stays pure by staying closed, that authority survives through insulation, no concession to outside categories. He listens to Adlerstein only as long as Adlerstein never tells him the chain has human links.

    A mother in Hancock Park sends her daughter to YULA because the school threads a needle. She wants a child who can hold a place at a secular university and still bentch after the meal. Her hero system is continuity through her children. She needs the rabbi to make Orthodoxy survivable in a world of admissions offices and dinner parties, and she needs him to do it without thinning the thing he preserves down to nothing.

    A centrist reader of Cross-Currents wants depth without rupture. He wants to feel that a serious man has looked at the hard questions and stayed. His hero system needs a living example that honesty and the chain can share one body.

    Each of these people runs an immortality project that direct contact with the others might crack. The donor cannot watch the rosh yeshiva treat his evangelical alliance as avodah zarah dressed for company. The rosh yeshiva cannot watch the professor read the Torah as a layered human document. The Hancock Park mother cannot watch either extreme without fearing for her daughter’s footing. Adlerstein stands at the junction and takes the friction onto himself. Becker had a word for what these audiences do to such a man. Transference. We hand the terror to a figure who seems able to hold it, and we let him carry what we cannot. Several of these audiences have handed Adlerstein that burden. His calm is the thing they lean on. His silences are the tax he pays to keep the leaning possible. When he declines to say the destabilizing sentence, he protects no salary. He keeps the dark off four sets of people at once.

    The pattern showed in the Slifkin affair. When the ban fell on Natan Slifkin (b. 1975) for writing that the sages erred on points of natural science, Adlerstein defended the man and defended the right to ask the question. He did not endorse the conclusion that might have followed had he pushed all the way. A full endorsement might have cost him more than standing. It might have cracked a hero system, shown the chain as possibly the work of human hands and so possibly mortal. He defended the man and the procedure and left the claim alone. Read without sympathy, that looks like hedging. Read through Becker, it looks like a man refusing to pull the roof off a shelter full of people who have nowhere else to sleep.

    A man can serve a hero system blind, mistaking the shelter for the open sky, or he can serve it with his eyes open, knowing the walls are walls and tending them anyway because the people inside are real and the cold outside is real. The years with the Maharal point to the second man. You do not translate a sixteenth-century defense of the Oral Torah against its rationalist critics without grasping that the tradition has always known itself under pressure and has always built to hold. Adlerstein writes like a man who knows the name of the thing he protects. He introduces a real tension, lets it breathe, then closes it with a call to humility or a turn to a higher synthesis, and the closing carries no innocence. It is a valve. Enough air to keep inquiry alive in the room. Not enough to burn the house. A man who builds a valve knows there is a fire.

    Run the frame cold and Adlerstein shrinks to a functionary of terror, a man who manages other men’s fear of death for status and a teaching post. That reading costs more truth than it buys. The denial of death is not a vice he happens to have. It is the human condition. The geneticist and the founder and the sergeant carry it no less than the rabbi. Becker thought the most a man can do is choose his hero system with open eyes and offer it as a gift rather than force it as a weapon. By that test Adlerstein does well. He persuades. He translates. He hands people a structure they can live inside and does not pretend the structure is the sky. For the young man ravaged by illness (this was me in the early 1990s), his phone calls provided hope, strength and good advice.

    Place him, then, on three readings. He names the terror with as little evasion as his position allows, a learned Jew who knows the chain is a gift from God at Sinai and a labor of human hands. He offers his hero system as a gift. He wins assent by translation, and the honorable shelter is the one a man can choose to enter and choose to leave. And he carries an uncommon share of other men’s fear, because a junction bears the weight of every road that meets there, and he chose to live at a junction.

    Return to the room off the sanctuary. The woman waits for the verdict. Three men decide whether she crosses into the people that does not die. Adlerstein has spent his life at this table, the place where the deathless thing checks who comes in and the cold outside presses on the glass. He knows what the table is for. He knows the chain is older than he is and will outlast him if he does the work, and he knows that men built every link by hand, including the one he holds. He guards the entrance anyway. Call it moderation and you miss it. He tends a fire he knows is a fire, for people he knows will freeze without it.

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