Luke Ford

From Crazy Days:

This movie is generally considered to be one of the more vile movies of all time. It condones statutory rape and purposefully filmed outside the country and lied about the dates of production just so they could show the star naked and having sex even though she was underage. As bad as that sounds, it was much worse.

Lets go back in time to before the movie was shot. You had a 60 something Hollywood lecher/director who was scouting high school talent he could convince to have sex with him for $100 by using his former A list credentials to convince her he could make her a star. Sure, they were in the middle of nowhere and not even close to Hollywood, but it was a game he played often.

He knew photographers in the city who would pass along photos of the mid teen females who thought they could be big in the modeling world. Some scam agency would tell them they needed head shots and send them to the photographer who would see how if he could get them naked and what they would do for money. Then, dirty old men like the director would come in and spin tales of money or fame or whatever was their con and then rape these teens. I use the term rape because most of these a-holes were middle aged to old and most of the teens were 15-17.

Anyway, lets call our actress Lisa. If you have been reading the site the past few weeks, this kind of all ties it together doesn’t it. Lisa was 16 when she met the director. He spun his tale and she loved it and they had sex every day for a few weeks. Apparently the director became convinced from his own words to make a movie starring this teen who he was in lust with. He wanted to keep having sex with her and thought she could be a star. Mostly though, he just wanted to have sex with her.

He has an idea for a movie which fulfills all his horrible fantasies and the great thing is, that movie already exists. He just needs to switch it up a little. He also needs money. He goes to his friend who we will call The Big Cheese. One thing you need to know about The Big Cheese is he is crooked. He also loved to make money. Oh, and he also loves teens. One thing led to another and he also raped 16 year old Lisa.

The Big Cheese also saw it as a way he could have sex with someone who was barely legal he had been lusting for on television. She would turn into an A+ list actress and she remains A list to this day. He offered her a role in the movie for about 50 times what she was making doing television but she also had to have sex with him for a whole weekend. She did it and says today it was the worst weekend of her life but it also made her career. She never slept with any other guy for a part.

Now, Mr. Big Cheese was really on board and he saw this as a way he too could have sex with a bunch of teenagers and knew where they could film the movie to take advantage of that. He also knew which A list actor to hire. The actor loved sex with teens and loved filming in out of the way fun places. He also loved a check more than any script. The actor, who we will call DRS also raped Lisa. He did so repeatedly throughout the filming of the movie.

The filming of the movie was just one big orgy with no care or concern about making a hit. The only thing they cared about was staying under budget which was not hard because they were shooting one take of each scene so they could go back to partying. The A lister says she hated going out at night and blames the movie on her drug problem later in life because she just sat in her room bored at night so turned to drugs.

Lisa made more shows and more movies but was usually required to get naked in auditions and in movies and to have sex with whoever was casting her. She burned out and left the business when she got married. A few years went by and then out of the blue she got a call to come do a movie. To be close to top billed. She had been out of the business for almost a decade. Why was she called back? The producer/writer of the movie had a crush on her from back in the day. Despite the fact he is married he wanted to have sex with Lisa and pressured her for weeks and weeks until she agreed. She got the part. The movie sucked. Lisa had been willing to give it one more try but after that she said no and has never worked again.

Comments at Steve Sailer:

* Alternatively, Jennifer Lawrence sells tons of tickets so there’s not much evidence on that score that she’s getting roles based on private rather than economic calculations.

* Interesting idea, but let’s also remember her starring role in “The Fappening,” in which she appeared not only in assorted naked poses, but she seemingly featured a few photos of her face covered in male spew. I have had many girlfriends, yet I know of not one who carries pictures of herself in that position on her iphone. Or anywhere else.

I would suspect that if I found one who did, I could assume a rather liberal policy when it came to doing things that normal people might find to be humiliating as a matter of course.

I would challenge you to come up for a good reason why she might do that. Successful actress that she is, you’d think that professionalism would dictate that she not only not pose for pictures such as those, but also be careful not to carry pictures such as those on her IPHONE–unless such photo’s are considered to be an integral part of her professionalism.

* Then why doesn’t Jennifer Lawrence get replaced with a cheap Lena Dunham lookalike? The producers save millions and it doesn’t affect ticket sales.

* Natalie Portman strikes me as someone who hasn’t gotten where she is strictly on talent.

I loved this 2017 western but noticed how I was emotionally manipulated to increasingly side with the Indians against the whites.

A friend says: “The trend of having the audience root against the white man began with Little Big Man, then reached its high point in Dances with Wolves and most bizarrely was applied to the human race as a whole as opposed to the aliens in Avatar.”

The white protagonist played by Christian Biale starts off hostile against the Indian Chief he has to transport but as the movie goes along, the white guy gets close to the Indians he’s guarding until the penultimate confrontation in Montana when with the Indians, he kills four white guys protecting their own land. When the white protagonist scalps the white land owner, you are manipulated to cheer. You just feel it is awesome that he identifies more with the noble Indians than with the pedantic white guys (including white guys who saved the protagonist’s life in past battles with these very Indians).

I don’t think you’d find a Jewish movie glorifying Jews siding with Nazis to kill their own kind.

I don’t think there’s anything that whites are encouraged to find more moving and exciting than siding against your own people in a fight.

From Yahoo:

The three are forced to band together to overcome the punishing landscape and the Comanche bandits on their tail during a 1,500-mile trek across the perilous American frontier.
“For me really it was about two disparate men with very different world views who come together over the course of the narrative to offer one another a bit of reconciliation and hope. God knows, we need that in America now,” Cooper told AFP.
“I hope, if anything, it sparks a conversation about how we all need to come together and understand each other a bit better and the story is truly a journey of the soul for the characters.”…

Not all critics, however, have been convinced about the movie’s progressive bona fides, with several pointing out that the white actors get all the best lines and complex characterization.
The point is perhaps best illustrated by the fact that, in a story about fractious white-native relations in the American West, it is English actors Bale and Pike who are attracting all the early Oscar buzz.
Variety reviewer Peter Debruge accused “Hostiles” of treating its native characters as little more than one-dimensional “abstract plot devices” depicted as “ruthless savages or as stoic sages.”
Critics have also called out the movie for drawing a false equivalence between individual native attacks such as the Comanche ambush in the prologue and government-sanctioned genocide.
Cooper, however, insists he went to great lengths to understand the “language, customs and mores” of his native characters, employing Cheyenne cultural advisors to ensure he got it right.
“It was very important for me to represent Native American life in an extremely authentic but dignified manner,” he told AFP.