The Great Delusions in Literary Theory

In his 2018 book, The Great Delusion: Liberal Dreams and International Realities, John J. Mearsheimer wrote:

My view is that we are profoundly social beings from the start to the finish of our lives and that individualism is of secondary importance… Liberalism downplays the social nature of human beings to the point of almost ignoring it, instead treating people largely as atomistic actors… Political liberalism… is an ideology that is individualistic at its core and assigns great importance to the concept of inalienable rights. This concern for rights is the basis of its universalism—everyone on the planet has the same inherent set of rights—and this is what motivates liberal states to pursue ambitious foreign policies. The public and scholarly discourse about liberalism since World War II has placed enormous emphasis on what are commonly called human rights. This is true all around the world, not just in the West. “Human rights,” Samuel Moyn notes, “have come to define the most elevated aspirations of both social movements and political entities—state and interstate. They evoke hope and provoke action.”
[Humans] do not operate as lone wolves but are born into social groups or societies that shape their identities well before they can assert their individualism. Moreover, individuals usually develop strong attachments to their group and are sometimes willing to make great sacrifices for their fellow members. Humans are often said to be tribal at their core. The main reason for our social nature is that the best way for a person to survive is to be embedded in a society and to cooperate with fellow members rather than act alone… Despite its elevated ranking, reason is the least important of the three ways we determine our preferences. It certainly is less important than socialization. The main reason socialization matters so much is that humans have a long childhood in which they are protected and nurtured by their families and the surrounding society, and meanwhile exposed to intense socialization. At the same time, they are only beginning to develop their critical faculties, so they are not equipped to think for themselves. By the time an individual reaches the point where his reasoning skills are well developed, his family and society have already imposed an enormous value infusion on him. Moreover, that individual is born with innate sentiments that also strongly influence how he thinks about the world around him. All of this means that people have limited choice in formulating a moral code, because so much of their thinking about right and wrong comes from inborn attitudes and socialization…

If Mearsheimer is right that humans are profoundly social, tribal, and shaped by an intense value infusion before they can reason for themselves, New Criticism becomes an artificial framework.

New Criticism treats a literary text as a self-contained, autonomous object. It demands that a reader isolate the text from the author’s biography, historical context, and social conditions. The logic relies on a reader who can execute a pure, objective analysis based solely on the words on the page.

If Mearsheimer’s premise holds, this level of critical autonomy is impossible. The core tenets of New Criticism collapse in three specific ways:

First, the concept of the reader as an objective observer is a fiction. New Criticism relies on close reading to find universal themes and structural harmony. But if a man’s critical faculties are thoroughly saturated by his society long before he learns to analyze a text, he cannot achieve the detachment New Criticism requires. His socialization dictates how he interprets nuance, irony, and tension. The reader is never an atomistic actor; he is a product of a specific tribe, reading through a specific moral code inherited during childhood.

Second, the text itself cannot be isolated from the social matrix that produced it. New Critics argue against the intentional fallacy, which says you cannot look to the author’s intent to understand a poem. But if the author is also a profoundly social being whose identity was shaped prior to his reasoning skills, the text is an artifact of that socialization. The words on the page carry the weight of the author’s tribal attachments and inborn sentiments. Severing the text from its historical and social origin does not make the analysis pure; it makes it blind to the forces that formed the language.

Third, the entire project of seeking universal meaning through literature fails. New Criticism often implicitly aligns with a liberal view of human nature, where an educated individual can engage with great literature to discover universal truths about the human condition. Mearsheimer argues that universalism is an ideological construction born out of a disregard for our primary tribal nature. If humans are inherently divided into distinct social groups with conflicting moral codes, a text will mean radically different things to different tribes. There is no neutral, universal ground from which to conduct a close reading.

If Mearsheimer is right, New Criticism is a tool designed for atomistic individuals who do not exist. It asks the critic to strip away the very socialization that allows him to perceive and evaluate the world in the first place.

If John J. Mearsheimer is right, the core theoretical contributions of William K. Wimsatt are based on a flawed understanding of human psychology and communication. Wimsatt, along with Monroe Beardsley, anchored New Critical theory by defining two major logical errors in interpretation: the intentional fallacy and the affective fallacy. Both concepts collapse if Mearsheimer’s view of human nature is correct.
The intentional fallacy argues that a critic must not judge a poem by the author’s intended meaning. Wimsatt claimed that the author’s intention is neither available nor desirable as a standard for judging the success of a work of literary art. A text must stand alone as an autonomous object.
If Mearsheimer is right, an author cannot produce an autonomous text that is separate from his socialization. The author is a thoroughly social being whose mind was infused with specific cultural values during a long, dependent childhood. His language, categories of thought, and underlying sentiments are inherited from his tribe. Therefore, a text is never a detached artifact; it is an extension of tribal communication. By cutting off the author’s social origin and context, Wimsatt does not protect the integrity of the poem. He merely strips away the social framework that makes the language intelligible in the first place.
The affective fallacy is the counterpart error. Wimsatt argued that a critic must not judge a poem by its emotional effect on the reader. He believed that evaluating literature based on psychological or emotional responses leads to pure subjectivity, which destroys the possibility of objective criticism. To Wimsatt, the poem must be evaluated as an objective structure of words.
Mearsheimer’s premise makes Wimsatt’s objective reader an impossibility. If a man is born into a social group that shapes his identity long before he develops critical faculties, his psychological and emotional responses to language are largely pre-programmed by socialization. A reader from one culture will have an entirely different automatic, emotional response to a text than a reader from another culture. Wimsatt’s attempt to separate the objective meaning of a poem from its affective results ignores that the reader is a social animal, not a logical machine. The interpretation of the text always remains bound to the moral code and inborn sentiments of the reader’s tribe.
Wimsatt’s overall project was to turn literary criticism into an objective discipline by focusing exclusively on the verbal icon. If Mearsheimer is right, this project is a liberal illusion. It assumes that individuals can transcend their deep social conditioning to produce and analyze text from a position of neutral, universal reason. If humans are tribal down to their core sentiments, language is an instrument of social cohesion and tribal identity. Wimsatt’s autonomous text becomes an artificial abstraction that detaches literature from the survival imperatives and social realities that drive human behavior.
If John J. Mearsheimer is right that humans are tribal at their core and that reason is subordinate to intense, early childhood socialization, the relationship between his anthropology and identity studies is complex. It offers a powerful defense of their descriptive accuracy while simultaneously destroying their normative goals.

Identity studies and cultural critique operate on the premise that human behavior, power structures, and literary interpretations are driven by group alignment rather than individual reason or objective truth. In this sense, Mearsheimer validates their central descriptive claim. He agrees that the atomistic, rational individual of classic liberalism is a fiction. When cultural critics argue that a reader’s interpretation of a text is shaped by his position within a specific social matrix—whether defined by race, gender, or class—Mearsheimer’s framework offers a firm biological and sociological foundation for that view. He confirms that the “value infusion” occurs long before critical faculties develop. The tribe shapes the mind.

The irreconcilable conflict emerges over the question of liberation and change.

Identity studies and cultural critique are rooted in a progressive, emancipatory tradition. They use deconstruction and critique to expose social constructions so that humanity can transcend them, reduce oppression, and move toward a more just, egalitarian society. The goal of cultural critique is to make people conscious of their socialization so they can dismantle harmful power structures.

Mearsheimer’s anthropology implies that this goal is a delusion. If humans are inherently tribal for survival, exposing a social construction does not free a man from tribal logic; it merely forces him to find a different tribe.

If Mearsheimer is right, identity studies are not actually liberating pathways to a universal human community. They are simply the latest manifestation of tribal competition. A cultural critique that attacks a dominant group does not eliminate group dominance; it serves as a political instrument to advance the interests of a rival group. Because inborn sentiments and early socialization limit a man’s choice in formulating a moral code, human groups cannot reason their way into a universal understanding of rights or justice.

For identity studies, Mearsheimer’s view means their diagnosis of human division is entirely correct, but their cure is impossible. Literature and culture remain permanent battlefields for competing tribes, with no neutral ground or progressive future ever within reach.

If John J. Mearsheimer is right, postcolonial studies becomes a highly accurate description of how empires and nations interact, but the field’s underlying progressive hopes are exposed as a complete illusion.

Postcolonial theory, rooted in the work of scholars like Edward Said, analyzes how Western empires used culture, literature, and language to dominate colonized societies. It focuses on the power asymmetry between the global North and South, showing how the West constructed narratives of the “Orient” or the “primitive” to justify its rule.

Mearsheimer’s realism completely aligns with this description. In his view, human groups are tribal, survival-driven, and bound to compete for security and dominance. An empire projecting power and creating self-serving cultural narratives is exactly how a powerful tribe behaves. Postcolonial critics who expose Western literature as an instrument of imperial power are simply describing the cultural component of geopolitical competition.

The division occurs because postcolonial studies is fundamentally an emancipatory project. It aims for decolonization—not just the removal of troops, but the liberation of the mind from imperial categories. It envisions a postcolonial future where different cultures can coexist outside the logic of domination, moving toward a more just, global pluralism.

If Mearsheimer’s anthropology is right, this vision of a harmonious, post-imperial world is a delusion. The collapse of an empire does not end the logic of domination; it merely resets the board for new tribal rivalries.

Without the overarching power of the colonizer, sub-national tribes, ethnic groups, and local factions will inevitably compete for survival and dominance within the postcolonial state. The intense socialization and limited moral choice Mearsheimer describes mean that these groups cannot simply reason their way into a unified, liberal democracy. The history of postcolonial conflicts in Sub-Saharan Africa and South Asia validates this grim assessment.

Furthermore, Mearsheimer’s view redefines the literature of resistance. Postcolonial writers often seek to reclaim their indigenous identity or create hybrid spaces that challenge imperial binaries. If humans are tribal at their core, this literature is not an exercise in universal human liberation. It is an instrument of cultural warfare. It is a tool used by a subordinated group to build internal cohesion, assert its own value infusion, and push back against a rival power.

If Mearsheimer is right, postcolonial studies correctly identifies that Western universalism was a mask for imperial interest. But the field fails to see that its own universalist hopes for global justice are equally impossible. Empire and resistance are not temporary historical deviations that humanity can outgrow; they are the permanent expressions of tribal man seeking survival in an anarchic world.

If John J. Mearsheimer is right, ecocriticism identifies the single greatest threat to human survival, yet the field’s proposed solutions are entirely incompatible with human nature.

Ecocriticism examines literature to critique the human exploitation of the natural world. It targets the anthropocentric—human-centered—view that treats nature as a passive, infinite resource for economic expansion. The normative goal of the field is to foster an ecological consciousness, convincing readers to transcend national and tribal boundaries to save a shared planet.

Mearsheimer’s anthropology explains exactly why the destructive behavior ecocritics document is so persistent. If humans are profoundly social and tribal beings whose primary drive is the survival of their specific group, long-term global ecological balance will always be subordinated to short-term tribal security.

Anarchic competition forces groups to maximize their power relative to others. Power requires resources, energy, and economic output. If one tribe decides to limit its resource consumption or curb its carbon emissions to benefit the global biosphere, it risks weakening itself relative to a rival tribe that chooses to continue exploiting nature. Because humans are driven by group survival rather than universal reason, the competitive structure of human society guarantees the continued exploitation of the environment.

This reality upends the core ambitions of ecocriticism in three ways:

First, the concept of a global ecological identity is a fantasy. Ecocritics often analyze literature to find ways humans can see themselves as citizens of the earth, bound to a single ecosystem. But if humans are intensely socialized within specific families and societies during a long childhood, their moral codes and attachments are fixed locally. A man will make immense sacrifices for his fellow group members, but Mearsheimer’s framework implies he is incapable of forming the same visceral, sacrificial attachment to an abstract global ecosystem. The local tribe will always outvote the planet.

Second, literature cannot serve as a vehicle to reason humanity out of ecological collapse. Ecocritics believe that changing the narrative can change human behavior. Mearsheimer argues that reason is the least important way humans determine their preferences, lagging far behind socialization and innate sentiments. Reading environmental literature might appeal to a critic’s analytical mind, but it cannot override the deep-seated, survival-driven impulses of a society facing resource scarcity or geopolitical competition.

Third, environmentalism itself becomes weaponized as tribal ideology. Just as Mearsheimer views liberal human rights as an ideology used by powerful states to justify intervention, global environmental standards can be viewed through the same lens. Wealthy, secure tribes can use ecocritical narratives to demand that developing tribes restrict their resource use, effectively capping the growth and power of potential rivals.

If Mearsheimer is right, ecocriticism is a tragic discipline. It correctly diagnoses that the exploitation of nature threatens the species, but it relies on a capacity for global cooperation and universal reason that human nature simply does not possess.

If John J. Mearsheimer is right, Marxist and materialist criticism gets the engine of history wrong by confusing the primary unit of human conflict.

Marxist criticism operates on the premise that economic class is the fundamental division in human society. It views nations, states, and cultures as superficial superstructures built on top of the real material base: the mode of production and the exploitation of labor. For a Marxist critic, literature is a tool that either reinforces the false consciousness of capitalism or exposes class struggle. The ultimate goal is an international solidarity of the working class that transcends national boundaries.

Mearsheimer’s anthropology inverts this hierarchy. If humans are tribal at their core and survive by being embedded in a society that shapes their identity before they can reason, then the primary group alignment is cultural, national, or tribal—not economic.

This reality alters the validity of Marxist criticism in three ways:

First, class solidarity is a weak force compared to tribal socialization. Marxists have long struggled to explain why workers of the world do not unite, and why, for example, the European working classes slaughtered one another in World War I instead of turning on their respective bourgeoisies. Mearsheimer provides the anthropological answer: the intense value infusion of early childhood socialization creates a deep, survival-driven loyalty to the nation-state and the immediate social group. A worker identifies as a Frenchman or a German long before he identifies as a proletarian.

Second, the state is not merely an instrument of class rule; it is an instrument of group survival. Marxist critics analyze literature to show how the state and its culture protect capitalist markets and exploit labor. If Mearsheimer is right, the state exists because humans require an overarching structure to protect the tribe from external threats in an anarchic world. Economic systems are organized to maximize the power of the group relative to foreign rivals. The exploitation or organization of labor is a byproduct of a society organizing itself for competitive survival, not the ultimate driver of human history.

Third, literature that exposes economic exploitation is not a step toward universal liberation, but a reflection of internal group maintenance. Marxist critics look for how a novel exposes the cracks in a capitalist system. In Mearsheimer’s framework, this kind of critique is a mechanism by which a society debates its internal cohesion. If a tribe permits extreme internal exploitation, it weakens its own social solidarity and compromises its long-term survival against external competitors. Literature dealing with labor and exploitation is an index of domestic health and tribal stability, not an unmasking of a global economic law.

If Mearsheimer is right, Marxist criticism correctly observes that material power and resource distribution matter immensely. But it fails because it subordinates tribal loyalty to economic interest. Man is a social and political animal before he is an economic one, and his primary struggle is for the security of his tribe, not the liberation of his class.

If John J. Mearsheimer is right, structuralism in literary theory is a highly accurate description of the universal constraints on the human mind, but it misidentifies the source and function of those structures.

Structuralism, championed by thinkers like Roland Barthes (1915-1980) and Claude Lévi-Strauss (1908-2009), treats literature as part of a larger, systemic network of signs and underlying codes. It argues that individual texts do not possess independent, unique meaning. Instead, meaning is generated entirely by the relationships and structural laws within a larger linguistic or cultural system. Structuralists seek to map these universal narrative codes—like binary oppositions—that govern how humans tell stories across different eras and civilizations.

Mearsheimer’s anthropology redefines this framework in three ways:

First, the universal structures of narrative are driven by biological survival, not detached linguistic laws. Structuralists analyze myths and folktales to show that different cultures independently use the same underlying narrative patterns. Mearsheimer provides the material explanation for this phenomenon: humans are born with innate sentiments and share a fundamental biological reality. We are profoundly social beings who depend entirely on group cooperation to survive in a hostile world. The recurring structural motifs in literature—such as the clear boundary between the insider and the outsider, or the sacrifice of the individual for the group—are not arbitrary features of language. They are the hardwired psychological templates required to sustain human groups.

Second, structuralism correctly recognizes that the individual author is not an autonomous genius, but a product of a system. Structuralists famously declared the “death of the author,” arguing that a writer does not create meaning out of pure individual consciousness, but merely rearranges pre-existing cultural codes. Mearsheimer’s view of childhood matches this perfectly. Because a man is exposed to an intense value infusion before his reasoning skills develop, his creative and analytical faculties are thoroughly conditioned by his society. The author writes through the structural codes of his tribe because those codes were stamped into his mind during a long, dependent childhood.

Third, the primary function of these narrative structures is tribal preservation, not aesthetic balance. Structuralists treat narrative codes as a closed, semiotic playground to be mapped and decoded by detached academics. If Mearsheimer is right, these structures are highly functional instruments of group utility. Human societies use the rigid, predictable architecture of myth and story to pass down moral codes and ensure deep conformity across generations. The structure is a survival mechanism designed to make the group’s foundational values easily transmissible and emotionally binding.

If Mearsheimer is right, structuralism correctly diagnoses that human expression is governed by deep, inescapable patterns that override individual autonomy. However, structuralist critics mistake a vital, survival-driven instrument of tribal socialization for a bloodless, universal game of linguistics.

If John J. Mearsheimer is right, post-structuralism and deconstruction are intellectual luxuries that misunderstand the biological and social purpose of language.

Deconstruction, pioneered by Jacques Derrida (1930-2004), posits that language is unstable, slippery, and full of internal contradictions. Deconstructive critics dismantle texts to show that meaning is never fixed or fully present. They view attempts to establish absolute truths or stable structures as operations of power that suppress the inherent play of language. The broader post-structuralist project seeks to destabilize grand narratives and liberate the individual from the tyranny of fixed meanings.

Mearsheimer’s anthropology strikes at the foundation of this project in three ways:

First, language is an evolutionary tool for group survival, not an open-ended game of signification. Mearsheimer argues that humans are born into societies that shape their identities through intense socialization during a long childhood. For a tribe to survive and cooperate, its members must share a stable, functional system of communication and a common moral code. If language were as fundamentally unstable and radically indeterminate as deconstruction claims, early socialization would fail, internal cohesion would collapse, and the tribe would be destroyed by more unified competitors. The persistent survival of human societies proves that language possesses sufficient stability to transmit vital values across generations.

Second, the desire for stable meaning is an innate human need, not an artificial imposition that can be critiqued away. Post-structuralists treat concepts like truth, nation, and tradition as mere linguistic constructs that can be unmade. If Mearsheimer is right, these constructs are anchored in deep-seated, inborn sentiments and the survival imperative. Humans require a shared narrative to operate as a group. A deconstructive critique that successfully strips a society of its foundational myths does not liberate its citizens; it atomizes them, rendering the group defenseless.

Third, the political project of deconstruction becomes a form of unilateral disarmament. Post-structuralists use critique to weaken institutional authority and subvert dominant narratives. In Mearsheimer’s anarchic world, if one tribe adopts post-structuralism and systematically deconstructs its own values, it saps its internal solidarity. Meanwhile, rival tribes operating on intense, uncontested socialization will maintain their cohesion and maximize their power. Far from being a tool of universal liberation, deconstruction acts as a solvent on the group that practices it, accelerating its decline relative to more cohesive rivals.

If Mearsheimer is right, post-structuralism correctly notes that language is complex and power is bound up in narratives. But the field errs by treating language as an autonomous playground separate from biology. Deconstruction can occur only within the safe confines of a highly secure society. Once a tribe faces an existential threat, the luxury of linguistic play disappears, and the absolute necessity of shared, stable, and binding meaning asserts itself for the sake of survival.

If John J. Mearsheimer’s anthropology is right, it does not challenge Stanley Fish. It serves as a near-perfect empirical, biological, and structural validation of Fish’s entire philosophical career.

Fish’s central claim is that an individual can never be an isolated, autonomous, objective thinker. When you read a text or analyze a legal statute, you are always already inside a specific community that dictates how you interpret the world. You do not choose your interpretive strategies; they are supplied to you by the group.

This maps precisely onto Mearsheimer’s assertion that we are profoundly social beings from start to finish and that individualism is of secondary importance. When Mearsheimer writes that humans do not operate as lone wolves but are born into social groups that shape their identities well before they can assert their individualism, he is describing the exact developmental process that creates Fish’s interpretive communities. The long human childhood allows family and society to impose an enormous value infusion on the individual. By the time a person learns to read or reason, his community has already installed the cognitive software that determines what he perceives as a fact, a moral truth, or a valid argument. Mearsheimer provides the biological timeline for Fish’s epistemology.

Both Mearsheimer and Fish are fierce, unrelenting critics of political liberalism, and they target the exact same vulnerability. Fish’s 1999 book, There’s No Such Thing as Free Speech, and It’s a Good Thing, Too, argues that liberal concepts like “free speech,” “fairness,” and “procedural neutrality” are completely fraudulent. Fish contends that no public square is ever neutral; whoever controls the square simply uses the language of neutrality to enforce their own partisan preferences and suppress their rivals.

Mearsheimer reaches the exact same conclusion from the field of international relations. He argues that political liberalism is a delusion because it treats people as atomistic actors governed by universal rights and detached reason. If Mearsheimer’s anthropology is correct—meaning reason is the least important way we determine our preferences, far behind socialization and innate sentiments—then Fish’s critique of liberalism is completely vindicated. Human beings are incapable of maintaining a neutral, universalist public square because they are biologically hardwired to favor their own tribe and enforce its specific moral code. Universalism is merely a rhetorical weapon used by dominant tribes to expand their power.

Fish is famous for his argument that “theory has no consequences.” He claims that studying high-minded philosophical theories about justice, realism, or ethics never changes how people behave in practice. When an investigator, lawyer, or judge acts, he acts out of the deep, unreflective habits of his professional and local community, not because he is following an abstract theoretical model.

Mearsheimer’s view explains why theory is so impotent. If an individual’s thinking about right and wrong comes primarily from inborn attitudes and intense childhood socialization, then abstract, late-developed intellectual theories are just decorative window dressing. When pushed into a corner, the human animal will always default to the visceral, non-rational allegiances of his group.

If Mearsheimer’s anthropology is correct, Stanley Fish is not merely a clever literary provocateur. He is the theorist who accurately described how the human mind operates within its tribal boundaries. Man cannot step outside of his interpretive community because his very survival depends on being embedded in a society, making Fish’s radical anti-foundationalism the natural psychological reality of Mearsheimer’s realist world.

‘A Big Misunderstanding’

Stanley Fish’s anti-foundationalist philosophy aligns remarkably well with David Pinsof’s view of human behavior. Fish famously argues that objective, timeless standards do not exist in literature or law. Meaning is not found inside a text; it is generated by “interpretive communities”—groups that share specific assumptions, goals, and strategies. In books like There’s No Such Thing as Free Speech, and It’s a Good Thing, Too, Fish claims that neutral principles are just rhetorical tools used by competing factions to advance their own political agendas. Because Fish already rejects the idea that humans can transcend their local perspectives, Pinsof’s framework applies directly to Fish’s diagnostic method. Fish unmasks the supreme irony of the standard intellectual. When a judge, philosopher, or social scientist appeals to a neutral principle like “free speech” or “merit,” he is not discovering a universal truth. He is executing a savvy strategy to entrench his own group’s power. Intellectuals do not fail to understand neutral principles; they use them to win arguments and control institutions.
Pinsof drops this insight into a Darwinian context. The interpretive communities Fish describes are not arbitrary academic clusters. They are evolutionary coalitions. The arguments over how to interpret a statute or a poem are high-stakes, zero-sum competitions over status, resources, and institutional control. Partisans do not align with an interpretive community because they made a logical error. They align with it because confirmation bias helps them protect their allies and attack their rivals.
Fish frames his anti-foundationalism as a liberating piece of clarity, even writing a book titled Save the World on Your Own Time, where he tells professors to stop trying to be moral crusaders and just do their jobs. Pinsof invites an examination of the actual motives behind Fish’s own pragmatic stance. Operating as a hyper-cynical, highly paid academic who tells everyone else that their ideals are fake is a phenomenal maneuver in the elite university marketplace. It captures immense status within the intellectual hierarchy. It signals a level of theoretical superiority that ordinary people, occupied with daily survival, find irrelevant. It allows the anti-foundationalist to look down on his peers not as competitors, but as naive actors who still believe in their own mission statements.
The conflict between different social and political factions does not persist because people lack a robust theory of interpretation. It persists because human coalitions have fundamentally conflicting motives over dominance and power. The only misunderstanding in critical theory is the belief that unmasking a strategy changes the incentive to deploy it.

About Luke Ford

I teach Alexander Technique in Beverly Hills (Alexander90210.com).
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