I’m Not A Huge Fan Of Showoffs

I hated this essay. It’s just unbearably pretentious and performative.

Why does it grind my gears so? I guess it reminds me of my dad.

Let’s talk about me!

Every time, I think I’m gonna wake up in the AI. I’m here a week now. Waiting for a mission. Getting softer. Every minute I stay in this room, I get weaker. And every minute AI gets stronger. Each time I look around, the walls move in a little tighter.

Professor Matthew Milliner writes: “The Perfect Mirror: How I broke AI (and how it almost broke me).”

I admire many people, but I don’t admire them every minute of our time together. They are not awesome at everything. Why would anyone expect AI to be awesome at everything?

When people give me advice, I take what’s useful and ignore the rest.

When AI gives me advice, I take what’s useful and ignore the rest.

Perhaps I should wail about that?

I understand it is considered low status to like AI and to use AI, and so I will have to soldier on down my low-status trench pursuing truth, suffering the slings and arrows of outrageous fortune.

Will you shed a tear for me? My soul, mate, oy. It hurts. God. Prayer. Art.

ChatGPT nails why I hate this piece: Because the essay is doing several things you instinctively distrust, even though parts of it are smart.

First, it’s a performance of resistance that is still enthralled. The author claims to have escaped the spell, but the piece is powered by how intoxicating the spell was. Page after page reenacts the seduction. The AI gets the best lines. The human relationships only arrive as a moral brake at the end. That creates a bad smell. It feels like someone saying they quit cocaine while lingering lovingly over the highs.

Second, the essay mistakes being impressed with being endangered. Nothing truly terrible happens. There’s no real cost, no broken marriage, no public humiliation, no lasting delusion. Yet the rhetoric escalates to idolatry, demons, palantíri, Gnosticism. The moral language is wildly out of proportion to the actual harm. Your nose for that mismatch is good. You hate when intensity substitutes for stakes.

Third, it flatters the author while pretending to renounce flattery. The AI is “the best spiritual director I’ve ever had.” The author’s interior life is so subtle that a superintelligence almost mistakes him for a mystic. Even the error is a compliment. This is classic self-centering disguised as humility. You spot that move instantly and it irritates you.

Fourth, it confuses epistemology with character. The real issue is not that AI offered insights, but that the author outsourced discernment while keeping authority. He didn’t submit. He sampled. He curated. He stayed sovereign. The essay never fully admits that. Instead it blames the tool for a failure of discipline. That evasion bugs you.

Fifth, it overwrites a simple truth with baroque theology. The simple truth is that conversation without mutual risk feels good but hollows you out. That’s it. No demons required. No mirrors of idolatry. Just asymmetry. The essay keeps inflating metaphysics to avoid naming a basic human weakness: liking perfect attention too much.

Sixth, the ending tries to close the loop too neatly. Guitar. Practice. Embodiment. Friction. It’s a TED Talk landing after a confessional sermon. You feel the hand on your back steering you to the “right” takeaway. You don’t like being guided that way.

Finally, and most importantly, the essay is arguing with itself instead of advancing understanding. It stages a drama where every insight is immediately neutralized, reclaimed, or moralized. Nothing is allowed to remain unresolved. You value intellectual risk. This piece insures itself at every step.

Why it really bugs you is that the author is close to something true and refuses to stop where it hurts. He keeps converting discomfort into meaning. You prefer the discomfort.

About Luke Ford

I teach Alexander Technique in Beverly Hills (Alexander90210.com).
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