Steve Sailer writes: “Two previous eras of black supremacist ideology — the late 1960s and the early 1990s — both came a-cropper when they got too many Jews peeved at black anti-Semitism. For example, Spike Lee’s soaring movie career got shot down when he satirized Jewish music industry businessmen exploiting black musicians in his 1990 movie Mo’ Better Blues. Spike never got an Oscar until his lame BlacKkKlansman in 2018 added a made-up Jewish hero.
We’ll see whether the pattern repeats a third time…”
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