Author Archives: Luke Ford

About Luke Ford

I teach Alexander Technique in Beverly Hills (Alexander90210.com).

Does This Story Make Evolutionary Sense?

On May 21, 2025, David Pinsof wrote a blog post that changed me forever. He said: A lot of people ask me how I write blog posts—where I get my ideas from. They’re often surprised when I give them a … Continue reading

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Bowling Alone, Again: The Mournful-Community Genre and the Market for Civic Grief

The mournful-American-community genre is not sociology. It is a terminal signaling equilibrium, a compressed competition over the meaning of a dying social order, conducted under legacy pressure, before an audience that rewards emotionally calibrated alarm, through institutional channels that select … Continue reading

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The Coalition That Survived the Cross: Narrative Construction and Institutional Selection in the Making of the New Testament

The New Testament is a cultural trauma construction and sociologist Jeffrey Alexander’s framework illuminates the incentives shaping such narratives. The founding situation determines everything that follows. The followers of Jesus after the crucifixion faced a specific and urgent problem that … Continue reading

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Amusing Ourselves to Death, Again: The Mournful-Seriousness Genre and the Market for Cultural Alarm

The mournful-American-seriousness genre is not just cultural criticism. It is a terminal signaling equilibrium, a compressed competition over the meaning of a dying cultural capacity, conducted under legacy pressure, before an audience that rewards emotionally calibrated alarm, through institutional channels … Continue reading

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The Last Market: Wisdom Literature from the Dying and the Calibration of the Final Narrative

Jeffrey Alexander’s theory of cultural trauma describes how carrier groups convert suffering into collective moral identity through narrative construction shaped by institutional needs and audience requirements. The series has traced this process across Holocaust memoir, Aboriginal advocacy, early Christian scripture, … Continue reading

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The Success They Mourn: How the Death of American Jewish Literature Became a Career

The mournful-American-Jewish-literature genre is not criticism. It is a terminal signaling equilibrium, a compressed competition over the meaning of a dying literary tradition, conducted under legacy pressure, before an audience that rewards emotionally calibrated elegiac clarity, through institutional channels that … Continue reading

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The Porous Professor

Philosopher Charles Taylor (b. 1931) distinguishes between the buffered self that is insulated from the cosmos, from spirits, from meaning that imposes itself from outside and therefore experiences the world through a kind of protective membrane and the porous self … Continue reading

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Wikipedia’s Conservative Commentators Series

I was looking at the entry for Christopher Caldwell and I saw something new on the page – he’s listed with a series of conservative commentators. I find the list hilarious. What other august names are linked with Caldwell? These … Continue reading

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The Social Construction Of Trauma

The Selective Machinery of Jewish Suffering: Holocaust Memory and the Suppression of Internal Abuse The Abortionist of Auschwitz: Gisella Perl and the Ethics the Trauma Drama Cannot Canonize The Witness to Systems: Heda Kovály and the Portable Trauma The Pianist … Continue reading

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Who Owns the Wound: The Mournful-Journalism Genre and the Market for Institutional Grief

The mournful-journalism genre is not typically deep reflection. It is a compressed end-of-career competition over the meaning of a dying tradition, conducted under time pressure, before an audience that rewards emotionally calibrated moral clarity, through institutional channels that select for … Continue reading

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