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"Luke Ford reports all of the 'juicy' quotes, and has been doing it for years." (Marc B. Shapiro)
"This guy knows all the gossip, the ins and outs, the lashon hara of the Orthodox world. He’s an [expert] in... all the inner workings of the Orthodox world." (Rabbi Aaron Rakeffet-Rothkoff) LATEST POSTS:
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- Henty’s Catechism: The Hero System of the Adventure Novel
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- The Fair Witness: Evan Osnos and the Hero System of the Even Voice
- The Hero System of UC Berkeley School of Law Dean Erwin Chemerinsky
- The Hero System of WSJ Editor Emma Tucker
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- Report: Oberlin Chabad Rabbi, Shlomo Elkan, Removed Banned from Campus for Allegedly Engaging in Online Conversation Describing the Sexual Abuse of Children
- Substack Article: ‘Poking a Hornet’s Nest: Breaking the Silence on Akiva Roth, EBJC, Camp Ramah and Cover-Up Culture in Conservative Judaism’
- Manny Waks Abuser Sentenced
- Report: Lakewood Resident, Shemuel Shalomchaim, Charged with Rape
- Report: Saul Len Changes His Story Again, Claims He Unwittingly Uploaded All That CSAM to Google Drive, Claims to Start Organization to Help People with Porn Addictions
- Report: North Miami Beach Resident, Yona (Shaya) Lunger, Arrested Twice, Charged with Multiple Sex Crimes Against Children
- Report: Lakewood Resident, Rabbi Yechiel Farkash, Facing Extradition to Israel for Alleged Sexual Abuse of Students at Bnei Brak Yeshiva Where He Taught, Denied Bond Ahead of Extradition Hearing
- Report: YULA Sued for Sexual Abuse of Student by Former Director of Academic Support, Julie Tichon, Who Pleaded No Contest to Sexual Abuse of Two Students in Criminal Case
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The Internet’s Most Notorious Antisemite Walks into… Lakewood (The Lucas Gage story)
The Hero System of Professor Aaron W. Hughes
Aaron Hughes makes his living by subtraction. He takes a tradition that calls itself ancient and shows it modern, a continuity that calls itself natural and shows it built, an identity that calls itself given and shows it made. The three faiths gathered under the Abrahamic name, the unbroken line from biblical to rabbinic Judaism, the seamless Islam the apologists guard, each dissolves under his hand into a thing assembled by particular men for particular ends. He is the field’s great deflator.
Every scheme a man uses to feel he counts and to hold death off looks, from inside it, like plain reality. That is the center of what Ernest Becker (1924-1974) saw, and it is the trap laid for a man like Hughes, whose scheme is the one that claims to be no scheme at all, the clean removal of everyone else’s. His hero is the man who cannot be fooled. His terror, under all the method, is credulity, the dread of the dupe who never knows he has been taken. He beats that terror by becoming the one who sees through, never taken in, keeping the cold distance the believers cannot keep. And the apparatus he built to deflate every faith holds no tool to deflate the faith in deflation. The machine does not turn on the machine. So the man most afraid of being fooled stays fooled in the single place his life forbids him to look, where his own creed sits in the clothes of method, calling itself the residue that remains once the illusions burn away.
Give him his due, and the due is large. The constructions are constructed. The Abrahamic family is a modern ecumenical invention that reads its twentieth-century usefulness back into antiquity, and Hughes is right that it survives because it serves interfaith conferences and diplomatic need rather than because it tracks the past. Jewish identity is made and remade, not handed down entire from Sinai. Islamic studies does shelter its object behind a protectiveness no historian would grant Rome or the Tudors, and the scholar who says so out loud pays for it, attacked as an orientalist for asking of Islam what every historian asks of everything. Hughes pays that price and keeps writing. The courage is not a pose. He has built a body of work that says the unwelcome true thing, and a field that flattered its objects is the more honest for his presence in it. Where he sees through, he sees clearly.
His creed is the subtraction story carried to its limit. The editors and reporters who claim a view from nowhere strain out their bias as a side effect of the work. For Hughes the straining is the work. Deflation is the whole operation, the removal of the construction to leave the residue, so his claim to stand on nothing but cleared ground runs deeper than theirs ever does. He does not say he has rinsed the bias from his reporting. He says there is no cathedral, only scaffolding that men mistook for stone, and his task is to name the scaffolding. The trouble hides in the word residue. When you strip a tradition of everything its believers take it to be, something stays in your hand, and Hughes treats what stays, the dated record, the documented construction, the sociology of the category, as reality, as the thing the illusion hid. The residue is not the world with the error removed. It is the world as one method renders it, the method that registers what is built and time-bound and situated. The deflator mistakes the reach of his instrument for the shape of the real.
That is where the believer meets him. Yes, says the thoughtful man inside the tradition, the category is built, the continuity is curated, the line to Sinai runs through human hands. And then. Everything that holds a human life is built and time-bound and made by hands, the marriage and the nation and the language and the love, and you have told me the cathedral is scaffolding without telling me why men kneel in it and weep. Hughes can show that the Day of Atonement liturgy was assembled over centuries from scattered sources. He cannot reach what moves in a man when the congregation sings Kol Nidre and the gates close. Charles Taylor (b. 1931) spent a long book on the experience the deflator brackets, the felt change in what it is to believe, and the scholars of lived religion build their work on the sensory and mortal weight of practice that the sociology of the category steps over. Their charge is not that Hughes is wrong about the construction. It is that he has explained the building and missed the prayer, and that a study of religion unable to see why billions arrange their dying around these things has subtracted the phenomenon along with the error.
Watch, too, where the tools go quiet, because the silence has a pattern. Hughes turns the full apparatus on Islamic apologetics and pays in hostility, and the cost buys him the standing of the critic who tells the unpopular truth. He turns it on Jewish continuity and dissolves the claim that rabbinic Judaism is the natural flowering of the Bible. But the chair he sits in is a chair in Judaic studies, endowed and sustained by a community whose central story his method unmakes, and the same hand that takes the continuity apart edits the series that keeps the philosophy shelved, so the heroism of deflation and the income of preservation arrive together from sources that do not agree. And one object the apparatus leaves alone. The cultural memory of the Holocaust could be read as a construction like the others, assembled, deployed, serving present need, and his tools could say so. They do not. The restraint may be decency, and the scale and the living survivors make decency the likeliest reading. It is also true that this is the one deflation that would cost him the ground he stands on, and his own method, turned on anyone else, would not let the convenient silence pass without asking which it was. On himself it never asks.
Here his self-awareness runs backward. Most men see least about the rival across the field and something about themselves. Hughes is the reverse. No one alive is sharper at finding the unexamined faith in another scholar’s work, the place where erudition shades into devotion, the apologetic hiding in the footnote. The whole gift points outward. It cannot be aimed home, because aiming it home is the one operation that would deflate the deflator, and a hero system does not hand its bearer the tool to take the hero apart. He examines every construction but his own with a rigor that goes dark the instant the light would fall on the lamp.
This reading deflates Hughes, and the move that deflates him deflates the one making it, and Becker’s frame, turned on Becker, is a hero system too, a scheme for the significance of the man who sees through schemes. The knife cuts every hand that lifts it, mine as much as his.
Hughes claims for himself the one thing he denies to every believer he studies, a standpoint that is not a standpoint, a seeing with no faith inside it, the residue mistaken for the real. The honest deflator would grant that deflation too is a creed, with its own sacred method and its own quiet dread, and would keep deflating anyway, having surrendered the last illusion, the illusion of standing nowhere.
Philosopher Michael Huemer & The Credit of Appearances
Michael Huemer (b. December 27, 1969) is an American philosopher who has taught at the University of Colorado Boulder since 1998. His writing crosses epistemology, ethics, metaethics, political philosophy, metaphysics, and the philosophy of mathematics. He has authored or co-authored about a dozen books and more than eighty academic articles. Within analytic philosophy he holds a position few others manage to hold at once. Colleagues treat him as a serious contributor to mainstream debates in epistemology and metaethics, and at the same time he defends a list of conclusions that most of the profession regards as eccentric: philosophical anarchism, libertarian free will, substance dualism, and an argument for survival after death. One commitment runs under all of it. Huemer holds that ordinary appearances and common-sense judgments deserve a presumption of credibility, and that the burden falls on anyone who wants to overturn them.
He took his bachelor’s degree at the University of California, Berkeley in 1992 and his doctorate at Rutgers University in 1998, where Peter D. Klein (b. 1940) supervised his dissertation. Klein built his own reputation on skepticism and the theory of knowledge, and a student who would spend a career answering the skeptic learned the problem from a man who took it seriously. Huemer went to Boulder the same year he finished and has stayed there for his whole career, rising to full professor. His prose marks him out among academic philosophers. Much technical philosophy buries its claims under specialist vocabulary. Huemer writes to be understood, and he treats the plain statement of a hard idea as a test the idea has to pass.
His first book, Skepticism and the Veil of Perception (2001), set the themes that would organize the work to come. It attacks indirect realism, the view that a person perceives only inner mental representations and never the outer world. Huemer argues for direct realism, the claim that ordinary perception puts us in contact with external objects rather than with mental stand-ins for them. Skepticism draws its strength, he argues, from standards of proof no belief could meet and from a refusal to count ordinary experience as evidence. The burden sits with the skeptic who wants to unseat perception, not with the man who trusts it.
The center of his epistemology is phenomenal conservatism. On this view, if it seems to a man that something is true, that seeming gives him at least some justification for believing it, unless other evidence defeats the seeming. Huemer uses “seeming” in a technical sense. A seeming is neither a belief nor a desire. A stick held in water may seem bent to a man who knows it is straight. A mathematical claim may seem self-evident before anyone proves it. A moral judgment may seem correct before anyone turns it into a theory. These appearances, Huemer argues, are the ground floor of justification. Every argument rests at last on premises that seem true, so a wholesale rejection of seemings would take down science, logic, and reasoning along with morality and common sense.
That framework reached full form in Ethical Intuitionism (2005), the book that made his name among moral philosophers. It defends moral realism against relativism, non-cognitivism, and error theory. Huemer argues that a man can know some moral truths through rational intuition, in the way he can know some mathematical truths through insight. He sees that gratuitous cruelty is wrong as he sees that two plus two makes four, without an experiment. Morality, on this account, is no social construction and no report of private taste. Huemer grants that intuition can be warped by culture, ideology, emotion, or self-interest, and so the work of moral philosophy is to sort the intuitions that survive scrutiny from the ones that fail it.
His political philosophy grows from the same root. The Problem of Political Authority (2013) challenges the assumption that a government holds a moral standing no private person holds. The book takes apart social contract theory, the appeal to democratic consent, and consequentialist defenses of the state. Huemer works by a test of moral parity. He asks again and again whether an act we accept from a government would count as legitimate from a private individual. If a neighbor may not take your money by force to fund a project he likes, why may the state? If private coercion is wrong as a rule, what licenses state coercion? No account of authority, Huemer concludes, has earned the state its exemption from ordinary morality. The book made him a leading defender of philosophical anarchism, and it became his best-known work outside the academy even as his epistemology and metaethics drew more citations within it.
Huemer parts from many libertarian writers in his starting point. He rests his politics less on natural rights, market efficiency, or constitutional history than on plain moral judgment, and he asks that political institutions answer to the standards we apply to ordinary conduct between persons. Admirers praise the clarity and the consistency. Critics answer that the parity test flattens the problems of collective action and political order, that a state is not a large person and cannot be judged as one. Even many of the critics treat the book as a reference point they have to address.
Huemer has carried the same reasoning past questions of government. Dialogues on Ethical Vegetarianism (2019) argues that industrial animal agriculture causes suffering on a scale no ordinary benefit can justify. He casts the book as a dialogue to bring the argument into public reach. His own position, sometimes called ostroveganism, permits eating simple organisms such as oysters and scallops that lack the nervous systems for conscious suffering, while it condemns most conventional meat.
Questions of justice and state force return in Justice Before the Law (2021), which he wrote on sabbatical in New Orleans. He examines criminal punishment, plea bargaining, the price of legal services, and legal equality through the same plain moral principles. Governments, he argues, claim permissions that would count as grave wrongs from a private hand. He presses the case that judges, prosecutors, jurors, and lawyers should put justice ahead of the law, and should refuse to enforce an unjust statute or impose a sentence out of all proportion to the offense. His case for far freer immigration flows from the same regard for non-harm and voluntary dealing that anchors the rest of his politics.
Away from ethics and politics, Huemer has given long attention to paradox, infinity, and the foundations of mathematics. Approaching Infinity (2016) takes up the puzzles that gather around infinite quantities and works through classical paradoxes of time, space, and number. He declines to treat infinity as a plain feature of the physical world, sorts its different forms, and traces what each form means for metaphysics and cosmology. Paradox Lost (2018) widens the survey to a range of philosophical paradoxes and the errors of reasoning that breed them.
Huemer has also turned into a sharp critic of academic culture. Knowledge, Reality, and Value: A Mostly Common Sense Guide to Philosophy (2021) joins an introduction to the field with an argument for plain speech. Many philosophical quarrels, he holds, grow murky through technical language and a competition for status dressed as rigor. He calls a good deal of it academic high-status babble, and he insists that a philosophical idea should go into ordinary words whenever it can. The conviction reaches past style. Real understanding, on his view, should make a thing simpler.
His work on political disagreement asks why intelligent people split so far apart on politics. Huemer argues that political belief answers to social incentives, group loyalty, and identity more than to evidence. The private cost of a mistaken political belief is low, and the social cost of dissent can be high, so men adopt the views that secure their standing in a group. The same skepticism toward ideological certainty leads him to press the left and the right by turns, and it keeps him hard to file on a single side.
In metaphysics and the philosophy of mind he holds several positions that sit outside the mainstream. He has shown sympathy for substance dualism, the view that consciousness does not reduce to physical process. He defends a libertarian account of free will against determinism, a stance he carried into a public debate with the neuroscientist Robert Sapolsky (b. 1957). He has explored arguments for survival after death. In his paper “Existence Is Evidence of Immortality” he argues that certain assumptions about infinite time carry surprising consequences for personal existence and reincarnation. The arguments remain contested. They show a man willing to follow his premises to conclusions the profession resists, when he judges the premises sound.
Huemer belongs to the line of common-sense philosophers that runs through Thomas Reid (1710-1796) and, to a lesser degree, G. E. Moore (1873-1958). With Reid he holds that ordinary belief carries a default credit. With Moore he holds that many skeptical arguments are less sure than the common-sense claims they attack, so that a man does better to hold onto his conviction that he has hands than to give it up on the strength of an argument he cannot fully answer. The stance sets him apart from philosophers who try to rebuild knowledge from abstract first principles. Huemer starts from the way things look and asks what reason there might be to leave that starting point.
Outside the university Huemer has built a wide public following. Through his Substack newsletter Fake Noûs, which carries more than fourteen thousand subscribers, along with podcasts, debates, interviews, and essays, he reaches readers well past the academy. The public writing shows the marks of the scholarly work: clarity, independence, and an appetite for testing fashionable claims. Whether the subject is morality, politics, consciousness, diet, or skepticism, he looks for the belief that seems most obvious on reflection and then asks whether any theory has given sufficient ground to drop it.
Huemer stays hard to classify. He is a moral realist in a skeptical age, a defender of intuition in a profession wary of it, a philosophical anarchist who rests his politics on ordinary morality, and a common-sense philosopher who defends uncommon conclusions. Admirers count him among the clearest and most rigorous defenders of common-sense reasoning now writing. Critics charge that he leans too hard on intuition and gives too little weight to history and social complexity. Both camps tend to grant that he holds a distinct place in contemporary analytic philosophy.
The unity in the work lies in his conviction about where inquiry starts. Perception, morality, political authority, mathematical truth, consciousness: across all of them Huemer returns to the thought that the way things seem gives reason its first footing. Philosophy, on his account, should not open by distrusting ordinary experience. It should open there and leave only when the evidence requires.
The Hero System of Professor David N. Myers
His teacher stood in the rubble and called it final. Yosef Hayim Yerushalmi (1932-2009) argued in Zakhor: Jewish History and Jewish Memory that modern critical history broke the link between the Jewish people and its past, that the archive replaced the living memory carried by liturgy and ritual and communal practice, and that no better scholarship could mend the break. Something was severed. The historian stands among the pieces and cannot put them back. David Myers (b. 1960) takes his doctorate under that man, absorbs the argument to the bone, and spends the next forty years trying to prove him wrong, most directly in The Stakes of History. His hero is the physician of memory, the scholar who reaches into the wound the teacher called fatal and works to heal it.
Understand what is at stake, and the frame opens. Jewish memory is a machine for defeating death. The people outlives every empire that buried it because each generation receives the past as its own, remembers the exodus as if it stood at the sea, carries the dead forward as the living. Remember, the command runs, and the remembering is how a people refuses to end. Ernest Becker (1924-1974) gave the name for what such a scheme does, the work of holding death off and making a life count, and Jewish memory is among the oldest and strongest of them. Myers builds his own significance on top of that one. If the chain can be reforged through the critical history that seemed to break it, then the people survives the modern acid, and Myers is the man who saved the link. His permanence rides on the people’s permanence. The thing he cannot bear is the suspicion under everything he writes, that the scholarship he loves is the solvent and not the cure.
He carries a subtraction story, though a quiet one, fitted to a man who spends his life refusing the easy subtractions. He will not strip the criticism out of the scholarship to make it serve the tribe, which is propaganda, and he will not strip the commitment out to make it pure, which is the detached scholar’s sterility. He wants the middle, criticism and commitment at once, and he is honest about how hard the middle is to hold. But one subtraction runs under the honesty. The Judaism Myers serves is Judaism with the parochial removed, the chosenness read as ethics rather than exclusion, the sovereignty held at arm’s length, the boundary lowered, the tribe opened into a dialogue. He offers this as the morally serious core, the tradition clarified, Judaism once the chauvinism burns off. And he reads it as the capacious middle, the generous ground where all the positions meet. The man outside his circle reads it otherwise, as one party’s creed that has named itself the middle, the liberal diaspora Jew’s hero system wearing the robes of the whole.
Watch his sacred words change meaning as they cross from his world into others.
Memory. To Myers memory is a usable past, reforged by the careful historian, a link a scholar can mend with an archive and an argument. To the Hasid of Kiryas Joel, the community Myers studied with his wife and found to be no relic but a hyper-modern user of American law, memory is nothing a book can carry. Memory is the boy in the cheder, the marriage arranged inside the boundary, the day lived under the commandments, the next generation formed before it can choose. The Hasid transmits memory by making Jews who will make Jews. Myers transmits books that circulate among Jews already made. To the Hasid the engaged historian is not mending the chain. He is the rupture Yerushalmi named, dressed now as the repair.
Continuity. Myers means an open and interpretive thing, the past rejoined to the present by reading and dialogue. The sovereigntist, the heir of the men who built a state because memory and prayer did not stop the trains, means something with an army behind it. Continuity is the Jewish state that survives its enemies, and survival runs through power and closure and the willingness to choose your own side without apology. To this hero Myers’s open continuity is the diaspora dream that history already drowned, and his recovered Simon Rawidowicz (1896-1957), the thinker who imagined coexistence and binational arrangement instead of sovereign closure, is a beautiful corpse Myers keeps trying to revive.
Both sides. This is his deepest reflex, the symmetry he reaches for by instinct, the massacre all must condemn and the humanitarian catastrophe all must oppose, held in one hand. He builds his arguments as balanced pairs and calls the balance moral clarity. The sovereigntist calls it moral evasion. In a war he reads as a war for survival, the demand to weigh your own dead against the enemy’s is a demand to disarm, and the man safe in Los Angeles who asks both peoples to mourn together is performing a generosity his security pays for. Myers hears conscience. The other hero hears the luxury of distance.
Dialogue, pluralism, reconciliation, the dignity of all human life. He names these without irony, founds institutes on them, closes even his darkest essay on the vigil and the better angels. To the Hasid each is a solvent. Dialogue across difference is the open door the children walk out of. Pluralism is the acid that thins the boundary until the community cannot hold. The dignity of all human life is true and stands second to the covenant. Reconciliation is the whistle of a man walking past his own graveyard. The optimism Myers wears as a virtue, the refusal to close on despair, reads from inside the transmitting community as the cheer of a branch that does not notice how few of its children remain on the tree.
The cruelty in his story is that he studied the answer and could not use it. He and his wife went into Kiryas Joel expecting a fossil and found a hyper-modern machine, a community that worked the liberal order’s own tools, zoning and incorporation and the vote, to wall off a space where memory transmits the old way, through bodies and boundaries and births. He admired the cunning and missed the verdict it passed on his life’s work. The Hasidim transmit and multiply. The liberal Jewish public he serves reads, agrees, and does not reliably hand the thing to its children. He devoted himself to reforging the chain and serves the branch whose chain thins, while the branch whose chain holds is the one his whole pluralist faith is built to oppose. His medicine heals the patient least able to swallow it, and the patient thriving without it is the one he cannot join.
He sees more of this than almost anyone in his position, and the seeing is the honorable core of him. He knows applied history slides toward advocacy and says so against his own institutes. He keeps the Yerushalmi wound open as a wound rather than filing it under settled provocations the field has outgrown. He told the teacher to his face, while the teacher lived, that the teacher had quit too early, and the teacher disagreed, sharply, and Myers honored him anyway, which is how inheritance works when it works. What he cannot quite see sits at the one place his courage cannot reach, the gap between feeding a readership and forming a generation. He believes he does the work of memory. He curates the self-understanding of the already-convinced, and the difference is the difference between a people that continues and a literature about continuity.
So the figure stands clear, the student who refused his teacher’s despair, the physician of memory who spent forty years arguing that the archive can heal what the archive helped break. The courage is real and rare. He kept alive as a living problem what the field embalmed as a classic, and he made his failure visible by the plain act of trying, which the cautious never do. The cost is folded into the cure. He can compound the medicine, can write the usable past with a specialist’s rigor and a moralist’s warmth, and he cannot make the patient’s children take it, because the thing that makes them take it is the boundary and the commandment and the formed life he spent his career holding at arm’s length in the name of the open and the plural. He is a healer who loves the patient and cannot give him the one thing that would let him live, since the one thing is the closure the healer’s whole faith forbids.
Maggie Haberman’s Hero System
The man who calls her a third-rate reporter calls her, and the two facts are one fact. Maggie Haberman (b. 1973) builds the most consequential franchise in modern political journalism on a single transaction. She takes the call. She pulls what is useful from it, discounts the spin, and comes back the next day for the next call. Donald Trump (b. 1946) attacks her by name and hands her the access he hands no one, leaks to her and complains to her and reads her more closely than he reads his own staff, because each of them needs the other to be who they are. Her dread is not his. Her dread is the dead phone, the call that goes to a rival, the door that shuts, the room she is no longer in. Everything she does, she does to keep the line open.
That is a hero system, in Ernest Becker‘s (1924-1974) sense, a way of earning significance and holding death off, and hers runs against the grain of the creeds her editors keep. They worship the verified fact with the reporter’s hand wiped off it. She worships proximity. To be the one they call, to know what the principals think before the principals say it, to stand so close to power that the record of power cannot be written without her, that is the whole of it. Her bid for permanence is the chronicle, and the chronicle is welded to its subject. The history of the Trump years will rest, more than on any other reporter, on what she saw and heard and pried loose, which means her name lasts because his does. She found her immortality in a man.
She learns the trade in a war. The New York Post of the late nineties fights the Daily News for the city block by block, and the combat teaches reporting that runs on relationships rather than documents. The players, Trump and Giuliani (b. 1944) and the rest, understand the city’s media economy and work it without shame, feeding items, planting stories on rivals, calling to flatter or threaten. The young reporter learns to take the call, bank the useful part, throw out the rest, and protect the source for tomorrow. She covers City Hall and absorbs a picture of politics as a contest among hungry personalities for attention and leverage and survival, with policy along for the ride. She does not have to reach far for this picture. Her father spends his career at The New York Times, her mother works for the publicist whose clients include the city’s loudest self-promoters, Trump among them, and she grows up inside the wiring that joins the press to the flacks to the famous. The world she covers is the world she was born in.
Here is where her creed parts from her editors’. The men above her sell a view from nowhere, fact with the standpoint strained out. Haberman sells something more honest and more dangerous, a view from the inside. She does not claim to stand above the players. She claims to sit among them and bring back what they say, spin discounted, self-interest filtered, the real calculation laid bare. Take the call and discount the spin. That is the promise, and it carries its own quiet subtraction, the belief that a reporter can strain the teller’s motive out of the tell while depending on the teller to keep telling. The sources talk for reasons of their own, to knife a rival, to place themselves, to plant an argument in the paper the president reads at dawn. Her stories map the palace wars as no one else maps them, and the map is drawn by the combatants. She knows this. The danger is not that she misses it. The danger is that the line must stay open, and a line you cannot afford to cut bends the hand that writes. The most damaging detail keeps for the next story, or the book. The framing stays survivable for the man who will pick up tomorrow.
The deepest thing about her is not a rival across a field. It is a partner across a phone. Trump runs on the promoter’s faith that attention is worth, that publicity is the currency that settles all accounts, the same faith the New York she came up in ran on. They are two practitioners of one creed, which is why she reads him when the policy press cannot. The Washington reporters trained on platforms and consultants meet him in 2015 and see a stunt. She meets a man she has watched for twenty years, working the national stage with the tools he used to own the tabloids, and she treats him as real when the rest treat him as a joke. The fit is exact, and it is a trap with two doors. He wants her coverage because the Times confers a legitimacy his own outlets cannot. She wants his access because it yields journalism no one else can file. He is her weapon and her prize. She is his. Each feeds the other’s hunger for permanence, neither can quit the exchange, and the country reads the result and calls it the news.
Two heroes reject the bargain.
The first is the journalist as alarm, the reporter who holds that some subjects forbid the cool transactional eye, that a man who tells crowds he might not leave office is not a palace-intrigue story but a fire, and that to cover him as who-is-up-who-is-down is to file dispatches on the weather of an emergency. To this hero Haberman’s great gift, making Trump legible, is the original sin, because the legible reads as the normal, and the normalizing of the thing was the thing to fight. Her readability soothed where alarm was owed. She answers that she exposed more of him than any crusader ever would have, that the public knew his conduct because she pried it loose, and the answer is strong and does not close the wound, because both halves hold at once.
The second is the populist she is supposed to be the enemy of, and here the picture turns strange. By every marker she is the establishment he runs against, the Times man’s daughter and the publicist’s daughter, raised in the wiring of elite Manhattan media, credentialed and connected past any heartland reporter’s reach. Yet she is the one in the enemy camp who saw their man plainly, took him seriously, understood where he came from and what he was doing. The populist regards her with a divided eye, the elite scribe who alone among the elite got it. Then the eye settles, because he watches what she did with the seeing. She turned the man into a franchise. She built a career and a bestseller and a cable chair on him, made him content, the lead character in the Manhattan attention economy that pays her. Her understanding was never sympathy. It was extraction, the tabloid art at presidential scale, and the populist’s champion became the elite’s most profitable product.
She sees more of her own position than her detractors grant. She names the access problem and argues the other side of it with force, that the relationships surfaced what the record needed, that a reporter who would not take the call would have nothing to report. What she cannot quite see is the shape of her own lens. The tabloid eye that fit Trump so exactly, individuals over institutions, incentives over ideas, the eternal who-leaked and who-benefits, is the eye that renders every rupture as one more turn of the old New York wheel, and an eye built for that wheel cannot catch the thing that does not turn on it, the chance that this was not power as Manhattan practices it but something her lens was never ground to see. The fit is the gift and the blindness together. When the revelations she holds surface in Confidence Man rather than in the paper, the same logic shows its hand. The reporting matures on the relationship’s clock, not the public’s, because the relationship is the asset and the asset must last.
So it closes where it opened, on the call. Haberman’s significance is access, her permanence is the chronicle, and both are bolted to a single man, her triumph and her limit in one. She gives the age the fullest record it has of the figure at its center, and she draws it with a hand that needed him to keep talking, so the portrait runs deep and the frame holds fixed, set at the angle of the open phone. The historians will lean on her because no one stood closer. They will also have to remember that standing that close is a position and not the absence of one, and that the price of the call she could not afford to lose is folded into every line it bought.
Jonathan Swan’s Hero System
In the Australian party room a prime minister can be finished by Thursday. The numbers move in a corridor, a faction shifts, the caucus votes, and the man who led the country at breakfast clears his desk by dark. Jonathan Swan (b. 1985) learns his trade in the gallery that reads those corridors, through the years the two big parties knife three sitting prime ministers between them, and the lesson sets in the bone. Formal institutions describe politics. Informal networks conduct it. Power is the arithmetic of who holds the votes in the room, and the reporter’s work is to count the room before the press conference that pretends no counting took place.
He carries the arithmetic to Washington and it makes him. He lands in 2014 on a congressional fellowship, apprentices inside the institution, and then watches the American press corps fail to read its own subject. The reporters trained on platforms and consultants see Trump (b. 1946) as a circus, a man, a spectacle. Swan sees a party room. The operation that others call chaos he treats as any caucus, a set of factions with competing interests and a tally to be taken, and he reports it by doing what a gallery man does, working every camp, owing none of them, reconstructing the fight from all sides so that no single faction can hand him the story. The method crosses the ocean intact, because power runs on the same machinery in both capitals. Only the accents change.
This makes him a hero the country he conquers does not know how to read. The American reporter of the first rank tends to carry a civic religion. He guards the Fourth Estate, serves democracy, holds the press a sacred trust named in the Constitution, and the mission gives his work its weight. Swan carries no such faith. He is a tradesman among missionaries, formed in a trade culture that treats journalism as a craft and not a calling, and his significance comes from the craft and nothing above it. Find out what powerful people work to hide. Check it. Publish it first. The man who possesses the information others lack and verifies it and gets it into print before the rest has done the whole job, and the job needs no steeple over it. What he reaches for, in the only terms a man finally reaches for anything, is the standing of the one who got it right and the record that outlasts him, the reconstruction so well sourced that the history cannot be written around it. He builds his permanence out of accuracy, not mission. Becker would call it a hero system like any other. It simply keeps its faith in the tools.
The posture is inherited. His father, Norman Swan (b. 1953), becomes Australia’s best known medical broadcaster by translating the specialists for everyone and by challenging medical authority whenever the evidence demands it. The son takes the same stance and turns it from doctors to politicians. Challenge the powerful with the evidence. Do not let the claim stand when the numbers say otherwise. The whole of his most famous hour runs on that single inherited reflex.
In 2020 he sits across from the president with the preparation of a print reporter and the patience of a man taking a deposition. Trump shuffles his printed charts to show the country doing well on deaths as a share of cases, and Swan moves him to deaths as a share of population, where the American record turns grim, and declines to let the better-sounding number stand. The president says the dead are what they are. Swan’s face does the rest, disbelief in real time, and the clip travels the world. The country reads it as a man speaking truth to power. Beneath the drama it is a tradesman checking a figure, the son of the doctor who refused the authority’s word for the data.
Here is his version of the move every reporter at this height makes, the claim to give you reality with the reporter strained out. Swan does not strain out his bias by pretending to no standpoint. He strains out his verdict. He renders no judgment, foregrounds no opinion, forgoes the essayist’s synthesis, and lays before you only the room, who was in it, who said what, who won, who lost, reconstructed and checked. That is the craftsman’s subtraction, the world reduced to verified event with the meaning left for the reader to supply. It buys a rare and real knowledge, the granular truth of what happened, and it pays for that knowledge by giving up another. The man who will name only what happened in the room cannot name what the room was for. When his great reconstruction of the administration’s last weeks lays out the schemes and the confrontations and the officials shoved aside, it tells you everything about the fight and withholds the one thing an essayist would risk, the verdict on what the fight was. He calls that discipline. His critics call it evasion. Both are right, because the discipline and the evasion are the same refusal.
The refusal makes two enemies, and a third condition he was born into.
His American peers, the missionaries, do not quite trust a man who will not profess. They prize the craft and use his scoops, but the reporter who serves no creed above the trade unsettles a press that has come to understand itself as democracy’s guard, and in an age that asks every journalist which side he is on, the tradesman who answers only the craft looks evasive or worse to the believers in his own building.
The moralist presses harder. The times are not normal, he says, and a method built to treat all power as the same factional arithmetic flattens an emergency into one more org-chart fight, and the cross-examiner who pins the death figure and renders no verdict on the man has done half a job and called it the whole. Swan answers, fairly, that the verdict was never his to give, that his readers can judge once he has told them truly what occurred, and the answer holds and does not satisfy, because some readers want the teller to say what the telling means.
The deepest objection comes from the believer Swan reports, the trad and the nationalist who reads his movement as a faith and finds himself written up as a flowchart. To this man Swan is a brilliant mechanic who has mistaken the engine for the car. He maps the factions and counts the votes and reconstructs the personnel fight, and he misses that the thing in the country is not a faction doing the numbers but a people in revolt, a hunger the party room cannot hold, and the gallery method that reads every movement as machinery goes blind before the one force that has no room to be reported from. The Australian craftsman, deaf to the American civic religion of the press, is deaf in the same key to the religion of the movement. He believes everything important happens in a room and can be reconstructed by the men who were in it. Some things happen in no room.
He knows the access charge and meets it well, that the sources who talk to him have humbled themselves in his copy as often as they have used it, that a reporter who would not cultivate them would have nothing to report. The thing he cannot see is the edge of the room. His method assumes that power is always identifiable people pursuing identifiable interests inside structures that reward and punish, and the assumption is true often enough to make him the best in the trade and false exactly where the trade fails, at the movement, the mood, the faith, the wave that no faction conducts and no source can explain, because the people inside it do not live it as a fight among interests. He can reconstruct any room. He cannot report the weather outside it.
So the man comes clear, the gallery reporter who carried the party-room arithmetic across an ocean and proved it reads any capital, the tradesman who kept his faith in the craft while the country around him made a religion of the press and a counter-religion of the revolt against it. His gift is the reconstructed room, sourced from every faction, owned by none, verified and first. His blindness is the conviction that the room is where the world gets decided. And the cost folded into his refusal to judge is that the meaning of the event, the one thing many readers cannot supply for themselves, is the thing his craft hands back unspoken, a door held open onto a room reported in full and never read for what it was.
Dean Baquet’s Hero System
Dean Baquet (b. 1956) rises from a Creole restaurant family in the Tremé to the top of the most powerful newsroom in the country, without a college degree, on reporting talent and a hard institutional sense. He carries two heroes into that chair, and the years he runs the place keep forcing the two to fight. One is the accountability man, the digger who exposes what power hides and defends the reporting against the spreadsheet. The other is the witness from the Tremé, the first Black editor of a paper whose old neutrality wrote his own people as a footnote. Most of his troubles, and most of his achievement, come from holding both at once.
Name the frame. Ernest Becker (1924-1974) called a culture’s scheme for earning significance a hero system, the account of what makes a life worth living and a death bearable, the faith that sorts the worthy from the wasted. Baquet’s faith is the institution and the work it produces, the verified exposure that changes the world and the great paper that carries it past any one man. His significance comes from the record, from documenting Chicago’s crooked council and Harvey Weinstein’s abuse (b. 1952) and Donald Trump‘s (b. 1946) tax returns. His immortality is the paper, larger and richer when he leaves it than when he arrived, and the investigative tradition he hands on. Near the end he turns to the dying local newsrooms and tries to keep their reporting alive, the keeper of a flame against the dark.
His first terror takes shape in Los Angeles. He runs the Los Angeles Times there, gathers prizes, and when the corporate owner demands cut after cut he refuses in public and loses the job for it. The lesson sets hard. The enemy is the spreadsheet, the accountant who hollows the newsroom until the paper survives as a name with no one left to report under it. He watches the metropolitan press collapse, the local papers go dark across the country, the reporting capacity that held towns accountable bleed out. So his hero stands against the death of reporting, and he carries the scar of that fight into every room.
Then comes the creed. He defends the old reporting faith. The journalist gathers verifiable facts and does not march as an activist. The reporter strips his politics and his wishes and lays the checked world on the page. He becomes the loudest editor in the country against Twitter, which he says tricks the journalist into mistaking a small loud crowd for the public and shrinks the field of sight, and he limits how his people may use it. That is the subtraction story of the trade, reality with the activism strained out, the report from no particular side.
He believes it, and he does not entirely believe it. The boy from the Tremé knows from the inside that the old neutral paper was never neutral, that its view from nowhere was the view from a comfortable White establishment that wrote his community small. Under him the paper runs the 1619 Project, led by Nikole Hannah-Jones (b. 1976), which moves slavery to the center of the American story, the most ambitious and most contested history the paper has tried. To its admirers it corrects the record at last. To its critics, among them eminent historians, it bends history toward a thesis. Set the project beside the Twitter crackdown and the same man does two opposite things, defending the report from no side and publishing the boldest argument from a side the paper has run in a generation. He is not a hypocrite. He is two heroes in one body, and the era will not let them live in peace.
The collisions come on a schedule. In 2020 the opinion pages run an essay by Senator Tom Cotton (b. 1977) urging troops into the streets during the unrest after George Floyd (1973-2020) is killed, and the newsroom revolts, hundreds of staff saying the piece endangers their Black colleagues, and the editor of the page resigns. Baquet does not run opinion, but the quarrel is his quarrel, the free-expression institutionalist and the justice-seeking staff at war inside his house, and the staff win. A year later veteran science reporter Donald G. McNeil leaves over a racial slur he used years before, and the handling pleases no one, the institutionalists calling it a panic and the activists calling it too slow. The verdict that fits the whole late stretch is that Baquet satisfied no one and it is hard to find a vantage point where he does not appear cowardly.
He is ringed, like any man at a center, and the rivals press from every side.
The corporate hero forged him. The spreadsheet that fired him in Los Angeles is the same logic that kills the local press he later tries to save, and it tells him his stand was romance, that reporting is a cost and the market does not owe it a living. Baquet, alone among his kind, beats this rival at The New York Times, where digital subscriptions climb from one million to more than nine and prove that readers will pay for the work. The victory carries a sting he does not price, and the close will come back to it.
The activist hero rises inside his own building, his younger staff, for whom the verifiable-facts creed is a dodge that guards the strong and exposes the weak, for whom both-sides fairness is a harm wearing a tie. The Cotton revolt is this rival taking the field and winning a yard inside the house meant to hold the line.
The independent hero stands outside it, the writer with a newsletter and no masthead, the foil to everything Baquet is, since Baquet is the pure institutionalist, never the columnist or the brand or the entrepreneur, the man who believes the building is the point. To the independent the building is the problem, a slow and captured thing, and the reporter is freer without it.
The oldest rival, and the spine of the others, is the trad and the nationalist, the man of faith and nation and place, and he reads Baquet’s center as a costume. He hears verifiable facts, not activism, and then he reads 1619 as the new catechism of the schools, and he decides the creed is a courtesy the paper extends to itself. To him the Times is no referee of the national story. It is a party to it, and Baquet’s pride in taking fire from both sides is the self-flattery of an institution that chose its side long ago and mistakes the complaints of the losing half for proof of balance. His world, the church and the flag and the founders as heroes, appears in the paper as a problem to be corrected, a history to be revised, never a people to be heard on its own ground.
Baquet names the activist danger out loud and fights it. He calls out the platform that warps his trade. And he knows, in a way the credentialed rarely do, that the old neutrality was a standpoint and not the absence of one, because he came up on the wrong side of that standpoint and felt it erase him. That double sight is rare and real. What he cannot do is resolve the two heroes or count what holding both costs the thing he loves. The institution’s authority drains from both ends at once. The trad stops trusting it because of the turn that 1619 announces, and the activist finds it too slow because of the caution the old creed demands, and the broad legitimacy Baquet prizes above all thins precisely because he tries to honor both faiths in one paper.
Baquet’s hero is doubled, the accountability institutionalist who saves the paper and breaks the great stories, and the witness from the Tremé who knows the neutral record was a White man’s record and means to fix it. His rivals ring him on every side, the spreadsheet that forged and fired and then lost to him, the activist staff who win a room in his house, the independent who needs no house, and the trad who reads his center as a side in referee’s clothes. The cost his ledger cannot read is folded inside his proudest number. The nine million who pay are not the country. They are a tribe, the educated and the like-minded, the half that already trusts the paper, and the business he builds to save journalism rests on selling that half a mirror it is glad to buy. He wins the market by narrowing the congregation. The subscriptions and the lost legitimacy are not two stories. They are one, and the ledger counts only the half that pays.
He set out to keep the great reporting alive, and on his best days he does, MeToo and the tax records and a newsroom that outlived the verdict of every actuary who buried it. On his ordinary days he is the steward of a tribe’s paper of record, holding a center that fewer and fewer believe is the center, certain to the end that the fire from both sides means he stands in the middle.
The Columbia Journalism Review’s Hero System
The Columbia Journalism Review became the conscience of the journalism profession through the consistent publishing of analysis that served the guild better than any competitor.
Founded in 1961 at Columbia’s journalism school, it calls itself the watchdog and friend of the press, the gold standard of media criticism, the most respected voice in the field, and its stated work is to hold journalism to its highest ideals in the service of a free society. A watchdog and a friend. The pairing is the whole story, because a watchdog that is also a friend, housed in the friend’s building and living on the friend’s goodwill, guards a house it can never quite bring itself to condemn.
Ernest Becker (1924-1974) called a culture’s scheme for earning significance a hero system, the account of what makes a life worth living and a death bearable, the faith that sorts the worthy from the wasted. Institutions run on hero systems too. CJR earns its significance as the keeper of journalism’s ideals, the one that grades the graders, the priest who hears the confession of the press and assigns the penance. Its faith is the free press as the wall that holds democracy up, the only trade the Constitution names. Its immortality runs through that ideal. Outlets rise and fall, reporters disgrace themselves and retire, but the standard endures, and CJR is the standard’s keeper, which means CJR outlives the failures it catalogs by being the thing against which they are measured.
Its terrors are many. CJR dreads the captured press, the bought reporter, the access courtier who trades coverage for proximity. It dreads the trivial press, the clickbait and the chum that crowd out the public business. It dreads the discredited press, the outlet no one believes, and behind that the politician who calls the press the enemy of the people, the platforms that strip its revenue, the machine that now writes copy for free. And it dreads, most intimately, the press that will not look at itself, the guild that closes ranks, because that failure is the one CJR exists to cure and the one nearest its own door.
Here is the creed. CJR judges journalism by journalism’s own professional standards, accuracy and fairness and independence and rigor and the avoidance of conflicts, and it offers these as neutral instruments, a scale any honest party would read the same way. The critic stands above the fray, friend to no faction, scoring the work against the rules of the craft. That is the subtraction story of the press critic, the meta-version of the reporter’s own claim to objectivity, the referee who insists he roots for no team.
The standards are not the neutral tools they seem. What counts as rigor, what counts as a credible source, what counts as disinformation to be fought and what counts as a legitimate voice to be covered, who is a journalist at all and who is a propagandist or a crank, every one of these calls runs on a prior sense of what the press is for and what a serious person already believes. That sense was formed in a place, the graduate school, the foundation board, the professional class that staffs the field, and it carries that world’s politics whether or not it means to. The outside raters who track such things place CJR on the center-left, and the placement surprises no one who reads it. The conscience of the profession shares the profession’s blind side, because it is the profession examining itself, and a guild’s conscience defends the guild even while it scolds particular sins, since the conscience and the guild draw their significance from the same well.
Twice in recent years the seam showed.
In early 2023 CJR published Jeff Gerth’s four-part, twenty-four-thousand-word autopsy of the press’s Trump and Russia coverage, an argument that the biggest outlets ran ahead of the evidence, won prizes for work that later drew retractions, and never went back to account for it. Here was the watchdog turning on the pack. Two things followed, and both expose the hero system. The journalists Gerth questioned mostly declined to engage, which he found perplexing and which is not perplexing at all, since a guild does not convene a tribunal on itself at the invitation of its own ombudsman. And the critique, the instant it appeared, was swallowed by the war it meant to rise above, hailed as vindication on the right, dismissed as a hit job on the left, conflict of interest alleged, the point declared missed. CJR had imagined a place above the field from which to judge the field. The reception taught it there is no such place. Its act of conscience became another round of ammunition, and the referee found he had been wearing a jersey the whole time.
Then in 2025 the house caught fire. CJR had gone nearly a year without a permanent editor and brought in Sewell Chan to revive it. Eight months later the journalism school’s dean fired him after staff complaints. By Chan’s account, the friction came from his insisting on the very things the magazine preaches, a conflict-of-interest problem with a writer who had covered an outlet he was about to write for, a stalled investigation he wanted moved toward publication, a staffer who neither came in nor filed. The school disputed nothing in public and said little. Read it however you like and it cuts the same way. The magazine that monitors the press for ethics and rigor and deadlines could not run its own small newsroom by those lights, or could not hold them against a staff that had come to read professional rigor as harm. The ombudsman needed an ombudsman, and the standards that travel so well in judgment of others will not stay nailed down at home.
A conscience is ringed by those who reject its authority, and CJR is ringed on four sides.
Its own younger staff hold the activist hero, the journalist as advocate and witness, for whom the old professional balance is not virtue but a polite cover for harm, and who read CJR’s standards talk as the establishment defending a neutrality that was never neutral. The Chan affair was that quarrel in miniature, inside the very building meant to settle it.
The independent holds another. The man with a newsletter and no credential, the podcaster, the reporter who left the institution or never entered it, often did the press criticism CJR is paid to do, and did it first. On Russiagate the outsiders had hammered the story for years before the gold standard arrived to grade it, which left them asking what the Columbia name adds beyond the Columbia name, why the building should certify a craft the building keeps failing at.
The market holds a third, and it holds CJR by the throat. Press criticism does not pay. CJR survives as a nonprofit on the alms of its university and its donors, kept alive by patronage because the open market will not feed a watchdog. The critic who lives on alms learns which hands not to bite, and the lesson need never be spoken to be learned.
The fourth rival is the oldest and the spine of the rest, the trad and the nationalist, the man rooted in faith and people and place who reads the whole apparatus as a guild guarding its monopoly. To him CJR is no referee. It is the licensing board, the body that rules which press is real and which is propaganda, and the ruling always seems to leave his press, the populist and the religious and the partisan, outside the line. When CJR raises the alarm over disinformation and the threats facing journalists, he hears a profession defending its turf and its politics in the language of public service. He notes that his world enters these pages as a danger to be managed, a misinformation problem, a study in why trust has fallen, never as a public owed a hearing on its own terms. And he draws the conclusion the institution cannot afford to draw, that the standards are not the measure of the game but a move within it.
Weigh its awareness, because the case is strange. No institution performs self-examination more openly. CJR exists to criticize the press, runs its own pieces on why the left distrusts the media and why the right does, published the Gerth autopsy knowing the storm it invited. The self-scrutiny is the brand. And yet the scrutiny stops at one wall, the wall around itself as an institution with a standpoint and an interest and a roster of patrons. It can flay The New York Times. It cannot quite ask whether the chair it judges from is bolted to the same floor. It can grade the guild’s lapses and miss that its own authority rises and falls with the guild’s, that a watchdog kenneled in the journalism school and fed by the foundations cannot finally indict the arrangement that houses and feeds it. The performance of self-criticism is real and the limit on it is structural, and the limit stays invisible from inside, because the institution mistakes its own standpoint for the standpoint of the craft.
CJR’s hero is the conscience of the profession, the watchdog of the watchdog, keeper of the ideal of a free press and the standard against which every newsroom is weighed. Its rivals ring it on every side, the activist in its own newsroom, the independent who does its work without its blessing, the market that starves it, and beneath them the trad who reads its neutrality as the guild’s self-defense in a referee’s stripes. The cost its ledger cannot read is the plainest one, that a conscience drawing its life from the body it judges can audit every sin but the sin of the arrangement, can name every captured outlet but the manner of its own capture, and so spends its credibility guarding the legitimacy of the profession whose legitimacy it was built to question.
It set out to be the room where journalism faces itself. On its best days it is, and those days are a public good no other room provides. On its ordinary days it is the chaplain of a guild, keeping the faith warm for a congregation that shrinks and a clergy that does not care to confess, certain it stands outside the church it has never left.
Philosopher Michael Huemer: ‘Don’t Trust the Media’
Here is why I don’t trust the media, and you shouldn’t either. As near as I can tell, this is how the system works:
Step 1: Something happens in the non-media world.
Step 2: A journalist talks to one or a few people involved in that event. Sometimes they approach the journalist; sometimes the journalist approaches them. There are many other people involved in the event who don’t talk to the journalist. There is physical evidence about the event, but the journalist doesn’t have it; he just has what a few people told him. It doesn’t matter if the person has an obvious bias. For instance, if the U.S. military just blew up a hospital, the journalist will call up a military spokesperson to find out what happened.
Step 3: The journalist basically prints what that person told him, but with a sensationalistic, ideological, or playing-to-stereotypes spin that the journalist came up with. The goal is to get people to click on or share the story.
Step 4: A hundred other journalists copy the first one’s story, with varying degrees of distortion. They typically have the same spin, sometimes escalating the spin. This spin is completely different from, and sometimes the opposite of, what people who actually have direct knowledge of the event would think.
Why do they do this? I explain the media business model in my post, “The Anger Merchants”. They just want to capture attention, so they can sell it to advertisers. For this purpose, truthfulness is mostly irrelevant. They also want to do this with minimal expense and effort, which is why they copy from each other.
Don’t trust the media as a blanket proposition is wrong. If the news tells you there was an earthquake that measured 7.0 on the Richter scale, that is likely right. If the news tell you Donald J. Trump won America’s 2016 and 2024 presidential elections and lost the 2020 election, that is right. If the news tells you a sports score, a high temperature in downtown Los Angeles today, and the number of the Dow Jones close, that is probably right. If the news tells you about tomorrow’s weather, it’s about as accurate a forecast as you can find anywhere. If the news tells you the price of gold per ounce, it is likely accurate.
If the news makes normative claims, such as our democracy is under threat from MAGA, then it is on shaky ground. The people who build the news likely have different values from you.
Huemer is right about problems in the news machine. A reporter often works from one or two sources, often interested ones, then a hundred outlets copy the first story and push the spin a notch further for clicks. That pattern is well documented. His three-article AI chain shows it. The Facebook program broke, and by the third rewrite it became Skynet.
The trouble is that he runs the same engine he condemns. He picks the cases that fit his thesis and tells you they came to mind. That is selection. A critic who curates his evidence to confirm a prior is doing what he accuses the press of doing, and he never reckons with it.
The Gaza section is his weakest. He tests genocide by nuclear capacity. If Israel wanted to wipe out Gaza it could use its warheads, so no genocide. That is not the legal definition and not how the scholarly fight over intent runs. Then he closes on a cheap line about Jews. “It’s only a genocide if it’s done by Jews.” He drops his own standard of care at the exact point the topic turns hot. The 10-to-1 ratio claim sits there with no citation behind it.
The deeper problem is the move underneath the whole essay. “Don’t trust the media” resolves into “trust my filtering instead,” and he offers no account of why his filter beats theirs. He writes with confidence, vivid examples, and a unifying narrative built to capture attention and flatter a reader’s suspicion. That is the profile he warns you about.
What are some useful heuristics for figuring out truth and trust?
Start with incentives. The first thing to ask about any source is what he gets paid for and what error costs him. A man rewarded for attention will trade accuracy to get it. A man who loses money, standing, or his job when he is wrong has reason to be careful. Skin in the game beats credentials. The forecaster who bets and keeps score tells you more than the pundit who never grades his own record.
Find the track record before you weigh the reputation. Has the person made checkable predictions, and how did they come out? Tetlock’s forecasting work shows confidence and accuracy correlate little, and the loudest experts often score worst. Look for the quiet ones who hedge, update, and keep count.
Watch for costly honesty. A source who says things against his own side, or against his own interest, carries more information than the loyalist. The man who breaks with his coalition pays a price, and the price is the signal. When someone reaches only the conclusions that raise his standing inside his group, hold those conclusions as suspect even when they turn out correct, because he would arrive at them either way.
Separate honesty from competence. They fail on their own. A man can be truthful and wrong, or expert and lying. Score both, and do not let warmth toward one paper over a hole in the other.
Go upstream. Distance from the event breeds distortion. Read the transcript, the study, the filing, the raw footage before you read anyone’s summary of it. Each retelling adds spin.
Give it time. Early reports on a fast-moving event are usually wrong. The first day’s account and the third week’s account seldom match. Patience costs nothing but the urge to have an opinion right now.
Distrust the flattering story. The claim that confirms what you already believe deserves more scrutiny, not less, and the one that irritates you deserves a fair hearing. Most people do the reverse. That is how they get captured.
Mind base rates. A claim that would be enormous if true is usually false, because enormous things are rare and exciting falsehoods are common. Hold the extraordinary claim to a higher bar than the ordinary one.
Reward error-correction. A man or an institution that admits mistakes and retracts them beats one with a spotless record, because the spotless record usually means nobody is checking. How a source handles getting caught wrong tells you most of what you need.
Ask the hard question of yourself and others: how would I know if I were wrong? A belief with no answer to that gets held for reasons apart from truth.
Triangulate across interests. Agreement among people who would gain from disagreeing is strong evidence. Agreement among allies is weak, because they might be copying one another.
Strip the adjectives. Sources often get the facts roughly right and the framing wrong. Pull apart what happened from how it gets described, and you can keep the first while throwing out the second.
None of these heuristics frees you from trusting somebody. You cannot verify everything yourself. The work is not to trust no one but to trust well, and to know which of your beliefs rest on your own checking and which rest on someone else’s word.
Amartya Sen: Economics as Moral Inquiry
Amartya Sen (b. November 3, 1933) works as an economist, a philosopher, and a public intellectual, and across more than seven decades he has reshaped how scholars and governments think about welfare, poverty, famine, democracy, justice, and human development. He argues that prosperity should be judged by the substantive freedoms people hold and the opportunities open to them, not by income, output, or growth alone. That argument carried him across economics, philosophy, political theory, public health, and development studies, and it earned him the 1998 Nobel Memorial Prize in Economic Sciences for his work in welfare economics and social choice theory. India awarded him its highest civilian honor, the Bharat Ratna, in 1999.
Sen was born in Santiniketan, in Bengal, then part of British India. He grew up inside the educational world that Rabindranath Tagore (1861-1941) built at Visva-Bharati University, and Tagore gave him his first name, which means immortal. His father, Ashutosh Sen, taught chemistry at Dhaka University and later at Visva-Bharati. His maternal grandfather, Kshiti Mohan Sen (1880-1960), was a scholar of Sanskrit, comparative religion, and Indian civilization. Santiniketan gave the boy an early and unusual mixture of Indian, Asian, and Western thought. That mixture later shaped his defense of pluralism and public reasoning.
Two experiences marked his early life. As a child he saw communal violence during the last years of British rule and the partition. The deeper mark came from the Bengal famine of 1943, which killed millions. Sen later remembered the suffering of laborers and poor families whose access to food collapsed while food supplies continued to flow. Those memories seeded his work on poverty, inequality, and hunger.
He studied at Presidency College in Calcutta, then a leading center of Indian higher education, before he entered Trinity College, Cambridge, in the 1950s. Cambridge threw him into hard arguments among Keynesians, Marxists, and neoclassical economists. He completed his doctorate under Joan Robinson (1903-1983), among the most forceful economists of the century. His dissertation examined the choice of technology and economic development in poorer countries, an early sign of his lifelong concern with how societies widen opportunity. During those years he read Kenneth Arrow (1921-2017), whose impossibility theorem later became a chief spur to Sen’s contributions to social choice theory.
His early career moved fast. At twenty-three he became professor and chairman of the economics department at Jadavpur University in Calcutta. He went on to teach at the Delhi School of Economics, the London School of Economics, Oxford, Cambridge, and Harvard. In 1998 he became Master of Trinity College, Cambridge, the first Asian to hold the office in the college’s long history, and he served until 2004. He then returned to Harvard University, where he holds the chair of Thomas W. Lamont University Professor of Economics and Philosophy and remains active in his nineties.
Sen first remade social choice theory, the field that asks how a society turns individual preferences into collective decisions. His book *Collective Choice and Social Welfare* (1970) built on Arrow’s work. Arrow had shown that no voting system can satisfy a set of reasonable democratic conditions at once. Many economists read this as a hard limit on collective decision-making. Sen pushed the field a different way. He argued that many of Arrow’s paradoxes came from a needless restriction on the information available for judging social outcomes. Standard theory barred interpersonal comparisons of well-being and treated utility as private and incomparable across persons. Sen showed that once a society permits even limited comparisons across persons, many of the apparent impossibilities dissolve. He reopened the case for rational democratic evaluation and pulled normative questions back to the center of economic analysis.
Among his celebrated results stands the Liberal Paradox, also called the Impossibility of a Paretian Liberal. In a rigorous proof, Sen showed that a society committed to even minimal individual liberty can collide with Pareto efficiency, the standard criterion under which an outcome counts as optimal when no one can be made better off without making another worse off. Personal freedom and economic efficiency do not always travel together. The result reshaped argument about liberty, welfare, and public policy.
His broad fame came first through famine. In *Poverty and Famines: An Essay on Entitlement and Deprivation* (1981) he challenged the old belief that food shortage causes famine. He examined Bengal, Ethiopia, Bangladesh, and other cases, and he argued that famine often follows a failure of entitlement rather than absolute scarcity. People starve not because food vanishes but because they lose the means to command it through wages, work, property, or exchange. This entitlement account changed famine studies and moved development policy, disaster response, and food-security planning around the world.
The idea most closely tied to his name is the capability approach, which changed how scholars think about welfare and human development. Older economics measured well-being through income, consumption, or utility. Sen argued that these measures miss the question that counts. The question is not how many resources a man holds, but what he can do and be.
His framework turns on a distinction between functionings and capabilities. Functionings are the states and activities that make up a life, such as health, education, mobility, nourishment, and political engagement. Capabilities are the real opportunities a man has to reach those functionings. Two men may share the same functioning yet hold very different capabilities. A wealthy man who fasts and a poor man who has no food both have empty stomachs, yet their freedom and their options stand far apart. Poverty, in this account, becomes a deprivation of capability rather than a shortage of income.
The capability approach reached deep into development economics, political philosophy, public health, education, and international policy. It gave much of the intellectual foundation for the Human Development Index, built by the Pakistani economist Mahbub ul Haq (1934-1998) and adopted by the United Nations Development Programme. The index turned international attention away from gross domestic product alone and toward wider measures of human well-being.
Sen treats economics as a branch of moral inquiry, which sets him apart from many in the discipline. He draws on a long line that runs from Aristotle (384-322 BC) and Adam Smith (1723-1790) through John Stuart Mill (1806-1873) and John Rawls (1921-2002), and through classical Indian philosophy. In *Development as Freedom* (1999) he argued that development means the expansion of human freedom rather than economic growth alone. Political liberty, education, health care, social security, and public participation serve not only as tools of development but as parts of development.
His later political philosophy gathered in The Idea of Justice (2009). There Sen broke with approaches that search for perfectly just institutions. He proposed instead a comparative method that judges societies by how far they reduce observable injustice. He drew on Western and Indian traditions of public reasoning alike, and he pressed for democratic discussion, practical reform, and the relief of avoidable suffering.
Democracy and human welfare run through his scholarship as a steady theme. His most quoted claim holds that no substantial famine has occurred in a functioning democracy with a relatively free press. Democratic governments face political pressure to answer mass suffering, he argued, because citizens vote and journalists publish failures. The argument put accountability, transparency, and democratic government at the center of development debate.
He also reshaped the study of gender inequality. In a 1990 essay he introduced the idea of missing women. From demographic evidence he estimated that more than a hundred million women were absent from the world’s population through sex-selective abortion, unequal health care, malnutrition, infanticide, and other forms of discrimination. The idea became a leading frame for understanding the global toll of institutional gender bias, and it shaped international argument over women’s rights and public health.
His range carried him past economics into culture, identity, and political conflict. In *The Argumentative Indian* (2005) he traced the traditions of debate, skepticism, and pluralism in Indian intellectual history. In *Identity and Violence: The Illusion of Destiny* (2006) he argued against reducing a man to a single religious, ethnic, national, or cultural identity. Single-identity thinking, he warned, feeds sectarian conflict and hides the many affiliations that make up a human life. These themes grew sharper as nationalism and identity politics rose around the world. In *An Uncertain Glory: India and its Contradictions* (2013), written with the economist Jean Drèze (b. 1959), he examined India’s contradictions of growth and deprivation. His memoir, *Home in the World* (2021), recounts his early decades across Bengal, Calcutta, and Cambridge.
As a public intellectual Sen holds a place beside figures such as John Maynard Keynes, Isaiah Berlin, and Rawls. He moves between technical economics and broad philosophical reflection, and he takes up poverty, inequality, democracy, nationalism, globalization, public health, and human rights. His work has reached economists, philosophers, policymakers, development practitioners, and international bodies across the globe.
His personal life carries the same international and cross-disciplinary stamp as his work. He first married the Bengali writer and scholar Nabaneeta Dev Sen (1938-2019), and they had two daughters, Antara and Nandana. He later married the Italian economist Eva Colorni (1941-1985), whose family held deep roots in European anti-fascist politics, and they had two children, Indrani and Kabir. Her death from cancer in 1985 struck him hard. Since 1991 he has been married to the economic historian Emma Rothschild (b. 1948), and the two have shared ties between Harvard and Cambridge.
His honors run well past the Nobel Prize and the Bharat Ratna. He has received the National Humanities Medal of the United States, the Johan Skytte Prize in Political Science, France’s Légion d’Honneur, and more than a hundred honorary degrees from universities across the world. Few living scholars have reached so far across disciplines and institutions.
Critics have pressed Sen from several directions. Some economists hold that capabilities resist measurement and operational use in policy. Some conservatives argue that his framework leans too hard toward redistribution and public intervention. Some Marxist critics charge that he slights class structure and political economy. Even many of his critics grant the breadth of his achievement and the reach of his ideas.
His lasting importance rests in his effort to rejoin economics and ethics. As much of the discipline grew specialized, mathematical, and remote from questions of human welfare, Sen held that economic inquiry must answer how people live, what opportunities they hold, and what freedoms they enjoy. More than any other economist of his generation, he turned attention from wealth toward the human capabilities that wealth can help build. In his nineties he stays at work in scholarship and public debate, and he keeps shaping argument over justice, freedom, democracy, and human flourishing.
Sen’s Hero System
Amartya Sen builds his life’s work on freedom, inequality, democracy, welfare, and the worth of a human life, and not one of these words carries a settled meaning on its own. Freedom toward what end. Inequality of what, against which good. Democracy as the floor of which kind of legitimacy. Each word ranks lives before it describes them, and a ranking of lives comes from a hero system.
The term is Ernest Becker’s (1924-1974). A hero system is a culture’s scheme for earning significance, the account of what makes a life worth living and a death bearable. Every culture hands its members a way to feel they count past the grave, a part in something that outlasts them. The scheme sorts men into the worthy and the wasted, the hero and the also-ran. A man cannot read his own hero system as one option among many, because a scheme he could shrug off could no longer hold his death at arm’s length. The hero system has to feel like the grain of the world.
Sen’s hero is the agent. The reasoning, self-authoring man who chooses his affiliations, holds power to account, and widens the range of what he and others can do and be. Significance comes from agency, from authorship of a life and a share in the public reason that shapes the common world. Sen denies death through the long climb of human progress, the expansion of freedom across the generations that the single man joins and outlives.
Here lies the move that hides the rest. Sen does not read his hero as one creed set beside others. He reads it as what remains once the lies fall away. Strip off the priest, the superstition, the accident of birth, the single inherited label, and the agent stands there, the natural man uncovered. So the hero system arrives as a subtraction, reality minus error, and never as a positive creed with content of its own. That self-understanding does the concealing. A creed that thinks of itself as the residue left after clearing falsehood will never count its own commitments as commitments, and will never price what it destroys, because what it removed was a lie and a lie is no loss. The trad sees the same thing and calls it a mutation, a strange new faith of the unencumbered self, rare in history, that dresses as the default. Subtraction to Sen, mutation to his enemy. The quarrel starts there.
You can watch the hero form. Sen grew up at Santiniketan inside the school of Rabindranath Tagore (1861-1941), in a mixture of Indian, Asian, and Western thought that taught him to prize the man who sorts and chooses among traditions over the man who inherits one whole. The Bengal famine of 1943 marked him, and he read it after as a failure of entitlement, an agency blocked, men who lost the power to command food while the food kept moving. The Argumentative Indian gathers a long line of debate and skepticism, Charvaka and the tolerant kings Ashoka (c. 304-232 BC) and Akbar (1542-1605), and names it the heritage worth claiming. That book is the origin myth of the hero. Sen needs a lineage for the reasoning self, so he finds one and calls it India. Identity and Violence: The Illusion of Destiny finishes the figure. There Sen attacks the single identity and seats the man who holds plural affiliations and sorts them by reason. The free man is the chooser. The chooser is the hero.
Set the rival hero against him whole, because everything turns on the collision. The dharmic and tribal world runs on a contrary picture of man. Sen’s hero presumes a reasoner who, given the chance, reasons his way to good ends. The trad denies that man at the root. Man is appetite and pride and fallenness, and left to himself he does what is right in his own eyes, which is ruin, so he needs the restraint of law and custom and shame and the sacred above him. The hero of that world does not author a life. He fills a place. He serves the order, reveres what stands over him, keeps faith with the dead and the gods and the dharma of his station. The Bhagavad Gita prizes a man’s own duty poorly done over another man’s duty done well. Inequality is no wound there. It is the shape of the cosmos, births sorted by a moral order that runs behind this life and ahead of it. Real freedom is moksha, release from the wheel, won by fidelity and renunciation, and Sen’s freedom reads to the Hindu trad as a category error, the swelling of the worldly choosing that binds the soul to rebirth. Even the denial of death runs the other way. Sen denies death through progress, the line that climbs. The trad denies it through the order that returns, the lineage, the caste, the wheel, the dharma held across the ages. One hero climbs and one hero abides.
Now the terms, read through both heroes.
Freedom. Sen treats freedom as additive, more agency, more options, no one set back. The trad knows the price, and the price is the heart of the thing. Every freedom Sen adds to the public square resets the shared world. Bring porn into the common air and gay marriage into the common law and the trad does not gain an option he can decline. He loses the world his children grow up inside, the world that once felt like the grain of things and now feels like a subculture holding out. So he withdraws, and Sen’s frame reads the withdrawal as a man fleeing freedom, while the trad lives it as exile from a home taken from him. The expansion of one hero’s freedom is the contraction of another hero’s world. That trade-off never reaches Sen’s ledger, because his subtraction story tells him he removed a superstition and a superstition is no loss.
The filter goes deeper. Sen’s freedom carries a hidden destination. When a man freely chooses the tribe, the faith, the inherited role, Sen does not bless the choice as free. He reaches for adaptive preference, the idea he draws from Jon Elster (b. 1940), and reads the choice as a taste deformed by narrowed options, the contentment of a man who never glimpsed the alternatives. The trad woman at ease in her place, the believer who treasures his obedience, the tribesman loyal to his people, each gets reclassified, his contentment called false and his reasoning called stunted. So Sen’s freedom is freedom toward one fixed end. A choice that lands on agency and openness counts as free. A choice that lands on submission and reverence drops to unfreedom. The word holds a verdict before the man has chosen.
Inequality. Sen counts every man as a unit of equal worth because each is an agent, and inequality of capability reads as a wound, an agency blocked from outside, so the level spread of real freedom becomes the aim. The rival reads the same fact and calls it order, the rank that follows because men differ. A hierarchical hero system seats the priest and the king and the sage where they stand by right, reads the differences among men as the truth of things rather than an injury, and reads Sen’s leveling as adharma, the inversion that ushers in the dark age where the orders blur and the world comes apart. What Sen calls inequality, the rival calls order.
Democracy. Sen’s democracy is government by discussion, and his famine claim follows from the hero, not from the data alone. No grave famine survives where citizens vote and a free press prints the failure, because there the ordinary man’s agency reaches the men who rule. Yet discussion runs on public reason, and the terms of public reason fall to the class fluent in it, the schooled, the articulate, the cosmopolitan, Sen’s own kind. The ordinary man’s voice counts once it enters that arena and speaks its grammar. And the trad and the tribesman feel the catch before they can name it. Public reason admits only certain warrants. Revelation does not count as a reason. The authority of the sages does not count. The custom of the ancestors does not count. The conversation rules their grounds out before it opens, then bids them join as equals. Sen’s democracy is not rule by experts in name. It is the quiet sovereignty of one kind of warrant over the rest, and the men whose truth comes from above or from the dead arrive already disqualified by the house rules.
Welfare and capability approach. The content of a worthy life in Sen’s system is the content of agency, health and schooling and mobility and voice, the gear of the self-author. What a man can do and be means the spread of self-chosen lives he can reach. The Human Development Index ranks nations by how well they outfit the agent, treating the long life, the schooled mind, and the cash income as the goods that count, in Norway and in Niger alike. A hero system where the good life is faith kept, or righteous children raised, or nearness to God, or release from the wheel, keeps a different ledger. The poor man rich in Torah, or in sons, or in honor, scores low on Sen’s index and high on his own.
Gender and the missing women. Sen counts a woman as missing because the equal autonomous agent is his unit of worth, and her shortened life or her thinner care reads as agency denied. The word gender carries the hero system in its grammar, setting the sexed body as stuff the chosen self may override, and reading the old division of men’s work and women’s work as a harm to undo. A hero system built on distinct and joined roles, where a woman draws significance from a place a man cannot fill, reads the same record and finds no missing women in it. It finds the numbers and gives them another sense, or none. The count is shared. The reading divides.
Sen is Indian and cites India, and his hero is the Western reasoner in Indian dress. The Argumentative Indian lifts the skeptics and the tolerant kings out of a worshipping civilization and binds them into the heritage worth claiming, while the dharmic, hierarchical, devotional mainstream most Indians lived inside drops to the margin as the part to outgrow. So his quarrel with Hindu nationalism is two hero systems fighting over one country. Sen reads the Hindutva man as the betrayer of the real, argumentative India. The Hindutva man reads Sen as a rootless cosmopolitan who pulled a handful of skeptics from a worshipping people and called them the essence. Each claims India. Sen wrote his claim as the neutral one, and the subtraction story is what let him.
So to read Sen, translate. When he says freedom, hear agency toward one fixed end. When he says inequality, hear agency blocked. When he says democracy, hear the warrant of public reason raised over revelation, custom, and the dead. When he says development, hear the spread of self-chosen lives. The translation returns the questions his prose buries under the word reason. Which hero stands here, lifted over which rivals, and by what right does this one speak for man. And what does his freedom cost the men who held the world it cleared. The capability approach answers what the agent can do. It never answers why this agent, and not another hero, holds the floor, and it never sends the trad the bill it ran up tearing down his home.
Pinsof’s essay argues that intellectuals trace the world’s troubles to misunderstanding, because that story hands intellectuals the lead role. If ignorance causes the trouble, then the men who clear up ignorance save the world. Sen builds a seventy-year career on that premise. His work reads as a catalog of misunderstandings corrected.
Welfare economics misunderstood welfare. It barred comparisons of well-being across persons and treated utility as private. Sen corrects the error and reopens rational evaluation. Development economics misunderstood development. It counted growth and output in place of freedom and opportunity. Sen corrects the error and renames the goal. Famine studies misunderstood famine. They blamed food shortage. Sen corrects the error with entitlement. Each move keeps the same shape. A discipline holds a confused belief, Sen finds the confusion, and a better understanding follows. Pinsof says most social science runs this errand, and Sen runs it at the highest level the field allows.
Then comes Pinsof’s deflation. Judge a man by his stated goals and Sen looks like a servant of humanity, at work to relieve poverty and widen freedom. Judge him by what the work earns and a different picture forms. The work earns the Nobel, the Bharat Ratna, the mastership of Trinity, the Harvard chair, and more honorary degrees than any rival can count. Sen holds the highest status an academic can reach. Pinsof does not call this hypocrisy. He calls it design. Natural selection built an animal that pursues status under a moral cover story, and Sen pursues it through the most admired cover story the discipline offers, the story that returns ethics to a cold science.
The capability approach gives elite institutions a moral vocabulary and a number to chase. The Human Development Index lets the United Nations, the World Bank, and a thousand agencies measure their own value and justify their reach. Pinsof notes that the best compliment a social scientist can hear is not that the work is insightful but that it has policy implications, meaning it supports the policies the listener already likes. Sen’s framework carries more policy implications than any welfare theory of the age. It built an industry, and the industry employs the people who praise it. The stated aim is the relief of deprivation. The working result is a self-sustaining apparatus that pays salaries and confers status on its staff under a moral banner.
Sen’s faith in public reasoning draws the same fire. In The Idea of Justice and The Argumentative Indian he treats open debate as the road to justice and credits an Indian tradition of argument with keeping reason alive. Pinsof reads debate as coalition signaling and rival-derogation wearing the mask of truth-seeking. Men argue to win and to bind allies, not to find the right answer. Sen mistakes the stated purpose of debate for the working one. He sees citizens reasoning toward fairness where Pinsof sees primates fighting for position and calling it deliberation.
The frame meets resistance at the famine work, and honesty demands the point. Sen’s entitlement theory holds no misunderstanding story. It runs on incentives. People starve not because food vanishes but because they lose the means to command it. Democracies prevent famine, Sen argues, because politicians fear voters and a free press punishes failure. That account points at motive and structure, which sits close to Pinsof’s own move. Here Sen reasons like a man who knows that outcomes follow from incentive rather than from ignorance.
The escape lasts one step. Sen diagnoses the incentive and then prescribes a cure that leans on the same actors behaving well once informed. Let the press report and the voters see, he says, and the system corrects. Pinsof answers that voters have no reason to drop their bias and strong reason to parrot the tribe, and that the press prints what holds attention rather than what informs. Sen reads the incentive right for the cause and forgets it for the remedy. The misunderstanding myth slips back in through the prescription.
The missing women essay shows the pattern at full strength. Sen counts the absent women and treats their absence as a wrong to be righted through awareness and policy. Pinsof might answer that sex-selective abortion and unequal care follow savvy strategy under hard constraint, where sons carry dowry relief, old-age support, and standing in a resource fight. The parents understand the incentive. They sit in no fog. Sen’s framing of the loss as a problem awaiting consciousness reads a strategic choice as an error of knowledge.
Sen carries the warmest brand in his profession. He returns conscience to economics and speaks for the poor in the gentle, learned voice of a man above the scrum. Pinsof observes that cynicism reads as icky and that we broadcast feel-good idealism to signal that we are sweeties, and it works. Sen’s sweetness works better than anyone’s. The moral warmth marks no flaw in the status game. It is the winning move.
Pinsof closes with the claim that the world does not want saving, that nothing is broken, that the study of human nature often comes to the study of the hole we sit in. Sen’s life rests on the opposite faith. Injustice is a fixable error, freedom can expand, public reason can widen, and the right framework brings the better world closer. The two men stand at the far ends of the same question. Under Pinsof, Sen is the grandest case in the essay, the misunderstanding myth dressed in the finest mathematics and the kindest moral vocabulary the discipline has produced.
In his 2018 book, The Great Delusion: Liberal Dreams and International Realities, John J. Mearsheimer wrote:
My view is that we are profoundly social beings from the start to the finish of our lives and that individualism is of secondary importance… Liberalism downplays the social nature of human beings to the point of almost ignoring it, instead treating people largely as atomistic actors… Political liberalism… is an ideology that is individualistic at its core and assigns great importance to the concept of inalienable rights. This concern for rights is the basis of its universalism—everyone on the planet has the same inherent set of rights—and this is what motivates liberal states to pursue ambitious foreign policies. The public and scholarly discourse about liberalism since World War II has placed enormous emphasis on what are commonly called human rights. This is true all around the world, not just in the West. “Human rights,” Samuel Moyn notes, “have come to define the most elevated aspirations of both social movements and political entities—state and interstate. They evoke hope and provoke action.”
[Humans] do not operate as lone wolves but are born into social groups or societies that shape their identities well before they can assert their individualism. Moreover, individuals usually develop strong attachments to their group and are sometimes willing to make great sacrifices for their fellow members. Humans are often said to be tribal at their core. The main reason for our social nature is that the best way for a person to survive is to be embedded in a society and to cooperate with fellow members rather than act alone… Despite its elevated ranking, reason is the least important of the three ways we determine our preferences. It certainly is less important than socialization. The main reason socialization matters so much is that humans have a long childhood in which they are protected and nurtured by their families and the surrounding society, and meanwhile exposed to intense socialization. At the same time, they are only beginning to develop their critical faculties, so they are not equipped to think for themselves. By the time an individual reaches the point where his reasoning skills are well developed, his family and society have already imposed an enormous value infusion on him. Moreover, that individual is born with innate sentiments that also strongly influence how he thinks about the world around him. All of this means that people have limited choice in formulating a moral code, because so much of their thinking about right and wrong comes from inborn attitudes and socialization.
If Mearsheimer is right, Sen keeps his economics and loses his philosophy.
Start with the unit. Sen builds welfare on the individual and asks what each man can do and be. Mearsheimer holds that the group comes first and forms the man before he can assert any self of his own. The value infusion lands in childhood, ahead of the critical faculty. So the chooser at the center of the capability approach arrives already loaded, his ends installed by family and society rather than picked by him. Sen measures the freedom of a self that Mearsheimer treats as a late and secondary thing. The capability set still describes something real. It no longer sits at the base of human life. It floats above the layer that does the forming.
Then the universalism. Sen treats freedom as the universal aim of development and the Human Development Index as a measure good for all peoples. Mearsheimer reads universalism as the child of the rights premise and the engine of liberal overreach. On his account the index carries no neutrality. It is a liberal scorecard, the value infusion of one civilization written up as the standard for the species. Development as Freedom then reads as the export of a particular tribe’s morality under a universal name. Sen’s cosmopolitanism becomes a parochialism that does not know its own address.
The hardest blow lands on reason. Sen prizes public reasoning as the road to justice and credits an Indian tradition of argument with keeping that road open. The Idea of Justice rests on deliberation. The Argumentative Indian celebrates debate as a civilizational inheritance. Mearsheimer ranks reason last among the three sources of preference, below innate sentiment and below socialization, and he says so without hedging. If he holds the right order, Sen has mistaken the top layer for the engine. Reason defends what socialization already planted. The argumentative tradition might be real as a custom, a practice handed down among a particular people, yet it cannot carry the weight Sen puts on it. Argument serves the group more often than it commands it.
Identity and Violence takes the sharpest cut, because the book and the passage meet head on. Sen argues that a man can reason his way to plural, chosen identities and resist the single identity that feeds slaughter. Mearsheimer answers that identity arrives by socialization before reason wakes, and that the pull toward the group runs in the blood. On that reading the murderous single identity waits for no better argument. It is the resting state of a social animal. Sen offers reason as the cure for a condition that reason did not cause and cannot reach.
Stephen P. Turner’s anti-essentialism denies the shared thing. When men act alike, the essentialist posits a common substance behind the likeness, a culture, a practice, a tradition, a set of shared values, and then treats that substance as the cause. Turner says the substance does not exist. What looks like one shared essence is a crowd of separate men, each built a little differently, who happen to produce similar surface behavior. Name the crowd a tradition and you have invented a thing, not found one. Aim that knife at Sen and it cuts him in two, because Sen swings it at his enemies and sheathes it when he builds his own house.
Watch first where Sen and Turner stand together. Sen refuses a fixed list of capabilities. Martha Nussbaum (b. 1947) wanted a canonical roster of the central human capabilities, settled and named. Sen declined. He held that the list must come from public reasoning in each place and time, open and revisable, never carved as a human essence. That refusal is an anti-essentialist reflex. Sen will not freeze the human good into a single shared form. The same reflex drives Identity and Violence. Sen attacks the singular identity, the claim that a man is one thing, a Muslim or a Hindu or a Serb and nothing else. He says identity comes plural and chosen, an array of affiliations a man sorts by reason and context. Against the essentialist who pins a man to one tribe, Sen sounds like Turner’s pupil.
Then watch the knife go back in its sheath. To beat the singular identity Sen needs the reasoning self who sorts his affiliations, and he needs that self to be a shared human capacity, present everywhere, the same faculty in the Calcutta clerk and the Chicago professor. That universal reasoner is an essence. Sen denies the essence of the tribe and installs the essence of reason in its place. He trades one shared substance for another and calls the trade liberation.
The clearest case is the argumentative tradition. The Argumentative Indian gathers texts and figures across two and a half millennia, from the Vedas through Ashoka and Akbar to Tagore, and binds them into one heritage of debate and tolerance carried down the generations. Turner reads that move as the essentialist error in its pure form. No single thing called the argumentative tradition passes hand to hand through the centuries. There are scattered men, divided by language, caste, region, and creed, each with his own habits and his own quarrels, leaving a record diverse enough to support almost any story a later scholar wants to tell. Sen surveys the sprawl, selects the strands he likes, ties them in a bundle, and names the bundle a tradition. Then he treats the name as a cause, as though the tradition explains why Indians argue. The bundle explains nothing. Sen built it from the same behavior it claims to explain.
Sen lists the things that make a life go well, health, nourishment, education, mobility, political engagement, and treats them as shared human goods that any society can recognize. Turner asks whether each word names a single shared thing or a heap of different things gathered under one label. Education in a Bengali village school, education at Trinity College, education in a Quranic academy, these run on different ends, different habits, different lives. Sen’s list smooths the heap into a roster of universals. The smoothing is the essentialist move, and the capability approach needs it, because a measure of human development must assume that the things it measures mean the same thing across the men it counts.
The Human Development Index makes the assumption visible. To rank Norway against Niger on one scale, the index treats a long life, a schooled mind, and a decent income as the same goods everywhere, comparable across every culture it touches. Sen, who refused to fix the capability list as an essence, signs his name to a global ranking that fixes three of them for all mankind. The contradiction hides nowhere. It is the working core of his most influential creation.
Sen spent his life reopening a room the positivists had locked. They had ruled the normative out of economics, banished the ought, and left a science of description that measured income and called the job done. Sen forced the door. He brought justice, rights, freedom, and fairness back into the discipline and treated them as fit subjects for rigorous reason. Turner stands in the doorway and says the room has no floor.
Turner’s case in Explaining the Normative runs against a wide field, the Kantians, Jurgen Habermas (b. 1929), Robert Brandom (b. 1950), everyone who holds that the normative forms a domain of its own, a realm of oughts and obligations and validities that the facts of what men do can neither explain nor replace. The normativist posits a binding force above the empirical record. A man does not merely act, he follows a rule that binds him. A claim does not merely persuade, it holds a validity that obligates assent. Turner asks one question of every such posit. What work does the bindingness do that the plain facts do not already do? The man’s habits, his training, the sanctions he fears, the reactions he expects, these explain his conduct. The extra layer of normative force explains nothing further. It sits on top of the causal story and draws a salary for no labor. Turner calls it a good bad theory, a story that seems to explain while it relabels the thing it was asked to explain.
Bring Sen into that doorway and the furniture starts to look unsupported.
Take the capability approach at its base. Sen describes what a man can do and be, his real opportunities for health, schooling, nourishment, and voice. The description is empirical and sound. Then Sen turns the description into a demand. This is what we ought to care about, he says, the right measure of a life and the proper aim of a society. The turn from can to ought is the whole moral force of the work, and it is the step Turner denies. Sen has the facts about capabilities. He then asserts that these facts bind us, that a society stands under obligation to expand them. Where does the obligation live? Sen points to public reasoning, to what survives open scrutiny. Turner answers that scrutiny produces agreement, and agreement is a fact about people, not a force that binds them. Men converging on a view does not make the view obligatory. Sen treats the sociological event of consensus as though it delivered a normative truth, and the bindingness he needs never arrives.
The Idea of Justice runs the same circuit at higher voltage. Sen argues that some social states are less unjust than others and that reason can rank them. Less unjust against what standard? A normative standard with binding force, supplied again by public reasoning. Sen builds an elegant comparative method and never cashes out the one term that makes it a theory of justice rather than a theory of what people happen to prefer. He argues with Rawls over which principles a just society honors. Turner stands outside the argument and notes that both men assume the normative domain is real and stocked, and that neither ever says what a normative fact is or why it binds a soul who declines to feel bound. They quarrel over the furniture and never check the floor.
Human rights show the posit. Sen defends rights as ethical claims that hold prior to any law, entitlements a man carries whether or not a state enforces them. A legal right Turner can explain in a sentence, since courts and police and expectations make it a fact in the world. An ethical right with no enforcement behind it is a different animal. It is an obligation hanging in the air, binding by assertion alone, with no cause, no sanction, no institution to give it weight. Sen treats this floating ought as the most solid thing in his system, the bedrock under the law. Turner sees a posit suspended over nothing, doing no work that the practices of claiming, demanding, and shaming do not already do.
Sen thinks of himself as the man who rescued the normative from the positivists, who showed that economics cannot dodge the ought. Turner shares Sen’s contempt for the positivist and holds it for the opposite reason. The positivist and Sen agree on the live question, whether to admit normative facts into the science. The positivist says keep them out. Sen says let them in. Turner says there are no such facts to admit or refuse. There are men acting, expecting, sanctioning, and feeling bound, and the feeling of bindingness is a real fact about them that wants explaining. The error is to take the feeling for a fact in the world, the first-person grip of obligation for a third-person force in the order of things. Sen reopened a room and furnished it richly. He never noticed that the floor he stood on was the same feeling he mistook for ground.
Sen wants both crowns. He wants the legitimacy of the democrat, who trusts the people to reason their way to the good, and he wants the authority of the expert, whose measure tells governments what the good is. Turner’s work on expertise shows why a man cannot wear both crowns at once, and the Human Development Index is where the two slip from Sen’s head together.
Turner’s question in The Politics of Expertise: How does expert authority earn legitimacy in a polity built on the equal standing of citizens? Liberal democracy rests on consent, and consent assumes that the people can weigh the claims made on them. The expert makes claims the people cannot weigh. His knowledge sits beyond their check, so his authority looks less like the consent of equals and more like the word of a priest. Turner sorts experts by how they hold their audience, and he marks the gravest case, the expert who fuses with the administrative state, whose claims turn coercive through public power while the public stays unable to test them. That expert governs while he calls his work neutral, technical, above the fray. The neutrality is the costume. The power is real.
Set Sen’s two roles side by side and the costume slips.
The democrat speaks first. Sen refuses to let a philosopher fix the list of human capabilities. He told Martha Nussbaum the list must come from public reasoning in each place, open and revisable, never carved by a single expert hand. He grounds justice in open discussion. He credits the free press and the voting public, not the planner, with stopping famine. The Argumentative Indian and The Idea of Justice raise the reasoning citizen to the center of the moral order. Trust the people, Sen says, and let them argue their way toward the good.
Then the expert builds the index. Sen, with Mahbub ul Haq, fixes three things, a long life, a schooled mind, a decent income, weights them, folds them into a single number, and hands it to the United Nations to publish as the measure of development for every nation on earth. No public deliberated that choice. A small circle of development economists chose the components, set the weights, picked the functional form. The number then rules. Aid follows it, ministries chase it, a nation reads its rank and feels the verdict. The man who would not let a philosopher fix the human good signed a global scorecard that fixes three pieces of it for all mankind, stamped by an intergovernmental body the voters never elected. The metric overrules the deliberation it claims to serve.
Sen knows the strain, and he has a defense. He treated the index as a blunt instrument, a strategic crudity meant to wrestle attention away from gross domestic product, never the truth of welfare. Haq called it a vulgar measure on purpose, vulgar enough to fight GDP on its own ground. Sen kept his distance from any claim that the three numbers captured capability. At the level of theory he stayed the democrat, holding that the real human good must be settled by the people who live it.
Turner’s reply cuts straight through the defense. The disclaimer does not travel with the number. Once the index enters the world, the caveats stay in the seminar and the ranking does the governing. The United Nations publishes Norway first and Niger near the bottom, and a ministry reads that as a fact about its worth and bends policy to climb. Sen’s nuance reaches a few hundred readers. His metric reaches every development office on the planet. That gap marks no flaw in how the index was received. It is how expert authority works. The expert keeps the qualifications for his peers and sends the bare result out to govern.
The public reasoning Sen prizes, at the technical floor where his framework lives, can only be carried out by the trained. No voter checks Arrow’s theorem or the proof of the liberal paradox. The reasoning that grounds social choice theory is expert reasoning the demos cannot follow, let alone contest. So Sen democratizes the conclusion and keeps the method behind glass. He tells the people the good must be theirs to decide, then hands them a framework whose foundations only economists can read. The citizen is sovereign over the answer and locked out of the workshop where the question gets its shape.
Even when Sen calls on the public to reason, the public reasons inside categories the expert supplied. Capability, functioning, freedom as the measure of a life, these are not found in the street. Sen built them, and the citizen who deliberates with them deliberates in a room the economist designed. Turner’s point lands here with full weight. The appeal to what reasonable people would accept hides the earlier act in which the expert set the terms reasonable people now use. The framing is the quiet exercise of authority, and it happens before the discussion the democrat celebrates ever opens.
