Surmounting five riddles of the information sphere

Martin Gurri writes:

“The hypothesis, which seems to me the most fertile,” wrote Walter Lippmann back in 1922, “is that news and truth are not the same thing, and must be clearly distinguished.” Lippmann found truth in the analysis of causes and relations—in context. I will have more to say about that.

But what is news?

A century of dishonesty has accumulated around that word. I’m willing to give a pass to political bias—the kind of reporting that makes Trump the villain of every New York Times story and the hero of Fox News. It’s perfectly possible to be an honest partisan. The lack of truthfulness I want to consider runs deeper and is more corrupting.

There is an implicit ideology of the news. It rests on three claims: one, that consumption of news produces the omnicompetent citizen supposedly required by democracy; two, that news is a special form of information, complete in scope and objective in tone; and three, that the mission of news is to act as the voice of the people against the predations of power and wealth. As with most ideologies, these propositions are not internally coherent—but note that they enable news practitioners to feel morally superior both to the public (which must be educated) and the political class (which must be exposed).

All three claims are false. As a record of human affairs, the news is a vast ocean of silence, sprinkled with arbitrary islets of content. Three million people died in the Congo out of range of the news, at a time when CNN was pursuing, relentlessly, the adventures of a runaway bride. The world is full of such forgotten humanitarian crises, ignored by Western journalists. It is taken for granted that presidents and politics rule the news—while science, technology, poetry, the visual arts, philosophy, and religion receive scarcely a whisper.

News is not truth. In the time of the tweet, news isn’t even first in delivering “news or information,” as journalism professor Jeff Jarvis recently noted. News is bait for ads sold by a hard-nosed business: rather than inform citizens or protect the underdog, the New York Times, the Wall Street Journal, CNN, Fox News, Vox, and Politico are trying desperately to make money. That fact explains many of the strange distortions of news content. The failure to cover the civil war in the Congo was a business decision. So is the obsession with Trump. The primacy of politics, on the other hand, allows journalists and media owners to feel like players in the great game—with an added moralistic buzz. Jeff Bezos’ purchase of the Washington Post converted an unpopular billionaire into the hero who would save democracy from dying in darkness.

The riddle posed by such contradictions has a simple answer. Let’s demystify the news. We can consume it or not, believe it or not, find it useful and entertaining or not, but we must never again grant it a privileged position, either in our politics or in the hierarchy of information. The public has lost all trust in the news. That can be repaired with a sensible reappraisal of its value. Freed from magical claims, the news will cease to be an agent of dishonesty and post-truth, and assume its proper place among the information sphere’s near-infinity of stuff.

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The Real ‘Social Dilemma’? It’s Our Clueless Elites.

Martin Gurri writes:

What are we to make of the feature length documentary, The Social Dilemma? I would start with the fact that it’s immune to contradiction. You have to go to Netflix, a digital streaming service, to get lectured for 94 minutes about the horrors of digital life. In fact, the documentary is a “Netflix original,” which means it must have received some portion of the $17 billion the streaming giant spends on proprietary content. So it’s the web exploiting the anti-web. But you can also think of The Social Dilemma as a slick, manipulative film production slamming the big digital platforms for their slick, manipulative algorithms.

The digital environment, it seems, is Plato’s cave—dancing shadows on a wall that confuse and distract you. Or it’s a twist on the Hotel California, where you check in whenever you switch on your smartphone but you can never leave. Or it’s an evolutionary death trap, into which you are seduced by the lure of algorithmic brain candy. So we are told during the film by a succession of neo-Luddites and repentant techies who have themselves risen above any such failings. They know better, and they will grab you by the shoulders and tell you why.

Formally, The Social Dilemma consists of a series of interviews with experts inserted in brief cuts, which alternates with a supposedly comedic docu-drama about an average family’s travails with the smartphone, also presented in snippets. The level of subtlety probably falls below that of Soviet propaganda, but the point is clear enough. Properly understood, the documentary is an extended rant about the 21st century, using the digital world as proxy.

Viewing the web as a political doomsday device is now mandatory among our elites. Barack Obama, who won the presidency in 2008 in part because of a brilliant online campaign, recently told The Atlantic that he considers “the internet” to be the “single biggest threat to our democracy.” Francis Fukuyama, that barometer of elite opinion, holds that “social media” has been “weaponized against democracy.” The Social Dilemma pitches to this unhappy audience, riding every argument over the cliff to the most extreme conclusions.

In it, we are told that the internet is “really bad” or maybe “really, really bad,” like “a drug” but also like a “rabbit hole,” a “totally new species of power” that uses “disinformation for profit as a business model,” controlled by “digital Frankensteins that are terraforming the world in their image.” The effects are said to be manipulation, addiction, polarization, and exile to a kingdom of lies. “This is overpowering human nature,” intones Tristan Harris, a former “design ethicist” at Google who is introduced as “the closest thing to a conscience” in Silicon Valley, “and this is checkmate on humanity.” As we shuffle through this hellish landscape, the Obama theme is sounded—there’s talk of “a global assault on democracy,” for example—but, by comparison, it feels like a minor complaint.

The film treats the concept of “persuasion” as a self-evident moral abomination on a par with child abuse or cannibalism.

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Slouching Toward Post-Journalism

Martin Gurri writes:

Traditional newspapers never sold news; they sold an audience to advertisers. To a considerable degree, this commercial imperative determined the journalistic style, with its impersonal voice and pretense of objectivity. The aim was to herd the audience into a passive consumerist mass. Opinion, which divided readers, was treated like a volatile substance and fenced off from “factual” reporting.

The digital age exploded this business model. Advertisers fled to online platforms, never to return. For most newspapers, no alternative sources of revenue existed: as circulation plummets to the lowest numbers on record, more than 2,000 dailies have gone silent since the turn of the century. The survival of the rest remains an open question.

Led by the New York Times, a few prominent brand names moved to a model that sought to squeeze revenue from digital subscribers lured behind a paywall. This approach carried its own risks. The amount of information in the world was, for practical purposes, infinite. As supply vastly outstripped demand, the news now chased the reader, rather than the other way around. Today, nobody under 85 would look for news in a newspaper. Under such circumstances, what commodity could be offered for sale?

During the 2016 presidential campaign, the Times stumbled onto a possible answer. It entailed a wrenching pivot from a journalism of fact to a “post-journalism” of opinion—a term coined, in his book of that title, by media scholar Andrey Mir. Rather than news, the paper began to sell what was, in effect, a creed, an agenda, to a congregation of like-minded souls. Post-journalism “mixes open ideological intentions with a hidden business necessity required for the media to survive,” Mir observes. The new business model required a new style of reporting. Its language aimed to commodify polarization and threat: journalists had to “scare the audience to make it donate.” At stake was survival in the digital storm.

The experiment proved controversial. It sparked a melodrama over standards at the Times, featuring a conflict between radical young reporters and befuddled middle-aged editors. In a crucible of proclamations, disputes, and meetings, the requirements of the newspaper as an institution collided with the post-journalistic call for an explicit struggle against injustice.

The battleground was the treatment of race and racism in America. But the story began, as it seemingly must, with that inescapable character: Donald Trump.

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A Vast Web Of Vengeance (1-30-21)

00:00 Babs joins
05:00 Luke’s acting debut in 1995’s Apricot Sky, https://www.youtube.com/watch?v=vpsl34lzjPs
35:00 The Revolt of The Public and the Crisis of Authority in the New Millennium by Martin Gurri, https://lukeford.net/blog/?p=136761
1:15:00 Social media bullying, https://www.the-sun.com/news/437945/quaden-bayles-mums-fury-as-sick-trolls-make-fake-social-media-accounts-for-bullied-boy-9-falsely-claiming-hes-a-man/
1:27:20 Angelo John Gage talks to Cynthia Mckinney, https://www.youtube.com/watch?v=5eWPiWk1aYQ
1:30:20 Gamestop
1:32:20 E. Michael Jones on Post Trump Populism and Narrative vs. Truth
1:40:20 Paul Joseph Watson on Gamestop
1:47:00 Why do conspiracy theories exist? | Tim Dillon and Lex Fridman, https://www.youtube.com/watch?v=11Q82TERoiI

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Elites, Plebs & Gamestop (1-29-21)

00:00 The Revolt of The Public and the Crisis of Authority in the New Millennium, https://lukeford.net/blog/?p=136761
10:00 Fireside chat with Martin Gurri, author of “The Revolt of The Public”
23:00 How Will the GameStop Game Stop?, https://www.bloomberg.com/opinion/articles/2021-01-28/knowing-when-to-sell-gamestop-stock-at-the-top-is-impossible?sref=KAl0RdxD
30:00 Babs joins
39:00 Conspiracy or kludge? http://www.arnoldkling.com/blog/conspiracy-or-kludge/
50:00 The Way Out of Post-Truth, https://www.discoursemagazine.com/culture-and-society/2020/05/26/the-way-out-of-post-truth/
1:11:30 Steve Bannon tiring of Mayor Rudy?
1:14:00 What happened with GameStop?, https://marketsweekly.ghost.io/what-happened-with-gamestop/
1:20:00 Elites hold a conference to regain trust, https://thefifthwave.wordpress.com/2019/07/23/notes-from-a-nameless-conference/
1:34:00 A tale of two elites, https://thefifthwave.wordpress.com/2019/09/17/a-tale-of-two-elites/
1:43:20 Mike Enoch of NJP about the oligarchy’s war against the people, https://www.bitchute.com/video/ARCXHquPkrxP/
1:47:00 Styx: Responding to Raw Story and Leftists Defaming Me as a “Holocaust Denier” and “Nazi”
1:50:20 Kraut update
1:54:40 Boi Mike Dunn on InfoWars: Lawful and Legal Protest Has Failed
2:12:40 Military Vetted for Far Right Views – Dr Kevin MacDonald, Mark Collett
2:16:30 Martin Gurri on the Revolt of the Public 5/25/20, https://www.youtube.com/watch?v=fxf-JGhpTsU
2:17:40 Robinhood restricts ability to buy 50 stocks
2:23:00 Has the Trumpian Populist Revolt Been a Success?, https://www.youtube.com/watch?v=Hj_AN99Zmu4

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