The movement to diversify Hollywood is a movement to drive out Jews. Hollywood is a Jewish industry. Making it more diverse makes it less Jewish. It’s not whites who run Hollywood so much as Jews who run Hollywood.
Then there was the sudden appearance in the fall of 2014—from Israel, via Miami—of a slightly-built, bald-pated Beck “superfan” who spouted the slick jargon of Silicon Valley, chain-smoked a vaporous e-cigarette (holding it in his right hand that is missing two-and-half fingers, the result of a childhood accident with a meat grinder), and somehow networked himself into Beck’s inner circle.
Beck apparently became infatuated with Jonathan Schreiber, who has been regularly spotted in Beck’s expansive, glass-walled office, sometimes entangled in a hug with the boss, and whose Orthodox Judaism apparently meshes well with Beck’s ardent religiosity as a Mormon convert.
Last April, Schreiber was named president of Beck’s privately held umbrella company, Mercury Radio Arts—of which The Blaze is a subsidiary, along with a diverse collection of enterprises including a publishing imprint at Simon & Schuster, a clothing line, a movie studio, and a guide to trustworthy real estate agents.
Schreiber, a native of Florida who graduated with a marketing degree from Yeshiva University, is a 41-year-old tech entrepreneur whose arrival coincided with the exit of nearly everyone who had steered Beck’s career and built him into a national brand and wildly successful radio personality.
