Antiracism, Our Flawed New Religion

Black intellectual John McWhorter writes:

An anthropology article from 1956 used to get around more than it does now, “Body Ritual Among the Nacirema.” Because my mother gave it to me to read when I was 13, of course what I remember most from it is that among the Nacirema, women with especially large breasts get paid to travel and display them. Nacirema was “American” spelled backwards—get it?—and the idea was to show how revealing, and even peculiar, our society is if described from a clinical distance.

These days, there is something else about the Nacirema—they have developed a new religion. That religion is antiracism. Of course, most consider antiracism a position, or evidence of morality. However, in 2015, among educated Americans especially, Antiracism—it seriously merits capitalization at this point—is now what any naïve, unbiased anthropologist would describe as a new and increasingly dominant religion. It is what we worship, as sincerely and fervently as many worship God and Jesus and, among most Blue State Americans, more so.

To someone today making sense of the Nacirema, the category of person who, roughly, reads The New York Times and The New Yorker and listens to NPR, would be a deeply religious person indeed, but as an Antiracist. This is good in some ways—better than most are in a position to realize. This is also bad in other ways—worse than most are in a position to realize.

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For example, Ta-Nehisi Coates, now anointed as James Baldwin’s heir by Toni Morrison, is formally classified as a celebrated writer. However, the particulars of his reception in our moment reveal that Coates is, in the Naciremian sense, a priest. Coates is “revered,” as New York magazine aptly puts it, as someone gifted at phrasing, repeating, and crafting artful variations upon points that are considered crucial—that is, scripture. Specifically, Coates is celebrated as the writer who most aptly expresses the scripture that America’s past was built on racism and that racism still permeates the national fabric.

This became especially clear last year with the rapturous reception of Coates’s essay, “The Case for Reparations.” It was beautifully written, of course, but the almost tearfully ardent praise the piece received was about more than composition. The idea was that the piece was important, weighty, big news. But let’s face it—no one, including Coates himself, I presume, has any hope that our current Congress is about to give reparations for slavery to black people in any significant way. Plus, reparations had been widely discussed, and ultimately put aside, as recently as 15 years ago in the wake of Randall Robinson’s The Debt. Yet Coates’s article was discussed almost as if he were bringing up reparations as a new topic.

It actually made perfect sense. People loved Coates’s article not as politics, since almost no one thinks reparations are actually going to happen. But belle-lettristic concerns weren’t the key either: Coates is hardly the only writer out there who has a way with the words. People were receiving “The Case for Reparations” as, quite simply, a sermon. Its audience sought not counsel, but proclamation. Coates does not write with this formal intention, but for his readers, he is a preacher. A.O. Scott perfectly demonstrates Coates’s now clerical role in our discourse in saying that his new book is “essential, like water or air”—this is the kind of thing one formerly said of the Greatest Story Ever Told.

About Luke Ford

I've written five books (see Amazon.com). My work has been covered in the New York Times, the Los Angeles Times, and on 60 Minutes. I teach Alexander Technique in Beverly Hills (Alexander90210.com).
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