Sam the Man is a Terrific Film It’s about a blocked novelist who struggles with infidelity. Sam the Man is the first time I’ve disagreed with the rankings on imdb.com, which I’ve usually found to be the best gauge of a movie. IMDB.com gave it a 3.6 on a 1-10 scale, probably because it was shot on digital video. Brian J. Dillard in the All Movie Guide writes:
Before he broke out with the J.D. Salinger-esque Tadpole in 2002, producer-turned-director Gary Winick filmed this little-seen relationship drama. Fisher Stevens stars as the title character, a writer with one novel under his belt who can’t seem to deliver the follow-up. Instead, he spends his time compulsively cheating on his photographer girlfriend, Cass (Annabella Sciorra); giving the runaround to his agent, Richard (Ron Rifkin); and trying to keep his landlord, Murray (Luis Guzman), at bay. Things take a turn for the worse when the husband of one of Sam’s conquests (Maria Bello) confronts him, leaving Sam covered in hard-to-explain injuries. Soon, with the help of his barkeep brother, Lorenzo (Saverio Guerra), Sam is holding down a day job for the first time in years and reexamining every aspect of his life. After the success of Tadpole, the Independent Film Channel picked up Sam the Man for broadcast on cable television. The film’s cast, filled with notable and lesser-known New York actors, includes George Plimpton, Griffin Dunne, and Rob Morrow.
There’s an interesting idea for a movie contained in the final scenes of Sam The Man, about a writer who deliberately sabotages his personal relationships so that he’ll have something to write about. By the time we’ve gotten there, though, it’s too little too late ‚Äì we’ve already been forced to sit through the self-involved, depressing little tale of a self-involved, depressing little man.
