Author Archives: Luke Ford

About Luke Ford

I teach Alexander Technique in Beverly Hills (Alexander90210.com).

The Meir Soloveichik Show

Meir Soloveichik (b. 1977) speaks the way he writes, and he writes the way a man talks who has read everything and kept all of it. The first thing you notice is erudition worn light. He moves from a page … Continue reading

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The Albert Camus Show

Albert Camus (1913-1960) speaks French with the accent of Algiers, not Paris. He grows up poor in Belcourt, a working-class quarter of the colonial capital, raised by a nearly deaf mother of Spanish descent who can barely read. That world … Continue reading

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The Desmond Ford Show

Ford preaches from memory, and every witness records it first. He quotes chapter and verse for an hour without notes. He pulls Ellen White from recall the same way. A former Avondale student from the late sixties describes him as … Continue reading

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The David Wolpe Show

David Wolpe (b. 1958) preaches as an essayist. His pulpit voice and his prose voice sit close, closer than for most rabbis. He thinks in sentences that hold their shape. He prizes the line you remember on the drive home. … Continue reading

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The Barry Humphries Show

Barry Humphries (1934-2023) built his personas out of the ear before the eye. He listened to how Australians talked, collected the suburban idiom, the brand names, the genteel pretensions, and gave it all back heightened. The costumes came second. Each … Continue reading

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The Monty Python Show

John Cleese (b. 1939) owns the upper register of class and rage. He speaks in clipped, over-enunciated English, the diction of a man who has read the rule book and intends to enforce it. The voice starts cold and correct, … Continue reading

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The Jeremy Irons Show

Jeremy Irons (b. 1948) owns an instantly recognizable voice, a low baritone that he pitches down and slows almost to a drawl. He speaks from the chest. The sound carries weight and a kind of fatigue, as if every sentence … Continue reading

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The Donald Trump Show

Donald Trump (b. 1946) speaks the way a man talks at a bar when he owns the bar. He commands the room through volume, repetition, and confidence rather than through structure or argument. His sentences rarely finish where they start. … Continue reading

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The Richard Spencer Show

Richard B. Spencer (b. 1978) built a voice designed to launder the content. The press kept calling him dapper because that was the whole performance. He spoke in a measured, even register, slightly flat, slow enough to sound deliberate. He … Continue reading

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The Barack Obama Show

Barack Obama (b. 1961) speaks in two registers and slides between them at will. One is the seminar room. He qualifies, he weighs, he sets up the other side’s argument before he answers it. The other is the pulpit. He … Continue reading

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