Few things have done more to morally uplift America than rap music.
These great musicians are every bit the equal of pimps, hos and dealers and what they push is equally valuable.
Jewish rappers are everything that Isaiah, Jeremiah and Amos had in mind for the Jewish role in the world.
Jesse Bernstein writes:
Any Jewish rapper working today owes an enormous debt to Def Jam Records founder Rick Rubin and the troublemakers he released upon the world—Michael “Mike D” Diamond, Adam “Ad Rock” Horovitz, and Adam “MCA” Yauch. From the day Licensed to Ill (1986) dropped, the Beastie Boys—that rollicking, nasally, raunchy trio of New York Jews—has been unapologetically themselves, in all their irreverent glory.
Rubin and the Beastie Boys created a space for themselves in popular music that hadn’t existed in a meaningful way since before World War II: a space for Jews to coexist with black music, while also distinguishing themselves from “whites.” The Beasties meant to offend, meant to subvert assumptions—and their way of achieving that (besides giant inflatable penises on stage) was to not only behave in a manner oh-so-unbecoming of well-to-do New York Jews, but to create some of the most enduring rap albums of the era while paying proper homage to the African-American artists who created the genre in which they worked.
Though the Beasties were rarely so explicit about the politics of musical identity in their lyrics, they were blatantly Jewish, from their nasally delivery to their penchant for performing in Orthodox Jewish garb. Judaism wasn’t always a part of their actual lyrics, but it was the defining characteristic of who they were: They were New York Jewish kids, and they flaunted it, even after they moved to L.A…
Arian Aslani, aka Action Bronson, is a mountain of a man who sports a frizzy red beard that makes his head seem even larger than it is, and at around 300 pounds, he’s got the type of heft that gives him an almost regal bearing; to watch him sample haute cuisine in his Vice eating series, Fuck, That’s Delicious, is what I imagine watching William Taft eat must’ve looked like…
So wake up early, hop off the shitter
Employ a lawyer that’s been bar mitzvahed
Never trust goyim, see me sippin’ spritzer
Hookers with Spitzer
“That’s the way it goes when you party just like I do/ Bitches on my dick that used to brush me off in high school/ Take over the world when I’m on my Donald Trump shit.”
…No mainstream rapper has ever been as openly, deliberately Jewish as Dave Burd, aka Lil’ Dicky. His first mixtape, So Hard (2013), features Burd standing in the middle of a gigantic, flaming Magen David, and the first track, “Ham,” starts with “Whoa, so hard/ Jews is never supposed to go ham, but fuck it.” It’s a joke, but on another level, it’s illustrative of the struggle at the center of Dicky’s persona—the tug-of-war between Dave Burd, the nebbishy Jew who openly wishes he “could just say black things,” and Lil’ Dicky, the brash, confrontational rapper who goes clubbing with Snoop Dogg and Fetty Wap…
Drake has straddled his given identities like very few rappers do. His father was black, and he comfortably uses the n-word; however, his mother was white and Jewish, and even though being black and Jewish isn’t a contradiction in any way, it still is perceived that way in the mainstream. He’s embraced it, though. Though his Judaism is usually manifested in punchlines (“Bar mitzvah money like my last name Mordechaiiii”), he still posts Passover pictures on Instagram, and “You and the 6,” addressed to his mother, is as good as a year’s worth of phone calls. And of course, the music video for “H.Y.F.R.” is the greatest moment in Jewish hip-hop history. What other rapper could pull off a bar mitzvah-themed music video with Lil’ Wayne, DJ Khaled, and Birdman?
