{"id":86736,"date":"2016-01-29T17:03:40","date_gmt":"2016-01-30T01:03:40","guid":{"rendered":"http:\/\/www.lukeford.net\/blog\/?p=86736"},"modified":"2016-01-29T17:04:32","modified_gmt":"2016-01-30T01:04:32","slug":"the-casting-by-julius-streicher","status":"publish","type":"post","link":"https:\/\/lukeford.net\/blog\/?p=86736","title":{"rendered":"The Casting By Julius Streicher"},"content":{"rendered":"

Did Western Civilization go off the rails when Julius Streicher<\/a>, an anti-Jewish satirist, was put to death after WWII for incorrect opinions? Streicher never killed anyone. He simply made fun of Jews.<\/p>\n

From Tabletmag<\/a>:<\/p>\n

While most Coen characters could be considered garden variety shmeggeges, Larry Gopnik is something more culturally specific: a schlemiel. A shmeggege is merely a nitwit. The luckless and self-deceiving, well-intentioned but ineffectual schlemiel, defined by the Universal Jewish Encyclopedia as one who \u201chandles a situation in the worst possible manner\u201d is an existential victim\u2014or maybe the embodiment of an existential condition. It\u2019s been suggested by Ruth Wisse in her published doctoral dissertation The Schlemiel as Modern Hero<\/a><\/em> (a title sounding like a Woody Allen gag) that for writers like Sholem Aleichem the Jews were \u201ca kind of schlemiel people\u201d and that his American heirs, Saul Bellow, Bernard Malamud et al., perfected the schlemiel as literary type.<\/p>\n

Abandoned by his wife, betrayed by his colleagues, ignored by his children, confounded by his rabbis, Larry Gopnik could be the most fully fledged schlemiel in American fiction since the eponymous anti-hero of Bruce Jay Friedman<\/a>\u2019s Stern<\/em>. Stern, however, was a schlemiel in a gentile world; Gopnik is surrounded by Jews so grotesque that the movie might have been cast by Julius Streicher. (A Serious Man<\/em>, as outraged Village Voice<\/em> reviewer Ella Taylor wrote<\/a> in a memorable rant, was \u201ccrowded with fat Jews, aggressive Jews, passive-aggressive Jews, traitor Jews, loser Jews, shyster-Jews, emo-Jews, Jews who slurp their chicken soup, and\u2014passing as sages\u2014a clutch of yellow-toothed, know nothing rabbis.\u201d They are, to say the least, uniformly unlovely.)<\/p>\n

Although a robust disdain for their creatures is a given, it is when the Coens deploy explicitly Jewish characters that their glee turns hostile. The spectacle of the pathetic cringing Jew played by John Turturro on his knees and begging for his life in Miller\u2019s Crossing<\/em> was less antic than appalling. Turturro starred as another sort of Jew in Barton Fink<\/em>, which, set in 1941, staged a virtual death match between two then potent stereotypes\u2014the vulgar Hollywood mogul and the arty New York communist\u2014without any hint that their minstrel show battle royale was occurring at the acme of worldwide anti-Semitism. That might have ruined the joke.<\/p>\n","protected":false},"excerpt":{"rendered":"

Did Western Civilization go off the rails when Julius Streicher, an anti-Jewish satirist, was put to death after WWII for incorrect opinions? Streicher never killed anyone. He simply made fun of Jews. From Tabletmag: While most Coen characters could be … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[605],"tags":[],"class_list":["post-86736","post","type-post","status-publish","format-standard","hentry","category-anti-semitism"],"aioseo_notices":[],"aioseo_head":"\n\t\t\n\t\n\t\n\t\n\t\n\t\n\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t\n\t\t